Joe Orton (British dramatist) is an example.

 

Islington Library in London, UK, has the Joe Orton Collection:
Books, cuttings, and reproductions of the Islington Library books famously doctored by Joe Orton and his lover Kenneth Halliwell at their Islington flat.

http://www.islington.gov.uk/Leisure/LocalHistory/localhistorycentre/Whats_available.asp

 

There are pictures at:

http://www.joeorton.org/Pages/Joe_Orton_Gallery13.html

 

Jonathan

 

Jonathan Franklin

Chief, Library, Archives and Research Fellowships Program

National Gallery of Canada

380 Sussex Drive

PO Box 427, Station A

Ottawa, Ontario

K1N 9N4

Canada

telephone (613) 990 0590

fax (613) 990 6190

email [log in to unmask]

 

 

 

In relation to a broader study of artists interventions in libraries, I would be interested in the experiences of colleagues with pranks in the library that seemed to have artistic motives.  I am primarily seeking examples where permission was not obtained from the library.  Please indicate if pictures or other documents are available.  To clarify my request, here are a couple of examples from my own experience:

A small number of blackened books were discovered inter-filed with arts books at several locations in the Carnegie Mellon University Libraries.  Each was a paperback, not from the library collection, which had apparently been soaked in black ink and dried. These resembled charred books.  Seemed artistic because of the alarming visual impact and strong associations.  No pictures or documentation.  This occurred in the 1990s.

Small cards are occasionally found in books in Pattee Library at Penn State University.  Each contains a brief statement related to questioning or seeking.  All are on the same manila card stock and printed in the same upper case type.   I have saved one example: If no one will show you what you are looking for, look somewhere else.

Respond on or off list as you prefer.  (I usually prefer off-list, but perhaps you have an example that will brighten everyone's day.)

Thank you,

Henry Pisciotta
Arts and Architecture Librarian
Penn State University
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BTW:  I have plenty of information on the following well-documented examples, but would nonetheless be interested in communicating with people who had direct experience with these events:

• John Latham, Art and Culture, 1966-9. (St. Martins School of Art, London)
• Temporary Services, Library Project, 2001. (Harold Washington Library, Chicago)
• Kathy Slade, 52 Transactions, 2006-7. (Vancouver Public Library)