I too was curious to find out which books Sarah Palin wanted to ban, and a bit disappointed that as of yesterday afternoon there was nothing on ALA's website.
What I did find (Time mag online) indicated that she had asked the librarian if she'd be willing to ban books that Palin found objectionable. It could be that there was no list, which makes the whole thing even more frightening: why bother compiling a list of books you've never read, with a corresponding list of objections, when you, as an individual censor, can say, "I don't want these books here."
Nina Nazionale
Director of Library Operations
The New-York Historical Society
170 Central Park West
New York, NY 10024
(212) 485-9272
[log in to unmask]
-----ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> wrote: -----
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From: Claire Dannenbaum <[log in to unmask]>
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========================================================================Date: Mon, 8 Sep 2008 12:59:43 -0500
Reply-To: Elizabeth Schaub <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Elizabeth Schaub <[log in to unmask]>
Subject: Fwd: [LibraryLink] Library Link of the Day for 2008-09-08
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See the link below to an article in The Anchorage Daily News about
Palin and the book banning issue..
Cheers,
/Elizabeth
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Elizabeth Schaub
Director, Visual Resources Collection
School of Architecture
The University of Texas at Austin
1 University Station, B7500
Austin, Texas 78712-0222
512.471.5003 (vox)
512.471.0716 (fax)
[log in to unmask]
ARLIS/NA Education Liaison
ARLIS/Texas-Mexico Chapter Past President
VRA Bulletin Associate Editor
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Begin forwarded message:
> From: "Library Link of the Day " <[log in to unmask]>
> Date: September 8, 2008 2:20:19 AM CDT
> To: [log in to unmask]
> Subject: [LibraryLink] Library Link of the Day for 2008-09-08
> Reply-To: "Library Link of the Day " <[log in to unmask]>
>
>
> http://www.adn.com/sarah-palin/story/515512.html
> Palin pressured Wasilla librarian [The Anchorage Daily News]
>
> ................................................................
> Library Link of the Day
> http://www.tk421.net/librarylink/ (archive, rss, subscribe options)
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">See the link below to an article in <i>The Anchorage Daily News</i> about Palin and the book banning issue..<div><br></div><div>Cheers,</div><div>/Elizabeth</div><div><div apple-content-edited="true"> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div><div>Elizabeth Schaub</div><div>Director, Visual Resources Collection</div><div>School of Architecture</div><div>The University of Texas at Austin</div><div>1 University Station, B7500</div><div>Austin, Texas 78712-0222</div><div>512.471.5003 (vox)</div><div>512.471.0716 (fax)</div><div><a href="mailto:[log in to unmask]">[log in to unmask]</a></div><div><br class="webkit-block-placeholder"></div><div>ARLIS/NA<span class="Apple-converted-space"> </span>Education Liaison</div><div>ARLIS/Texas-Mexico Chapter Past President</div><div>VRA Bulletin Associate Editor</div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div></div></div></div></span></div></span></div></span></div></span></div><div><br><div>Begin forwarded message:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>From: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica">"Library Link of the Day " <<a href="mailto:[log in to unmask]">[log in to unmask]</a>></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>Date: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica">September 8, 2008 2:20:19 AM CDT</font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>To: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica"><a href="mailto:[log in to unmask]">[log in to unmask]</a></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>Subject: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica"><b>[LibraryLink] Library Link of the Day for 2008-09-08</b></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>Reply-To: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica">"Library Link of the Day " <<a href="mailto:[log in to unmask]">[log in to unmask]</a>></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> </div><div><br><a href="http://www.adn.com/sarah-palin/story/515512.html">http://www.adn.com/sarah-palin/story/515512.html</a><br>Palin pressured Wasilla librarian [The Anchorage Daily News]<br><br>................................................................<br>Library Link of the Day<br>http://www.tk421.net/librarylink/ (archive, rss, subscribe options)<br></div></blockquote></div><br></div></body></html>__________________________________________________________________
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--Apple-Mail-8--76068198--
========================================================================Date: Mon, 8 Sep 2008 14:30:05 -0400
Reply-To: "Fry, P. Eileen" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Fry, P. Eileen" <[log in to unmask]>
Subject: Anouncing the 2009 ARLIS/NA Indianapolis Conference Website
Comments: To: "[log in to unmask]" <[log in to unmask]>
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We are pleased to announce that the official website for the 2009 ARLIS/NA Annual Conference is now available.
http://www.indiana.edu/~indycon/
It is also accessible via the ARLIS/NA website
http://www.arlisna.org/news/conferences/conf_index.html
This year's conference, the CIRCLE CITY CONVERGENCE, will be April 16-21 in Indianapolis at the Downtown Marriott. Preliminary information about the 2009 Conference hotel, transportation, and area attractions is on the website now, along with our list of conference contacts. Most other content is still "under construction".
We are busily working on stellar program content and celebratory events, and will post those to the website when possible.
We look forward to welcoming you all to Indianapolis. StART Your Engines!
The ARLIS/NA Executive Board
2009 ARLIS/NA Conference Planning Team
ARLIS/NA Midstates Chapter
__________________________________________________________________
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<div class=Section1>
<p class=MsoNormal>We are pleased to announce that the official website for the
2009 ARLIS/NA Annual Conference is now available.<o:p></o:p></p>
<p class=MsoNormal><a href="http://www.indiana.edu/~indycon/">http://www.indiana.edu/~indycon/</a><o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>It is also accessible via the ARLIS/NA website<o:p></o:p></p>
<p class=MsoNormal><b><a
href="http://www.arlisna.org/news/conferences/conf_index.html">http://www.arlisna.org/news/conferences/conf_index.html</a><o:p></o:p></b></p>
<p class=MsoNormal><b><o:p> </o:p></b></p>
<p class=MsoNormal><b><o:p> </o:p></b></p>
<p class=MsoNormal>This year’s conference, the <b>CIRCLE CITY CONVERGENCE</b>,
will be <b>April 16-21</b> in <b>Indianapolis</b> at the Downtown
Marriott. Preliminary information about the 2009 Conference hotel,
transportation, and area attractions is on the website now, along with our list
of conference contacts. Most other content is still “under
construction”.<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>We are busily working on stellar program content and celebratory
events, and will post those to the website when possible.<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>We look forward to welcoming you all to Indianapolis.
St<b>ART</b> Your Engines!<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>The ARLIS/NA Executive Board<o:p></o:p></p>
<p class=MsoNormal>2009 ARLIS/NA Conference Planning Team<o:p></o:p></p>
<p class=MsoNormal>ARLIS/NA Midstates Chapter<o:p></o:p></p>
</div>
</body>
</html>
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--_000_B6B186B039447E4A9E99A26BD5099D981B7C957504iumssgmbx05ad_--
========================================================================Date: Mon, 8 Sep 2008 15:01:08 -0400
Reply-To: Donald Juedes <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Donald Juedes <[log in to unmask]>
Subject: Missing Page
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Dear ARLIS colleagues,
A page from one of our catalogs has been torn out; it has important information we need to catalog an image. Would someone be willing to scan the page and send it to me? Below is the catalog.
Please let me know off list if you have this book and can scan the page for me. I'll tell you the page numbers then, to avoid multiple kind souls running off and scanning it.
Thanks for considering!
Best,
Don Juedes
_______________________________
Title: Jacopo Bassano, c. 1510-1592 / a cura di Beverly Louise Brown e Paola Marini ; con scritti di Livia Alberton Vinco da Sesso ... [et al.].
Author: Bassano, Jacopo, ca. 1518-1592.
Subjects: Bassano, Jacopo, ca. 1518-1592 -- Exhibitions.
Publisher: Bologna : Nuova Alfa Editoriale, 1992.
Description: cclvi, 347 p. : col. ill. ; 28 cm.
Notes: Catalog of an exhibition held at the Museo civico, Bassano del Grappa, Sept. 5-Dec. 6, 1992 and at the Kimbell Art Museum, Fort Worth, Texas, Jan. 23-Apr. 25, 1993. Includes bibliographical references (p. 323-347).
Contributors: Brown, Beverly Louise, 1948- Marini, Paola. Alberton Vinco Da Sesso, Livia. Museo civico di Bassano del Grappa. Kimbell Art Museum.
__________________________________________________________________
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--=__PartF7DE7764.0__Content-Type: text/html; charset=US-ASCII
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<BODY style="MARGIN: 4px 4px 1px; FONT: 10pt Tahoma">
<DIV>Dear ARLIS colleagues,</DIV>
<DIV> </DIV>
<DIV>A page from one of our catalogs has been torn out; it has important information we need to catalog an image. Would someone be willing to scan the page and send it to me? Below is the catalog.</DIV>
<DIV> </DIV>
<DIV>Please let me know off list if you have this book and can scan the page for me. I'll tell you the page numbers then, to avoid multiple kind souls running off and scanning it.</DIV>
<DIV> </DIV>
<DIV>Thanks for considering!</DIV>
<DIV> </DIV>
<DIV>Best,</DIV>
<DIV> </DIV>
<DIV>Don Juedes</DIV>
<DIV>_______________________________</DIV>
<DIV> </DIV>
<DIV>Title: Jacopo Bassano, c. 1510-1592 / a cura di Beverly Louise Brown e Paola Marini ; con scritti di Livia Alberton Vinco da Sesso ... [et al.]. <BR>Author: Bassano, Jacopo, ca. 1518-1592. <BR>Subjects: Bassano, Jacopo, ca. 1518-1592 -- Exhibitions. <BR>Publisher: Bologna : Nuova Alfa Editoriale, 1992. <BR>Description: cclvi, 347 p. : col. ill. ; 28 cm. <BR>Notes: Catalog of an exhibition held at the Museo civico, Bassano del Grappa, Sept. 5-Dec. 6, 1992 and at the Kimbell Art Museum, Fort Worth, Texas, Jan. 23-Apr. 25, 1993. Includes bibliographical references (p. 323-347). <BR>Contributors: Brown, Beverly Louise, 1948- Marini, Paola. Alberton Vinco Da Sesso, Livia. Museo civico di Bassano del Grappa. Kimbell Art Museum. <BR></DIV></BODY></HTML>
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--=__PartF7DE7764.0__=--
========================================================================Date: Mon, 8 Sep 2008 15:07:03 -0400
Reply-To: Cyndi Adamo <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Cyndi Adamo <[log in to unmask]>
Subject: Available: FILM HISTORY v. 1, no. 1
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CROSS-POSTED WITH BACKSERV LISTSERV
--------------------------------------------------------------------------------------
Our library has the following issue
available to U.S. libraries
for postage reimbursement in U.S. Stamps (or check):
--FILM HISTORY
v. 1, no. 1 (2 copies)
Unless noted, all issues are complete, unbound, and in good condition to the best of our knowledge. Because of the number of journal gifts our library is receiving, it is not possible for us to check individual issues for completeness before shipping. If you receive something incomplete, please do NOT send reimbursement.
We MAY mark addresses off of covers with a black marker OR rip off address labels in the case of journals donated to us.
All items will be sent via USPS library rate mail. A copy of your request will be included in the package, along with the address for postage reimbursement.
If interested, contact Cyndi Adamo at [log in to unmask]
Items will be shipped in the order requested.
Thank you,
Cyndi
Cyndi Adamo
Serials Specialist - Mortensen Library
University of Hartford
200 Bloomfield Avenue
West Hartford, CT 06117
Ph: 860-768-4811
Fax: 860-768-5349
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<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">CROSS-POSTED WITH BACKSERV
LISTSERV</SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">--------------------------------------------------------------------------------------</SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Our library has the following
issue<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">available
to </SPAN><?xml:namespace prefix = st1 ns =
"urn:schemas-microsoft-com:office:smarttags"
/><st1:country-region><st1:place><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">U.S.</SPAN></st1:place></st1:country-region><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">
libraries<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">for
postage reimbursement in U.S. Stamps (or check):<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG>--FILM HISTORY<BR>v. 1, no.
1 (2 copies)<BR><BR></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Unless noted, all issues are
complete, unbound, and in good condition to the best of our knowledge. Because
of the number of journal gifts our library is receiving, it is not possible for
us to check individual issues for completeness before shipping. If you receive
something incomplete, please do NOT send reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">We MAY mark addresses off of covers
with a black marker OR rip off address labels in the case of journals donated to
us.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">All items
will be sent via USPS library rate mail. A copy of your request will be
included in the package, along with the address for postage
reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">If interested, contact Cyndi Adamo
at <A href="mailto:[log in to unmask]">[log in to unmask]</A></SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Items will be shipped in the order
requested.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Thank
you,<BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Cyndi</SPAN></P></DIV>
<DIV><FONT face=Arial size=2><BR>Cyndi Adamo<BR>Serials Specialist - Mortensen
Library<BR>University of Hartford<BR>200 Bloomfield Avenue<BR>West Hartford, CT
06117<BR>Ph: 860-768-4811<BR>Fax: 860-768-5349<BR><A
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></DIV></BODY></HTML>
__________________________________________________________________
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------=_NextPart_000_011E_01C911C4.8CE8D0A0--
========================================================================Date: Mon, 8 Sep 2008 15:47:19 -0400
Reply-To: "Stephen (Steve) Majure" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Stephen (Steve) Majure" <[log in to unmask]>
Subject: available: misc. art,
arch & photo related periodicals - through 9/17/08
Comments: To: [log in to unmask]
MIME-version: 1.0
Content-type: text/plain; charset=windows-1252
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cross-posted, please forgive any duplication
The Jen Library has the following items available to other North American institutions for the price of postage reimbursement (stamps are always preferred).
They will go to the dumpster on Wed, September 17, 2008.
You may forward this list to any library interested - libraries always come first but we are willing to accept personal requests for any leftovers (postage reimbursement is required with unused stamps).
**********************************************************
Please reply off-list to Eric: [log in to unmask]
**********************************************************
Bruckmann's Pantheon
1985 v.43
Curator
1998 v.41: 1 Mar
Historic Preservation Forum
1991 Mar/Apr
1996 Sum
Lighting Dimensions
1990 May/Jun, Dec
1991 Sep, Nov
1997 Dec
Living Artists
2000 12th ed.
Look: Quarterly Magazine of the UC Berkley Art Museum and Pacific Film Archive
2000-2001 Win
2001 Fall
2002 Spr
Maquette
1992 Nov.
Millimeter
1987 Dec
1989 Oct
1990 Apr, Dec
1991 Nov
1992 Mar, Apr, Jul, Oct
1993 Feb
2006 Dec
2007 Jan/Feb
MFA Bulletin (Boston)
1980 v.78
Mix
2001 Aug, Oct, Dec
2006 Jan, Feb, Mar
Modern Bride
2006 Dec/Jan
Museum Management and Curatorship
2005 Dec
Museum News
1977 Nov/Dec
1994 May/Jun, Jul/Aug, Sep/Oct
1997 Jan/Feb, Sep/Oct, Nov/Dec
1998 Jan/ Feb, Mar/Apr, Sep/Oct, Nov/Dec
2002 Jul/Aug, May/Jun
2003 Jan/Feb, May/Jun
2004 Sep/Oct
2005 Jan Feb
2006 Jan Feb, Mar/Apr
2007 Jan/Feb
Museums New York
1997 Sum
New Art Examiner
1990 Sum
1991 Apr, Jun/Sum
New Yorker
2006
Dec 25/Jan 1
2007
Jan 8, 15
Feb 12
Newsletter of the Society of Architectural Historians
2000 Apr, Oct
L’Officiel de la Couture et de la Mode de Paris
2007 Jun/Jul
Outdoor Photographer
1988 Jun, Oct, Nov
1989 Feb, Mar
1990 Dec
1991 Feb, Mar, Apr, May, Jun, Jul, Sep, Oct, Nov, Dec
1992 Feb, Mar, Apr, May, Aug, Oct, Nov
1993 May, Jun
1994 Apr, Nov
1995 Mar, Apr, Sep, Oct
Palette Talk
1970 no.12
Parabola
2006 v.31:1 Spr
Parachute
2003 Apr-Jun no.110
Paris match
1996 Oct
Photo Design
1996 no.10, 11
Photo Review
2000 Win
Photo Techniques
1996 Nov/Dec
Popular Mechanics
2007 Jul, Sep, Nov
Popular Photography & Imaging
2006 Apr, May, Jun
Praxis
1999 v.1: no.0 Fall
Preservation Forum
1987-1988 v.1: 1 Fal, 2 Win
1988 v.2: 1 Spr, 2 Sum, 3 Fal
1989 v.3: 1 Spr, 3 Fal
1990 v.4: 1 Spr
Preservation News
1980 Oct
1983 Oct, Nov, Dec
1984 Jan, Feb, Mar, Apr, May, Jun, Jul, Aug
1986 Jun, Aug
1988 Jun
1989 Apr, May. Jun, Jul, Aug, Sep, Nov, Dec
1990 Jan, Feb, Aug, Sep, Oct
1991 Jan, Feb, Mar
Preservation Progress (Charleston, SC)
2006 v.50: 1 Spr
Realites (France)
1978 Oct no. 388 (cover missing)
Religion and the Arts
1996 Fal
RPS Journal
2001 May, Jun
SAA Archaeological Record
2003 Jan
Saint Louis Art Museum Bulletin
1997 Win
See
1994-95 v.1 (prof. bound)
1996 v.2 (prof. bound)
Small Town
1977 Mar, Jun, Jul, Aug, Sep, Oct, Nov
1978 Feb, Mar, Apr, May, Aug, Sep
1979 Jan, Feb, Apr, May, Jun, Jul-Dec
1980 Mar/Apr, May/Jun, Jul/Aug, Sep/Oct
Comprehensive Index v.1-10 Jul 1969 – Jun 1980
1981 Jan/Feb, Mar/Apr
1982 Mar/Apr, May/Jun, Jul/Aug, Sep/Oct
1983 Nov/Dec
1984 Jan/Feb, Mar/Apr, May/Jun, Jul/Aug, Sep/Oct, Nov/Dec
1985 Jan/Feb
1987 Sep/Oct, Nov/Dec
1988 Jan/Feb, Mar/Apr, May/Jun
1989 Jul/Aug, Sep/Oct, Nov/Dec
1990 Mar/Apr, May/Jun
1991-1992 v.21-22 (Bound Volume)
1992 Jul/Aug, Sep/Oct, Nov/Dec
1993 Jul/Aug, Sep/Oct, Nov/Dec
1994 Jan/Feb, Mar/Apr, May/Jun
1995 Sep/Oct, Nov/Dec
1996 Jan/Feb
Le Spectacle du Monde (ISSN 0038-6944)
1980 Apr, May, Jul, Aug, Sep, Oct, Dec
1981 Jan
Sports Illustrated
1978
Oct 2, 16, 23, 30
Nov 20, 27
Dec 25/Jan 1
1979
Oct 1, 15, 29
Nov 12
Dec 3, 17
1980
Mar 13
1983
Jan 10, 17, 24, 31
Feb 14, 21
Mar 7, 21
1988
Jan 11, 25
Feb 1, 15 (cover censored by original donor), 29
Mar 7, 14, 28
1990
Mar 20
Studio Monthly
2006 v.28: 3 Mar, 4 Apr, 9 Sep, 11 Nov
2007 v.29: 1 Jan, 2 Feb
Style 1900
2006-07 v.19: 4 Fal/Win
Textiles Suisses
1989 Jun
TD&T
1998 Fall
Third Text
2007 v.21: 1 Jan
Videography
2006 Apr, Aug, Sep, Oct, Nov
2007 Jan, Mar, Apr, Sum, Jun, Jul
**********************************************************
Please reply off-list to Eric: [log in to unmask]
**********************************************************
Eric T. Reber, Serials Assistant
Jen Library
e-mail: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
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========================================================================Date: Mon, 8 Sep 2008 15:46:40 -0400
Reply-To: "Mario A. Ascencio" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Mario A. Ascencio" <[log in to unmask]>
Subject: Books censored by Sarah Palin
In-Reply-To: <[log in to unmask]>
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ALA is probably not mentioning it because it's a non-profit 501(c)(3). Any discussion of political candidates on the ALA listserv and/or Website jeopardizes their non-profit status.
-Mario
Mario A. Ascencio, MLIS
Visual Arts Liaison Librarian
George Mason University Libraries
4400 University Drive, MSN 2FL
Fairfax, Virginia 22030-4444
t: (703) 993-3720 f: (703) 993-2494
e: [log in to unmask]
----- Original Message -----
From: Nina Nazionale <[log in to unmask]>
Date: Monday, September 8, 2008 1:15 pm
Subject: Re: [ARLIS-L] Books censored by Sarah Palin
> I too was curious to find out which books Sarah Palin wanted to
> ban, and a bit disappointed that as of yesterday afternoon there
> was nothing on ALA's website.
>
> What I did find (Time mag online) indicated that she had asked the
> librarian if she'd be willing to ban books that Palin found
> objectionable. It could be that there was no list, which makes the
> whole thing even more frightening: why bother compiling a list of
> books you've never read, with a corresponding list of objections,
> when you, as an individual censor, can say, "I don't want these
> books here."
>
> Nina Nazionale
> Director of Library Operations
> The New-York Historical Society
> 170 Central Park West
> New York, NY 10024
> (212) 485-9272
> [log in to unmask]
>
>
>
> -----ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
> wrote: -----
>
>
> To: [log in to unmask]
> From: Claire Dannenbaum <[log in to unmask]>
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests,
> etc) to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 8 Sep 2008 13:57:35 -0700
Reply-To: Mike Zula <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Mike Zula <[log in to unmask]>
Subject: Fw: [ARLIS-L] Books censored by Sarah Palin
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I would be more inclined to believe that ALA would take a principled stand
if Palin could be directly tied to specific requests to ban certain titles
from the Wasilla, AK, Public Library, or to other actions directly connected
with the operation of that facility. In the September, 2008, issue of
AMERICAN LIBRARIES the current president of ALA Jim Rettig in a piece
entitled "A Fundamental Freedom; Celebrate during Banned Books Weeks" says
that: "Chris Crutcher, Lois Lowry, and other authors whose books regularly
come under assault from would-be censors will share their work September
27th in Chicago to kick off the celebration. ALA Office for Intellectual
Freedom Directior Judith Krug, ALA Executive Director Keith Michael Fiels,
and I (Jim Rettig) will participate in a readout at Pioneer Plaza, just
steps from the McCormick Freedom Museum, the nation's first museum dedicated
to freedom and the First Amendment." This was all published and distributed
in late August, and certainly before Palin's candidacy became public
knowledge. So again I would be surprised if the above magazine does not
make some mention of this banned books brouhaha associated with Palin in the
forthcoming monthly issue; I suspect that ALA may also be "getting its ducks
in a row" before it makes any official statements..
Floyd M(ike) Zula, retired ARLIS member
4405 S.E. Rex Street
Portland, OR 97206
503.772.2095
[log in to unmask]
----- Original Message -----
From: "Mario A. Ascencio" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Monday, September 08, 2008 12:46 PM
Subject: [ARLIS-L] Books censored by Sarah Palin
> ALA is probably not mentioning it because it's a non-profit 501(c)(3).
> Any discussion of political candidates on the ALA listserv and/or Website
> jeopardizes their non-profit status.
>
> -Mario
>
> Mario A. Ascencio, MLIS
> Visual Arts Liaison Librarian
> George Mason University Libraries
> 4400 University Drive, MSN 2FL
> Fairfax, Virginia 22030-4444
> t: (703) 993-3720 f: (703) 993-2494
> e: [log in to unmask]
>
> ----- Original Message -----
> From: Nina Nazionale <[log in to unmask]>
> Date: Monday, September 8, 2008 1:15 pm
> Subject: Re: [ARLIS-L] Books censored by Sarah Palin
>
>> I too was curious to find out which books Sarah Palin wanted to
>> ban, and a bit disappointed that as of yesterday afternoon there
>> was nothing on ALA's website.
>>
>> What I did find (Time mag online) indicated that she had asked the
>> librarian if she'd be willing to ban books that Palin found
>> objectionable. It could be that there was no list, which makes the
>> whole thing even more frightening: why bother compiling a list of
>> books you've never read, with a corresponding list of objections,
>> when you, as an individual censor, can say, "I don't want these
>> books here."
>>
>> Nina Nazionale
>> Director of Library Operations
>> The New-York Historical Society
>> 170 Central Park West
>> New York, NY 10024
>> (212) 485-9272
>> [log in to unmask]
>>
>>
>>
>> -----ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
>> wrote: -----
>>
>>
>> To: [log in to unmask]
>> From: Claire Dannenbaum <[log in to unmask]>
>>
>> __________________________________________________________________
>> Mail submissions to [log in to unmask]
>> For information about joining ARLIS/NA see:
>> http://www.arlisna.org/join.html
>> Send administrative matters (file requests, subscription requests,
>> etc) to [log in to unmask]
>> ARLIS-L Archives and subscription maintenance:
>> http://lsv.uky.edu/archives/arlis-l.html
>> Questions may be addressed to list owner (Judy Dyki) at:
>> [log in to unmask]
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests, etc)
> to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at:
> [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 8 Sep 2008 17:06:55 -0400
Reply-To: Marlene Koenig <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Marlene Koenig <[log in to unmask]>
Subject: Re: Books censored by Sarah Palin
Comments: To: "Mario A. Ascencio" <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
Content-Type: text/plain; charset="us-ascii"
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I recall from reading that the articles that Pahlin asked the librarian if she would remove certain books from the shelves, but the books were not named.
Marlene A. Koenig
Librarian
WAAC - Virginia Tech
1001 Prince Street
Alexandria, VA 22314
703-706-3039 (phone)
703-549-0532 (fax)
[log in to unmask]
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On Behalf Of Mario A. Ascencio
Sent: Monday, September 08, 2008 3:47 PM
To: [log in to unmask]
Subject: [ARLIS-L] Books censored by Sarah Palin
ALA is probably not mentioning it because it's a non-profit 501(c)(3). Any discussion of political candidates on the ALA listserv and/or Website jeopardizes their non-profit status.
-Mario
Mario A. Ascencio, MLIS
Visual Arts Liaison Librarian
George Mason University Libraries
4400 University Drive, MSN 2FL
Fairfax, Virginia 22030-4444
t: (703) 993-3720 f: (703) 993-2494
e: [log in to unmask]
----- Original Message -----
From: Nina Nazionale <[log in to unmask]>
Date: Monday, September 8, 2008 1:15 pm
Subject: Re: [ARLIS-L] Books censored by Sarah Palin
> I too was curious to find out which books Sarah Palin wanted to
> ban, and a bit disappointed that as of yesterday afternoon there
> was nothing on ALA's website.
>
> What I did find (Time mag online) indicated that she had asked the
> librarian if she'd be willing to ban books that Palin found
> objectionable. It could be that there was no list, which makes the
> whole thing even more frightening: why bother compiling a list of
> books you've never read, with a corresponding list of objections,
> when you, as an individual censor, can say, "I don't want these
> books here."
>
> Nina Nazionale
> Director of Library Operations
> The New-York Historical Society
> 170 Central Park West
> New York, NY 10024
> (212) 485-9272
> [log in to unmask]
>
>
>
> -----ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
> wrote: -----
>
>
> To: [log in to unmask]
> From: Claire Dannenbaum <[log in to unmask]>
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests,
> etc) to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 8 Sep 2008 17:47:03 -0400
Reply-To: "Mario A. Ascencio" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Mario A. Ascencio" <[log in to unmask]>
Subject: ALA releases statement on Alaska book banning controversy
MIME-version: 1.0
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From: Mary Ghikas
Sent: Wednesday, September 03, 2008 4:29 PM
To: unit_managers
Subject: RE: ALA releases statement on Alaska book banning controversy
News
For Immediate Release
ALA PRESIDENT JIM RETTIG RELEASES STATEMENT ON CENSORSHIP
Chicago - The American Library Association (ALA) opposes book banning and
censorship in any form, and supports librarians whenever they resist
censorship in their libraries. Since our society is so diverse, libraries have a
responsibility to provide materials that reflect the interests of all of their
patrons.
Each year, the ALA Office for Intellectual Freedom receives hundreds of
reports on books and other materials that were "challenged" (their removal
from school or library shelves was requested). The ALA estimates the number
reported represents only about a quarter of the actual challenges.
In support of our efforts to fight censorship, the ALA annually celebrates
Banned Books Week – a national celebration of the freedom to read.
Observed during the last week of September each year, Banned Books Week
reminds Americans not to take the precious democratic freedom to read for
granted. This year, Banned Books Week will take place September 27–
October 4, 2008.
The American Library Association is a nonprofit, 501(c) (3) educational
association that supports quality library and information services and public
access to information. As such, it is not allowed to take a position on
political candidates and strives to be nonpartisan in its activities.
To learn more about book challenges and Banned Books Week please visit
http://www.ala.org/bbooks
####
Contacts:
Macey Morales
Manager Media Relations, ALA
312-280-4393
[log in to unmask]
Jennifer Petersen
PR Coordinator, ALA
312-280-5043
[log in to unmask]
Macey Morales
Manager, Media Relations
American Library Association
50 E. Huron
Chicago, IL 60611
312-280-4393
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 8 Sep 2008 17:32:39 -0500
Reply-To: "Mikael D. Kriz" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Mikael D. Kriz" <[log in to unmask]>
Subject: Meggs History of Graphic Design Quote Needed
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
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I am trying to track down a very obscure reference. A patron here is
trying to attribute a quote they got off the original 1983 edition of
Philip B. Meggs, "A History of Graphic Design." The quote included the
words, "messengers of culture" but was located on the dust jacket. Does
anyone still have the old dust jacket lying around they might be able to
consult?
Many thanks,
Mikael
--------------------------
Mikael D. Kriz, M.A., M.S.
Reference Librarian &
Coordinator of Web Services
Pius XII Memorial Library
Saint Louis University
3650 Lindell Blvd.
St. Louis, MO 63108-3302
phone: 314-977-3593
fax: 314-977-3108
email: [log in to unmask]
--------------------------
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 8 Sep 2008 22:59:47 -0400
Reply-To: Michael Chepovetsky <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Michael Chepovetsky <[log in to unmask]>
Subject: Re: ALA releases statement on Alaska book banning controversy
Comments: To: "Mario A. Ascencio" <[log in to unmask]>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8
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I don't see word "Alaska" used in the body of the message and wonder why it was put on the subject.
-----Original Message-----
>From: "Mario A. Ascencio" <[log in to unmask]>
>Sent: Sep 8, 2008 5:47 PM
>To: [log in to unmask]
>Subject: [ARLIS-L] ALA releases statement on Alaska book banning controversy
>
>From: Mary Ghikas
>Sent: Wednesday, September 03, 2008 4:29 PM
>To: unit_managers
>Subject: RE: ALA releases statement on Alaska book banning controversy
>
>
>
>
>
>News
>
>For Immediate Release
>
>
>
>ALA PRESIDENT JIM RETTIG RELEASES STATEMENT ON CENSORSHIP
>
>
>
>Chicago - The American Library Association (ALA) opposes book banning and
>
>censorship in any form, and supports librarians whenever they resist
>
>censorship in their libraries. Since our society is so diverse, libraries have a
>
>responsibility to provide materials that reflect the interests of all of their
>
>patrons.
>
>
>
>Each year, the ALA Office for Intellectual Freedom receives hundreds of
>
>reports on books and other materials that were "challenged" (their removal
>
>from school or library shelves was requested). The ALA estimates the number
>
>reported represents only about a quarter of the actual challenges.
>
>
>
>In support of our efforts to fight censorship, the ALA annually celebrates
>
>Banned Books Week – a national celebration of the freedom to read.
>
>Observed during the last week of September each year, Banned Books Week
>
>reminds Americans not to take the precious democratic freedom to read for
>
>granted. This year, Banned Books Week will take place September 27–
>
>October 4, 2008.
>
>
>
>The American Library Association is a nonprofit, 501(c) (3) educational
>
>association that supports quality library and information services and public
>
>access to information. As such, it is not allowed to take a position on
>
>political candidates and strives to be nonpartisan in its activities.
>
>
>
>To learn more about book challenges and Banned Books Week please visit
>
>http://www.ala.org/bbooks
>
>####
>
>Contacts:
>
>Macey Morales
>
>Manager Media Relations, ALA
>
>312-280-4393
>
>[log in to unmask]
>
>
>
>Jennifer Petersen
>
>PR Coordinator, ALA
>
>312-280-5043
>
>[log in to unmask]
>
>
>
>
>
>Macey Morales
>
>Manager, Media Relations
>
>American Library Association
>
>50 E. Huron
>
>Chicago, IL 60611
>
>312-280-4393
>
>[log in to unmask]
>__________________________________________________________________
>Mail submissions to [log in to unmask]
>For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
>Send administrative matters (file requests, subscription requests, etc)
> to [log in to unmask]
>ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
>Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 9 Sep 2008 08:49:32 -0700
Reply-To: "Baker, Carl" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Baker, Carl" <[log in to unmask]>
Subject: Re: ALA releases statement on Alaska book banning controversy
Comments: To: Michael Chepovetsky <[log in to unmask]>
In-Reply-To: A<[log in to unmask]>
MIME-Version: 1.0
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QGNyYW5icm9vay5lZHUNCg=========================================================================Date: Tue, 9 Sep 2008 10:50:09 -0700
Reply-To: Sarah Sherman <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sarah Sherman <[log in to unmask]>
Subject: ARLIS/SC event this Thursday Sept. 11
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: quoted-printable
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Hello!
You are invited to join fellow ARLIS/SC members for the Downtown Los Angeles Artwalk on Thursday September 11.
We will gather between 6:00-6:30pm at Patinette Cafe at MOCA. They are kicking off the Artwalk with Sangria Night.
For more information please visit: http://www.elabs3.com/functions/message_view.html?mid=1587807&mlid=209088&siteid=21558&uid=a1f2322f0b
For more information about the Los Angeles Artwalk please visit: http://www.downtownartwalk.com/
See you there!
Sarah Sherman
Vice-Chair/Chair Elect, ARLIS/SC
Sarah Sherman
Assistant Reference Librarian
Special Collections and Visual Resources
Research Library
Getty Research Institute
310.440.6698 tel
310.440.7780 fax
[log in to unmask]
http://www.getty.edu/research/conducting_research/
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 9 Sep 2008 13:04:08 -0500
Reply-To: Suzy Westenkirchner <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Suzy Westenkirchner <[log in to unmask]>
Subject: Color Theory & Interpretation
In-Reply-To: <[log in to unmask]>
Mime-Version: 1.0
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--=__PartD4FD5788.0__Content-Type: text/plain; charset=US-ASCII
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Hello,
I was helping a student last night and noticed somewhat of a gap in our
collection
concerning how colors influence/establish a certain status (economic or
?) in society.
Particularly within the fashion industry.
I was hoping some of you would kindly provide some book/title
suggestions or authors?
Hope this makes sense.
Thanks,
Suzy
Suzy Westenkirchner
Education & Art Librarian
Reference & Instruction Services
Auburn University Libraries
334-844-2817
[log in to unmask]
http://www.lib.auburn.edu
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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========================================================================Date: Tue, 9 Sep 2008 09:31:56 -1000
Reply-To: Ellen Chapman <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Ellen Chapman <[log in to unmask]>
Subject: Re: Color Theory & Interpretation
Comments: To: Suzy Westenkirchner <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Not exactly on your topic and it concerns only one color, but it does have
info about color-and-status and some fashion. (And it is fascinating
overall!). Best.
Main Author: Pastoureau, Michel, 1947-
Uniform Title: Bleu. English
Title: Blue : the history of a color / Michel Pastoureau.
Publisher: Princeton, N.J. ; Oxford : Princeton University Press,
c2001.
Description: 216 p. : col. ill. ; 25 cm.
Subject(s): Blue.
Color--Psychological aspects--History.
Color--Social aspects--History.
Symbolism of colors--History.
Blue in art.
Notes: Originally published as: Bleu : histoire d'une couleur.
Paris : Editions du seuil, c2000.
Includes bibliographical references (p. 182-212) and index.
ISBN: 0691090505 (alk. paper)
|((| Ellen Chapman
|))| University of Hawaii at Manoa Library
On Tue, 9 Sep 2008, Suzy Westenkirchner wrote:
> Hello,
> I was helping a student last night and noticed somewhat of a gap in our
> collection
> concerning how colors influence/establish a certain status (economic or
> ?) in society.
> Particularly within the fashion industry.
>
> I was hoping some of you would kindly provide some book/title
> suggestions or authors?
> Hope this makes sense.
>
> Thanks,
> Suzy
>
>
> Suzy Westenkirchner
> Education & Art Librarian
> Reference & Instruction Services
> Auburn University Libraries
> 334-844-2817
> [log in to unmask]
> http://www.lib.auburn.edu
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests, etc)
> to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 9 Sep 2008 13:54:14 -0700
Reply-To: Jennifer Faist <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Jennifer Faist <[log in to unmask]>
Subject: Re: Color Theory & Interpretation
In-Reply-To: <Pine.GSO.4.58a.0809090928350.13110@uhunix2>
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Author Riley, Charles A.
Title Color codes : modern theories of color in philosophy,
painting and architecture, literature, music and psychology / Charles A.
Riley II.
Publication Info. Hanover : University Press of New England, c1995.
Description xi, 351, [8] p. of col. plates : ill. ; 24 cm.
Note Includes index.
Bibliography BIbliography: p. [339]-342.
Subject Color in art.
Arts.
Color (Philosophy)
Color -- Psychological aspects.
ISBN 0874516714
Author Gage, John, 1938-
Title Color and meaning : art, science and symbolism / John Gage.
Publication Info.Berkeley ; Los Angeles : University of California Press,
1999.
Description 320 p. : ill. (some col.) ; 26 cm.
Note Published by arrangement with Thames and Hudson.
includes index.
Bibliography Bibliography: p. 306-311.
Contents Johann Wolfgang von Goethe -- Lorenzo Ghiberti -- Wassily
Kandinsky -- henri Matisse -- Philipp Otto Runge -- Georges Seurat.
Subject Color in art.
Color -- Physiological effect.
Color -- Psychological aspects.
Other Title Colour and meaning: art, science and symbolism.
ISBN 0520220390
> From: Ellen Chapman <[log in to unmask]>
> Reply-To: Ellen Chapman <[log in to unmask]>
> Date: Tue, 9 Sep 2008 09:31:56 -1000
> To: <[log in to unmask]>
> Subject: Re: [ARLIS-L] Color Theory & Interpretation
>
> Not exactly on your topic and it concerns only one color, but it does have
> info about color-and-status and some fashion. (And it is fascinating
> overall!). Best.
>
> Main Author: Pastoureau, Michel, 1947-
>
> Uniform Title: Bleu. English
>
> Title: Blue : the history of a color / Michel Pastoureau.
>
> Publisher: Princeton, N.J. ; Oxford : Princeton University Press,
> c2001.
>
> Description: 216 p. : col. ill. ; 25 cm.
>
> Subject(s): Blue.
> Color--Psychological aspects--History.
> Color--Social aspects--History.
> Symbolism of colors--History.
> Blue in art.
>
> Notes: Originally published as: Bleu : histoire d'une couleur.
> Paris : Editions du seuil, c2000.
> Includes bibliographical references (p. 182-212) and index.
>
> ISBN: 0691090505 (alk. paper)
>
> |((| Ellen Chapman
> |))| University of Hawaii at Manoa Library
>
>
>
> On Tue, 9 Sep 2008, Suzy Westenkirchner wrote:
>
>> Hello,
>> I was helping a student last night and noticed somewhat of a gap in our
>> collection
>> concerning how colors influence/establish a certain status (economic or
>> ?) in society.
>> Particularly within the fashion industry.
>>
>> I was hoping some of you would kindly provide some book/title
>> suggestions or authors?
>> Hope this makes sense.
>>
>> Thanks,
>> Suzy
>>
>>
>> Suzy Westenkirchner
>> Education & Art Librarian
>> Reference & Instruction Services
>> Auburn University Libraries
>> 334-844-2817
>> [log in to unmask]
>> http://www.lib.auburn.edu
>>
>> __________________________________________________________________
>> Mail submissions to [log in to unmask]
>> For information about joining ARLIS/NA see:
>> http://www.arlisna.org/join.html
>> Send administrative matters (file requests, subscription requests, etc)
>> to [log in to unmask]
>> ARLIS-L Archives and subscription maintenance:
>> http://lsv.uky.edu/archives/arlis-l.html
>> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
>>
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests, etc)
> to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<P><FONT SIZE=2>Author Riley, Charles A.<BR>
Title Color codes : modern theories of color in philosophy,<BR>
painting and architecture, literature, music and psychology / Charles A.<BR>
Riley II.<BR>
Publication Info. Hanover : University Press of New England, c1995.<BR>
Description xi, 351, [8] p. of col. plates : ill. ; 24 cm.<BR>
Note Includes index.<BR>
Bibliography BIbliography: p. [339]-342.<BR>
Subject Color in art.<BR>
Arts.<BR>
Color (Philosophy)<BR>
Color -- Psychological aspects.<BR>
ISBN 0874516714<BR>
<BR>
<BR>
Author Gage, John, 1938-<BR>
Title Color and meaning : art, science and symbolism / John Gage.<BR>
Publication Info.Berkeley ; Los Angeles : University of California Press,<BR>
1999.<BR>
Description 320 p. : ill. (some col.) ; 26 cm.<BR>
Note Published by arrangement with Thames and Hudson.<BR>
includes index.<BR>
Bibliography Bibliography: p. 306-311.<BR>
Contents Johann Wolfgang von Goethe -- Lorenzo Ghiberti -- Wassily<BR>
Kandinsky -- henri Matisse -- Philipp Otto Runge -- Georges Seurat.<BR>
Subject Color in art.<BR>
Color -- Physiological effect.<BR>
Color -- Psychological aspects.<BR>
Other Title Colour and meaning: art, science and symbolism.<BR>
ISBN 0520220390<BR>
<BR>
<BR>
> From: Ellen Chapman <[log in to unmask]><BR>
> Reply-To: Ellen Chapman <[log in to unmask]><BR>
> Date: Tue, 9 Sep 2008 09:31:56 -1000<BR>
> To: <[log in to unmask]><BR>
> Subject: Re: [ARLIS-L] Color Theory & Interpretation<BR>
><BR>
> Not exactly on your topic and it concerns only one color, but it does have<BR>
> info about color-and-status and some fashion. (And it is fascinating<BR>
> overall!). Best.<BR>
><BR>
> Main Author: Pastoureau, Michel, 1947-<BR>
><BR>
> Uniform Title: Bleu. English<BR>
><BR>
> Title: Blue : the history of a color / Michel Pastoureau.<BR>
><BR>
> Publisher: Princeton, N.J. ; Oxford : Princeton University Press,<BR>
> c2001.<BR>
><BR>
> Description: 216 p. : col. ill. ; 25 cm.<BR>
><BR>
> Subject(s): Blue.<BR>
> Color--Psychological aspects--History.<BR>
> Color--Social aspects--History.<BR>
> Symbolism of colors--History.<BR>
> Blue in art.<BR>
><BR>
> Notes: Originally published as: Bleu : histoire d'une couleur.<BR>
> Paris : Editions du seuil, c2000.<BR>
> Includes bibliographical references (p. 182-212) and index.<BR>
><BR>
> ISBN: 0691090505 (alk. paper)<BR>
><BR>
> |((| Ellen Chapman<BR>
> |))| University of Hawaii at Manoa Library<BR>
><BR>
><BR>
><BR>
> On Tue, 9 Sep 2008, Suzy Westenkirchner wrote:<BR>
><BR>
>> Hello,<BR>
>> I was helping a student last night and noticed somewhat of a gap in our<BR>
>> collection<BR>
>> concerning how colors influence/establish a certain status (economic or<BR>
>> ?) in society.<BR>
>> Particularly within the fashion industry.<BR>
>><BR>
>> I was hoping some of you would kindly provide some book/title<BR>
>> suggestions or authors?<BR>
>> Hope this makes sense.<BR>
>><BR>
>> Thanks,<BR>
>> Suzy<BR>
>><BR>
>><BR>
>> Suzy Westenkirchner<BR>
>> Education & Art Librarian<BR>
>> Reference & Instruction Services<BR>
>> Auburn University Libraries<BR>
>> 334-844-2817<BR>
>> [log in to unmask]<BR>
>> <A HREF="http://www.lib.auburn.edu">http://www.lib.auburn.edu</A><BR>
>><BR>
>> __________________________________________________________________<BR>
>> Mail submissions to [log in to unmask]<BR>
>> For information about joining ARLIS/NA see:<BR>
>> <A HREF="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</A><BR>
>> Send administrative matters (file requests, subscription requests, etc)<BR>
>> to [log in to unmask]<BR>
>> ARLIS-L Archives and subscription maintenance:<BR>
>> <A HREF="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</A><BR>
>> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]<BR>
>><BR>
><BR>
> __________________________________________________________________<BR>
> Mail submissions to [log in to unmask]<BR>
> For information about joining ARLIS/NA see:<BR>
> <A HREF="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</A><BR>
> Send administrative matters (file requests, subscription requests, etc)<BR>
> to [log in to unmask]<BR>
> ARLIS-L Archives and subscription maintenance:<BR>
> <A HREF="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</A><BR>
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]<BR>
<BR>
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========================================================================Date: Wed, 10 Sep 2008 07:34:41 -0400
Reply-To: Joan Stahl <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Joan Stahl <[log in to unmask]>
Subject: special collections in TMS
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Our Collections Department has selected TMS (The Museum System) as their collection management / registration system. Discussions are taking place about including special collections materials (rare books and manuscripts) in this system.
If TMS is used in your institution, have you included rare books and manuscripts in TMS or in your online library catalog? Why or why not?
Joan
Joan Stahl
Librarian
Mount Vernon Estate & Gardens
P.O. Box 110
Mount Vernon, VA 22121
Phone: 703-799-8637
Fax: 703-799-8698
Email: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<DIV dir=ltr><FONT face=Arial color=#000000 size=2>Our Collections Department has selected TMS (The Museum System) as their collection management / registration system. Discussions are taking place about including special collections materials (rare books and manuscripts) in this system. </FONT></DIV>
<DIV dir=ltr><FONT face=Arial size=2></FONT> </DIV>
<DIV dir=ltr><FONT face=Arial size=2>If TMS is used in your institution, have you included rare books and manuscripts in TMS or in your online library catalog? Why or why not?</FONT></DIV>
<DIV dir=ltr><FONT face=Arial size=2></FONT> </DIV>
<DIV dir=ltr><FONT face=Arial size=2>Joan</FONT></DIV></DIV>
<DIV id=idSignature55436 dir=ltr><PRE>Joan Stahl
Librarian
Mount Vernon Estate & Gardens
P.O. Box 110
Mount Vernon, VA 22121
Phone: 703-799-8637
Fax: 703-799-8698
Email: [log in to unmask]
</PRE></DIV></BODY></HTML>
__________________________________________________________________
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========================================================================Date: Wed, 10 Sep 2008 07:40:12 -0400
Reply-To: Joan Stahl <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Joan Stahl <[log in to unmask]>
Subject: storage lockers
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Hello,
I'm shopping for wood/wood veneered lockers with keys for visitors to our lbrary reading room. Can anyone recommend a good source/supplier?
Joan
Joan Stahl
Librarian
Mount Vernon Estate & Gardens
P.O. Box 110
Mount Vernon, VA 22121
Phone: 703-799-8637
Fax: 703-799-8698
Email: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<DIV dir=ltr><FONT face=Arial color=#000000 size=2>Hello,</FONT></DIV>
<DIV dir=ltr><FONT face=Arial size=2></FONT> </DIV>
<DIV dir=ltr><FONT face=Arial size=2>I'm shopping for wood/wood veneered lockers with keys for visitors to our lbrary reading room. Can anyone recommend a good source/supplier?</FONT></DIV>
<DIV dir=ltr><FONT face=Arial size=2></FONT> </DIV>
<DIV dir=ltr><FONT face=Arial size=2>Joan</FONT></DIV>
<DIV dir=ltr><FONT face=Arial color=#000000 size=2></FONT> </DIV></DIV>
<DIV id=idSignature91553 dir=ltr><PRE>Joan Stahl
Librarian
Mount Vernon Estate & Gardens
P.O. Box 110
Mount Vernon, VA 22121
Phone: 703-799-8637
Fax: 703-799-8698
Email: [log in to unmask]
</PRE></DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
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========================================================================Date: Wed, 10 Sep 2008 07:29:59 -0700
Reply-To: "Sheila A. Cork" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Sheila A. Cork" <[log in to unmask]>
Subject: Library Programming
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Hi,
Thanks to all who wrote back with library programming suggestions. I have put together the following 3 groups of programs - all happening each month.
Book Club
At least one meeting a month to discuss selected book - book choices and meeting dates listed in Arts Quarterly, and in the museum's "e-news". The museum shop will buy books and offer book club members a discount, and will have a shelf in the book section of "NOMA Book Club Reads" Whenever it is possible one of the curators will do a special program in the library relating to the topic of the book. Our first meeting is in October
Meet the Authors
Work with NOMA's gift shop to have joint signings (in the gift shop) and "Meet the Author" events (in the library). First one kicks off on September 20th.
New and Notable Friday Afternoon Tea
Once a month have afternoon tea (real tea pots, cups etc) in the library, and feature new and notable books, plus the curator, staff member who selected the book "book talk" it. Staff are invited to this as well - I think I will have to recruit bakers for this one and perhaps a volunteer to keep up with all the tea cups!
Once again, thanks for your suggestions!
Sheila A. Cork
Sheila A. Cork
Librarian
New Orleans Museum of Art
City Park
1 Collins Diboll Circle
P.O. Box 19123
New Orleans, LA 70179-0123
504-658-4117
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Hi,<br><br>Thanks to all who wrote back with library programming suggestions. I have put together the following 3 groups of programs - all happening each month.<br><br><span style="text-decoration: underline;">Book Club</span><br>At least one meeting a month to discuss selected book - book choices and meeting dates listed in Arts Quarterly, and in the museum's "e-news". The museum shop will buy books and offer book club members a discount, and will have a shelf in the book section of "NOMA Book Club Reads" Whenever it is possible one of the curators will do a special program in the library relating to the topic of the book. Our first meeting is in October<br><br><span style="text-decoration: underline;">Meet the Authors</span><br>Work with NOMA's gift shop to have joint signings (in the gift shop) and "Meet the Author" events (in the library). First one kicks off on September 20th.<br><br><span style="text-decoration: underline;">New and
Notable Friday Afternoon Tea</span><br>Once a month have afternoon tea (real tea pots, cups etc) in the library, and feature new and notable books, plus the curator, staff member who selected the book "book talk" it. Staff are invited to this as well - I think I will have to recruit bakers for this one and perhaps a volunteer to keep up with all the tea cups!<br><br>Once again, thanks for your suggestions!<br><br>Sheila A. Cork<br><br><br><BR><BR>Sheila A. Cork<br>Librarian<br>New Orleans Museum of Art<br>City Park<br>1 Collins Diboll Circle<br>P.O. Box 19123<br>New Orleans, LA 70179-0123<br><br>504-658-4117<br>[log in to unmask]<br>
__________________________________________________________________
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For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
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to [log in to unmask]
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http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--0-629453866-1221056999=:60500--
========================================================================Date: Wed, 10 Sep 2008 10:24:08 -0500
Reply-To: Elizabeth Schaub <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Elizabeth Schaub <[log in to unmask]>
Subject: YouTube videos
Comments: To: [log in to unmask]
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Please excuse cross posting.
Greetings:
The University of Texas School of Architecture's Visual Resources
Collection has produced five short videos (ranging from 1 to 2 minutes
long) available via YouTube:
Digital Images: <http://www.youtube.com/watch?v MwTEHNIw4>
Blog and RSS Feed: <http://www.youtube.com/watch?v=ilvI3EHVQVo>
Power Point Tip <http://www.youtube.com/watch?v=4_o1fKli3pg>
Slide Scanning: <http://www.youtube.com/watch?v=Y2Qd7jLUqF8>
Web Resources <http://www.youtube.com/watch?v=VCuS9boaZHM>
The following link will bring up all videos in this series: <http://www.youtube.com/results?search_query=soa+visual+resources&search_type=&aq=f
>
Cheers,
/Elizabeth
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Elizabeth Schaub
Director, Visual Resources Collection
School of Architecture
The University of Texas at Austin
1 University Station, B7500
Austin, Texas 78712-0222
512.471.5003 (vox)
512.471.0716 (fax)
[log in to unmask]
ARLIS/NA Education Liaison
ARLIS/Texas-Mexico Chapter Past President
VRA Bulletin Associate Editor
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Please excuse cross posting.</div><div><br></div>Greetings:<br><br>The University of Texas School of Architecture's Visual Resources Collection has produced five short videos (ranging from 1 to 2 minutes long) available via YouTube:<br><br>Digital Images: <<a href="http://www.youtube.com/watch?v=1EMwTEHNIw4">http://www.youtube.com/watch?v=1EMwTEHNIw4</a>><br><br>Blog and RSS Feed: <<a href="http://www.youtube.com/watch?v=ilvI3EHVQVo">http://www.youtube.com/watch?v=ilvI3EHVQVo</a>><br><br>Power Point Tip <<a href="http://www.youtube.com/watch?v=4_o1fKli3pg">http://www.youtube.com/watch?v=4_o1fKli3pg</a>><br><br>Slide Scanning: <<a href="http://www.youtube.com/watch?v=Y2Qd7jLUqF8">http://www.youtube.com/watch?v=Y2Qd7jLUqF8</a>><br><br>Web Resources <<a href="http://www.youtube.com/watch?v=VCuS9boaZHM">http://www.youtube.com/watch?v=VCuS9boaZHM</a>><br><br>The following link will bring up all videos in this series: <<a href="http://www.youtube.com/results?search_query=soa+visual+resources&search_type=&aq=f">http://www.youtube.com/results?search_query=soa+visual+resources&search_type=&aq=f</a>><br><br>Cheers,<br>/Elizabeth<br><div apple-content-edited="true"> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div><div>Elizabeth Schaub</div><div>Director, Visual Resources Collection</div><div>School of Architecture</div><div>The University of Texas at Austin</div><div>1 University Station, B7500</div><div>Austin, Texas 78712-0222</div><div>512.471.5003 (vox)</div><div>512.471.0716 (fax)</div><div><a href="mailto:[log in to unmask]">[log in to unmask]</a></div><div><br class="webkit-block-placeholder"></div><div>ARLIS/NA<span class="Apple-converted-space"> </span>Education Liaison</div><div>ARLIS/Texas-Mexico Chapter Past President</div><div>VRA Bulletin Associate Editor</div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div><br></div></div><br></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"> </div><br></body></html>__________________________________________________________________
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--Apple-Mail-19-87396685--
========================================================================Date: Wed, 10 Sep 2008 11:12:08 -0500
Reply-To: Elizabeth Schaub <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Elizabeth Schaub <[log in to unmask]>
Subject: Fwd: YouTube videos
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Since I'm receiving similar questions about the videos, I'm forwarding
a message I sent to the VRA listserv that outlines details about the
project.
If you have additional questions, please don't hesitate to be in touch.
Cheers,
/Elizabeth
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Elizabeth Schaub
Director, Visual Resources Collection
School of Architecture
The University of Texas at Austin
1 University Station, B7500
Austin, Texas 78712-0222
512.471.5003 (vox)
512.471.0716 (fax)
[log in to unmask]
ARLIS/NA Education Liaison
ARLIS/Texas-Mexico Chapter Past President
VRA Bulletin Associate Editor
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Begin forwarded message:
> From: Elizabeth Schaub <[log in to unmask]>
> Date: September 10, 2008 10:57:10 AM CDT
> To: Visual Resources Association <[log in to unmask]>
> Subject: Re: YouTube videos
>
> Dear Eileen:
>
> Thanks for the kind words.
>
> I wrote the scripts for all the videos with the exception of the
> Slide Scanning video which was written by our Metadata Librarian
> Robert Carter. We worked with a local video producer named Mike Dow
> who took our scripts and created the videos. He worked with David
> Brown who provided the voice-overs. Our production timeline was as
> follows:
>
> June 2, 2008 – Client accepts proposal
> June 13, 2008– Client delivers first draft scripts for collaboration
> June 16, 2008 – Mike Dow delivers collaborative script edits
> June 18, 2008 – Client approves final scripts
> June 29, 2008 – Mike Dow delivers first draft videos
> July 8, 2008 – Client views first video drafts, make suggestions and
> final changes
> August 4, 2008 – Mike Dow delivers final videos
>
> I created a YouTube account for the VRC and uploaded them--no problem.
>
> Let me know if you have additional questions.
>
> Cheers,
> /Elizabeth
> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> Elizabeth Schaub
> Director, Visual Resources Collection
> School of Architecture
> The University of Texas at Austin
> 1 University Station, B7500
> Austin, Texas 78712-0222
> 512.471.5003 (vox)
> 512.471.0716 (fax)
> [log in to unmask]
>
> ARLIS/NA Education Liaison
> ARLIS/Texas-Mexico Chapter Past President
> VRA Bulletin Associate Editor
> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>
>
>
>
>
>
>
> On Sep 10, 2008, at Sep 10, 200810:41 AM, Fry, P. Eileen wrote:
>
>> These are wonderful Elizabeth. I especially like the “PowerPoint
>> Tip”. We are just starting a Podcasting initiative here, and I’ve
>> forwarded your links to the entire committee.
>>
>> Can you tell us a little more about how you produced them?
>>
>> Eileen Fry
>> Indiana University
>>
>> From: Visual Resources Association [mailto:[log in to unmask]]
>> On Behalf Of Elizabeth Schaub
>> Sent: Wednesday, September 10, 2008 11:24 AM
>> To: [log in to unmask]
>> Subject: [VRA-L] YouTube videos
>>
>> Please excuse cross posting.
>>
>> Greetings:
>>
>> The University of Texas School of Architecture's Visual Resources
>> Collection has produced five short videos (ranging from 1 to 2
>> minutes long) available via YouTube:
>>
>> Digital Images: <http://www.youtube.com/watch?v=1EMwTEHNIw4>
>>
>> Blog and RSS Feed: <http://www.youtube.com/watch?v=ilvI3EHVQVo>
>>
>> Power Point Tip <http://www.youtube.com/watch?v=4_o1fKli3pg>
>>
>> Slide Scanning: <http://www.youtube.com/watch?v=Y2Qd7jLUqF8>
>>
>> Web Resources <http://www.youtube.com/watch?v=VCuS9boaZHM>
>>
>> The following link will bring up all videos in this series: <http://www.youtube.com/results?search_query=soa+visual+resources&search_type=&aq=f
>> >
>>
>> Cheers,
>> /Elizabeth
>> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>> Elizabeth Schaub
>> Director, Visual Resources Collection
>> School of Architecture
>> The University of Texas at Austin
>> 1 University Station, B7500
>> Austin, Texas 78712-0222
>> 512.471.5003 (vox)
>> 512.471.0716 (fax)
>> [log in to unmask]
>>
>> ARLIS/NA Education Liaison
>> ARLIS/Texas-Mexico Chapter Past President
>> VRA Bulletin Associate Editor
>> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
>>
>>
>>
>>
>>
>>
>>
>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Since I'm receiving similar questions about the videos, I'm forwarding a message I sent to the VRA listserv that outlines details about the project.</div><div><br></div><div>If you have additional questions, please don't hesitate to be in touch.</div><div><br></div><div>Cheers,</div><div>/Elizabeth</div><div apple-content-edited="true"> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div><div>Elizabeth Schaub</div><div>Director, Visual Resources Collection</div><div>School of Architecture</div><div>The University of Texas at Austin</div><div>1 University Station, B7500</div><div>Austin, Texas 78712-0222</div><div>512.471.5003 (vox)</div><div>512.471.0716 (fax)</div><div><a href="mailto:[log in to unmask]">[log in to unmask]</a></div><div><br class="webkit-block-placeholder"></div><div>ARLIS/NA<span class="Apple-converted-space"> </span>Education Liaison</div><div>ARLIS/Texas-Mexico Chapter Past President</div><div>VRA Bulletin Associate Editor</div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div></div></div></div></span></div></span></div></span></div></span></div><div><br><div>Begin forwarded message:</div><br class="Apple-interchange-newline"><blockquote type="cite"><div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>From: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica">Elizabeth Schaub <<a href="mailto:[log in to unmask]">[log in to unmask]</a>></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>Date: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica">September 10, 2008 10:57:10 AM CDT</font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>To: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica">Visual Resources Association <<a href="mailto:[log in to unmask]">[log in to unmask]</a>></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><font face="Helvetica" size="3" color="#000000" style="font: 12.0px Helvetica; color: #000000"><b>Subject: </b></font><font face="Helvetica" size="3" style="font: 12.0px Helvetica"><b>Re: YouTube videos</b></font></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; min-height: 14px; "><br></div> </div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Dear Eileen:<div><br></div><div>Thanks for the kind words.</div><div><br></div><div>I wrote the scripts for all the videos with the exception of the Slide Scanning video which was written by our Metadata Librarian Robert Carter. We worked with a local video producer named Mike Dow who took our scripts and created the videos. He worked with David Brown who provided the voice-overs. Our production timeline was as follows:</div><div><br></div><div> <div class="MsoNormal">June 2, 2008 – Client accepts proposal</div> <div class="MsoNormal">June 13, 2008– Client delivers first draft scripts for collaboration</div> <div class="MsoNormal">June 16, 2008 – Mike Dow delivers collaborative script edits </div> <div class="MsoNormal">June 18, 2008 – Client approves final scripts</div> <div class="MsoNormal">June 29,<sup> </sup>2008 – Mike Dow delivers first draft videos</div> <div class="MsoNormal">July 8,<sup> </sup>2008 – Client views first video drafts, make suggestions and final changes</div> <div class="MsoNormal">August 4, 2008 – Mike Dow delivers final videos</div> <!--EndFragment--> </div><div><br></div><div>I created a YouTube account for the VRC and uploaded them--no problem.</div><div><br></div><div>Let me know if you have additional questions.</div><div><br></div><div>Cheers,</div><div>/Elizabeth<br><div apple-content-edited="true"> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div><div>Elizabeth Schaub</div><div>Director, Visual Resources Collection</div><div>School of Architecture</div><div>The University of Texas at Austin</div><div>1 University Station, B7500</div><div>Austin, Texas 78712-0222</div><div>512.471.5003 (vox)</div><div>512.471.0716 (fax)</div><div><a href="mailto:[log in to unmask]">[log in to unmask]</a></div><div><br class="webkit-block-placeholder"></div><div>ARLIS/NA<span class="Apple-converted-space"> </span>Education Liaison</div><div>ARLIS/Texas-Mexico Chapter Past President</div><div>VRA Bulletin Associate Editor</div><div>:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::</div><br></div></div><br></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"> </div><br><div><div>On Sep 10, 2008, at Sep 10, 200810:41 AM, Fry, P. Eileen wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Futura; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div lang="EN-US" link="blue" vlink="purple" style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div class="Section1"><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">These are wonderful Elizabeth. I especially like the “PowerPoint Tip”. We are just starting a Podcasting initiative here, and I’ve forwarded your links to the entire committee. <o:p></o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); "><o:p> </o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Can you tell us a little more about how you produced them?<o:p></o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); "><o:p> </o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Eileen Fry<o:p></o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">Indiana University<o:p></o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); "><o:p> </o:p></span></div><div><div style="border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; border-top-style: solid; border-top-color: rgb(181, 196, 223); border-top-width: 1pt; padding-top: 3pt; padding-right: 0in; padding-bottom: 0in; padding-left: 0in; "><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><b><span style="font-size: 10pt; font-family: Tahoma, sans-serif; ">From:</span></b><span style="font-size: 10pt; font-family: Tahoma, sans-serif; "><span class="Apple-converted-space"> </span>Visual Resources Association [<a href="mailto:[log in to unmask]" style="color: blue; text-decoration: underline; ">mailto:[log in to unmask]</a>]<span class="Apple-converted-space"> </span><b>On Behalf Of<span class="Apple-converted-space"> </span></b>Elizabeth Schaub<br><b>Sent:</b><span class="Apple-converted-space"> </span>Wednesday, September 10, 2008 11:24 AM<br><b>To:</b><span class="Apple-converted-space"> </span><a href="mailto:[log in to unmask]" style="color: blue; text-decoration: underline; ">[log in to unmask]</a><br><b>Subject:</b><span class="Apple-converted-space"> </span>[VRA-L] YouTube videos<o:p></o:p></span></div></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><o:p> </o:p></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; ">Please excuse cross posting.<o:p></o:p></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><o:p> </o:p></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; ">Greetings:<br><br>The University of Texas School of Architecture's Visual Resources Collection has produced five short videos (ranging from 1 to 2 minutes long) available via YouTube:<br><br>Digital Images: <<a href="http://www.youtube.com/watch?v=1EMwTEHNIw4" style="color: blue; text-decoration: underline; ">http://www.youtube.com/watch?v=1EMwTEHNIw4</a>><br><br>Blog and RSS Feed: <<a href="http://www.youtube.com/watch?v=ilvI3EHVQVo" style="color: blue; text-decoration: underline; ">http://www.youtube.com/watch?v=ilvI3EHVQVo</a>><br><br>Power Point Tip <<a href="http://www.youtube.com/watch?v=4_o1fKli3pg" style="color: blue; text-decoration: underline; ">http://www.youtube.com/watch?v=4_o1fKli3pg</a>><br><br>Slide Scanning: <<a href="http://www.youtube.com/watch?v=Y2Qd7jLUqF8" style="color: blue; text-decoration: underline; ">http://www.youtube.com/watch?v=Y2Qd7jLUqF8</a>><br><br>Web Resources <<a href="http://www.youtube.com/watch?v=VCuS9boaZHM" style="color: blue; text-decoration: underline; ">http://www.youtube.com/watch?v=VCuS9boaZHM</a>><br><br>The following link will bring up all videos in this series: <<a href="http://www.youtube.com/results?search_query=soa+visual+resources&search_type=&aq=f" style="color: blue; text-decoration: underline; ">http://www.youtube.com/results?search_query=soa+visual+resources&search_type=&aq=f</a>><br><br>Cheers,<br>/Elizabeth<o:p></o:p></div><div><div><div><div><div><div><div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">Elizabeth Schaub<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">Director, Visual Resources Collection<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">School of Architecture<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">The University of Texas at Austin<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">1 University Station, B7500<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">Austin, Texas 78712-0222<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">512.471.5003 (vox)<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">512.471.0716 (fax)<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; "><a href="mailto:[log in to unmask]" style="color: blue; text-decoration: underline; ">[log in to unmask]</a><o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; "><o:p> </o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">ARLIS/NA<span class="apple-converted-space"> </span>Education Liaison<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">ARLIS/Texas-Mexico Chapter Past President<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">VRA Bulletin Associate Editor<o:p></o:p></span></div></div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; ">:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::<o:p></o:p></span></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; "><o:p> </o:p></span></div></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; "><o:p> </o:p></span></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; "><o:p> </o:p></span></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; "><o:p> </o:p></span></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Futura, serif; color: black; "><o:p> </o:p></span></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><o:p> </o:p></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><o:p> </o:p></div></div></div></span></blockquote></div><br></div></div></blockquote></div><br></body></html>__________________________________________________________________
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--Apple-Mail-35-90276677--
========================================================================Date: Wed, 10 Sep 2008 11:12:43 -0500
Reply-To: Marc Gartler <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Marc Gartler <[log in to unmask]>
Subject: Dimensions Issue Available
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Does anyone need this?:
Dimensions
Journal of the College of Architecture and Urban Planning at the
University of Michigan
Number 9, 1995
ISSN: 1074-6536
Marc Gartler
Director of Library Services
Harrington College of Design
200 W. Madison
Chicago, IL 60606
312.697.8021 P
312.697.8115 F
www.harringtoncollege.com <http://www.harringtoncollege.com>
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<div class=Section1>
<p class=MsoNormal>Does anyone need this?:<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Dimensions<o:p></o:p></p>
<p class=MsoNormal>Journal of the College of Architecture and Urban Planning at
the University of Michigan<o:p></o:p></p>
<p class=MsoNormal>Number 9, 1995<o:p></o:p></p>
<p class=MsoNormal>ISSN: 1074-6536<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<div>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style='font-size:9.0pt;font-family:"Arial Black","sans-serif"'><ns0:PersonName><span
style='color:navy'>Marc Gartler<br>
</span></ns0:PersonName></span><span style='font-size:9.0pt;font-family:"Arial","sans-serif";
color:navy'>Director of Library Services<br>
</span><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><ns0:place><ns0:PlaceName><span
style='color:navy'>Harrington</span></ns0:PlaceName></ns0:place><span
style='color:navy'> </span><ns0:PlaceType><span style='color:navy'>College</span></ns0:PlaceType><span
style='color:navy'> of Design</span></span><span style='font-size:12.0pt;
font-family:"Times New Roman","serif"'><o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style='font-size:9.0pt;font-family:"Arial","sans-serif";color:navy'>200 W. </span><span
style='font-size:9.0pt;font-family:"Arial","sans-serif"'><ns0:City><ns0:place><span
style='color:navy'>Madison<br>
</span></ns0:place></ns0:City><ns0:place><ns0:City><span style='color:navy'>Chicago</span></ns0:City></ns0:place><span
style='color:navy'>, </span><ns0:State><span style='color:navy'>IL</span></ns0:State><span
style='color:navy'> </span><ns0:PostalCode><span style='color:navy'>60606<br>
</span></ns0:PostalCode><span style='color:navy'>312.697.8021 </span></span><span
style='font-size:9.0pt;font-family:"Arial Black","sans-serif";color:navy'>P<br>
</span><span style='font-size:9.0pt;font-family:"Arial","sans-serif";
color:navy'>312.697.8115</span><span style='font-size:9.0pt;font-family:"Arial Black","sans-serif";
color:navy'> F</span><span style='font-size:12.0pt;font-family:"Times New Roman","serif"'><o:p></o:p></span></p>
</div>
<p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif";
color:navy'><a href="http://www.harringtoncollege.com"
title="http://www.harringtoncollege.com/"><span style='color:blue'>www.harringtoncollege.com</span></a></span><o:p></o:p></p>
</div>
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========================================================================Date: Wed, 10 Sep 2008 12:17:23 -0400
Reply-To: Nedda Ahmed <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
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Hi All,
I'm down to my last few days here at Denison, and the next few weeks
will be quite busy with packing, moving, getting my son acclimated to
his new environment, and starting my new job.
Carol Graney (ARLIS Web Site News & Features Editor) has kindly agreed
to handle any high-priority web editing that may come up before I'm up
& running in Atlanta. Her email address is: [log in to unmask]
If you have already submitted something to me, I will complete those
requests (hopefully today). As always, I will let you know when your
requested work has been done. Anything that comes up after today
should go to Carol. She may not be able to get to everything, but she
will take care of the "big stuff."
A HUGE thanks to Carol for doing this!!!
See y'all in Atlanta!
Nedda Ahmed
Fine Arts Librarian
Denison University
[log in to unmask] / 740.587.6688
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========================================================================Date: Wed, 10 Sep 2008 12:45:16 -0400
Reply-To: Pamela Eyerdam <[log in to unmask]>
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From: Pamela Eyerdam <[log in to unmask]>
Subject: purchasing elephant folio size shelving
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Does anyone have suggestions where to purchase elephant folio size shelving ? Â
Thank you - Pam Eyerdam
--
Pamela J. Eyerdam
Fine Arts & Special Collections Manager
Cleveland Public Library
325 Superior Avenue
Cleveland, OH  44114
216-623-2848
216-623-2976Â fax
[log in to unmask]
http://www.cpl.org
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<html><head><style type='text/css'>body { font-family: 'Arial'; font-size: 12pt; color: #000000}</style></head><body><P>Does anyone have suggestions where to purchase elephant folio size shelving ? </P>
<P>Thank you - Pam Eyerdam<BR><BR>-- <BR>Pamela J. Eyerdam<BR>Fine Arts & Special Collections Manager<BR>Cleveland Public Library<BR>325 Superior Avenue<BR>Cleveland, OH 44114<BR>216-623-2848<BR>216-623-2976 fax<BR>[log in to unmask]<BR>http://www.cpl.org<BR></P></body></html>
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========================================================================Date: Wed, 10 Sep 2008 09:39:49 -0700
Reply-To: Terence Ford <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Terence Ford <[log in to unmask]>
Subject: Roundtable: "Building the Base for Authoritative Content"
In-Reply-To: <[log in to unmask]>
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October 20, 2008
NFAIS Humanities Roundtable VII
An NFAIS one-day program, *Building the Base for Authoritative Content:
Digital Resources in the Humanities*, is scheduled for October 20, 2008 at
the state-of-the-art Graduate Center of the City University of New York in
Manhattan, from 9:00am to 4:30pm. Whether you are a provider of humanities
information products and services or a librarian responsible for offering
access to humanities resources, this meeting will provide you with a better
understanding of the digital initiatives and newly-emerging web-based
resources in this field. And, while the meeting has a humanities information
context, the program content is applicable to all information providers and
librarians (see final program at:
http://www.nfais.org/events/event_details.cfm?id=52 )
The meeting will begin with Julia Flanders, Brown University, providing an
overview of the humanities digital initiatives that are emerging from
academic institutions across the United States. The presentation will
touch on such issues as the impact of collaboration and social scholarship,
the rise of new information tools, and efforts in digital modeling, text
mining and the visualization of search results. The results of a two recent
surveys will be discussed: one from ProQuest on student use of information
products and services and their expectations of such services in a Google
environment, and a second from the Getty Research Institute on the
user-perceived value of abstracts as a contribution to the body of
authoritative content. Kate Wittenberg, Columbia University, will discuss
leveraging user input for product development. Oxford University Press will
discuss their utilization of new publishing platforms for rapid release of
new products. And representatives from the Encyclopedia Britannica,
InsideHigherEd, and PALINET will discuss the incorporation of Web 2.0
features and user-generated content to create information products for the
21st century. The day will close with look at the future of authoritative
information products and services and how they need to evolve to meet the
expectations of the digital natives who are now assuming the roles of
faculty, scholar, researcher and business leader.
The final program, directions to the meeting facility, and registration
information are now available on the NFAIS Web site at:
http://www.nfais.org/events/event_details.cfm?id=52
Register soon, as seating is limited. Registration for this one-day session,
including lunch and two refreshment breaks, is only $95. For more
information contact: Jill O'Neill, NFAIS Director, Communication and
Planning, 215-893-1561 (phone); 215-893-1564 (fax); mailto: mailto:
[log in to unmask]
Founded in 1958, NFAIS is a premier membership organization of more than 60
of the world's leading producers of databases, information services, and
information technology in the sciences, engineering, social sciences,
business, and the arts and humanities.
__________________________________________________________________
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========================================================================Date: Wed, 10 Sep 2008 11:53:04 -0700
Reply-To: Jan Kellett <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Jan Kellett <[log in to unmask]>
Subject: Miniature Bks San Diego Sept 14
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The Miniature Book Society Inc will be holding their annual Book Fair
at the Island Palms Hotel & Marina,
2051 Shelter Island, San Diego on Sunday Sept 14. It is open to the
public 1.00 pm to 4.30 pm. Free entry,
all welcome. Many internationally-known book artists will be showing
their books.
Jan Kellett
De Walden Press
__________________________________________________________________
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========================================================================Date: Wed, 10 Sep 2008 19:27:36 -0400
Reply-To: Eleanor Johnston <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Eleanor Johnston <[log in to unmask]>
Subject: MOBILE NATION
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Just published:
MOBILE NATION
Creating Methodologies for Mobile Platforms
Based on the successful 2007 OCAD conference of the same name, Mobile Nation
is a new anthology devoted to the emerging field of mobile experience
design. More than 50 leading international experts explore the impact of
mobile platforms on cultural industries, architecture, engineering,
industrial design, advertising, entertainment, recreation, and education.
Edited by Martha Ladly, associate professor in OCAD's Faculty of Design and
by Philip Beesley professor of architecture at the University of Waterloo
School of Architecture.
The Ontario College of Art & Design (OCAD), Riverside Architectural Press
and the Canadian Design Research Network/Design Research Canada are pleased
to announce the publication of Mobile Nation, a landmark anthology devoted
to the emerging field of mobile experience design.
"Mobile devices such as cell phones, BlackBerries and the iPhone are a part
of our day-to-day lives - by the end of 2007, over 3.3 billion people were
mobile phone users worldwide," says co-editor Martha Ladly, Associate
Professor in OCAD's Faculty of Design. "Mobile Nation is one of the first
books that looks at the social nature of mobility from a broad range of
perspectives. From art and design through to engineering, architecture, and
the social sciences, our authors discuss exciting new approaches in the
mobile realm."
Based on the 2007 OCAD conference of the same name, Mobile Nation brings
together more than 50 leading international experts to explore the impact of
mobile platforms on cultural industries, architecture, engineering,
industrial design, advertising, entertainment, recreation, and education.
Ladly co-edited the book with Philip Beesley of the CDRN/DRC and University
of Waterloo's School of Architecture.
David Mirvish Books in Toronto hosts the book launch for Mobile Nation on
Wednesday September 17, from 5:00 to 7:00 pm. Authors, partners and
contributors to Mobile Nation will join Ladly and Beesley at the launch.
"How can we design a better, more productive, more creative, more globally
accessible mobile experience? Mobile Nation is one of the first books that
looks at the social nature of mobility from a broad range of perspectives."
Martha Ladly
"What kinds of new mobile forms are emerging? Researchers, companies, and
mobile users share groundbreaking conversations in this book. The massive
number of images, text messages and video clips that pass through mobile
devices has naturally attracted the attention of major commercial markets.
At the same time, we're seeing distributed micro-cultures sharing
open-source poetic material, making new kinds of art. This book examines a
range of marginal as well as mainstream cultures."Philip Beesley.
Mobile Nation is a publication of the Ontario College of Art & Design
(OCAD), Riverside Architectural Press and the Canadian Design Research
Network/Design Research Canada.
978-0-9780978-4-4,296 pages, full colour throughout, hardcover $34.95.
Orders & inquiries (416) 531-9975
[log in to unmask]
DAVID MIRVISH BOOKS ON ART
596 Markham Street Toronto M6G 2L8
(416) 531-9975 www.dmbooks.com
__________________________________________________________________
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For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<DIV><FONT face=Arial size=2>Just published:</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>MOBILE NATION<BR>Creating Methodologies for Mobile
Platforms<BR>Based on the successful 2007 OCAD conference of the same name,
Mobile Nation is a new anthology devoted to the emerging field of mobile
experience design. More than 50 leading international experts explore the impact
of mobile platforms on cultural industries, architecture, engineering,
industrial design, advertising, entertainment, recreation, and
education.<BR><SPAN class=046432323-10092008>Edited by </SPAN>Martha Ladly<SPAN
class=046432323-10092008>,</SPAN> associate professor in OCAD's Faculty of
Design<SPAN class=046432323-10092008> and by</SPAN> Philip Beesley<SPAN
class=046432323-10092008> </SPAN>professor of architecture at the University of
Waterloo School of Architecture.</FONT></DIV>
<DIV><FONT face=Arial size=2><BR>The Ontario College of Art & Design (OCAD),
Riverside Architectural Press and the Canadian Design Research Network/Design
Research Canada are pleased to announce the publication of Mobile Nation, a
landmark anthology devoted to the emerging field of mobile experience design.
</DIV>
<DIV> </DIV>
<DIV>"Mobile devices such as cell phones, BlackBerries and the iPhone are a part
of our day-to-day lives — by the end of 2007, over 3.3 billion people were
mobile phone users worldwide," says co-editor Martha Ladly, Associate Professor
in OCAD's Faculty of Design. "Mobile Nation is one of the first books that looks
at the social nature of mobility from a broad range of perspectives. From art
and design through to engineering, architecture, and the social sciences, our
authors discuss exciting new approaches in the mobile realm." </DIV>
<DIV> </DIV>
<DIV>Based on the 2007 OCAD conference of the same name, Mobile Nation brings
together more than 50 leading international experts to explore the impact of
mobile platforms on cultural industries, architecture, engineering, industrial
design, advertising, entertainment, recreation, and education. Ladly co-edited
the book with Philip Beesley of the CDRN/DRC and University of Waterloo's School
of Architecture. </DIV>
<DIV> </DIV>
<DIV>David Mirvish Books in Toronto hosts the book launch for Mobile Nation on
Wednesday September 17, from 5:00 to 7:00 pm. Authors, partners and contributors
to Mobile Nation will join Ladly and Beesley at the launch. </DIV>
<DIV> </DIV>
<DIV>“How can we design a better, more productive, more creative, more globally
accessible mobile experience? Mobile Nation is one of the first books that looks
at the social nature of mobility from a broad range of perspectives.” Martha
Ladly<BR> <BR> “What kinds of new mobile forms are emerging?
Researchers, companies, and mobile users share groundbreaking conversations in
this book. The massive number of images, text messages and video clips that pass
through mobile devices has naturally attracted the attention of major commercial
markets. At the same time, we're seeing distributed micro-cultures sharing
open-source poetic material, making new kinds of art. This book examines a range
of marginal as well as mainstream cultures.“Philip Beesley.<BR>Mobile Nation is
a publication of the Ontario College of Art & Design (OCAD), Riverside
Architectural Press and the Canadian Design Research Network/Design Research
Canada.<BR> <BR>978-0-9780978-4-4,296 pages, full colour throughout,
hardcover $34.95.<BR>Orders & inquiries (416) 531-9975 <BR><A
href="mailto:[log in to unmask]">[log in to unmask]</A><BR>
<BR>DAVID MIRVISH BOOKS ON ART<BR>596 Markham Street Toronto M6G
2L8<BR>(416) 531-9975 <A
href="http://www.dmbooks.com">www.dmbooks.com</A></DIV>
<DIV> </DIV>
<DIV> </FONT></DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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========================================================================Date: Thu, 11 Sep 2008 12:44:59 -0400
Reply-To: [log in to unmask]
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Arezoo Moseni <[log in to unmask]>
Subject: Genie
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Mid Manhattan Library
The Art Collection
455 Fifth Avenue, 3rd floor
New York, NY 10016
212-340-0871
Contact: Arezoo Moseni
Genie
Two site-specific installations by Ilene Sunshine
11 September – 17 December 2008
“Art Wall on Third”
The Art Collection, 3rd floor
Mon-Wed 9-9, Thu-Sat 10-6, Sun 1-5
02 December 2008 – 01 January 2009
“Art in the Windows”
Fifth Avenue Windows
On view day and night
The Art Collection at Mid-Manhattan Library is pleased to present two site-specific installations by the accomplished artist Ilene Sunshine. In Genie, Sunshine transforms discarded Christmas trees salvaged from the city’s sidewalks into a three dimensional drawing composed of over 100 cross-sectioned segments from the trees’ trunks. Genie hovers over the Art Collection’s reading area as a buoyant presence celebrating the library as an oasis, and a garden for the mind in our bustling city. The “Art in the Windows” installation will be a continuation of the same materials and concepts encountered in Genie. Donna Gustafson, art history professor and curator, will join Sunshine for an “Artist Dialogue” on Monday October 20th at 6:30 p.m. on the 6th floor. “Art Wall on Third” and “Art in the Windows” exhibition series are curated by Arezoo Moseni.
__________________________________________________________________
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For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<FONT face="Default Sans Serif,Verdana,Arial,Helvetica,sans-serif" size=2><SPAN style="FONT-FAMILY: Arial"><FONT size=3><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 1.2pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic">Mid <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:place w:st="on"><st1:City w:st="on">Manhattan</st1:City></st1:place> Library </SPAN><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 1.2pt; mso-fareast-font-family: 'Arial Unicode MS'; mso-ansi-language: EN-GB; mso-bidi-font-style: italic"><?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 2.7pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic">The Art Collection</SPAN><I style="mso-bidi-font-style: normal"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 2.7pt; mso-fareast-font-family: 'Arial Unicode MS'; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></I></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 0.2pt; mso-ansi-language: EN-GB">455 <st1:Street w:st="on"><st1:address w:st="on">Fifth Avenue</st1:address></st1:Street><SPAN style="mso-bidi-font-style: italic">, 3<SUP>rd</SUP> floor</SPAN></SPAN><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 0.2pt; mso-fareast-font-family: 'Arial Unicode MS'; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><st1:place w:st="on"><st1:City w:st="on"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">New York</SPAN></st1:City><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">, <st1:State w:st="on">NY</st1:State> <st1:PostalCode w:st="on">10016</st1:PostalCode></SPAN></st1:place><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-fareast-font-family: 'Arial Unicode MS'; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 1.4pt; mso-ansi-language: EN-GB">212-340-0871</SPAN><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 1.4pt; mso-fareast-font-family: 'Arial Unicode MS'; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"><o:p> </o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">Contact: Arezoo Moseni<o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><o:p><FONT face="Default Serif,Times New Roman,Times,serif"> </FONT></o:p></P><H1 style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 90%"><I style="mso-bidi-font-style: normal"><SPAN style="FONT-SIZE: 16pt; LINE-HEIGHT: 90%; FONT-FAMILY: Arial; LETTER-SPACING: 2.5pt"><A href="http://www.nypl.org/branch/central/mml/art/artwall6.html" target=blank>Genie</A></SPAN></I></H1><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><o:p><FONT face="Default Serif,Times New Roman,Times,serif"> </FONT></o:p></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Two site-specific installations by </SPAN><B><SPAN style="FONT-SIZE: 16pt; FONT-FAMILY: Arial; LETTER-SPACING: 1pt; mso-bidi-font-size: 12.0pt">Ilene Sunshine</SPAN></B><B><SPAN style="FONT-SIZE: 16pt; FONT-FAMILY: Arial; LETTER-SPACING: 1.8pt; mso-bidi-font-size: 12.0pt"><o:p></o:p></SPAN></B></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><B><SPAN style="FONT-SIZE: 16pt; FONT-FAMILY: Arial; LETTER-SPACING: 1.8pt; mso-bidi-font-size: 12.0pt"><o:p> </o:p></SPAN></B></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify"><SPAN style="FONT-FAMILY: Arial">11 September – 17 December 2008<o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify"><SPAN style="FONT-FAMILY: Arial; LETTER-SPACING: 1.1pt">“Art Wall on Third”</SPAN><SPAN style="FONT-FAMILY: Arial; LETTER-SPACING: 1.1pt; mso-fareast-font-family: 'Arial Unicode MS'"><o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 1.7pt; mso-ansi-language: EN-GB">The Art Collection, 3<SUP>rd</SUP> floor </SPAN><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 1.7pt; mso-fareast-font-family: 'Arial Unicode MS'; mso-ansi-language: EN-GB"><o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: -0.2pt; mso-ansi-language: EN-GB">Mon-Wed 9-9, Thu-Sat 10-6, Sun 1-5<o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: -0.2pt; mso-ansi-language: EN-GB"><o:p> </o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: -0.4pt; mso-ansi-language: EN-GB">02 December 2008 – 01 January 2009<o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; LETTER-SPACING: 0.5pt; mso-ansi-language: EN-GB">“Art in the Windows”<o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><st1:address w:st="on"><st1:Street w:st="on"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">Fifth Avenue</SPAN></st1:Street></st1:address><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB"> Windows <o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN lang=EN-GB style="FONT-FAMILY: Arial; mso-ansi-language: EN-GB">On view day and night<o:p></o:p></SPAN></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt"><o:p><FONT face="Default Serif,Times New Roman,Times,serif"> </FONT></o:p></P><P class=MsoNormal style="MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify"><SPAN style="FONT-FAMILY: Arial">The Art Collection at Mid-Manhattan Library is pleased to present two site-specific installations by the accomplished artist Ilene Sunshine. In <I style="mso-bidi-font-style: normal">Genie, </I>Sunshine transforms discarded Christmas trees salvaged from the city’s sidewalks into a three dimensional drawing composed of over 100 cross-sectioned segments from the trees’ trunks. <I style="mso-bidi-font-style: normal">Genie </I>hovers over the Art Collection’s reading area as a buoyant presence celebrating the library as an oasis, and a garden for the mind in our bustling city.<SPAN style="mso-spacerun: yes"> </SPAN>The “Art in the Windows” installation will be a continuation of the same materials and concepts encountered in <I style="mso-bidi-font-style: normal">Genie</I>. Donna Gustafson, art history professor and curator, will join Sunshine for an “Artist Dialogue” on Monday October 20<SUP>th</SUP> at 6:30 p.m. on the 6<SUP>th</SUP> floor. “Art Wall on Third” and “Art in the Windows” exhibition series are curated by Arezoo Moseni.</SPAN></FONT></SPAN></P></FONT>
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========================================================================Date: Thu, 11 Sep 2008 13:40:32 -0500
Reply-To: [log in to unmask]
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Tim Reynolds <[log in to unmask]>
Subject: Landscape Magazine
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I was wondering if anyone has copies of Landscape 1951-1970s that I can
have. I am looking for articles by J B jackson in particular. This is for
my research not my libraries so I ll pay shipping.
Tim Reynolds
MLIS/MA in progress
Librarian
Harlingen Public Library
956-216-5822
--
Anything worth doing is worth fighting for
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<div dir="ltr">I was wondering if anyone has copies of Landscape 1951-1970s that I can have. I am looking for articles by J B jackson in particular. This is for my research not my libraries so I ll pay shipping.<div><br>
</div><div><br></div><div>Tim Reynolds</div><div>MLIS/MA in progress</div><div>Librarian</div><div>Harlingen Public Library</div><div>956-216-5822<br clear="all"><br>-- <br>Anything worth doing is worth fighting for<br>
</div></div>
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========================================================================Date: Thu, 11 Sep 2008 14:57:26 -0500
Reply-To: "Templeton, Rijn A" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Templeton, Rijn A" <[log in to unmask]>
Subject: Doctoral research support
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Could you use some financial help for your doctoral research or know someone who could? Please take a look at the ACRL's Doctoral Dissertation Fellowship.
(Posted by Rijn Templeton for Nan Seamans. Please forgive cross-postings. Thanks.)
------------------------------------------------------------------
Looking for cash to support your doctoral research?
The Association of College & Research Libraries, with generous support from Thomson Reuters, makes an annual award of $1500 to support dissertation research in the field of academic librarianship.* Details are available online at http://www.ala.org/ala/acrl/acrlawards/doctoraldissertation.cfm and applications are being accepted through December 5, 2008.
Are YOU the next Doctoral Dissertation Fellowship winner?
* No attempt will be made to define academic librarianship, but the subject should be consistent with topics usually published in College & Research Libraries or key refereed library and information science research journals or presented at ACRL meetings.
_______________
Dr. Nancy H. Seamans
Dean of Libraries
Georgia State University
100 Decatur Street SE
Atlanta, GA 30303-3202
404-413-2700
------------------------------------------------------------------------
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<p class=MsoNormal><span style='font-size:11.0pt'>Could you use some financial
help for your doctoral research or know someone who could? Please take a
look at the ACRL’s Doctoral Dissertation Fellowship.<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt'>
(Posted by Rijn Templeton for Nan Seamans. Please forgive cross-postings.
Thanks.)<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>------------------------------------------------------------------<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>Looking
for cash to support your doctoral research?<br>
<br>
The Association of College & Research Libraries, with generous support from
Thomson Reuters, makes an annual award of $1500 to support dissertation
research in the field of academic librarianship.* Details are available online
at <a href="http://www.ala.org/ala/acrl/acrlawards/doctoraldissertation.cfm">http://www.ala.org/ala/acrl/acrlawards/doctoraldissertation.cfm</a>
and applications are being accepted through December 5, 2008.<br>
<br>
Are YOU the next Doctoral Dissertation Fellowship winner?<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'><o:p> </o:p></span></p>
<p class=MsoNormal style='margin-bottom:.75pt'><span style='font-family:"Trebuchet MS","sans-serif"'>*
No attempt will be made to define academic librarianship, but the subject
should be consistent with topics usually published in College & Research
Libraries or key refereed library and information science research journals or
presented at ACRL meetings.</span><span style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>_______________</span><span
style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>Dr.
Nancy H. Seamans</span><span style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>Dean
of Libraries</span><span style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>Georgia
State University</span><span style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>100
Decatur Street SE </span><span style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>Atlanta,
GA 30303-3202 </span><span style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Trebuchet MS","sans-serif"'>404-413-2700 </span><span
style='font-family:"Trebuchet MS","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>------------------------------------------------------------------------<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
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--_000_060BFC304E6ED64397CD14806E4A71032F2A36EC0BIOWAEVS09iowa_--
========================================================================Date: Fri, 12 Sep 2008 11:40:22 -0500
Reply-To: "Mikael D. Kriz" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Mikael D. Kriz" <[log in to unmask]>
Subject: Re: Meggs History of Graphic Design Quote Needed
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Thanks very much to all who responded to my request for assistance with
a quote from the Meggs' History of Graphic Design dust jacket. After
sending out my request I was almost immediately flooded with answers to
my query, most of which went well above and beyond the call of duty.
ARLIS-L truly is the best reference source out there.
Thanks again,
Mikael
--------------------------
Mikael D. Kriz, M.A., M.S.
Reference Librarian &
Coordinator of Web Services
Pius XII Memorial Library
Saint Louis University
3650 Lindell Blvd.
St. Louis, MO 63108-3302
phone: 314-977-3593
fax: 314-977-3108
email: [log in to unmask]
--------------------------
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========================================================================Date: Fri, 12 Sep 2008 11:37:26 -0600
Reply-To: Peggy Keeran <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Peggy Keeran <[log in to unmask]>
Subject: Stephen Salisbury Tuckerman question
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A student is looking for information about the paintings of Stephen Salisbury Tuckerman, but we're not finding a whole lot. We've looked in a wide variety of reference sources, the art databases, library catalogs, WorldCat, etc. Do any of you have any knowledge of this artist and his work, and can recommend sources discussing the paintings themselves?
Please respond off list. Thanks for your help!
Peggy Keeran
Arts and Humanities Reference Librarian
Penrose Library
University of Denver
2150 E. Evans Avenue
Denver, CO 80208
Voice: 303-871-3410
Fax: 303-871-3446
Email: [log in to unmask]<mailto:[log in to unmask]>
__________________________________________________________________
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>A student is looking for information about the paintings of
Stephen Salisbury Tuckerman, but we’re not finding a whole lot. We’ve
looked in a wide variety of reference sources, the art databases, library
catalogs, WorldCat, etc. Do any of you have any knowledge of this artist and
his work, and can recommend sources discussing the paintings themselves?<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Please respond off list. Thanks for your help! <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Peggy Keeran<br>
Arts and Humanities Reference Librarian<br>
Penrose Library<br>
<st1:place w:st="on"><st1:PlaceType w:st="on">University</st1:PlaceType> of <st1:PlaceName
w:st="on">Denver</st1:PlaceName></st1:place><br>
<st1:Street w:st="on"><st1:address w:st="on">2150 E. Evans Avenue</st1:address></st1:Street><br>
<st1:place w:st="on"><st1:City w:st="on">Denver</st1:City>, <st1:State w:st="on">CO</st1:State>
<st1:PostalCode w:st="on">80208</st1:PostalCode></st1:place></span></font><o:p></o:p></p>
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font-family:Arial'>Voice: 303-871-3410<br>
Fax: 303-871-3446<br>
Email: <a href="mailto:[log in to unmask]">[log in to unmask]</a></span></font><o:p></o:p></p>
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
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ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--_000_CA21E188BCC5D2459959DF61AEDD835401ADBAEC77EXCHduedu_--
========================================================================Date: Fri, 12 Sep 2008 15:25:15 -0400
Reply-To: Anne Reid <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Anne Reid <[log in to unmask]>
Organization: Simmons College
Subject: Register Now for Fall '08 Simmons GSLIS CE Workshops
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(Please excuse cross-postings)
Questions? Contact: [log in to unmask]
The Simmons GSLIS Continuing Education program offers half-day,
full-day, and month-long workshops each season at our Boston and Mount
Holyoke campuses, online, and elsewhere throughout New England. Our
workshops and courses are scheduled on weekends or online for the
convenience of practicing librarians and other professionals.
Upcoming Workshops:
Online:
-- Advanced Google and Beyond -- October 1-31
-- Effective Company Research -- October 1-31
-- Creating a Successful Open Access Publication -- October 1-31
-- Javascript -- October 6 - November 14
-- Information Entrepreneurship -- November 1-30
-- Secret Formula for Quality Business Research -- November 1-30
At Simmons in Boston:
-- Bring an Author to Your Library -- October 4
-- Around the World in 80 Days: A Visual Tour of Libraries -- October 4
-- Archives 2.0 -- October 4
-- Patent Research -- October 18
-- Dreamweaver 1 and 2 -- October 18
-- Taxonomies & Controlled Vocabularies -- October 25
-- Indexing Application in Print and Digital Media -- November 8
-- Introduction to GIS and Online Mapping for Librarians -- November 8
-- ABCs of Sustainable Time Management -- November 8
-- Encoded Archival Description (EAD) -- November 8
-- Global Arts Bookmaking -- November 15
-- Photoshop -- November 15
-- How Do I Plan My Building for Technology -- December 6
At Mt. Holyoke in South Hadley:
-- Fun with Pop-Up Books -- October 19
-- What's New in Children's Books -- November 16
At the Congregational Library in Boston:
-- Using Primary Sources, a Tutorial for Educators -- December 6
For more information please see
http://www.simmons.edu/gslis/continuinged/workshops/
--
Anne M. Reid '00
Administrative Manager
Graduate School of Library and Information Science
Simmons College
300 The Fenway
Boston, MA 02115
t 617.521.2805
f 617.521.3192
[log in to unmask]
__________________________________________________________________
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For information about joining ARLIS/NA see:
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========================================================================Date: Fri, 12 Sep 2008 17:26:16 -0700
Reply-To: Peter Blank <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Peter Blank <[log in to unmask]>
Subject: Serials Largesse from Stanford - II
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Greetings friends,
And this lot as well, bound.
FYI. The items in lot I are from the library of our noted Americanist,
Wanda Corn.
The items below from the Rodin scholar, Al Elsen.
Can not guarantee that the brilliance of these great teachers will somehow
accompany their former journals, but one can hope!
Art International
V.3 || No.1-10 || 1959-1960
V.4 || No.5-10 || 1960
V.5 || No.1-4;7-10 || 1961
V.6 || No.1-10 || 1962
V.7 || No.1-6|| 1963
Cleveland Museum of Art. Bulletin
V.26 || No.4 || 1939
V.33 || No.7;10 || 1946
V.34-35 || 1947-1948
V.36-37 || 1949-1950
V.38-40 || 1951-1953
V. 43-44 || 1956-57
V.46-47|| 1959-1960
V.50 || 1963
V.53 || 1966
V.54 || 1967
V.55 || No.1 || 1968
V.55 || JAN.-JUN. No.1-6 || 1968
V.56 || OCT.-DEC. No.8-10 || 1969
Sele Art
V.5-8 || 30;39;41;43;46|| 1957-1960
V.10 || 58;60 || 1962
V.12 || No.67-72 || 1964
V.13 || No.73-78 || 1965-1966
V.11 || No.61-66 || 1963
Smithsonian Year
1980
Again, postage reimbursement required.
Best,
Peter
------------------------------------------------------------------------------------------
Peter P. Blank [log in to unmask]
Head Librarian (650) 725-1038
Art & Architecture Library FAX (650) 725-0140
102 Cummings Art Bldg.
Stanford University
Stanford, CA 94305-2018
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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to [log in to unmask]
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--=====================_35871437==.ALT
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<font size=3>Greetings friends,<br><br>
And this lot as well, bound.<br><br>
FYI. The items in lot I are from the library of our noted Americanist,
Wanda Corn.<br><br>
The items below from the Rodin scholar, Al Elsen.<br><br>
Can not guarantee that the brilliance of these great teachers will
somehow accompany their former journals, but one can hope!<br><br>
Art International<br>
V.3 || No.1-10 || 1959-1960<br>
V.4 || No.5-10 || 1960<br>
V.5 || No.1-4;7-10 || 1961<br>
V.6 || No.1-10 || 1962<br>
V.7 || No.1-6|| 1963<br><br>
Cleveland Museum of Art. Bulletin<br>
V.26 || No.4 || 1939<br>
V.33 || No.7;10 || 1946 <br>
V.34-35 || 1947-1948<br>
V.36-37 || 1949-1950<br>
V.38-40 || 1951-1953<br>
V. 43-44 || 1956-57<br>
V.46-47|| 1959-1960<br>
V.50 || 1963<br>
V.53 || 1966<br>
V.54 || 1967<br>
V.55 || No.1 || 1968<br>
V.55 || JAN.-JUN. No.1-6 || 1968<br>
V.56 || OCT.-DEC. No.8-10 || 1969 <br><br>
Sele Art<br>
V.5-8 || 30;39;41;43;46|| 1957-1960<br>
V.10 || 58;60 || 1962<br>
V.12 || No.67-72 || 1964<br>
V.13 || No.73-78 || 1965-1966<br>
V.11 || No.61-66 || 1963 <br><br>
Smithsonian Year<br>
1980<br><br>
Again, postage reimbursement required.<br><br>
Best,<br><br>
Peter<br><br>
------------------------------------------------------------------------------------------<br>
</font>Peter P.
Blank
[log in to unmask]<br>
Head
Librarian
(650) 725-1038<br>
Art & Architecture
Library
FAX (650) 725-0140<br>
102 Cummings Art Bldg.<br>
Stanford University<br>
Stanford, CA 94305-2018</body>
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--=====================_35871437==.ALT--
========================================================================Date: Fri, 12 Sep 2008 17:16:20 -0700
Reply-To: Peter Blank <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Peter Blank <[log in to unmask]>
Subject: Serials Largesse from Stanford - I
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Greetings friends,
We have almost complete runs of the following. I can provide an exact list
if you so desire.
American Art Journal, v.1, no.1 (Spring 1969) - v.23, no.2 (1991).
Art Bulletin, v.47, no.1 (1965) - v.89, no.3 (2007).
Arts Magazine, v.53, no.9 (1979) - v.65, no.3 (1990).
Art Journal, v.24, no.3 (1965) - v.65, no.1 (2006).
Archives of American Art Journal, v.9, no.1 (1969) - v.36, no.4 (1996).
American Art Review, v.1, no.1 (1973) - v.7, no.1 (1995).
Winterthur Portfolio, v.14, no.1 (1979) - v.26, no.1 (1991).
Prospects, v.4, 1979) - v.22 (1997).
Prefer to move runs in a single lot if possible, not single issues (sorry!).
Require postage reimbursement on these, please.
Best,
Peter
Peter P. Blank [log in to unmask]
Head Librarian (650) 725-1038
Art & Architecture Library FAX (650) 725-0140
102 Cummings Art Bldg.
Stanford University
Stanford, CA 94305-2018
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========================================================================Date: Mon, 15 Sep 2008 11:49:41 -0400
Reply-To: Eric Wolf <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <ARLIS-L@LSV.UKY.EDU>
From: Eric Wolf <[log in to unmask]>
Subject: Announcing Patricia Barnett's Retirement
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I am posting the following message on behalf of my good friend, mentor
and colleague Patricia Barnett:
After thirteen years as the Andrew W. Mellon Chief Librarian, Pat
Barnett retired from her leadership role as the Andrew W. Mellon Chief
Librarian of the Frick Art Reference Library. Her accomplishments under
three directors of The Frick Collection redefined the Library for the
twenty-first century as a welcoming center for research, expanded
services and resources, reached out to a more diverse research
community, and engaged with peer institutions in partnerships to
confront the new technological challenges. Pat intends to enter the next
phase of her professional career by serving the broader art library and
information communities through consulting. She can be contacted at
[log in to unmask]
_______________________________________
Patricia Barnett
Chief Librarian Emerita of the Frick Art Reference Library
I am sure that I lead a very large chorus of art librarians in wishing
Pat every success as she enters the next phase in her career and in
thanking her for her years of hard work and service at the Frick Art
Reference Library and in the profession at large. I had the pleasure of
working with her at the Frick for three years-she has always been and
will continue to be a role model for me and everyone else who has had
the good fortune to work for or with her.
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 E. 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
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<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>I am posting the following message on behalf of my good
friend, mentor and colleague Patricia Barnett:</span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>After thirteen years as the Andrew W. Mellon Chief
Librarian, Pat Barnett retired from her leadership role as the Andrew W. Mellon
Chief Librarian of the Frick Art Reference Library. Her accomplishments under
three directors of The Frick Collection redefined the Library for the
twenty-first century as a welcoming center for research, expanded services and
resources, reached out to a more diverse research community, and engaged with
peer institutions in partnerships to confront the new technological challenges.
Pat intends to enter the next phase of her professional career by serving the
broader art library and information communities through consulting. She can be
contacted at <a href="mailto:[log in to unmask]">[log in to unmask]</a>. <br>
_______________________________________<br>
Patricia Barnett<br>
Chief Librarian Emerita of the Frick Art Reference Library</span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>I am sure that I lead a very large chorus of art librarians
in wishing Pat every success as she enters the next phase in her career and in
thanking her for her years of hard work and service at the Frick Art Reference
Library and in the profession at large. I had the pleasure of working
with her at the Frick for three years—she has always been and will
continue to be a role model for me and everyone else who has had the good
fortune to work for or with her.</span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoAutoSig><b><font size=3 color=red face=Arial><span
style='font-size:12.0pt;font-family:Arial;color:red;font-weight:bold'>Eric M.
Wolf</span></font></b></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>Director of the Library</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>New York</span></font></i></em><em><i><font size=1
face=Arial><span style='font-size:7.5pt;font-family:Arial'> </span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'>School</span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'> of Interior
Design</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>170 E. 70th Street</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>New York</span></font></i></em><em><i><font size=1
face=Arial><span style='font-size:7.5pt;font-family:Arial'>, </span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'>NY</span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'> </span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'>10021</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>(212) 472-1500 x216</span></font></i></em></p>
<p class=MsoAutoSig><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><a href="mailto:[log in to unmask]"><em><i><font size=1 face=Arial><span
style='font-size:7.5pt;font-family:Arial;text-decoration:none'>[log in to unmask]</span></font></i></em></a></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
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========================================================================Date: Mon, 15 Sep 2008 16:03:55 -0400
Reply-To: "Sara MacDonald, UArts Libraries" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Sara MacDonald, UArts Libraries" <[log in to unmask]>
Subject: Design quote/Wm McDonough
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Dear ARLIS-L,
One of our faculty has asked me to find out if William McDonough was really
the first person to say that "Design is the first sign[al] of human
intention." I've found it attributed to McDonough many times, but it
certainly sounds like it could be a slight re-working of someone else's
words.
I've Googled my head off and won't be able to really look into this for a
couple weeks. Does this ring an immediate bell with anyone?
Thanks in advance,
Sara
----------
Sara J. MacDonald, Public Services Librarian
The University of the Arts - University Libraries
320 S. Broad St Philadelphia PA 19102 USA
215-717-6282 fax: 215-717-6287
[log in to unmask] IM: uartslibrarian
http://library.uarts.edu/
__________________________________________________________________
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<FONT FACE="Helvetica, Verdana, Arial"><SPAN STYLE='font-size:14pt'>Dear ARLIS-L,<BR>
<BR>
One of our faculty has asked me to find out if William McDonough was really the first person to say that "Design is the first sign[al] of human intention." I've found it attributed to McDonough many times, but it certainly sounds like it could be a slight re-working of someone else's words. <BR>
<BR>
I've Googled my head off and won't be able to really look into this for a couple weeks. Does this ring an immediate bell with anyone?<BR>
<BR>
Thanks in advance,<BR>
<BR>
Sara<BR>
----------<BR>
Sara J. MacDonald, Public Services Librarian<BR>
The University of the Arts - University Libraries<BR>
320 S. Broad St Philadelphia PA 19102 USA<BR>
215-717-6282 fax: 215-717-6287<BR>
<a href="[log in to unmask]">[log in to unmask]</a> IM: uartslibrarian<BR>
<a href="http://library.uarts.edu/">http://library.uarts.edu/</a><BR>
</SPAN></FONT>
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--B_3304339436_1399792--
========================================================================Date: Mon, 15 Sep 2008 21:03:03 -0700
Reply-To: Librarian <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Librarian <[log in to unmask]>
Subject: Queer Archives: Call for Papers
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CALL FOR PAPERS FOR A 2009 SPECIAL SECTION OF ARCHIVIARA
ON "QUEER
ARCHIVES"
It is a generally recognized fact that public archives
have seldom
documented the lives of gay, lesbian, bisexual and
transgendered
individuals, leading many queer people, like Canadian gay
activist Jim
Egan (1921-2000), to deplore the conspiracy of silence
that has robbed
queer Canadians of their history and of the evidential
value of their
lives (Donna Jean MacKinnon, ?Taking Pride in Homosexual
History?, The
Toronto Star, 19 June 2003, p. J04). Queer archives have
arisen from this
dearth of representation as a means to capture and
preserve this neglected
history. The development of queer collections has not only
served to
support the communities they document, but it has also
helped foster a new
discipline of sexual diversity studies. As 2009 marks the
fortieth
anniversary of both the decriminalization of homosexuality
in Canada and
the Stonewall Inn Riots in New York City, the editorial
board of
Archivariais planning to include a special section devoted
to queer
archives in Archivaria 68 (Fall 2009).
Marcel Barriault and Rebecka Sheffield will serve as Guest
Editors of this
special section.
Contributions to this special section, in either English
or French, should
address issues related to sexual diversity (gay, lesbian,
bisexual,
transgendered, transsexual, intersexed, two-spirited and
questioning
identities). Papers are solicited on, but not limited to,
the following
topics:
- An exploration of the history and development of gay and
lesbian
archives;
- An analysis of archival practice and how this affects
queer archival
collections;
- The examination of a particular queer collection;
- An investigation of access and privacy issues related to
queer archives;
- A response to collecting records that reflect trans
history and
community development;
- An examination of the ways archival descriptive
standards reveal and
conceal sexual diversity.
Papers are not limited to a specific time or place and may
include
collections held in archives outside of Canada or produced
outside of
Canada.
Expressions of interest consisting of an abstract of the
proposed article
(300-500 words) must be received by the co-editors by
October 31, 2008.
Completed manuscripts are due March 31, 2009.
Final submissions should follow the ?Advice to Authors of
Submissions to
Archivaria? found online at:
http://archivists.ca/publications/submissions.aspx
Please feel free to direct questions related to this
special issue to the
Guest Editors:
Marcel Barriault at [log in to unmask] or
(819) 934-7358.
Rebecka Sheffield at [log in to unmask] or (416)
317-8955.
Archivaria, the journal of the Association of Canadian
Archivists (ACA),
is devoted to the scholarly investigation of archives in
Canada and
internationally. For more information on Archivaria please
visit the
website at:
http://archivists.ca/publications/archivaria.aspx
Allison R. Schulte
Librarian
[log in to unmask]
Tom of Finland Foundation
1421 Laveta Terrace
Los Angeles, CA 90026
www.tomoffinlandfoundation.org
__________________________________________________________________
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========================================================================Date: Tue, 16 Sep 2008 12:21:33 -0400
Reply-To: "Stephen (Steve) Majure" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Stephen (Steve) Majure" <[log in to unmask]>
Subject: need: American Photo, 18:1, Jan/Feb 2007
Comments: To: [log in to unmask]
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cross-posted, please forgive any duplication
We are in need of one issue of American Photo to fill a gap. We will reimburse your postage cost if you can supply the issue. Thanks for checking!
American Photo, v.18, no.1, Jan/Feb 2007
Steve Majure
Jen Library
Savannah College of Art and Design
PO Box 3146
Savannah, GA 31402-3146
p (912) 525-4702
f (912) 525-4715
e [log in to unmask]
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========================================================================Date: Tue, 16 Sep 2008 12:42:45 -0500
Reply-To: Lynette Korenic <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Lynette Korenic <[log in to unmask]>
Subject: needed for binding
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Colleagues,
We are lacking the following issues:
Vernacular Architecture Newsletter (no. 113, 2007 and no. 114, 2007)
Art AsiaPacific Almanac (no. 2, 2007).
Would anyone have duplicates they could give us? We can reimburse shipping with postage stamps.
Thanks!
--Lyn
Lyn Korenic, Ph.D.
Director
Kohler Art Library
800 University Avenue
University of Wisconsin
Madison, WI 53706
tel: (608) 263-2256
fax: (608) 263-2255
email: [log in to unmask]
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========================================================================Date: Tue, 16 Sep 2008 12:53:50 -0400
Reply-To: Kristen Regina <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Kristen Regina <[log in to unmask]>
Subject: Annoucnement of the fall DC/MD/VA ARLIS-VRA Joint Chapter Meeting
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If any ARLIS members will be in the Washington area on the 24th, please join us.
Kristen Regina
Joint Meeting of DC-MD-VA Chapter of the
Art Libraries Society of North America and the
Mid-Atlantic Chapter of the Visual Resources Association
National Gallery of Art
October 24, 2008
M E E T I N G A G E N D A
9:15-10:00 Registration and Continental Breakfast Terrace Café
10:00-10:35 Rare Books and Images in the National Gallery of Art Library
10:45-11:20 (two concurrent sessions)
Neal Turtell, Executive Librarian and Gregory Most, Chief, Department of Image Collections, will discuss and display some of the treasures contained in the National Gallery of Art Library. In order to facilitate easier viewing and discussion of the rare books and photographs, attendees will be split into two groups and will then change rooms. Library staff will also demonstrate Oculus, the NGA Library's digital image database.
11:30-12:30 Chapter Meetings NGA Library
Elizabeth Gushee, Chair, Mid-Atlantic VRA Chapter
Kristen Regina, Chair, ARLIS/DC-MD-VA
12:30-1:50 Luncheon Terrace Café
Afternoon lectures will take place in the East Building Small Auditorium
2:00-2:45 Kenneth Fleisher, Photographer, Department of Imaging and Visual Services, National Gallery of Art
The Fundamentals of Color Management in a Digital Environment
Ken Fleisher has over 15 years experience working with digital images. He received his B.F.A. in Commercial Photography and a M.S. in Color Science, with an emphasis on Imaging Science from the Rochester Institute of Technology. He has worked as a color management consultant and successfully implemented color management in numerous complex color reproduction workflows.
2:45-3:30 Carol C. Mattusch, Mathy Professor of Art History,
George Mason University
Pompeii and the Roman Villa: Art and Culture around the Bay of Naples: an overview of the exhibition.
Carol Mattusch, guest curator of the Pompeii exhibition, is a specialist in Greek and Roman art and archaeology and the rediscovery of classical antiquity. She has taught at George Mason University since 1977. A graduate of Bryn Mawr College, Mattusch received her Ph.D in Art History from the University of North Carolina at Chapel Hill. She received the Charles Rufus Morey Award in 2006 from the College Art Association for The Villa dei Papiri at Herculaneum: Life and Afterlife of a Sculpture Collection (2005).
3:30-5:00 Viewing of Pompeii & George de Forest Brush exhibitions
5:15-7:30 Cocktail Party
Join your colleagues for drinks at the nearby home of Gregory Most. Directions will be provided as you leave.
__________________________________________________________________
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<div class=Section1>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>If any ARLIS members will be in the <st1:Sn w:st="on"><st2:State
w:st="on"><st2:place w:st="on">Washington</st2:place></st2:State></st1:Sn>
area on the 24th, please join us.<o:p></o:p></span></font></p>
<p class=MsoNormal><st2:PersonName w:st="on"><st1:GivenName w:st="on"><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Kristen</span></font></st1:GivenName><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> <st1:Sn
w:st="on">Regina</st1:Sn></span></font></st2:PersonName><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal align=center style='text-align:center'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Joint
Meeting of DC-MD-VA Chapter of the <o:p></o:p></span></font></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Art
Libraries Society of <st2:place w:st="on">North America</st2:place> and the<o:p></o:p></span></font></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Mid-Atlantic
Chapter of the Visual Resources Association<o:p></o:p></span></font></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>National
Gallery of <st1:GivenName w:st="on">Art</st1:GivenName><o:p></o:p></span></font></b></p>
<p class=MsoNormal align=center style='text-align:center'><st2:date Year="2008"
Day="24" Month="10" w:st="on"><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October 24, 2008</span></font></st2:date><o:p></o:p></p>
<p class=MsoNormal align=center style='text-align:center'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal align=center style='text-align:center'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>M E E T
I N G A G E N D A<o:p></o:p></span></font></b></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>9:15-10:00 Registration and Continental Breakfast Terrace
Café <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoNormal><st2:time Hour="10" Minute="0" w:st="on"><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>10:00-10:35</span></font></st2:time> Rare
Books and Images in the National Gallery of Art Library <o:p></o:p></p>
<p class=MsoNormal><st2:time Hour="10" Minute="45" w:st="on"><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>10:45-11:20</span></font></st2:time> (two
concurrent sessions)<o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><st1:GivenName w:st="on"><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Neal</span></font></st1:GivenName> <st1:Sn w:st="on">Turtell</st1:Sn>,
Executive Librarian and <st2:PersonName w:st="on"><st1:GivenName w:st="on">Gregory</st1:GivenName>
<st1:Sn w:st="on">Most</st1:Sn></st2:PersonName>, Chief, Department of <st2:PersonName
w:st="on">Image Collections</st2:PersonName>, will discuss and display some of
the treasures contained in the National Gallery of Art Library. In order to
facilitate easier viewing and discussion of the rare books and photographs,
attendees will be split into two groups and will then change rooms. Library
staff will also demonstrate Oculus, the NGA Library’s digital image
database.<o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoNormal style='margin-left:1.5in;text-indent:-1.5in'><st2:time
Hour="11" Minute="30" w:st="on"><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>11:30-12:30</span></font></st2:time> Chapter
Meetings NGA Library<o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.5in'><st2:PersonName w:st="on"><st1:GivenName
w:st="on"><font size=3 face="Times New Roman"><span style='font-size:12.0pt'>Elizabeth</span></font></st1:GivenName>
<st1:Sn w:st="on">Gushee</st1:Sn></st2:PersonName>, Chair, Mid-Atlantic VRA Chapter
<o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.5in'><st2:PersonName w:st="on"><st1:GivenName
w:st="on"><font size=3 face="Times New Roman"><span style='font-size:12.0pt'>Kristen</span></font></st1:GivenName>
<st1:Sn w:st="on">Regina</st1:Sn></st2:PersonName>, Chair, ARLIS/DC-MD-VA<o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoNormal><st2:time Hour="12" Minute="30" w:st="on"><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>12:30-1:50</span></font></st2:time> Luncheon Terrace
Café <o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal align=center style='text-align:center'><i><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-style:italic'>Afternoon
lectures will take place in the <st2:place w:st="on"><st2:PlaceName w:st="on">East</st2:PlaceName>
<st2:PlaceType w:st="on">Building</st2:PlaceType></st2:place> Small Auditorium<o:p></o:p></span></font></i></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal style='margin-left:1.5in;text-indent:-1.5in'><st2:time
Hour="14" Minute="0" w:st="on"><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>2:00-2:45</span></font></st2:time> <st2:PersonName
w:st="on"><st1:GivenName w:st="on">Kenneth</st1:GivenName> <st1:Sn w:st="on">Fleisher</st1:Sn></st2:PersonName>,
Photographer, Department of Imaging and Visual Services, National Gallery of <st1:GivenName
w:st="on">Art</st1:GivenName><o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.5in;text-indent:-1.5in'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> <i><span style='font-style:italic'>The
Fundamentals of Color Management in a Digital Environment </span></i><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><st2:PersonName w:st="on"><st1:GivenName w:st="on"><font
size=3 face="Times New Roman"><span style='font-size:12.0pt'>Ken</span></font></st1:GivenName>
<st1:Sn w:st="on">Fleisher</st1:Sn></st2:PersonName> has over 15 years
experience working with digital images. He received his B.F.A. in Commercial
Photography and a M.S. in Color Science, with an emphasis on Imaging Science
from the Rochester Institute of Technology. He has worked as a color management
consultant and successfully implemented color management in numerous complex
color reproduction workflows.<o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal style='margin-left:1.5in;text-indent:-1.5in'><st2:time
Minute="45" Hour="14" w:st="on"><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>2:45-3:30</span></font></st2:time> Carol
<st1:GivenName w:st="on">C.</st1:GivenName> <st1:Sn w:st="on">Mattusch</st1:Sn>,
Mathy Professor of <st2:PersonName w:st="on"><st1:GivenName w:st="on">Art</st1:GivenName>
<st1:Sn w:st="on">History</st1:Sn></st2:PersonName>, <o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.5in;text-indent:-1.5in'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'> <st2:place
w:st="on"><st2:PlaceName w:st="on">George</st2:PlaceName> <st2:PlaceName w:st="on">Mason</st2:PlaceName>
<st2:PlaceName w:st="on">University</st2:PlaceName></st2:place><o:p></o:p></span></font></p>
<p class=MsoNormal style='margin-left:1.5in;text-indent:-1.5in'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal style='margin-left:1.5in'><st2:City w:st="on"><i><font
size=3 face="Times New Roman"><span style='font-size:12.0pt;font-style:italic'>Pompeii</span></font></i></st2:City><i><span
style='font-style:italic'> and the <st2:PersonName w:st="on"><st1:GivenName
w:st="on">Roman</st1:GivenName> <st1:Sn w:st="on">Villa</st1:Sn></st2:PersonName>:
<st1:GivenName w:st="on">Art</st1:GivenName> and Culture around the <st2:place
w:st="on"><st2:PlaceType w:st="on">Bay</st2:PlaceType> of <st2:PlaceName w:st="on">Naples</st2:PlaceName></st2:place>:
an overview of the exhibition</span></i>.<o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><st2:PersonName w:st="on"><st1:GivenName w:st="on"><font
size=3 face="Times New Roman"><span style='font-size:12.0pt'>Carol</span></font></st1:GivenName>
<st1:Sn w:st="on">Mattusch</st1:Sn></st2:PersonName>, guest curator of the <st2:place
w:st="on"><st2:City w:st="on">Pompeii</st2:City></st2:place> exhibition, is a
specialist in Greek and <st1:GivenName w:st="on">Roman</st1:GivenName> art and
archaeology and the rediscovery of classical antiquity. She has taught at <st2:place
w:st="on"><st2:PlaceName w:st="on">George</st2:PlaceName> <st2:PlaceName w:st="on">Mason</st2:PlaceName>
<st2:PlaceName w:st="on">University</st2:PlaceName></st2:place> since 1977. A
graduate of <st2:PlaceName w:st="on">Bryn</st2:PlaceName> <st2:PlaceName w:st="on">Mawr</st2:PlaceName>
<st2:PlaceType w:st="on">College</st2:PlaceType>, Mattusch received her Ph.D in
<st2:PersonName w:st="on"><st1:GivenName w:st="on">Art</st1:GivenName> <st1:Sn
w:st="on">History</st1:Sn></st2:PersonName> from the <st2:PlaceType w:st="on">University</st2:PlaceType>
of <st2:PlaceName w:st="on">North Carolina</st2:PlaceName> at <st2:place w:st="on">Chapel
Hill</st2:place>. She received the Charles Rufus Morey Award in 2006 from the
College Art Association for <i><span style='font-style:italic'>The Villa dei
Papiri at Herculaneum: Life and Afterlife of a Sculpture Collection </span></i>(2005).<o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>3:30-5:00 Viewing of Pompeii & George de Forest Brush
exhibitions<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>5:15-7:30 Cocktail Party<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Join your colleagues for drinks at the nearby home of <st2:PersonName
w:st="on"><st1:GivenName w:st="on">Gregory</st1:GivenName> <st1:Sn w:st="on">Most</st1:Sn></st2:PersonName>.
Directions will be provided as you leave.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
</div>
</body>
</html>
__________________________________________________________________
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------_=_NextPart_001_01C9181C.CBC98E31--
========================================================================Date: Tue, 16 Sep 2008 20:34:53 -0400
Reply-To: Thomas Hill <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Thomas Hill <[log in to unmask]>
Subject: Walker Art Center artists' book exhibits
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Dear friends,
I wish to draw your attenion to a marvelous series of images of small
exhibits of artists' books curated by our colleague Rosemary Furak at
the Walker Art Center Library, available on Flickr at:
http://flickr.com/photos/walkerart/sets/72157606222409902/.
The exhibits offer a premonition of what to expect from the Walker for
the 2011 conference. These are also wonderful examples of how
creative exhibition design can add value to the experience of an
artist's book. There is also an interview with Rosemary with a link
to the Walker blog here:
http://www.minnpost.com/from_our_partners/2008/07/18/2610/walker_art_center_what_exactly_is_an_artist_book
Bravo, Rosemary.
--
Thomas E. Hill,
Art Librarian
Vassar College
[log in to unmask]
http://library-cafe.org
__________________________________________________________________
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For information about joining ARLIS/NA see:
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to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Wed, 17 Sep 2008 09:21:03 -0400
Reply-To: "Stephen (Steve) Majure" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Stephen (Steve) Majure" <[log in to unmask]>
Subject: available until 9/24/08 - engineering journals (old)
Comments: To: [log in to unmask]
MIME-version: 1.0
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cross-posted, please forgive any duplication
The Jen Library has the following loose items available to other North American institutions for the price of postage reimbursement (stamps are always preferred).
They will go to the dumpster on Wed, September 24, 2008.
You may forward this list to any library interested - libraries always come first but we are willing to accept personal requests for any leftovers (postage reimbursement is required with unused stamps).
Engineering Journals (Mostly complete within ranges, please specify desired issues)
Civil Engineering
Sep 1992-Apr 1993
Journal of Geophysical Research
v.67-76 (1962-1971)
Journal: American Waterworks Association
v.56-67 (1964-1975)
Transactions: American Geophysics Union
v.17, 24-45 (1936, 1943-1964)
Steve Majure
Jen Library
Savannah College of Art and Design
PO Box 3146
Savannah, GA 31402-3146
p (912) 525-4702
f (912) 525-4715
e [log in to unmask]
__________________________________________________________________
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For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Wed, 17 Sep 2008 09:16:00 -0400
Reply-To: "Cho, Jennifer" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Cho, Jennifer" <[log in to unmask]>
Subject: Art Instruction
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MIME-Version: 1.0
The UArts library is offering vol. 5, no. 7 of Art Instruction (September 1939) to any library that needs it.
Please respond to [log in to unmask]
Thank you!
Jennifer Cho
Cataloging Assistant
University Libraries
University of the Arts
320 S. Broad St.
Philadelphia, PA 19102
215-717-6288
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========================================================================Date: Wed, 17 Sep 2008 15:01:59 -0400
Reply-To: rachel resnik <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: rachel resnik <[log in to unmask]>
Subject: Re: Walker Art Center artists' book exhibits
Comments: To: Thomas Hill <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Tom,
Thank you so much for sending these links. They are wonderful.
Having worked at the Walker Art Center Library I can attest to the fact that Rosemary has a brilliant sensibility for collecting and displaying artists' books. I'm delighted that they are now being exhibited in a more public forum. It's a joy to see them again.
[Rosemary, I hope to visit them (and you!) in person next week. I'll be in touch soon.]
Best,
Rachel
Rachel Resnik
Massachusetts College of Art Library
617-879-7115
[log in to unmask]
> Date: Tue, 16 Sep 2008 20:34:53 -0400
> From: [log in to unmask]
> Subject: [ARLIS-L] Walker Art Center artists' book exhibits
> To: [log in to unmask]
>
> Dear friends,
>
> I wish to draw your attenion to a marvelous series of images of small
> exhibits of artists' books curated by our colleague Rosemary Furak at
> the Walker Art Center Library, available on Flickr at:
> http://flickr.com/photos/walkerart/sets/72157606222409902/.
>
> The exhibits offer a premonition of what to expect from the Walker for
> the 2011 conference. These are also wonderful examples of how
> creative exhibition design can add value to the experience of an
> artist's book. There is also an interview with Rosemary with a link
> to the Walker blog here:
> http://www.minnpost.com/from_our_partners/2008/07/18/2610/walker_art_center_what_exactly_is_an_artist_book
>
> Bravo, Rosemary.
>
>
> --
> Thomas E. Hill,
> Art Librarian
> Vassar College
> [log in to unmask]
>
> http://library-cafe.org
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests, etc)
> to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
_________________________________________________________________
See how Windows connects the people, information, and fun that are part of your life.
http://clk.atdmt.com/MRT/go/msnnkwxp1020093175mrt/direct/01/
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--_87226ed5-0d9f-463f-9c6f-08dfb77d36e7_
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Tom,<br><br>Thank you so much for sending these links. They are wonderful.<br>Having worked at the Walker Art Center Library I can attest to the fact that Rosemary has a brilliant sensibility for collecting and displaying artists' books. I'm delighted that they are now being exhibited in a more public forum. It's a joy to see them again.<br><br>[Rosemary, I hope to visit them (and you!) in person next week. I'll be in touch soon.]<br><br>Best,<br>Rachel<br><br>Rachel Resnik<br>Massachusetts College of Art Library<br>617-879-7115<br>[log in to unmask]<br><br><br><br>> Date: Tue, 16 Sep 2008 20:34:53 -0400<br>> From: [log in to unmask]<br>> Subject: [ARLIS-L] Walker Art Center artists' book exhibits<br>> To: [log in to unmask]<br>> <br>> Dear friends,<br>> <br>> I wish to draw your attenion to a marvelous series of images of small<br>> exhibits of artists' books curated by our colleague Rosemary Furak at<br>> the Walker Art Center Library, available on Flickr at:<br>> http://flickr.com/photos/walkerart/sets/72157606222409902/.<br>> <br>> The exhibits offer a premonition of what to expect from the Walker for<br>> the 2011 conference. These are also wonderful examples of how<br>> creative exhibition design can add value to the experience of an<br>> artist's book. There is also an interview with Rosemary with a link<br>> to the Walker blog here:<br>> http://www.minnpost.com/from_our_partners/2008/07/18/2610/walker_art_center_what_exactly_is_an_artist_book<br>> <br>> Bravo, Rosemary.<br>> <br>> <br>> -- <br>> Thomas E. Hill,<br>> Art Librarian<br>> Vassar College<br>> [log in to unmask]<br>> <br>> http://library-cafe.org<br>> <br>> __________________________________________________________________<br>> Mail submissions to [log in to unmask]<br>> For information about joining ARLIS/NA see:<br>> http://www.arlisna.org/join.html<br>> Send administrative matters (file requests, subscription requests, etc)<br>> to [log in to unmask]<br>> ARLIS-L Archives and subscription maintenance:<br>> http://lsv.uky.edu/archives/arlis-l.html<br>> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]<br><br /><hr />See how Windows connects the people, information, and fun that are part of your life. <a href='http://clk.atdmt.com/MRT/go/msnnkwxp1020093175mrt/direct/01/' target='_new'>See Now</a></body>
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--_87226ed5-0d9f-463f-9c6f-08dfb77d36e7_--
========================================================================Date: Wed, 17 Sep 2008 18:29:38 -0700
Reply-To: Jennifer Faist <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Jennifer Faist <[log in to unmask]>
Subject: Artforum Article
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I'm wondering if anyone can send me a copy of the article cited below.
Leider, Phillip. "The Cool School," Artforum 2.12 (Summer 1964), pp. 47-52.
Unfortunately, our run of Artforum only goes back to 1965 and it doesn't
seem to be in any of our journal databases.
Jennifer Faist
Library Systems and Digital Collections Administrator
James Lemont Fogg Memorial Library
Art Center College of Design
1700 Lida Street
Pasadena, CA 91103
(626) 396-2236
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========================================================================Date: Wed, 17 Sep 2008 11:37:45 -0400
Reply-To: Marlene Koenig <[log in to unmask]>
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From: Marlene Koenig <[log in to unmask]>
Subject: Via - Frascasri
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Good Morning
I am trying to locate a copy (preferably in a PDF) of Mario Frascari's article "The tell-tale detail" which appeared in Via 1984 No 7 22-37
Thanks so much
marlene
Marlene A. Koenig
Librarian
WAAC - Virginia Tech
1001 Prince Street
Alexandria, VA 22314
703-706-3039 (phone)
703-549-0532 (fax)
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<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'>Good Morning<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'>I am trying to locate a copy (preferably in a PDF) of Mario
Frascari’s article “The tell-tale detail” which appeared in
Via 1984 No 7 22-37<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'>Thanks so much<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'>marlene<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=4 face=Arial><span style='font-size:14.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><strong><b><font size=2 face="Bradley Hand ITC"><span
style='font-size:10.0pt;font-family:"Bradley Hand ITC"'>Marlene A. Koenig</span></font></b></strong><o:p></o:p></p>
<p class=MsoNormal><strong><b><font size=2 face="Bradley Hand ITC"><span
style='font-size:10.0pt;font-family:"Bradley Hand ITC"'>Librarian</span></font></b></strong><o:p></o:p></p>
<p class=MsoNormal><strong><b><font size=2 face="Bradley Hand ITC"><span
style='font-size:10.0pt;font-family:"Bradley Hand ITC"'>WAAC - Virginia Tech </span></font></b></strong><o:p></o:p></p>
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size=2 face="Bradley Hand ITC"><span style='font-size:10.0pt;font-family:
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size=2 face="Bradley Hand ITC"><span style='font-size:10.0pt;font-family:"Bradley Hand ITC"'>,
<st1:State w:st="on">VA</st1:State> <st1:PostalCode w:st="on">22314</st1:PostalCode></span></font></b></strong></st1:place><o:p></o:p></p>
<p class=MsoNormal><strong><b><font size=2 face="Bradley Hand ITC"><span
style='font-size:10.0pt;font-family:"Bradley Hand ITC"'>703-706-3039 (phone)</span></font></b></strong><o:p></o:p></p>
<p class=MsoNormal><strong><b><font size=2 face="Bradley Hand ITC"><span
style='font-size:10.0pt;font-family:"Bradley Hand ITC"'>703-549-0532 (fax)</span></font></b></strong><o:p></o:p></p>
<p class=MsoNormal><strong><b><font size=2 face="Bradley Hand ITC"><span
style='font-size:10.0pt;font-family:"Bradley Hand ITC"'>[log in to unmask]</span></font></b></strong><o:p></o:p></p>
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12.0pt'><o:p> </o:p></span></font></p>
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--_000_AFCF654B795F3846900D8F9EDDF3D32E2A2A0E1B52adamsnvcvtedu_--
========================================================================Date: Wed, 17 Sep 2008 13:23:34 -0400
Reply-To: [log in to unmask]
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: MCN Announcements <[log in to unmask]>
Organization: Museum Computer Network
Subject: MCN 2008 - Registration is Open
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With apologies for cross-postings…
REGISTRATION IS OPEN!
LET’S DO I.T. RIGHT! [www.mcn.edu/conferences]
36th Annual MCN Conference
November 12th -15th, 2008
Washington, DC
Save now! The Early Bird Registration Deadline is September 27, 2008.
http://www.mcn.edu/conferences/index.asp?subkey=888
MCN Members
Earlybird: $425.00 | Regular: $475.00
Non-Members
Earlybird: $500.00 | Regular: $550.00
Emerging Professional/Student Members
Earlybird: $200.00 | Regular: $250.00
To qualify for Earlybird Registration rates, mailed registration forms
must be postmarked no later than September 27, 2008. Faxed and online
registrations must be received no later than midnight on September 27, 2008.
Conference Hotel - GRAND HYATT WASHINGTON
Take in the excitement of the city from Grand Hyatt Washington.
Perfectly located in Penn Quarter -- with convenient in-lobby Metro
Center access -- this downtown DC hotel is the ideal base for exploring
the city. Historic monuments and the Smithsonian museums are all within
walking distance.
In order to keep costs down, we encourage attendees to reserve
accommodations at the conference hotel. We have arranged a Special MCN
Conference Rate of $224 per night single or double occupancy valid for
Tuesday, November 11th through Saturday, November 15th.
Visit www.mcn.edu/conferences for the full schedule of registration
rates and discounts, the conference program, and hotel & travel information.
__________________________________________________________________
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========================================================================Date: Thu, 18 Sep 2008 12:44:31 -0400
Reply-To: [log in to unmask]
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Amanda Bowen <[log in to unmask]>
Organization: HCL
Subject: ARLIS/NA Distinguished Service Award-- Call for Nominations
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**
Dear Colleagues, The 2008 Committee welcomes your nominations for the
Distinguished Service Award.
We wish to celebrate an individual who has given the highest level of service to
ARLIS/NA or the profession with the Distinguished Service Award. We ask that you
begin to consider who might be worthy of the award and able to meet the criteria
as described on the ARLIS/NA website:
http://www.arlisna.org/about/awards/dsa/dsa_guidelines.html. The
Distinguished Service Award honors an individual of any country whose
exemplary service in art librarianship, visual resources curatorship, or
a related field, has made an outstanding national or international
contribution to art information and/or art librarianship. Past winners
of the DSA award are: 2007, presented 2008: Susan Craig 2006, no award
made 2005, presented 2006: Sherman Clarke 2004, presented 2005: Nancy S.
Schuller 2003, presented 2004: Angela Giral 2002, presented 2003: Nancy
Allen 2001, presented 2002: Betty Jo Kish Irvine 2000: no award made
1999, presented 2000: Pamela J. Parry 1998, presented 1999: Toni
Petersen 1997, presented 1998: William Dane 1996, presented 1997: Lois
Swan Jones 1995: no award made 1994, presented 1995: Mary Williamson
1993: no award made 1992, presented 1993: Luraine Tansey 1991, presented
1992: William B. Walker 1990, presented 1991: Jacqueline Viaux 1989,
presented 1990: Wolfgang M. Freitag 1988, presented 1989: Caroline
Backlund 1987: Antje B. Lemke 1986: Bernard Karpel Help us to honor a
colleague who has given so much of themselves to our voluntary
organization by nominating them for this important award. The deadline
for nominations this year is Wednesday, January 9, 2008. Please see the
website for guidelines on the nominating process. Sincerely, The 2008
Distinguished Service Award Committee: Amanda Bowen, Chair Suzanne
Degler Paula Epstein Liz Ginno Barbara Reed
--
***********************
Amanda Bowen
Head of Collections
Fine Arts Library, Harvard University
32 Quincy Street
Cambridge, MA 02138
617-496-1503 fax 617-496-4889
[log in to unmask]
http://hcl.harvard.edu/finearts
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========================================================================Date: Thu, 18 Sep 2008 14:47:21 -0400
Reply-To: Gabriela Zoller <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Gabriela Zoller <[log in to unmask]>
Subject: Subject headings of interest to art librarians from August 2008
weekly lists
Comments: To: Verna Mullen <[log in to unmask]>
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LC SUBJECT HEADINGS OF INTEREST TO ART LIBRARIANS FROM
AUGUST 2008 WEEKLY LISTS
Topical headings
150 Architects' liability insurance [May Subd Geog] [sp 87000393]
150 Architecture-Argentina-History [sp2008005611]
150 Architecture-China-History [sp2008005612]
150 Architecture-China-History-Ming-Qing dynasties, 1368-1912 [sh 85006647]
150 Architecture-China-History-Song-Yuan dynasties, 960-1368 [sp 86007211]
150 Architecture-China-History-Tang-Five dynasties, 618-960 [sp 88002818]
150 Architecture-China-History-To 221 B.C. [sp 85006645]
150 Architecture-China-History-To 618 [sp 85006646]
150 Architecture-Europe-History [sp2008005613]
150 Architecture-Europe-History-20th century [sh2002009844]
150 Architecture-Germany-History [sp2008005614]
150 Architecture-Germany-History-20th century [sh2003010041]
150 Architecture-Great Britain-History [sp2008005615]
150 Architecture-Great Britain-History-19th century [sh 85006831]
150 Architecture-History-17th century [sp2008005556]
150 Architecture-History-18th century [sp2008005557]
150 Architecture-History-19th century [sp2008005558]
150 Architecture-History-20th century [sp2008005559]
150 Architecture-History-21st century [sp2008005560]
150 Architecture-Illinois-History [sp2008005616]
150 Architecture-Illinois-History-20th century [sh 85006835]
150 Architecture-Italy-History [sp2008005617]
150 Architecture-Italy-History-20th century [sh 93009504]
150 Architecture-Japan-History [sp2008005618]
150 Architecture-Japan-History-1868- [sh 85006674]
150 Architecture-Japan-History-20th century [sh 85006675]
150 Architecture-Japan-History-Edo period, 1600-1868 [sh 85006672]
150 Architecture-Japan-History-Kamakura-Momoyama periods, 1185-1600 [sh 85006671]
150 Architecture-Japan-History-Heian period, 794-1185 [sh 85006670]
150 Architecture-Japan-History-Meiji period, 1868-1912 [sh 85006673]
150 Architecture-Japan-History-To 1600 [sh 85006668]
150 Architecture-Japan-History-To 1868 [sh 85006669]
150 Architecture-Japan-History-To 794 [sh 85006667]
150 Architecture-Korea-History [sp2008005619]
150 Architecture-Korea-History-Choso?n dynasty, 1392-1910 [sh 85006682]
150 Architecture-Korea-History-To 1900 [sh 85006680]
150 Architecture-Korea-History-To 935 [sh 92002990]
150 Architecture-Middle West-History [sp2008005620]
150 Architecture-Middle West-History-19th century [sh 85006832]
150 Architecture-Middle West-History-20th century [sh 85006837]
150 Architecture-United States-History [sp2008005621]
150 Architecture-United States-History-17th century [sp2001000107]
150 Architecture-United States-History-18th century [sp2001000108]
150 Architecture-United States-History-19th century [sh 85006833]
150 Architecture-United States-History-20th century [sh 85006839]
150 Architecture-United States-History-21st century [sh2004001251]
150 Archives in art [Not Subd Geog] [sp2008005503]
150 Artists-British Columbia [sp2008006671]
150 Arts, Cebuano [May Subd Geog] [sp2008028000]
150 Arts, Ivoirian [May Subd Geog] [sp2008005568]
150 Bamboo fences [May Subd Geog] [sp2008005555]
150 Bookplates, Catalan [May Subd Geog] [sp2008002432]
150 Expatriate motion picture actors and actresses [May Subd Geog] [sp2008004983]
150 Expatriate motion picture actors and actresses-United States [sp2008005531]
150 Expatriate motion picture producers and directors [May Subd Geog] [sp2008004981]
150 Expatriate motion picture producers and directors-United States [sp2008005529]
150 Filial piety in art [Not Subd Geog] [sp2008005536]
150 Glazed pottery [May Subd Geog] [sp2008005285]
150 Hongshan culture [May Subd Geog] [sp2008004783]
150 Illumination of books and manuscripts, Central European [Not Subd Geog] [sp2008005801]
150 Interzum Award [sp2008005510]
150 Kwakiutl artists [May Subd Geog] [sp2008006017]
150 Mosques-Vandalism [May Subd Geog] [sp2008006159]
150 Painting, Korean-Western influences [sp2008005584]
150 Public sculpture, Canadian [May Subd Geog] [sp2008005508]
150 Rinaldone culture [May Subd Geog] [sp2008006255]
150 Sailors in art [Not Subd Geog] [sp2007005271]
150 Sigma digital cameras [Not Subd Geog] [sp2008006037]
150 Small art works-21st century [sp2008005776]
150 Superheroes in art [Not Subd Geog] [sp2008005873]
150 Teahouses (Japanese tea ceremony) [May Subd Geog] [sp2008004778]
150 Temples-Korea (South) [sp2008006163]
Genre headings
155 Motion pictures [Not Subd Geog] [sp2008025634
Buildings, structures, sites, etc.
151 Atholl Estates (Scotland) [sp2008001386]
151 Ban Don Ta Phet Site (Thailand) [sp2008005528]
110 Bere Court (England) [sp2008005726]
110 Broughton Hall (Staffordshire, England) [sp2008005668]
151 Büyükkale (Bogazköy, Turkey) [sp2008005422]
110 Castillo Palacio del Papa Luna (Illueca, Spain) [sp2008006021]
110 Hever Castle (Hever, England) [sp2006003592]
151 Kanal I Site (Kelheim, Germany) [sp2008006085]
151 Kozhaì 1 Site (Kazakhstan) [sp2008001411]
151 Lamb Spring Site (Colo.) [sp2008005757]
151 Mohammed Diyab, Tell (Syria) [sp200800141
110 Palacio de Gobierno de Zulia (Maracaibo, Venezuela) [May Subd Geog] [sp2008005803]
110 Palacio Municipal (Guayaquil, Ecuador) [sp2008006010]
151 Pen~a de Estebanvela Site (Spain) [sp2008005705]
151 Penllergare Estate (Wales) [sp2008002698]
110 Picton Castle (Wales) [sp2008002695]
110 Pleasaunce (Overstrand, England) [sp2008004673]
110 Punhwangsa (Kyongju-si, Korea) [sp2008006130]
110 Schloss Monbijou (Berlin, Germany) [sp2008005730]
151 Seu Bode Site (Brazil) [sp2008001421]
151 Sin, Tall (Syria) [sp2008005862]
151 Two Eagles Site (Calif.) [sp2008004014]
110 Villa Imperiale (Pesaro, Italy) [sp2008005625]
110 Zamek biskupo?w krakowskich w Slawkowie (Slawko?w, Poland) [sp2007004
Changes to existing headings
150 Architects-Malpractice [May Subd Geog] [sp 85006571]
* 550 RT Insurance, Architects' liability CANCEL
150 Architecture [May Subd Geog] [sp 85006611]
* 680 When subdivided by place, this heading may be further subdivided by the chronological
subdivisions 17th century, 18th century, 19th century, and 20th century. CANCEL
150 Architecture-Argentina [sp 89001759]
* 550 RT Casas blancas (Group of architects)
* 150 Architecture-Argentina-20th century CANCEL
150 Architecture-Argentina-History-20th century [sp2004009350]
450 UF Architecture-Argentina-20th century [EARLIER FORM OF HEADING]
* 150 Architecture-China-20th century CANCEL
150 Architecture-China-History-20th century [sp 86003161]
450 UF Architecture-China-20th century [EARLIER FORM OF HEADING]
* 150 Architecture-China-Ming-Qing dynasties, 1368-1912 CANCEL
150 Architecture-China-History-Ming-Qing dynasties, 1368-1912 [sp 85006647]
450 UF Architecture-China-Ming-Ch?ing dynasties, 1368-1912 [EARLIER FORM OFHEADING]
450 UF Architecture-China-Ming-Qing dynasties, 1368-1912 [EARLIER FORM OF HEADING]
* 150 Architecture-China-Song-Yuan dynasties, 960-1368 CANCEL
150 Architecture-China-History-Song-Yuan dynasties, 960-1368 [sp 86007211]
450 UF Architecture-China-Song-Yuan dynasties, 960-1368 [EARLIER FORM OF HEADING]
450 UF Architecture-China-Sung-Yu?an dynasties, 960-1368 [EARLIER FORM OF HEADING]
* 150 Architecture-China-Tang-Five dynasties, 618-960 CANCEL
150 Architecture-China-History-Tang-Five dynasties, 618-960 [sp 88002818]
450 UF Architecture-China-Tang-Five dynasties, 618-960 [EARLIER FORM OF HEADING]
* 150 Architecture-China-To 221 B.C. CANCEL
150 Architecture-China-History-To 221 B.C. [sp 85006645]
450 UF Architecture-China-To 221 B.C. [EARLIER FORM OF HEADING]
* 150 Architecture-China-To 618 CANCEL
150 Architecture-China-History-To 618 [sp 85006646]
450 UF Architecture-China-To 618 [EARLIER FORM OF HEADING]
* 150 Architecture-Europe-20th century CANCEL
150 Architecture-Europe-History-20th century [sp2002009844]
450 UF Architecture-Europe-20th century [EARLIER FORM OF HEADING]
150 Architecture-Germany [sp 89007036]
* 550 RT Ecke (Group of architects)
* 150 Architecture-Germany-20th century CANCEL
150 Architecture-Germany-History-20th century [sp2003010041]
450 UF Architecture-Germany-20th century [EARLIER FORM OF HEADING]
* 150 Architecture-Great Britain-19th century CANCEL
150 Architecture-Great Britain-History-19th century [sp 85006831]
450 UF Architecture-Great Britain-19th century [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-19th century-Great Britain [EARLIER FORM OF HEADING]
150 Architecture-Illinois [sp 00010208]
* 550 RT Chicago Seven (Group of architects)
* 150 Architecture-Illinois-20th century CANCEL
150 Architecture-Illinois-History-20th century [sp 85006835]
450 UF Architecture-Illinois-20th century [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-20th century-Illinois [EARLIER FORM OF HEADING]
* 150 Architecture-Italy-20th century CANCEL
150 Architecture-Italy-History-20th century [sp 93009504]
450 UF Architecture-Italy-20th century [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-20th century-Italy [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-1868- CANCEL
150 Architecture-Japan-History-1868- [sp 85006674]
450 UF Architecture-Japan-1868- [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-20th century CANCEL
150 Architecture-Japan-History-20th century [sp 85006675]
450 UF Architecture-Japan-20th century [EARLIER FORM OF HEADING]
450 UF Architecture-Japan-Taisho? period, 1912-1926 [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-20th century-Japan [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-Edo period, 1600-1868 CANCEL
150 Architecture-Japan-History-Edo period, 1600-1868 [sp 85006672]
450 UF Architecture-Japan-Edo period, 1600-1868 [EARLIER FORM OF HEADING]
450 UF Architecture-Japan-History-Tokugawa period, 1600-1868
* 150 Architecture-Japan-Heian period, 794-1185 CANCEL
150 Architecture-Japan-History-Heian period, 794-1185 [sp 85006670]
450 UF Architecture-Japan-Heian period, 794-1185 [EARLIER FORM OF HEADING]
450 UF Architecture, Japanese-Heian period, 794-1185 [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-Kamakura-Momoyama periods, 1185-1600 CANCEL
150 Architecture-Japan-History-Kamakura-Momoyama periods, 1185-1600 [sp 85006671]
450 UF Architecture-Japan-Kamakura-Momoyama periods, 1185-1600 [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-Meiji period, 1868-1912 CANCEL
150 Architecture-Japan-History-Meiji period, 1868-1912 [sp 85006673]
450 UF Architecture-Japan-Meiji period, 1868-1912 [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-To 1600 CANCEL
150 Architecture-Japan-History-To 1600 [sp 85006668]
450 UF Architecture-Japan-To 1600 [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-To 1868 CANCEL
150 Architecture-Japan-History-To 1868 [sp 85006669]
450 UF Architecture-Japan-To 1868 [EARLIER FORM OF HEADING]
* 150 Architecture-Japan-To 794 CANCEL
150 Architecture-Japan-History-To 794 [sp 85006667]
450 UF Architecture-Japan-To 794 [EARLIER FORM OF HEADING]
* 150 Architecture-Korea-Choso?n dynasty, 1392-1910 CANCEL
150 Architecture-Korea-History-Choso?n dynasty, 1392-1910 [sp 85006682]
450 UF Architecture-Korea-Choso?n dynasty, 1392-1910 [EARLIER FORM OF HEADING]
450 UF Architecture-Korea-Yi dynasty, 1392-1910 [EARLIER FORM OF HEADING]
* 150 Architecture-Korea-Koryo period, 935-1392 CANCEL
150 Architecture-Korea-History-Koryo period, 935-1392 [sp 85006681]
450 UF Architecture-Korea-Koryo period, 935-1392 [EARLIER FORM OF HEADING]
* 150 Architecture-Korea-To 1900 CANCEL
150 Architecture-Korea-History-To 1900 [sp 85006680]
450 UF Architecture-Korea-To 1900 [EARLIER FORM OF HEADING]
* 150 Architecture-Korea-To 935 CANCEL
150 Architecture-Korea-History-To 935 [sp 92002990]
450 UF Architecture-Korea-To 935 [EARLIER FORM OF HEADING]
* 150 Architecture-Middle West-19th century CANCEL
150 Architecture-Middle West-History-19th century [sp 85006832]
450 UF Architecture-Middle West-19th century [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-19th century-Middle West [EARLIER FORM OF HEADING]
* 150 Architecture-Middle West-20th century CANCEL
150 Architecture-Middle West-History-20th century [sp 85006837]
450 UF Architecture-Middle West-20th century [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-20th century-Middle West [EARLIER FORM OF HEADING]
* 150 Architecture-United States-17th century CANCEL
150 Architecture-United States-History-17th century [sp2001000107]
450 UF Architecture-United States-17th century [EARLIER FORM OF HEADING]
681 Example under Architecture, Modern--17th century and under reference from Achitecture--History--17th century
* 150 Architecture-United States-18th century CANCEL
150 Architecture-United States-History-18th century [sp2001000108]
450 UF Architecture-United States-18th century [EARLIER FORM OF HEADING]
681 Example under Architecture, Modern--18th century and under reference from Architecture--History--18th century
* 150 Architecture-United States-19th century CANCEL
150 Architecture-United States-History-19th century [sp 85006833]
450 UF Architecture-United States-19th century [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-19th century-United States [EARLIER FORM OF HEADING]
681 Example under Architecture, Modern--19th century and under reference from Architecture--History--19th century
* 150 Architecture-United States-20th century CANCEL
150 Architecture-United States-History-20th century [sp 85006839]
450 UF Architecture-United States-20th century [EARLIER FORM OF HEADING]
450 UF Architecture, Modern-20th century-United States [EARLIER FORM OF HEADING]
681 Example under Architecture, Modern--20th century and under reference from Architecture--History--20th century
* 150 Architecture-United States-21st century CANCEL
150 Architecture-United States-History-21st century [sp2004001251]
450 UF Architecture-United States-21st century [EARLIER FORM OF HEADING]
681 Example under Architecture, Modern--21st century and under reference from Architecture--History--21st century
150 Architecture, Domestic-Mission style [sp 85006727]
* 550 BT Architecture-United States-20th century CANCEL
150 Architecture, Domestic-Shingle style [May Subd Geog] [sp 85006728]
* 550 BT Architecture-United States-19th century CANCEL
150 Architecture, Domestic-Stick style [May Subd Geog] [sp 85006729]
* 550 BT Architecture-United States-19th century CANCEL
150 Architecture, Modern [Not Subd Geog] [sp 85006828]
* 053 NA500-NA680 CANCEL
* 053 NA500-NA689
* 680 Here are entered works on architecture of the modern period (since 1500). Works on the modernist style of architecture are entered under Modern movement (Architecture).
* 681 Note under Modern movement (Architecture)
150 Architecture, Modern-17th century [sp 00010206]
* 360 SA subdivision 17th century under headings of the type Architecture--[place], e.g. Architecture--United States--17th century CANCEL
* 360 SA subdivision History--17th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--17th century
150 Architecture, Modern-18th century [sp 00010207]
* 360 SA subdivision 18th century under headings of the type Architecture--[place], e.g. Architecture--United States--18th century CANCEL
* 360 SA subdivision History--18th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--18th century
150 Architecture, Modern-19th century [sp 85006830]
* 360 SA subdivision 19th century under headings of the type Architecture--[place], e.g. Architecture-United States--19th century CANCEL
* 360 SA subdivision History--19th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--19th century
150 Architecture, Modern-20th century [sp 85006834]
* 360 SA subdivision 20th century under headings of the type Architecture--[place], e.g. Architecture--United States--20th century CANCEL
* 360 SA subdivision History--20th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--20th century
150 Architecture, Modern-21st century [sp2002012566]
* 550 BT Architecture-History-21st century
* 360 SA subdivision 21st century under headings of the type Architecture--[place], e.g. Architecture--United States--21st century CANCEL
* 360 SA subdivision History--21st century under headings of the type Architecture--[place], e.g. Architecture--United States--History--21st century
150 Architecture, Regency [May Subd Geog] [sp 85006855]
* 550 BT Architecture-Great Britain-19th century CANCEL
* 550 BT Architecture-Great Britain-History-19th century
151 Byllis (Extinct city) [sp2007008861]
* 451 UF Bylis (Extinct city)
* 451 UF Gllavinica (Extinct city)
150 Casas blancas (Group of architects) [sp2004000669]
* 550 RT Architecture-Argentina
* 550 RT Architecture-Argentina-20th century CANCEL
150 Chicago school of architecture (Movement) [May Subd Geog] [sp 85023255]
* 550 BT Architecture-Middle West-19th century CANCEL
* 550 BT Architecture-Middle West-History-19th century
150 Chicago Seven (Group of architects) [sp 85023259]
* 550 RT Architecture-Illinois
* 550 RT Architecture-Illinois-20th century CANCEL
150 Crop circles [May Subd Geog] [sp 93000098]
* 680 Here are entered works on inexplicable, flattened patterns in fields or crops. Works on patterns or variations in crop growth that are the result of buried archaeological sites or components of such sites are entered under Cropmarks. * 681 Note under Cropmarks
(C) 150 Cropmarks [May Subd Geog] [sp2008005917]
680 Here are entered works on patterns or variations in crop growth that are the result of buried archaeological sites or components of such sites. Works on inexplicable, flattened patterns in fields or crops are entered under Crop circles.
450 UF Crop marks
550 BT Landscape archaeology
681 Note under Crop circles
150 Cultural pluralism [May Subd Geog] [sp 85103571]
* 450 UF Diversity, Cultural
* 450 UF Diversity, Religious
150 Ecke (Group of architects) [sp2003008532]
* 550 RT Architecture-Germany
* 550 RT Architecture-Germany-20th century CANCEL
150 Futurism (Architecture) [May Subd Geog] [sp 93009503]
* 550 BT Architecture-Italy-20th century CANCEL
* 550 BT Architecture-Italy-History-20th century
150 Japanese tea ceremony [May Subd Geog] [sp 85069725]
* 550 RT Teahouses (Japanese tea ceremony)
* 150 Insurance, Architects' liability CANCEL
150 Architects' liability insurance [May Subd Geog] [sp 87000393]
450 UF Architects' malpractice insurance
450 UF Insurance, Architects' liability [EARLIER FORM OF HEADING]
450 UF Liability insurance, Architects'
450 UF Malpractice insurance, Architects'
550 BT Insurance
681 Example under Malpractice insurance
150 Metabolism in architecture (Movement) [sp 85084021]
* 550 BT Architecture-Japan-History-20th century
* 550 RT Architecture-Japan-20th century CANCEL
150 Modern movement (Architecture) [May Subd Geog] [sp 99004838]
* 680 Here are entered works on the modernist style of architecture. Works on architecture of the modern period (since 1500) are entered under Architecture, Modern.
* 681 Note under Architecture, Modern
* 110 Oxford House (London, England) CANCEL [sp2005000602]
* 682 This authority record has been deleted because the subject heading is covered by an identical name heading (nb2007009653).
150 Motion pictures [May Subd Geog] [sp 85088084]
* 680 Here are entered general works on motion pictures themselves, including motion pictures as an art form, copyrighting, distribution, editing, plots, production, etc. Works on the technical aspects of making motion pictures and their projection onto a screen are entered under Cinematography. Works on the technical aspects of making video recordings, i.e., creating and storing moving images in an electronic form and displaying them on an electronic display are entered under Video recording. Works on the artistic aspects of making video recordings are entered under Video recordings--Production and
direction. CANCEL
* 680 This heading is used as a topical heading for general works about motion pictures themselves, including motion pictures as an art form, copyrighting, distribution, editing, plots, production, etc. Works about the technical aspects of making motion pictures and their projection onto a screen are entered under Cinematography. Works about the technical aspects of making video recordings, i.e., creating and storing moving images in an electronic form and displaying them on an electronic display are entered under Video recording. Works about the artistic aspects of making video recordings are entered under Video recordings--Production and direction.
* 360 SA subdivision In motion pictures under names of countries, cities, etc., and under names of individual persons, families, and corporate bodies, and headings of the type [topic] in motion pictures, e.g. Children in motion pictures; Death in motion pictures; and titles of individual motion pictures
* 360 SA subdivision In motion pictures under names of countries, cities, etc., and under names of individual persons, families, and corporate bodies; and headings of the type [topic] in motion pictures, e.g. Children in motion pictures; Death in motion pictures CANCEL
150 Motion pictures, African [May Subd Geog] [sp 96010800]
* 680 This heading is not used for individual films, which are entered under headings appropriate to the content, genre, and/or form of the film.
155 Nonfiction films [Not Subd Geog] [sp2007025008]
* 555 BT Motion pictures
* 681 Note under Motion pictures
150 Prairie school (Architecture) [May Subd Geog] [sp 85106076]
* 550 BT Architecture-Middle West-20th century CANCEL
* 550 BT Architecture-Middle West-History-20th century
150 Radical architecture [May Subd Geog] [sp2002008699]
* 550 BT Architecture-Europe-20th century CANCEL
* 550 BT Architecture, Modern-20th century
* 150 Sound motion pictures [May Subd Geog] ADD GEOG [sp 85088125]
* 680 This heading is not used for individual films, which are entered under headings appropriate to the content, genre, and/or form of the film.
150 Usonian houses [May Subd Geog] [sp 85141562]
* 550 BT Architecture-United States-20th century CANCEL
150 Tearooms [May Subd Geog] [sp 96001108]
* 450 UF Tea houses CANCEL
* 450 UF Tea houses (Restaurants)
* 450 UF Teahouses CANCEL
* 450 UF Teahouses (Restaurants)
OMITTED BY MISTAKE FROM REPORT ON JUNE 2008 CHANGES
* 150 Turning CANCEL
150 Turning (Lathe work) [May Subd Geog] [sp 85138931]
053 TT201-TT203 (General)
053 TT207 (Metal-work)
450 UF Lathe work
450 UF Turnery (Lathe work)
450 UF Turning [EARLIER FORM OF HEADING]
550 BT Machining
550 RT Lathes
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<P ALIGN=CENTER><B><FONT FACE="Arial Narrow">LC SUBJECT HEADINGS OF INTEREST TO ART LIBRARIANS FROM</FONT></B></P>
<P ALIGN=CENTER><B><FONT FACE="Arial Narrow">AUGUST 2008 WEEKLY LISTS</FONT></B></P>
<BR>
<P><B><FONT FACE="Arial Narrow">Topical headings</FONT></B>
<BR><FONT FACE="Arial Narrow">150 Architects' liability insurance [May Subd Geog] [sp 87000393]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Argentina</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005611]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005612]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture-China-History-Ming-Qing dynasties, 1368-1912 [sh 85006647]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Song-Yuan dynasties, 960-1368 [sp 86007211]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Tang-Five dynasties, 618-960 [sp 88002818]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 221 B.C. [sp 85006645]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 618 [sp 85006646]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Europe</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005613]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Europe</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sh2002009844]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005614]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sh2003010041]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005615]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sh 85006831]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">17th century [sp2008005556]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">18th century [sp2008005557]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sp2008005558]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp2008005559]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century [sp2008005560]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005616]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sh 85006835]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005617]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sh 93009504]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005618]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">1868- [sh 85006674]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sh 85006675]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Edo period, 1600-1868 [sh 85006672] </FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Kamakura-Momoyama periods, 1185-1600 [sh 85006671]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Heian period, 794-1185 [sh 85006670]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Meiji period, 1868-1912 [sh 85006673]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1600 [sh 85006668]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1868 [sh 85006669]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 794 [sh 85006667]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005619]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Chosŏn dynasty, 1392-1910 [sh 85006682]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1900 [sh 85006680]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 935 [sh 92002990]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005620]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sh 85006832]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sh 85006837]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History [sp2008005621]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">17th century [sp2001000107]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">18th century [sp2001000108]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sh 85006833]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sh 85006839]</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century [sh2004001251]</FONT>
<BR><FONT FACE="Arial Narrow">150 Archives in art [Not Subd Geog] [sp2008005503]</FONT>
<BR><FONT FACE="Arial Narrow">150 Artists</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">British Columbia [sp2008006671]</FONT>
<BR><FONT FACE="Arial Narrow">150 Arts, Cebuano [May Subd Geog] [sp2008028000]</FONT>
<BR><FONT FACE="Arial Narrow">150 Arts, Ivoirian [May Subd Geog] [sp2008005568]</FONT>
<BR><FONT FACE="Arial Narrow">150 Bamboo fences [May Subd Geog] [sp2008005555]</FONT>
<BR><FONT FACE="Arial Narrow">150 Bookplates, Catalan [May Subd Geog] [sp2008002432]</FONT>
<BR><FONT FACE="Arial Narrow">150 Expatriate motion picture actors and actresses [May Subd Geog] [sp2008004983]</FONT>
<BR><FONT FACE="Arial Narrow">150 Expatriate motion picture actors and actresses</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States [sp2008005531]</FONT>
<BR><FONT FACE="Arial Narrow">150 Expatriate motion picture producers and directors [May Subd Geog] [sp2008004981]</FONT>
<BR><FONT FACE="Arial Narrow">150 Expatriate motion picture producers and directors</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States [sp2008005529]</FONT>
<BR><FONT FACE="Arial Narrow">150 Filial piety in art [Not Subd Geog] [sp2008005536]</FONT>
<BR><FONT FACE="Arial Narrow">150 Glazed pottery [May Subd Geog] [sp2008005285]</FONT>
<BR><FONT FACE="Arial Narrow">150 Hongshan culture [May Subd Geog] [sp2008004783]</FONT>
<BR><FONT FACE="Arial Narrow">150 Illumination of books and manuscripts, Central European [Not Subd Geog] [sp2008005801]</FONT>
<BR><FONT FACE="Arial Narrow">150 Interzum Award [sp2008005510]</FONT>
<BR><FONT FACE="Arial Narrow">150 Kwakiutl artists [May Subd Geog] [sp2008006017]</FONT>
<BR><FONT FACE="Arial Narrow">150 Mosques</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Vandalism [May Subd Geog] [sp2008006159]</FONT>
<BR><FONT FACE="Arial Narrow">150 Painting, Korean</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Western influences [sp2008005584]</FONT>
<BR><FONT FACE="Arial Narrow">150 Public sculpture, Canadian [May Subd Geog] [sp2008005508]</FONT>
<BR><FONT FACE="Arial Narrow">150 Rinaldone culture [May Subd Geog] [sp2008006255]</FONT>
<BR><FONT FACE="Arial Narrow">150 Sailors in art [Not Subd Geog] [sp2007005271]</FONT>
<BR><FONT FACE="Arial Narrow">150 Sigma digital cameras [Not Subd Geog] [sp2008006037]</FONT>
<BR><FONT FACE="Arial Narrow">150 Small art works</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century [sp2008005776]</FONT>
<BR><FONT FACE="Arial Narrow">150 Superheroes in art [Not Subd Geog] [sp2008005873]</FONT>
<BR><FONT FACE="Arial Narrow">150 Teahouses (Japanese tea ceremony) [May Subd Geog] [sp2008004778]</FONT>
<BR><FONT FACE="Arial Narrow">150 Temples</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea (South) [sp2008006163]</FONT>
</P>
<P><B><FONT FACE="Arial Narrow">Genre headings</FONT></B>
<BR><FONT FACE="Arial Narrow">155 Motion pictures [Not Subd Geog] [sp2008025634</FONT>
</P>
<P><B><FONT FACE="Arial Narrow">Buildings, structures, sites, etc.</FONT></B>
<BR><FONT FACE="Arial Narrow">151 Atholl Estates (Scotland) [sp2008001386]</FONT>
<BR><FONT FACE="Arial Narrow">151 Ban Don Ta Phet Site (Thailand) [sp2008005528]</FONT>
<BR><FONT FACE="Arial Narrow">110 Bere Court (England) [sp2008005726]</FONT>
<BR><FONT FACE="Arial Narrow">110 Broughton Hall (Staffordshire, England) [sp2008005668]</FONT>
<BR><FONT FACE="Arial Narrow">151 B<U>ü</U>y<U>ü</U>kkale (</FONT><FONT FACE="Arial Narrow Tur">Boğazköy, Turkey) [sp2008005422]</FONT>
<BR><FONT FACE="Arial Narrow">110 Castillo Palacio del Papa Luna (Illueca, Spain) [sp2008006021]</FONT>
<BR><FONT FACE="Arial Narrow">110 Hever Castle (Hever, England) [sp2006003592]</FONT>
<BR><FONT FACE="Arial Narrow">151 Kanal I Site (Kelheim, Germany) [sp2008006085]</FONT>
<BR><FONT FACE="Arial Narrow CE">151 Kozhă</FONT><FONT FACE="Arial Narrow">ì 1 Site (Kazakhstan) [sp2008001411]</FONT>
<BR><FONT FACE="Arial Narrow">151 Lamb Spring Site (Colo.) [sp2008005757]</FONT>
<BR><FONT FACE="Arial Narrow">151 Mohammed Diyab, Tell (Syria) [sp200800141</FONT>
<BR><FONT FACE="Arial Narrow">110 Palacio de Gobierno de Zulia (Maracaibo, Venezuela) [May Subd Geog] [sp2008005803]</FONT>
<BR><FONT FACE="Arial Narrow">110 Palacio Municipal (Guayaquil, Ecuador) [sp2008006010]</FONT>
<BR><FONT FACE="Arial Narrow">151 Pen</FONT><FONT FACE="Courier New">̃</FONT><FONT FACE="Arial Narrow">a de Estebanvela Site (Spain) [sp2008005705]</FONT>
<BR><FONT FACE="Arial Narrow">151 Penllergare Estate (Wales) [sp2008002698]</FONT>
<BR><FONT FACE="Arial Narrow">110 Picton Castle (Wales) [sp2008002695]</FONT>
<BR><FONT FACE="Arial Narrow">110 Pleasaunce (Overstrand, England) [sp2008004673]</FONT>
<BR><FONT FACE="Arial Narrow">110 Punhwangsa (Kyǒngju-si, Korea) [sp2008006130]</FONT>
<BR><FONT FACE="Arial Narrow">110 Schloss Monbijou (Berlin, Germany) [sp2008005730]</FONT>
<BR><FONT FACE="Arial Narrow">151 Seu Bode Site (Brazil) [sp2008001421]</FONT>
<BR><FONT FACE="Arial Narrow">151 Sin, Tall (Syria) [sp2008005862]</FONT>
<BR><FONT FACE="Arial Narrow">151 Two Eagles Site (Calif.) [sp2008004014]</FONT>
<BR><FONT FACE="Arial Narrow">110 Villa Imperiale (Pesaro, Italy) [sp2008005625]</FONT>
<BR><FONT FACE="Arial Narrow">110 Zamek biskupo</FONT><FONT FACE="Courier New">́</FONT><FONT FACE="Arial Narrow">w krakowskich w S</FONT><FONT FACE="Arial Narrow CE">ł</FONT><FONT FACE="Arial Narrow">awkowie (S</FONT><FONT FACE="Arial Narrow CE">ł</FONT><FONT FACE="Arial Narrow">awko</FONT><FONT FACE="Courier New">́</FONT><FONT FACE="Arial Narrow">w, Poland) [sp2007004</FONT>
</P>
<P><B><FONT FACE="Arial Narrow">Changes to existing headings</FONT></B>
</P>
<P><FONT FACE="Arial Narrow">150 Architects</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Malpractice [May Subd Geog] [sp 85006571]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Insurance, Architects' liability CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture [May Subd Geog] [sp 85006611]</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 When subdivided by place, this heading may be further subdivided by the chronological </FONT>
<BR><FONT FACE="Arial Narrow">subdivisions 17th century, 18th century, 19th century, and 20th century. CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Argentina [sp 89001759]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Casas blancas (Group of architects)</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Argentina</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Argentina</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp2004009350]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Argentina</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp 86003161]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Ming-Qing dynasties, 1368-1912 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Ming-Qing dynasties, 1368-1912 [sp 85006647]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Ming-Chʻing dynasties, 1368-1912 [EARLIER FORM OFHEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Ming-Qing dynasties, 1368-1912 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Song-Yuan dynasties, 960-1368 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Song-Yuan dynasties, 960-1368 [sp 86007211]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Song-Yuan dynasties, 960-1368 [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Sung-Yüan dynasties, 960-1368 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Tang-Five dynasties, 618-960 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Tang-Five dynasties, 618-960 [sp 88002818]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Tang-Five dynasties, 618-960 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 221 B.C. CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 221 B.C. [sp 85006645]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 221 B.C. [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 618 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 618 [sp 85006646]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">China</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 618 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Europe</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Europe</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp2002009844]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Europe</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany [sp 89007036]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Ecke (Group of architects)</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp2003010041]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sp 85006831]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois [sp 00010208]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Chicago Seven (Group of architects)</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp 85006835]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp 93009504]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">1868- CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">1868- [sp 85006674]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">1868- [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp 85006675]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Taishō period, 1912-1926 [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Edo period, 1600-1868 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Edo period, 1600-1868 [sp 85006672]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Edo period, 1600-1868 [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Tokugawa period, 1600-1868</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Heian period, 794-1185 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Heian period, 794-1185 [sp 85006670]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Heian period, 794-1185 [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Japanese</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Heian period, 794-1185 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Kamakura-Momoyama periods, 1185-1600 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Kamakura-Momoyama periods, 1185-1600 [sp 85006671]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Kamakura-Momoyama periods, 1185-1600 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Meiji period, 1868-1912 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Meiji period, 1868-1912 [sp 85006673]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Meiji period, 1868-1912 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1600 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1600 [sp 85006668]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1600 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1868 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1868 [sp 85006669]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1868 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 794 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 794 [sp 85006667]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 794 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Chosŏn dynasty, 1392-1910 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Chosŏn dynasty, 1392-1910 [sp 85006682]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Chosŏn dynasty, 1392-1910 [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Yi dynasty, 1392-1910 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Koryǒ period, 935-1392 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Koryǒ period, 935-1392 [sp 85006681]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Koryǒ period, 935-1392 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1900 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1900 [sp 85006680]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 1900 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 935 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 935 [sp 92002990]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Korea</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">To 935 [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sp 85006832]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp 85006837]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West [EARLIER FORM OF HEADING]</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">17th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">17th century [sp2001000107]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">17th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 681 Example under Architecture, Modern--17th century and under reference from Achitecture--History--17th century</FONT></P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">18th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">18th century [sp2001000108]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">18th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 681 Example under Architecture, Modern--18th century and under reference from Architecture--History--18th century</FONT></P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sp 85006833]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 681 Example under Architecture, Modern--19th century and under reference from Architecture--History--19th century</FONT></P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp 85006839]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 681 Example under Architecture, Modern--20th century and under reference from Architecture--History--20th century</FONT></P>
<P><FONT FACE="Arial Narrow">* 150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century [sp2004001251]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 681 Example under Architecture, Modern--21st century and under reference from Architecture--History--21st century</FONT></P>
<P><FONT FACE="Arial Narrow">150 Architecture, Domestic</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Mission style [sp 85006727]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture, Domestic</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Shingle style [May Subd Geog] [sp 85006728]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture, Domestic</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Stick style [May Subd Geog] [sp 85006729]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture, Modern [Not Subd Geog] [sp 85006828]</FONT>
<BR><FONT FACE="Arial Narrow"> * 053 NA500-NA680 CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 053 NA500-NA689</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 Here are entered works on architecture of the modern period (since 1500). Works on the modernist style of architecture are entered under Modern movement (Architecture).</FONT></P>
<P><FONT FACE="Arial Narrow"> * 681 Note under Modern movement (Architecture)</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">17th century [sp 00010206]</FONT>
<BR><FONT FACE="Arial Narrow"> * 360 SA subdivision 17th century under headings of the type Architecture--[place], e.g. Architecture--United States--17th century CANCEL</FONT></P>
<P><FONT FACE="Arial Narrow"> * 360 SA subdivision History--17th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--17th century</FONT></P>
<P><FONT FACE="Arial Narrow">150 Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">18th century [sp 00010207]</FONT>
<BR><FONT FACE="Arial Narrow"> * 360 SA subdivision 18th century under headings of the type Architecture--[place], e.g. Architecture--United States--18th century CANCEL</FONT></P>
<P><FONT FACE="Arial Narrow"> * 360 SA subdivision History--18th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--18th century</FONT></P>
<P><FONT FACE="Arial Narrow">150 Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century [sp 85006830]</FONT>
<BR><FONT FACE="Arial Narrow"> * 360 SA subdivision 19th century under headings of the type Architecture--[place], e.g. Architecture-United States--19th century CANCEL</FONT></P>
<P><FONT FACE="Arial Narrow"> * 360 SA subdivision History--19th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--19th century</FONT></P>
<P><FONT FACE="Arial Narrow">150 Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century [sp 85006834]</FONT>
<BR><FONT FACE="Arial Narrow"> * 360 SA subdivision 20th century under headings of the type Architecture--[place], e.g. Architecture--United States--20th century CANCEL</FONT></P>
<P><FONT FACE="Arial Narrow"> * 360 SA subdivision History--20th century under headings of the type Architecture--[place], e.g. Architecture--United States--History--20th century</FONT></P>
<P><FONT FACE="Arial Narrow">150 Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century [sp2002012566]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">21st century</FONT>
<BR><FONT FACE="Arial Narrow"> * 360 SA subdivision 21st century under headings of the type Architecture--[place], e.g. Architecture--United States--21st century CANCEL</FONT></P>
<P><FONT FACE="Arial Narrow"> * 360 SA subdivision History--21st century under headings of the type Architecture--[place], e.g. Architecture--United States--History--21st century</FONT></P>
<P><FONT FACE="Arial Narrow">150 Architecture, Regency [May Subd Geog] [sp 85006855]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Great Britain</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century</FONT>
</P>
<P><FONT FACE="Arial Narrow">151 Byllis (Extinct city) [sp2007008861]</FONT>
<BR><FONT FACE="Arial Narrow"> * 451 UF Bylis (Extinct city)</FONT>
<BR><FONT FACE="Arial Narrow"> * 451 UF Gllavinica (Extinct city)</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Casas blancas (Group of architects) [sp2004000669]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Argentina</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Argentina</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Chicago school of architecture (Movement) [May Subd Geog] [sp 85023255]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">19th century</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Chicago Seven (Group of architects) [sp 85023259]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Illinois</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Crop circles [May Subd Geog] [sp 93000098]</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 Here are entered works on inexplicable, flattened patterns in fields or crops. Works on patterns or variations in crop growth that are the result of buried archaeological sites or components of such sites are entered under Cropmarks. * 681 Note under Cropmarks</FONT></P>
<P><FONT FACE="Arial Narrow">(C) 150 Cropmarks [May Subd Geog] [sp2008005917]</FONT>
<BR><FONT FACE="Arial Narrow"> 680 Here are entered works on patterns or variations in crop growth that are the result of buried archaeological sites or components of such sites. Works on inexplicable, flattened patterns in fields or crops are entered under Crop circles.</FONT></P>
<P><FONT FACE="Arial Narrow"> 450 UF Crop marks</FONT>
<BR><FONT FACE="Arial Narrow"> 550 BT Landscape archaeology</FONT>
<BR><FONT FACE="Arial Narrow"> 681 Note under Crop circles</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Cultural pluralism [May Subd Geog] [sp 85103571]</FONT>
<BR><FONT FACE="Arial Narrow"> * 450 UF Diversity, Cultural</FONT>
<BR><FONT FACE="Arial Narrow"> * 450 UF Diversity, Religious</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Ecke (Group of architects) [sp2003008532]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Germany</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Futurism (Architecture) [May Subd Geog] [sp 93009503]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Italy</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT>
</P>
<P><FONT FACE="Arial Narrow"> 150 Japanese tea ceremony [May Subd Geog] [sp 85069725]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Teahouses (Japanese tea ceremony)</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Insurance, Architects' liability CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Architects' liability insurance [May Subd Geog] [sp 87000393]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Architects' malpractice insurance</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Insurance, Architects' liability [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Liability insurance, Architects'</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Malpractice insurance, Architects'</FONT>
<BR><FONT FACE="Arial Narrow"> 550 BT Insurance</FONT>
<BR><FONT FACE="Arial Narrow"> 681 Example under Malpractice insurance</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Metabolism in architecture (Movement) [sp 85084021]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 RT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Japan</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Modern movement (Architecture) [May Subd Geog] [sp 99004838]</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 Here are entered works on the modernist style of architecture. Works on architecture of the modern period (since 1500) are entered under Architecture, Modern.</FONT></P>
<P><FONT FACE="Arial Narrow"> * 681 Note under Architecture, Modern</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 110 Oxford House (London, England) CANCEL [sp2005000602]</FONT>
<BR><FONT FACE="Arial Narrow"> * 682 This authority record has been deleted because the subject heading is covered by an identical name heading (nb2007009653).</FONT></P>
<P><FONT FACE="Arial Narrow">150 Motion pictures [May Subd Geog] [sp 85088084]</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 Here are entered general works on motion pictures themselves, including motion pictures as an art form, copyrighting, distribution, editing, plots, production, etc. Works on the technical aspects of making motion pictures and their projection onto a screen are entered under Cinematography. Works on the technical aspects of making video recordings, i.e., creating and storing moving images in an electronic form and displaying them on an electronic display are entered under Video recording. Works on the artistic aspects of making video recordings are entered under Video recordings--Production and </FONT></P>
<P><FONT FACE="Arial Narrow">direction. CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 This heading is used as a topical heading for general works about motion pictures themselves, including motion pictures as an art form, copyrighting, distribution, editing, plots, production, etc. Works about the technical aspects of making motion pictures and their projection onto a screen are entered under Cinematography. Works about the technical aspects of making video recordings, i.e., creating and storing moving images in an electronic form and displaying them on an electronic display are entered under Video recording. Works about the artistic aspects of making video recordings are entered under Video recordings--Production and direction.</FONT></P>
<P><FONT FACE="Arial Narrow"> * 360 SA subdivision In motion pictures under names of countries, cities, etc., and under names of individual persons, families, and corporate bodies, and headings of the type [topic] in motion pictures, e.g. Children in motion pictures; Death in motion pictures; and titles of individual motion pictures</FONT></P>
<P><FONT FACE="Arial Narrow"> * 360 SA subdivision In motion pictures under names of countries, cities, etc., and under names of individual persons, families, and corporate bodies; and headings of the type [topic] in motion pictures, e.g. Children in motion pictures; Death in motion pictures CANCEL</FONT></P>
<P><FONT FACE="Arial Narrow">150 Motion pictures, African [May Subd Geog] [sp 96010800]</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 This heading is not used for individual films, which are entered under headings appropriate to the content, genre, and/or form of the film.</FONT></P>
<P><FONT FACE="Arial Narrow">155 Nonfiction films [Not Subd Geog] [sp2007025008]</FONT>
<BR><FONT FACE="Arial Narrow"> * 555 BT Motion pictures</FONT>
<BR><FONT FACE="Arial Narrow"> * 681 Note under Motion pictures</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Prairie school (Architecture) [May Subd Geog] [sp 85106076]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Middle West</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">History</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Radical architecture [May Subd Geog] [sp2002008699]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">Europe</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture, Modern</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century</FONT>
</P>
<P><FONT FACE="Arial Narrow">* 150 Sound motion pictures [May Subd Geog] ADD GEOG [sp 85088125]</FONT>
<BR><FONT FACE="Arial Narrow"> * 680 This heading is not used for individual films, which are entered under headings appropriate to the content, genre, and/or form of the film.</FONT></P>
<P><FONT FACE="Arial Narrow">150 Usonian houses [May Subd Geog] [sp 85141562]</FONT>
<BR><FONT FACE="Arial Narrow"> * 550 BT Architecture</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">United States</FONT><FONT FACE="Courier New">-</FONT><FONT FACE="Arial Narrow">20th century CANCEL</FONT>
</P>
<P><FONT FACE="Arial Narrow">150 Tearooms [May Subd Geog] [sp 96001108]</FONT>
<BR><FONT FACE="Arial Narrow"> * 450 UF Tea houses CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 450 UF Tea houses (Restaurants)</FONT>
<BR><FONT FACE="Arial Narrow"> * 450 UF Teahouses CANCEL</FONT>
<BR><FONT FACE="Arial Narrow"> * 450 UF Teahouses (Restaurants)</FONT>
</P>
<P><B><FONT FACE="Arial Narrow">OMITTED BY MISTAKE FROM REPORT ON JUNE 2008 CHANGES</FONT></B>
</P>
<P><FONT FACE="Arial Narrow">* 150 Turning CANCEL</FONT>
<BR><FONT FACE="Arial Narrow">150 Turning (Lathe work) [May Subd Geog] [sp 85138931]</FONT>
<BR><FONT FACE="Arial Narrow"> 053 TT201-TT203 (General)</FONT>
<BR><FONT FACE="Arial Narrow"> 053 TT207 (Metal-work)</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Lathe work</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Turnery (Lathe work)</FONT>
<BR><FONT FACE="Arial Narrow"> 450 UF Turning [EARLIER FORM OF HEADING]</FONT>
<BR><FONT FACE="Arial Narrow"> 550 BT Machining</FONT>
<BR><FONT FACE="Arial Narrow"> 550 RT Lathes</FONT>
</P>
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========================================================================Date: Thu, 18 Sep 2008 15:36:03 -0400
Reply-To: Cyndi Adamo <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Cyndi Adamo <[log in to unmask]>
Subject: Available: INTERIORS (1999 NOV)
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CROSS-POSTED WITH BACKSERV LISTSERV
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Our library has the following issue(s)
available to U.S. libraries
for postage reimbursement in U.S. Stamps (or check):
--INTERIORS
1999 NOV
Unless noted, all issues are complete, unbound, and in good condition to the best of our knowledge. Because of the number of journal gifts our library is receiving, it is not possible for us to check individual issues for completeness before shipping. If you receive something incomplete, please do NOT send reimbursement.
We MAY mark addresses off of covers with a black marker OR rip off address labels in the case of journals donated to us.
All items will be sent via USPS library rate mail. A copy of your request will be included in the package, along with the address for postage reimbursement.
If interested, contact Cyndi Adamo at [log in to unmask]
Items will be shipped in the order requested.
Thank you,
Cyndi
Cyndi Adamo
Serials Specialist - Mortensen Library
University of Hartford
200 Bloomfield Avenue
West Hartford, CT 06117
Ph: 860-768-4811
Fax: 860-768-5349
[log in to unmask]
Cyndi Adamo
Serials Specialist - Mortensen Library
University of Hartford
200 Bloomfield Avenue
West Hartford, CT 06117
Ph: 860-768-4811
Fax: 860-768-5349
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<BODY bgColor=#ffffff>
<DIV>
<DIV>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">CROSS-POSTED WITH BACKSERV
LISTSERV</SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">--------------------------------------------------------------------------------</SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Our library has the following
issue(s)<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">available
to </SPAN><?xml:namespace prefix = st1 ns =
"urn:schemas-microsoft-com:office:smarttags"
/><st1:country-region><st1:place><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">U.S.</SPAN></st1:place></st1:country-region><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">
libraries<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">for
postage reimbursement in U.S. Stamps (or check):<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG>--INTERIORS<BR>1999
NOV<BR><BR></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Unless noted, all issues are
complete, unbound, and in good condition to the best of our knowledge. Because
of the number of journal gifts our library is receiving, it is not possible for
us to check individual issues for completeness before shipping. If you receive
something incomplete, please do NOT send reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">We MAY mark addresses off of covers
with a black marker OR rip off address labels in the case of journals donated to
us.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">All items
will be sent via USPS library rate mail. A copy of your request will be
included in the package, along with the address for postage
reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">If interested, contact Cyndi Adamo
at <A href="mailto:[log in to unmask]">[log in to unmask]</A></SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Items will be shipped in the order
requested.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Thank
you,<BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Cyndi</SPAN></P></DIV>
<DIV><FONT face=Arial size=2><BR>Cyndi Adamo<BR>Serials Specialist - Mortensen
Library<BR>University of Hartford<BR>200 Bloomfield Avenue<BR>West Hartford, CT
06117<BR>Ph: 860-768-4811<BR>Fax: 860-768-5349<BR><A
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></DIV>
<DIV><FONT face=Arial size=2><BR>Cyndi Adamo<BR>Serials Specialist - Mortensen
Library<BR>University of Hartford<BR>200 Bloomfield Avenue<BR>West Hartford, CT
06117<BR>Ph: 860-768-4811<BR>Fax: 860-768-5349<BR><A
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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========================================================================Date: Thu, 18 Sep 2008 15:39:13 -0400
Reply-To: Cyndi Adamo <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Cyndi Adamo <[log in to unmask]>
Subject: Available Journals: ARCHITECTURE
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charset="iso-8859-1"
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CROSS-POSTED WITH BACKSERV LISTSERV
--------------------------------------------------------------------------------
Our library has the following issues
available to U.S. libraries
for postage reimbursement in U.S. Stamps (or check):
--ARCHITECTURE
1997 OCT
1996 MAY, JUN
1990 OCT
1989 JAN
Unless noted, all issues are complete, unbound, and in good condition to the best of our knowledge. Because of the number of journal gifts our library is receiving, it is not possible for us to check individual issues for completeness before shipping. If you receive something incomplete, please do NOT send reimbursement.
We MAY mark addresses off of covers with a black marker OR rip off address labels in the case of journals donated to us.
All items will be sent via USPS library rate mail. A copy of your request will be included in the package, along with the address for postage reimbursement.
If interested, contact Cyndi Adamo at [log in to unmask]
Items will be shipped in the order requested.
Thank you,
Cyndi
Cyndi Adamo
Serials Specialist - Mortensen Library
University of Hartford
200 Bloomfield Avenue
West Hartford, CT 06117
Ph: 860-768-4811
Fax: 860-768-5349
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.6000.16705" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV>
<DIV><FONT face=Arial size=2>
<DIV>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">CROSS-POSTED WITH BACKSERV
LISTSERV</SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">--------------------------------------------------------------------------------</SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Our library has the following
issues<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">available
to </SPAN><?xml:namespace prefix = st1 ns =
"urn:schemas-microsoft-com:office:smarttags"
/><st1:country-region><st1:place><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">U.S.</SPAN></st1:place></st1:country-region><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">
libraries<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">for
postage reimbursement in U.S. Stamps (or check):<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG>--ARCHITECTURE<BR>1997
OCT<BR>1996 MAY, JUN<BR>1990 OCT<BR>1989 JAN<BR><BR></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Unless noted, all issues are
complete, unbound, and in good condition to the best of our knowledge. Because
of the number of journal gifts our library is receiving, it is not possible for
us to check individual issues for completeness before shipping. If you receive
something incomplete, please do NOT send reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">We MAY mark addresses off of covers
with a black marker OR rip off address labels in the case of journals donated to
us.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">All items
will be sent via USPS library rate mail. A copy of your request will be
included in the package, along with the address for postage
reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">If interested, contact Cyndi Adamo
at <A href="mailto:[log in to unmask]">[log in to unmask]</A></SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Items will be shipped in the order
requested.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Thank
you,<BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Cyndi</SPAN></P></DIV>
<DIV></FONT><FONT face=Arial size=2><BR>Cyndi Adamo<BR>Serials Specialist -
Mortensen Library<BR>University of Hartford<BR>200 Bloomfield Avenue<BR>West
Hartford, CT 06117<BR>Ph: 860-768-4811<BR>Fax: 860-768-5349<BR><A
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></DIV></DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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========================================================================Date: Thu, 18 Sep 2008 15:52:54 -0400
Reply-To: Cyndi Adamo <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Cyndi Adamo <[log in to unmask]>
Subject: Available Journals: ARCHI-TECH & ARCHI-TECH RESIDENTIAL
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CROSS-POSTED WITH BACKSERV LISTSERV
--------------------------------------------------------------------------------
Our library has the following issues
available to U.S. libraries
for postage reimbursement in U.S. Stamps (or check):
--ARCHI-TECH
v. 9, no. 1-6 (2006)
v. 8, no. 1-7 (2005)
v. 7, no. 2, 3, 5 (2004)
v. 6, no. 1, 2, 3, 5, 6 (2003)
v. 5, no. 1, 2, 3, 4, 6 (2002)
v. 4, no. 4, 5, 6 (2001)
v. 3, no. 1, 2 (2000)
--ARCHI-TECH RESIDENTIAL
v. 3, no. 1, 2 (2004)
v. 2, no. 1-4 (2003)
v. 1, no. 1, 3 (2002)
Unless noted, all issues are complete, unbound, and in good condition to the best of our knowledge. Because of the number of journal gifts our library is receiving, it is not possible for us to check individual issues for completeness before shipping. If you receive something incomplete, please do NOT send reimbursement.
We MAY mark addresses off of covers with a black marker OR rip off address labels in the case of journals donated to us.
All items will be sent via USPS library rate mail. A copy of your request will be included in the package, along with the address for postage reimbursement.
If interested, contact Cyndi Adamo at [log in to unmask]
Items will be shipped in the order requested.
Thank you,
Cyndi
Cyndi Adamo
Serials Specialist - Mortensen Library
University of Hartford
200 Bloomfield Avenue
West Hartford, CT 06117
Ph: 860-768-4811
Fax: 860-768-5349
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<DIV><FONT face=Arial size=2><FONT face=Arial size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">CROSS-POSTED WITH BACKSERV
LISTSERV<BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">--------------------------------------------------------------------------------<BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Our library has the following
issues<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">available
to </SPAN><?xml:namespace prefix = st1 ns =
"urn:schemas-microsoft-com:office:smarttags"
/><st1:country-region><st1:place><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">U.S.</SPAN></st1:place></st1:country-region><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">
libraries<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">for
postage reimbursement in U.S. Stamps (or check):<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><STRONG>--ARCHI-TECH<BR>v. 9, no.
1-6 (2006)<BR>v. 8, no. 1-7 (2005)<BR>v. 7, no. 2, 3, 5 (2004)<BR>v. 6, no. 1,
2, 3, 5, 6 (2003)<BR>v. 5, no. 1, 2, 3, 4, 6 (2002)<BR>v. 4, no. 4, 5, 6
(2001)<BR>v. 3, no. 1, 2 (2000)<BR><BR>--ARCHI-TECH RESIDENTIAL<BR>v. 3, no. 1,
2 (2004)<BR>v. 2, no. 1-4 (2003)<BR>v. 1, no. 1, 3
(2002)<BR><BR></STRONG></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Unless noted, all issues are
complete, unbound, and in good condition to the best of our knowledge. Because
of the number of journal gifts our library is receiving, it is not possible for
us to check individual issues for completeness before shipping. If you receive
something incomplete, please do NOT send reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">We MAY mark addresses off of covers
with a black marker OR rip off address labels in the case of journals donated to
us.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">All items
will be sent via USPS library rate mail. A copy of your request will be
included in the package, along with the address for postage
reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">If interested, contact Cyndi Adamo
at <A href="mailto:[log in to unmask]">[log in to unmask]</A></SPAN></DIV>
<DIV>
<DIV>
<DIV>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Items will be shipped in the order
requested.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Thank
you,<BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Cyndi</SPAN></P></DIV>
<DIV></FONT><FONT face=Arial size=2><BR></FONT><FONT face=Arial size=2>Cyndi
Adamo<BR>Serials Specialist - Mortensen Library<BR>University of Hartford<BR>200
Bloomfield Avenue<BR>West Hartford, CT 06117<BR>Ph: 860-768-4811<BR>Fax:
860-768-5349<BR><A
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></DIV></FONT></DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------=_NextPart_000_01D4_01C919A6.9CAE6470--
========================================================================Date: Thu, 18 Sep 2008 16:15:56 -0400
Reply-To: Eric Wolf <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Eric Wolf <[log in to unmask]>
Subject: Fair Use Question
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Dear Copyright experts of ARLIS,
My Associate Dean asked me to find out the legality of copying a
textbook that has been out of print since 1993 for use in a course
packet. If a book is no longer available commercially, is it legal to
copy the entire work and sell it at cost of reproduction/binding at a
campus bookstore?
Thanks,
Eric
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 E. 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Dear Copyright experts of ARLIS,</span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>My Associate Dean asked me to find out the legality of
copying a textbook that has been out of print since 1993 for use in a course
packet. If a book is no longer available commercially, is it legal to copy the
entire work and sell it at cost of reproduction/binding at a campus bookstore?</span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Thanks,</span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Eric</span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoAutoSig><b><font size=3 color=red face=Arial><span
style='font-size:12.0pt;font-family:Arial;color:red;font-weight:bold'>Eric M.
Wolf</span></font></b></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>Director of the Library</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>New York</span></font></i></em><em><i><font size=1
face=Arial><span style='font-size:7.5pt;font-family:Arial'> </span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'>School</span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'> of Interior
Design</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>170 E. 70th Street</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>New York</span></font></i></em><em><i><font size=1
face=Arial><span style='font-size:7.5pt;font-family:Arial'>, </span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'>NY</span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'> </span></font></i></em><em><i><font
size=1 face=Arial><span style='font-size:7.5pt;font-family:Arial'>10021</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 face=Arial><span style='font-size:7.5pt;
font-family:Arial'>(212) 472-1500 x216</span></font></i></em></p>
<p class=MsoAutoSig><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><a href="mailto:[log in to unmask]"><em><i><font size=1 face=Arial><span
style='font-size:7.5pt;font-family:Arial;text-decoration:none'>[log in to unmask]</span></font></i></em></a></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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------_=_NextPart_001_01C919CB.5B8AB095--
========================================================================Date: Thu, 18 Sep 2008 15:49:47 -0500
Reply-To: Marc Gartler <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Marc Gartler <[log in to unmask]>
Subject: Re: Fair Use Question
Comments: To: Eric Wolf <[log in to unmask]>
In-Reply-To: A<[log in to unmask]>
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No, that's not going to be considered fair use.
Marc Gartler
Director of Library Services
Harrington College of Design
200 W. Madison
Chicago, IL 60606
312.697.8021 P
312.697.8115 F
www.harringtoncollege.com
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Eric Wolf
Sent: Thursday, September 18, 2008 3:16 PM
To: [log in to unmask]
Subject: [ARLIS-L] Fair Use Question
Dear Copyright experts of ARLIS,
My Associate Dean asked me to find out the legality of copying a
textbook that has been out of print since 1993 for use in a course
packet. If a book is no longer available commercially, is it legal to
copy the entire work and sell it at cost of reproduction/binding at a
campus bookstore?
Thanks,
Eric
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 E. 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>No, that’s not going to be considered fair use.<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
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style='font-size:9.0pt;font-family:"Arial Black","sans-serif"'><ns0:PersonName><span
style='color:navy'>Marc Gartler<br>
</span></ns0:PersonName></span><span style='font-size:9.0pt;font-family:"Arial","sans-serif";
color:navy'>Director of Library Services<br>
</span><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><ns0:place><ns0:PlaceName><span
style='color:navy'>Harrington</span></ns0:PlaceName></ns0:place><span
style='color:navy'> </span><ns0:PlaceType><span style='color:navy'>College</span></ns0:PlaceType><span
style='color:navy'> of Design</span></span><span style='color:#1F497D'><o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style='font-size:9.0pt;font-family:"Arial","sans-serif";color:navy'>200 W. </span><span
style='font-size:9.0pt;font-family:"Arial","sans-serif"'><ns0:City><ns0:place><span
style='color:navy'>Madison<br>
</span></ns0:place></ns0:City><ns0:place><ns0:City><span style='color:navy'>Chicago</span></ns0:City></ns0:place><span
style='color:navy'>, </span><ns0:State><span style='color:navy'>IL</span></ns0:State><span
style='color:navy'> </span><ns0:PostalCode><span style='color:navy'>60606<br>
</span></ns0:PostalCode><span style='color:navy'>312.697.8021 </span></span><span
style='font-size:9.0pt;font-family:"Arial Black","sans-serif";color:navy'>P<br>
</span><span style='font-size:9.0pt;font-family:"Arial","sans-serif";
color:navy'>312.697.8115</span><span style='font-size:9.0pt;font-family:"Arial Black","sans-serif";
color:navy'> F</span><span style='color:#1F497D'><o:p></o:p></span></p>
</div>
</div>
<p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif";
color:navy'><a href="http://www.harringtoncollege.com"
title="http://www.harringtoncollege.com/">www.harringtoncollege.com</a></span><span
style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p></o:p></span></p>
<div>
<div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'>
<p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span
style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b>On Behalf Of </b>Eric
Wolf<br>
<b>Sent:</b> Thursday, September 18, 2008 3:16 PM<br>
<b>To:</b> [log in to unmask]<br>
<b>Subject:</b> [ARLIS-L] Fair Use Question<o:p></o:p></span></p>
</div>
</div>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Dear
Copyright experts of ARLIS,</span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>My
Associate Dean asked me to find out the legality of copying a textbook that has
been out of print since 1993 for use in a course packet. If a book is no
longer available commercially, is it legal to copy the entire work and sell it
at cost of reproduction/binding at a campus bookstore?</span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Thanks,</span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Eric</span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'> </span><o:p></o:p></p>
<p class=MsoAutoSig><b><span style='font-family:"Arial","sans-serif";
color:red'>Eric M. Wolf</span></b><o:p></o:p></p>
<p class=MsoAutoSig><em><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>Director
of the Library</span></em><o:p></o:p></p>
<p class=MsoAutoSig><em><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>New
York School of Interior Design</span></em><o:p></o:p></p>
<p class=MsoAutoSig><em><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>170
E. 70th Street</span></em><o:p></o:p></p>
<p class=MsoAutoSig><em><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>New
York, NY 10021</span></em><o:p></o:p></p>
<p class=MsoAutoSig><em><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>(212)
472-1500 x216</span></em><o:p></o:p></p>
<p class=MsoAutoSig><a href="mailto:[log in to unmask]"><em><span style='font-size:
7.5pt;font-family:"Arial","sans-serif";text-decoration:none'>[log in to unmask]</span></em></a><o:p></o:p></p>
<p class=MsoNormal> <o:p></o:p></p>
<p class=MsoNormal>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining ARLIS/NA
see: http://www.arlisna.org/join.html Send administrative matters (file
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------_=_NextPart_001_01C919D0.1696C182--
========================================================================Date: Thu, 18 Sep 2008 17:08:28 -0400
Reply-To: Carol Graney <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Carol Graney <[log in to unmask]>
Subject: Re: Fair Use Question
In-Reply-To: <[log in to unmask]>
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Agreed. The copyright owner still owns the copyright to the material.
You will need to seek permission to make the copies.
Carol
Carol Graney
Director of University Libraries
The University of the Arts
320 S. Broad St.
Philadelphia, PA 19102
215-717-6281
215-717-6287 (fax)
[log in to unmask]
http://library.uarts.edu
On Sep 18, 2008, at 4:49 PM, Marc Gartler wrote:
> No, that’s not going to be considered fair use.
>
> Marc Gartler
> Director of Library Services
> Harrington College of Design
> 200 W. Madison
> Chicago, IL 60606
> 312.697.8021 P
> 312.697.8115 F
> www.harringtoncollege.com
> From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:ARLIS-
> [log in to unmask]] On Behalf Of Eric Wolf
> Sent: Thursday, September 18, 2008 3:16 PM
> To: [log in to unmask]
> Subject: [ARLIS-L] Fair Use Question
>
> Dear Copyright experts of ARLIS,
>
> My Associate Dean asked me to find out the legality of copying a
> textbook that has been out of print since 1993 for use in a course
> packet. If a book is no longer available commercially, is it legal
> to copy the entire work and sell it at cost of reproduction/binding
> at a campus bookstore?
>
> Thanks,
>
> Eric
>
> Eric M. Wolf
> Director of the Library
> New York School of Interior Design
> 170 E. 70th Street
> New York, NY 10021
> (212) 472-1500 x216
> [log in to unmask]
>
> __________________________________________________________________
> Mail submissions to [log in to unmask] For information about
> joining ARLIS/NA see: http://www.arlisna.org/join.html Send
> administrative matters (file requests, subscription requests, etc)
> to [log in to unmask] ARLIS-L Archives and subscription
> maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may
> be addressed to list owner (Judy Dyki) at: [log in to unmask]
> __________________________________________________________________
> Mail submissions to [log in to unmask] For information about
> joining ARLIS/NA see: http://www.arlisna.org/join.html Send
> administrative matters (file requests, subscription requests, etc)
> to [log in to unmask] ARLIS-L Archives and subscription
> maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may
> be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
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Agreed. The copyright owner still owns the copyright to the material. You will need to seek permission to make the copies.<div><br></div><div>Carol</div><div><br><div> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><span class="Apple-style-span" style="border-collapse: separate; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; -webkit-text-decorations-in-effect: none; text-indent: 0px; -webkit-text-size-adjust: auto; text-transform: none; orphans: 2; white-space: normal; widows: 2; word-spacing: 0px; "><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; ">Carol Graney</span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; ">Director of University Libraries</span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; ">The University of the Arts</span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; ">320 S. Broad St.</span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; ">Philadelphia, PA 19102</span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; ">215-717-6281</span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; ">215-717-6287 (fax)</span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; "><a href="mailto:[log in to unmask]">[log in to unmask]</a></span></div><div style="font-size: 12px; "><span class="Apple-style-span" style="font-size: 12px; "><a href="http://library.uarts.edu">http://library.uarts.edu</a></span></div></span></span></span></span> </div><br><div><div>On Sep 18, 2008, at 4:49 PM, Marc Gartler wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div class="Section1"><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); ">No, that’s not going to be considered fair use.<o:p></o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); "><o:p> </o:p></span></div><div><div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: 'Arial Black', sans-serif; "><ns0:personname><span style="color: navy; ">Marc Gartler<br></span></ns0:personname></span><span style="font-size: 9pt; font-family: Arial, sans-serif; color: navy; ">Director of Library Services<br></span><span style="font-size: 9pt; font-family: Arial, sans-serif; "><ns0:place><ns0:placename><span style="color: navy; ">Harrington</span></ns0:placename></ns0:place><span style="color: navy; "><span class="Apple-converted-space"> </span></span><ns0:placetype><span style="color: navy; ">College</span></ns0:placetype><span style="color: navy; "><span class="Apple-converted-space"> </span>of Design</span></span><span style="color: rgb(31, 73, 125); "><o:p></o:p></span></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Arial, sans-serif; color: navy; ">200 W.<span class="Apple-converted-space"> </span></span><span style="font-size: 9pt; font-family: Arial, sans-serif; "><ns0:city><ns0:place><span style="color: navy; ">Madison<br></span></ns0:place></ns0:city><ns0:place><ns0:city><span style="color: navy; ">Chicago</span></ns0:city></ns0:place><span style="color: navy; ">,<span class="Apple-converted-space"> </span></span><ns0:state><span style="color: navy; ">IL</span></ns0:state><span style="color: navy; "><span class="Apple-converted-space"> </span></span><ns0:postalcode><span style="color: navy; ">60606<br></span></ns0:postalcode><span style="color: navy; ">312.697.8021<span class="Apple-converted-space"> </span></span></span><span style="font-size: 9pt; font-family: 'Arial Black', sans-serif; color: navy; ">P<br></span><span style="font-size: 9pt; font-family: Arial, sans-serif; color: navy; ">312.697.8115</span><span style="font-size: 9pt; font-family: 'Arial Black', sans-serif; color: navy; "><span class="Apple-converted-space"> </span>F</span><span style="color: rgb(31, 73, 125); "><o:p></o:p></span></div></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 9pt; font-family: Arial, sans-serif; color: navy; "><a href="http://www.harringtoncollege.com" title="http://www.harringtoncollege.com/" style="color: blue; text-decoration: underline; ">www.harringtoncollege.com</a></span><span style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(31, 73, 125); "><o:p></o:p></span></div><div><div style="border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; border-top-style: solid; border-top-color: rgb(181, 196, 223); border-top-width: 1pt; padding-top: 3pt; padding-right: 0in; padding-bottom: 0in; padding-left: 0in; "><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><b><span style="font-size: 10pt; font-family: Tahoma, sans-serif; ">From:</span></b><span style="font-size: 10pt; font-family: Tahoma, sans-serif; "><span class="Apple-converted-space"> </span>ART LIBRARIES SOCIETY DISCUSSION LIST [<a href="mailto:[log in to unmask]">mailto:[log in to unmask]</a>]<span class="Apple-converted-space"> </span><b>On Behalf Of<span class="Apple-converted-space"> </span></b>Eric Wolf<br><b>Sent:</b><span class="Apple-converted-space"> </span>Thursday, September 18, 2008 3:16 PM<br><b>To:</b><span class="Apple-converted-space"> </span><a href="mailto:[log in to unmask]">[log in to unmask]</a><br><b>Subject:</b><span class="Apple-converted-space"> </span>[ARLIS-L] Fair Use Question<o:p></o:p></span></div></div></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><o:p> </o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; ">Dear Copyright experts of ARLIS,</span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; "> </span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; ">My Associate Dean asked me to find out the legality of copying a textbook that has been out of print since 1993 for use in a course packet. If a book is no longer available commercially, is it legal to copy the entire work and sell it at cost of reproduction/binding at a campus bookstore?</span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; "> </span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; ">Thanks,</span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; "> </span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; ">Eric</span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><span style="font-size: 10pt; font-family: Arial, sans-serif; "> </span><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><b><span style="font-family: Arial, sans-serif; color: red; ">Eric M. Wolf</span></b><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><em><span style="font-size: 7.5pt; font-family: Arial, sans-serif; ">Director of the Library</span></em><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><em><span style="font-size: 7.5pt; font-family: Arial, sans-serif; ">New York School of Interior Design</span></em><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><em><span style="font-size: 7.5pt; font-family: Arial, sans-serif; ">170 E. 70th Street</span></em><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><em><span style="font-size: 7.5pt; font-family: Arial, sans-serif; ">New York, NY 10021</span></em><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><em><span style="font-size: 7.5pt; font-family: Arial, sans-serif; ">(212) 472-1500 x216</span></em><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "><a href="mailto:[log in to unmask]" style="color: blue; text-decoration: underline; "><em><span style="font-size: 7.5pt; font-family: Arial, sans-serif; text-decoration: none; ">[log in to unmask]</span></em></a><o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; "> <o:p></o:p></div><div style="margin-top: 0in; margin-right: 0in; margin-left: 0in; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman', serif; ">__________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a> Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: <a href="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</a> Questions may be addressed to list owner (Judy Dyki) at: <a href="mailto:[log in to unmask]">[log in to unmask]</a><o:p></o:p></div></div>__________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a> Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: <a href="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</a> Questions may be addressed to list owner (Judy Dyki) at: <a href="mailto:[log in to unmask]">[log in to unmask]</a></span></blockquote></div><br></div></body></html>__________________________________________________________________
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--Apple-Mail-4-799256697--
========================================================================Date: Thu, 18 Sep 2008 14:35:28 -0700
Reply-To: "Sheila A. Cork" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Sheila A. Cork" <[log in to unmask]>
Subject: Re: Fair Use Question
Comments: To: Eric Wolf <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Go ahead and contact the publisher - they may know of a copy that is available, or they may be able to license you to do what you suggest.
Sheila
Eric Wolf <[log in to unmask]> wrote: Dear Copyright experts of ARLIS,
My Associate Dean asked me to find out the legality of copying a textbook that has been out of print since 1993 for use in a course packet. If a book is no longer available commercially, is it legal to copy the entire work and sell it at cost of reproduction/binding at a campus bookstore?
Thanks,
Eric
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 E. 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask]
__________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/join.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
Sheila A. Cork
Librarian
New Orleans Museum of Art
City Park
1 Collins Diboll Circle
P.O. Box 19123
New Orleans, LA 70179-0123
504-658-4117
[log in to unmask]
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Go ahead and contact the publisher - they may know of a copy that is available, or they may be able to license you to do what you suggest. <br><br>Sheila<br><br><b><i>Eric Wolf <[log in to unmask]></i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> <meta http-equiv="Content-Type" content="text/html; charset=us-ascii"> <meta name="Generator" content="Microsoft Word 10 (filtered)"> <style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} p.MsoAutoSig, li.MsoAutoSig, div.MsoAutoSig {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} span.EmailStyle17 {font-family:Arial; color:windowtext;}
@page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;} div.Section1 {page:Section1;} --> </style> <div class="Section1"> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">Dear Copyright experts of ARLIS,</span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"> </span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">My Associate Dean asked me to find out the legality of copying a textbook that has been out of print since 1993 for use in a course packet. If a book is no longer available commercially, is it legal to copy the entire work and sell it at cost of reproduction/binding at a campus bookstore?</span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"> </span></font></div> <div
class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">Thanks,</span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"> </span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">Eric</span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"> </span></font></div> <div class="MsoAutoSig"><b><font color="red" face="Arial" size="3"><span style="font-size: 12pt; font-family: Arial; color: red; font-weight: bold;">Eric M. Wolf</span></font></b></div> <div class="MsoAutoSig"><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">Director of the Library</span></font></i></em></div> <div class="MsoAutoSig"><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">New
York</span></font></i></em><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;"> </span></font></i></em><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">School</span></font></i></em><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;"> of Interior Design</span></font></i></em></div> <div class="MsoAutoSig"><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">170 E. 70th Street</span></font></i></em></div> <div class="MsoAutoSig"><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">New York</span></font></i></em><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">, </span></font></i></em><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">NY</span></font></i></em><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt;
font-family: Arial;"> </span></font></i></em><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">10021</span></font></i></em></div> <div class="MsoAutoSig"><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial;">(212) 472-1500 x216</span></font></i></em></div> <div class="MsoAutoSig"><font face="Times New Roman" size="3"><span style="font-size: 12pt;"><a href="mailto:[log in to unmask]"><em><i><font face="Arial" size="1"><span style="font-size: 7.5pt; font-family: Arial; text-decoration: none;">[log in to unmask]</span></font></i></em></a></span></font></div> <div class="MsoNormal"><font face="Times New Roman" size="3"><span style="font-size: 12pt;"> </span></font></div> </div> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/join.html Send administrative matters (file
requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] </blockquote><br><BR><BR>Sheila A. Cork<br>Librarian<br>New Orleans Museum of Art<br>City Park<br>1 Collins Diboll Circle<br>P.O. Box 19123<br>New Orleans, LA 70179-0123<br><br>504-658-4117<br>[log in to unmask]<br>
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--0-757731010-1221773728=:7377--
========================================================================Date: Thu, 18 Sep 2008 20:34:22 -0400
Reply-To: Richard Minsky <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Richard Minsky <[log in to unmask]>
Subject: 2009 Limited Edition BookArt-a-Month Club
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<div align="center"><b>
<a href="http://minsky.com/orderform-subscription-bom.htm">2009
Limited Edition BookArt-a-Month Club<br><br>
</a></b></div>
I am pleased to announce to ARLIS members that a few pre-publication
discount subscriptions are available for my 2009 Limited Edition
BookArt-a-Month Club. There will be only 12 copies in each monthly
edition so I can keep the quality up, and only nine pre-publication
subscriptions are offered. <br><br>
The initial offering price expires October 1, 2008. <br><br>
For details go to
<a href="http://minsky.com/orderform-subscription-bom.htm" eudora="autourl">
http://minsky.com/orderform-subscription-bom.htm</a><br><br>
Best regards,<br>
Richard</body>
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========================================================================Date: Thu, 18 Sep 2008 17:39:10 -0700
Reply-To: "Hazlitt, Jamie C." <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Hazlitt, Jamie C." <[log in to unmask]>
Subject: Question about artists/limited edition books in academic
libraries without a dedicated art library
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Dear ARLIS,
I have a question about how you approach acquisition and circulation of
limited edition, non-traditional format artists books. At LMU, we do not
have a dedicated art library, so when faculty order artists books that
aren't of a traditional format, are typically expensive, and/or are
printed in limited edition runs, the only two options we have are to: a)
put the book on the shelves in our circulating collection and hope that
users will be nice, or b) house the book in archives & special
collections.
We do not yet have a dedicated section of our collection development
policy for handling these materials, so we tend to deal with them on a
case by case basis, contacting the faculty member who requested the book
(and often learning that they didn't realize the odd format or expense
of the title they were ordering), and asking them if they prefer that
the book resides in our main stacks or in special collections.
Neither of these are optimal solutions, so I am writing to see if there
are any libraries out there that have been faced with a similar dilemma,
and ask for advice, either as to a specific collection development
policy for these materials, or faculty education (so they can understand
exactly what it is that they're ordering), or any other solutions to
working with these types of books.
Many thanks!
Jamie Hazlitt
Reference Librarian
Von Der Ahe Library
Loyola Marymount University
310 338 5234
www.lmu.edu/library
__________________________________________________________________
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Dear ARLIS,<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I have a question about how you approach acquisition and
circulation of limited edition, non-traditional format artists books. At LMU,
we do not have a dedicated art library, so when faculty order artists books
that aren’t of a traditional format, are typically expensive, and/or are
printed in limited edition runs, the only two options we have are to: a) put
the book on the shelves in our circulating collection and hope that users will
be nice, or b) house the book in archives & special collections. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>We do not yet have a dedicated section of our collection
development policy for handling these materials, so we tend to deal with them
on a case by case basis, contacting the faculty member who requested the book
(and often learning that they didn’t realize the odd format or expense of
the title they were ordering), and asking them if they prefer that the book
resides in our main stacks or in special collections. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Neither of these are optimal solutions, so I am writing to
see if there are any libraries out there that have been faced with a similar
dilemma, and ask for advice, either as to a specific collection development
policy for these materials, or faculty education (so they can understand
exactly what it is that they’re ordering), or any other solutions to
working with these types of books.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Many thanks!<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=maroon face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:maroon'>Jamie Hazlitt</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 color=gray face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:gray'>Reference Librarian</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 color=gray face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:gray'>Von Der Ahe Library</span></font><o:p></o:p></p>
<p class=MsoNormal><st1:place w:st="on"><st1:PlaceName w:st="on"><font size=2
color=gray face=Arial><span style='font-size:10.0pt;font-family:Arial;
color:gray'>Loyola</span></font></st1:PlaceName><font size=2 color=gray
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:gray'> <st1:PlaceName
w:st="on">Marymount</st1:PlaceName> <st1:PlaceType w:st="on">University</st1:PlaceType></span></font></st1:place><o:p></o:p></p>
<p class=MsoNormal><font size=2 color=gray face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:gray'>310 338 5234</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 color=gray face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:gray'>www.lmu.edu/library</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
</div>
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========================================================================Date: Fri, 19 Sep 2008 08:40:24 -0400
Reply-To: Eric Wolf <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Eric Wolf <[log in to unmask]>
Subject: Re: Fair Use Question
Comments: To: Carol Graney <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Thanks to all who replied. My question is answered, in exactly the way
I feared.
Best,
Eric
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 E. 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Carol Graney
Sent: Thursday, September 18, 2008 5:08 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] Fair Use Question
Agreed. The copyright owner still owns the copyright to the material.
You will need to seek permission to make the copies.
Carol
Carol Graney
Director of University Libraries
The University of the Arts
320 S. Broad St.
Philadelphia, PA 19102
215-717-6281
215-717-6287 (fax)
[log in to unmask]
http://library.uarts.edu
On Sep 18, 2008, at 4:49 PM, Marc Gartler wrote:
No, that's not going to be considered fair use.
Marc Gartler
Director of Library Services
Harrington College of Design
200 W. Madison
Chicago, IL 60606
312.697.8021 P
312.697.8115 F
www.harringtoncollege.com
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Eric Wolf
Sent: Thursday, September 18, 2008 3:16 PM
To: [log in to unmask]
Subject: [ARLIS-L] Fair Use Question
Dear Copyright experts of ARLIS,
My Associate Dean asked me to find out the legality of copying a
textbook that has been out of print since 1993 for use in a course
packet. If a book is no longer available commercially, is it legal to
copy the entire work and sell it at cost of reproduction/binding at a
campus bookstore?
Thanks,
Eric
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 E. 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
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[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Thanks to all who replied. My question is
answered, in exactly the way I feared.</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Best,</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Eric</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
<div>
<p class=MsoAutoSig><b><font size=3 color=red face=Arial><span
style='font-size:12.0pt;font-family:Arial;color:red;font-weight:bold'>Eric M.
Wolf</span></font></b></p>
<p class=MsoAutoSig><em><i><font size=1 color=navy face=Arial><span
style='font-size:7.5pt;font-family:Arial;color:navy'>Director of the Library</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 color=navy face=Arial><span
style='font-size:7.5pt;font-family:Arial;color:navy'>New York School of
Interior Design</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 color=navy face=Arial><span
style='font-size:7.5pt;font-family:Arial;color:navy'>170 E. 70th Street</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 color=navy face=Arial><span
style='font-size:7.5pt;font-family:Arial;color:navy'>New York, NY 10021</span></font></i></em></p>
<p class=MsoAutoSig><em><i><font size=1 color=navy face=Arial><span
style='font-size:7.5pt;font-family:Arial;color:navy'>(212) 472-1500 x216</span></font></i></em></p>
<p class=MsoAutoSig><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'><a href="mailto:[log in to unmask]"><em><i><font
size=1 color=navy face=Arial><span style='font-size:7.5pt;font-family:Arial;
color:navy;text-decoration:none'>[log in to unmask]</span></font></i></em></a></span></font></p>
</div>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> ART LIBRARIES SOCIETY
DISCUSSION LIST [mailto:[log in to unmask]] <b><span style='font-weight:bold'>On
Behalf Of </span></b>Carol Graney<br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, September 18, 2008
5:08 PM<br>
<b><span style='font-weight:bold'>To:</span></b> [log in to unmask]<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: [ARLIS-L] Fair Use
Question</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Agreed. The copyright owner still owns the copyright
to the material. You will need to seek permission to make the copies.</span></font></p>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Carol</span></font></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
<div><span style='orphans: 2;text-align:auto;widows: 2;-webkit-border-horizontal-spacing: 0px;
-webkit-border-vertical-spacing: 0px;-webkit-text-decorations-in-effect: none;
-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0;word-spacing:0px'><span
style='orphans: 2;widows: 2;-webkit-border-horizontal-spacing: 0px;-webkit-border-vertical-spacing: 0px;
-webkit-text-decorations-in-effect: none;-webkit-text-size-adjust: auto;
-webkit-text-stroke-width: 0px;word-spacing:0px'>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><span
style='orphans: 2;widows: 2;-webkit-border-horizontal-spacing: 0px;-webkit-border-vertical-spacing: 0px;
-webkit-text-decorations-in-effect: none;-webkit-text-size-adjust: auto;
-webkit-text-stroke-width: 0px;word-spacing:0px'><font size=2 color=black
face=Helvetica><span style='font-size:10.0pt;font-family:Helvetica;color:black'><span
style='-webkit-border-horizontal-spacing: 0px;-webkit-border-vertical-spacing: 0px;
-webkit-text-decorations-in-effect: none;-webkit-text-size-adjust: auto;
orphans: 2;widows: 2;word-spacing:0px'>Carol Graney</span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'>Director of University Libraries</span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'>The University of the Arts</span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'>320 S. Broad St.</span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'>Philadelphia, PA 19102</span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'>215-717-6281</span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'>215-717-6287 (fax)</span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'><a href="mailto:[log in to unmask]">[log in to unmask]</a></span></font></span></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=2 color=black face=Helvetica><span style='font-size:10.0pt;font-family:
Helvetica;color:black'><a href="http://library.uarts.edu">http://library.uarts.edu</a></span></font></span></p>
</div>
</div>
</span>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
</span></span></span>
<div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>On Sep 18, 2008, at 4:49 PM, Marc Gartler wrote:</span></font></p>
</div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'><br>
<br>
</span></font></p>
<div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color="#1f497d"
face=Calibri><span style='font-size:11.0pt;font-family:Calibri;color:#1F497D'><span
style='orphans: 2;text-align:auto;widows: 2;-webkit-border-horizontal-spacing: 0px;
-webkit-border-vertical-spacing: 0px;-webkit-text-decorations-in-effect: none;
-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0;word-spacing:0px'>No,
that’s not going to be considered fair use.<u1:p></u1:p></span></font></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color="#1f497d"
face=Calibri><span style='font-size:11.0pt;font-family:Calibri;color:#1F497D'><u1:p> </u1:p></span></font></p>
</div>
<div>
<div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=1 color=navy
face="Arial Black"><span style='font-size:9.0pt;font-family:"Arial Black";
color:navy'><ns0:personname>Marc Gartler<br>
</span></font><font size=1 color=navy face=Arial><span style='font-size:9.0pt;
font-family:Arial;color:navy'></ns0:personname>Director of Library Services<br>
<ns0:place><ns0:placename>Harrington</ns0:placename></ns0:place><span
class=apple-converted-space> <ns0:placetype></span>College</ns0:placetype><span
class=apple-converted-space> </span>of Design</span></font><font
color=black><span style='color:black'><u1:p></u1:p></span></font></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=1 color=navy face=Arial><span
style='font-size:9.0pt;font-family:Arial;color:navy'>200 W.<span
class=apple-converted-space> </span><ns0:city><ns0:place>Madison<br>
</ns0:place></ns0:city><ns0:place><ns0:city>Chicago</ns0:city></ns0:place>,<span
class=apple-converted-space> <ns0:state></span>IL</ns0:state><span
class=apple-converted-space> <ns0:postalcode></span>60606<br>
</ns0:postalcode>312.697.8021<span class=apple-converted-space> </span></span></font><font
size=1 color=navy face="Arial Black"><span style='font-size:9.0pt;font-family:
"Arial Black";color:navy'>P<br>
</span></font><font size=1 color=navy face=Arial><span style='font-size:9.0pt;
font-family:Arial;color:navy'>312.697.8115</span></font><span
class=apple-converted-space><font size=1 color=navy face="Arial Black"><span
style='font-size:9.0pt;font-family:"Arial Black";color:navy'> </span></font></span><font
size=1 color=navy face="Arial Black"><span style='font-size:9.0pt;font-family:
"Arial Black";color:navy'>F</span></font><font color=black><span
style='color:black'><u1:p></u1:p></span></font></p>
</div>
</div>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=1 color=navy face=Arial><span
style='font-size:9.0pt;font-family:Arial;color:navy'><a
href="http://www.harringtoncollege.com"
title="http://www.harringtoncollege.com/">www.harringtoncollege.com</a></span></font><font
color=black><span style='color:black'><u1:p></u1:p></span></font></p>
</div>
<div>
<div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in;
border-width:initial;border-color:initial'>
<div>
<p class=MsoNormal style='margin-left:.5in'><b><font size=2 color=black
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma;color:black;
font-weight:bold'>From:</span></font></b><span class=apple-converted-space><font
size=2 color=black face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma;
color:black'> </span></font></span><font size=2 color=black face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma;color:black'>ART LIBRARIES SOCIETY
DISCUSSION LIST [<a href="mailto:[log in to unmask]">mailto:[log in to unmask]</a>]<span
class=apple-converted-space> </span><b><span style='font-weight:bold'>On
Behalf Of<span class=apple-converted-space> </span></span></b>Eric Wolf<br>
<b><span style='font-weight:bold'>Sent:</span></b><span
class=apple-converted-space> </span>Thursday, September 18, 2008 3:16 PM<br>
<b><span style='font-weight:bold'>To:</span></b><span
class=apple-converted-space> </span><a href="mailto:[log in to unmask][log in to unmask]"><em><i><font size=1 face=Arial><span
style='font-size:7.5pt;font-family:Arial;text-decoration:none'>[log in to unmask]</span></font></i></em></a></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
</div>
</body>
</html>
__________________________________________________________________
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http://www.arlisna.org/join.html
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------_=_NextPart_001_01C919CB.5B8AB095--
========================================================================Date: Thu, 18 Sep 2008 15:49:47 -0500
Reply-To: Marc Gartler <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Marc Gartler <[log in to unmask]>
Subject: Re: Fair Use Question
Comments: To: Eric Wolf <[log in to unmask]>
In-Reply-To: A<[log in to unmask]>
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No, that's not going to be considered fair use.
Marc Gartler
Director of Library Services
Harrington College of Design
200 W. Madison
Chicago, IL 60606
312.697.8021 P
312.697.8115 F
www.harringtoncollege.com
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Eric Wolf
Sent: Thursday, September 18, 2008 3:16 PM
To: [log in to unmask]
Subject: [ARLIS-L] Fair Use Question
Dear Copyright experts of ARLIS,
My Associate Dean asked me to find out the legality of copying a
textbook that has been out of print since 1993 for use in a course
packet. If a book is no longer available commercially, is it legal to
copy the entire work and sell it at cost of reproduction/binding at a
campus bookstore?
Thanks,
Eric
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 E. 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining AU">[log in to unmask]</a><br>
<b><span style='font-weight:bold'>Subject:</span></b><span
class=apple-converted-space> </span>[ARLIS-L] Fair Use Question<u1:p></u1:p></span></font></p>
</div>
</div>
</div>
<div><u1:p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 color=black
face="Times New Roman"><span style='font-size:12.0pt;color:black'> </span></font></p>
</u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>Dear
Copyright experts of ARLIS,</span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'> </span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>My
Associate Dean asked me to find out the legality of copying a textbook that has
been out of print since 1993 for use in a course packet. If a book is no
longer available commercially, is it legal to copy the entire work and sell it
at cost of reproduction/binding at a campus bookstore?</span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'> </span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>Thanks,</span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'> </span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>Eric</span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'> </span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><b><font size=3 color=red
face=Arial><span style='font-size:12.0pt;font-family:Arial;color:red;
font-weight:bold'>Eric M. Wolf</span></font></b></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><em><i><font size=1 color=black
face=Arial><span style='font-size:7.5pt;font-family:Arial;color:black'>Director
of the Library</span></font></i></em></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><em><i><font size=1 color=black
face=Arial><span style='font-size:7.5pt;font-family:Arial;color:black'>New York
School of Interior Design</span></font></i></em></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><em><i><font size=1 color=black
face=Arial><span style='font-size:7.5pt;font-family:Arial;color:black'>170 E.
70th Street</span></font></i></em></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><em><i><font size=1 color=black
face=Arial><span style='font-size:7.5pt;font-family:Arial;color:black'>New
York, NY 10021</span></font></i></em></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><em><i><font size=1 color=black
face=Arial><span style='font-size:7.5pt;font-family:Arial;color:black'>(212)
472-1500 x216</span></font></i></em></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 color=black
face="Times New Roman"><span style='font-size:12.0pt;color:black'><a
href="mailto:[log in to unmask]"><em><i><font size=1 face=Arial><span
style='font-size:7.5pt;font-family:Arial;text-decoration:none'>[log in to unmask]</span></font></i></em></a></span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 color=black
face="Times New Roman"><span style='font-size:12.0pt;color:black'> </span></font></p>
<u1:p></u1:p></div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 color=black
face="Times New Roman"><span style='font-size:12.0pt;color:black'>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining ARLIS/NA
see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a>
Send administrative matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance: <a
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<u1:p></u1:p></div>
</div>
<p class=MsoNormal style='margin-left:.5in'><span class=apple-style-span><font
size=3 color=black face=Helvetica><span style='font-size:11.5pt;font-family:
Helvetica;color:black'>__________________________________________________________________
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see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a>
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[log in to unmask] ARLIS-L Archives and subscription maintenance: <a
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<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
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For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
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__________________________________________________________________
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------_=_NextPart_001_01C91A54.E313490F--
========================================================================Date: Fri, 19 Sep 2008 07:06:45 -0700
Reply-To: "Sheila A. Cork" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Sheila A. Cork" <[log in to unmask]>
Subject: Re: Question about artists/limited edition books in academic
libraries without a dedicated art library
Comments: To: "Hazlitt, Jamie C." <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Artists' Books are handled as part of the "Objects" collection - i.e. the Museum's regular collection. They are in the care of the Curator for Prints and Drawings.
Sheila
"Hazlitt, Jamie C." <[log in to unmask]> wrote: st1\:*{behavior:url(#default#ieooui) } Dear ARLIS,
I have a question about how you approach acquisition and circulation of limited edition, non-traditional format artists books. At LMU, we do not have a dedicated art library, so when faculty order artists books that aren’t of a traditional format, are typically expensive, and/or are printed in limited edition runs, the only two options we have are to: a) put the book on the shelves in our circulating collection and hope that users will be nice, or b) house the book in archives & special collections.
We do not yet have a dedicated section of our collection development policy for handling these materials, so we tend to deal with them on a case by case basis, contacting the faculty member who requested the book (and often learning that they didn’t realize the odd format or expense of the title they were ordering), and asking them if they prefer that the book resides in our main stacks or in special collections.
Neither of these are optimal solutions, so I am writing to see if there are any libraries out there that have been faced with a similar dilemma, and ask for advice, either as to a specific collection development policy for these materials, or faculty education (so they can understand exactly what it is that they’re ordering), or any other solutions to working with these types of books.
Many thanks!
Jamie Hazlitt
Reference Librarian
Von Der Ahe Library
Loyola Marymount University
310 338 5234
www.lmu.edu/library
__________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/join.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
Sheila A. Cork
Librarian
New Orleans Museum of Art
City Park
1 Collins Diboll Circle
P.O. Box 19123
New Orleans, LA 70179-0123
504-658-4117
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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Artists' Books are handled as part of the "Objects" collection - i.e. the Museum's regular collection. They are in the care of the Curator for Prints and Drawings.<br><br>Sheila<br><br><b><i>"Hazlitt, Jamie C." <[log in to unmask]></i></b> wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"> <meta http-equiv="Content-Type" content="text/html; charset=us-ascii"> <meta name="Generator" content="Microsoft Word 11 (filtered medium)"> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceType" downloadurl="http://www.5iantlavalamp.com/"> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceName" downloadurl="http://www.5iantlavalamp.com/"> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="place" downloadurl="http://www.5iantlavalamp.com/"> <!--[if !mso]> <style> st1\:*{behavior:url(#default#ieooui) } </style>
<![endif]--> <style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} span.EmailStyle17 {mso-style-type:personal-compose; font-family:Arial; color:windowtext;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in .5in 1.25in;} div.Section1 {page:Section1;} --> </style> </o:SmartTagType></o:SmartTagType></o:SmartTagType><div class="Section1"> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">Dear ARLIS,<o:p></o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"><o:p> </o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt;
font-family: Arial;">I have a question about how you approach acquisition and circulation of limited edition, non-traditional format artists books. At LMU, we do not have a dedicated art library, so when faculty order artists books that aren’t of a traditional format, are typically expensive, and/or are printed in limited edition runs, the only two options we have are to: a) put the book on the shelves in our circulating collection and hope that users will be nice, or b) house the book in archives & special collections. <o:p></o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"><o:p> </o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">We do not yet have a dedicated section of our collection development policy for handling these materials, so we tend to deal with them on a case by case basis, contacting the
faculty member who requested the book (and often learning that they didn’t realize the odd format or expense of the title they were ordering), and asking them if they prefer that the book resides in our main stacks or in special collections. <o:p></o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"><o:p> </o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">Neither of these are optimal solutions, so I am writing to see if there are any libraries out there that have been faced with a similar dilemma, and ask for advice, either as to a specific collection development policy for these materials, or faculty education (so they can understand exactly what it is that they’re ordering), or any other solutions to working with these types of books.<o:p></o:p></span></font></div> <div class="MsoNormal"><font face="Arial"
size="2"><span style="font-size: 10pt; font-family: Arial;"><o:p> </o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;">Many thanks!<o:p></o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"><o:p> </o:p></span></font></div> <div class="MsoNormal"><font face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial;"><o:p> </o:p></span></font></div> <div class="MsoNormal"><font color="maroon" face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial; color: maroon;">Jamie Hazlitt</span></font><o:p></o:p></div> <div class="MsoNormal"><font color="gray" face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial; color: gray;">Reference Librarian</span></font><o:p></o:p></div> <div class="MsoNormal"><font color="gray" face="Arial" size="2"><span style="font-size: 10pt;
font-family: Arial; color: gray;">Von Der Ahe Library</span></font><o:p></o:p></div> <div class="MsoNormal"><st1:place w:st="on"><st1:PlaceName w:st="on"><font color="gray" face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial; color: gray;">Loyola</span></font></st1:PlaceName><font color="gray" face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial; color: gray;"> <st1:PlaceName w:st="on">Marymount</st1:PlaceName> <st1:PlaceType w:st="on">University</st1:PlaceType></span></font></st1:place><o:p></o:p></div> <div class="MsoNormal"><font color="gray" face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial; color: gray;">310 338 5234</span></font><o:p></o:p></div> <div class="MsoNormal"><font color="gray" face="Arial" size="2"><span style="font-size: 10pt; font-family: Arial; color: gray;">www.lmu.edu/library</span></font><o:p></o:p></div> <div class="MsoNormal"><font face="Times New Roman" size="3"><span style="font-size:
12pt;"><o:p> </o:p></span></font></div> </div> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/join.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] </blockquote><br><BR><BR>Sheila A. Cork<br>Librarian<br>New Orleans Museum of Art<br>City Park<br>1 Collins Diboll Circle<br>P.O. Box 19123<br>New Orleans, LA 70179-0123<br><br>504-658-4117<br>[log in to unmask]<br>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--0-1167098248-1221833205=:72046--
========================================================================Date: Fri, 19 Sep 2008 13:10:27 -0400
Reply-To: Sheri Rosenzweig <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sheri Rosenzweig <[log in to unmask]>
Subject: journals available
Comments: cc: Robert Adams <[log in to unmask]>
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Hi All:
If anyone is interested in the following journals, please contact Robert
at [log in to unmask]
Thanks,
Sheri
Sheri Rosenzweig
Reference/Visual Resources Librarian
Boston Architectural College
320 Newbury Street, Rm 511
Boston, MA 02115
The BAC Library has the following magazines to offer. We request
reimbursement for shipping over $5, payable by check. Please contact me
by October 30th with your request. After the 30th they will be dumped.
Sorry :-(
ACSA News
April 2008
May 2008
September 2008
AMC
April 2007
June-July 2007
A Monthly Journal of World Architecture and Urbanism
No. 71
Archis
January 1993
Architect
December 2007
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
Architecture MN
September-October 2008
Architecture Newspaper
May 21 2008
June 25 2008
July 9 20008
July 30 2008
September 3 2008
Architectural Forum
May 1948
June 1948
March 1953
June 1953
September 1953
Architectural Record
May 1987
April 2004
May 2004
June 2004
July 2004
August 2004
September 2004
October 2004
November 2004
December 2004
January 2005
February 2005
March 2005
April 2005
March 2008 2 copies
April 2008 2 copies
May 2008
June 2008 2 copies
July 2008
August 2008
Architectural Research Quarterly
2006
Architectural Review
May 2004
Architecture
January 2005
May 2005
Architecture Boston
July-August 2004
November-December 2004
May-June 2005
November-December 2005
May-June 2006 3 copies
July-August 2006
September-October 2006
November-December 2007
Arkitektur
June 2007
Art in America
December 2007
Bauwelt
October 2005
Building Design + Construction
November 2007
Building Stone Magazine
April-June 2005
July/August/September 2005
Cape Cod & Islands Home
Fall/Holiday 2004
Summer 2006
Case Da Abitare
July 2008
Dwell
April-May 2004
June 2004
July-August 2004
October-November 2004
January-February 2005
March 2005
June 2005
July-August 2005
September 2005
October-November 2005
December-January 2006
June 2007
Eco-Structure
September-October 2004
Fashion
Fall 2008
Fulcrum
June 2008
Green Tech
October 2005
Harvard Design Magazine
Fall 2005-Winter 2006
Historic New England
Fall 2004
Historic Preservation
July-September 1970
October-December 1970
Information Today
June 2008
July-August 2008
Journal of the American Planning Association (JAPA)
Spring 2008
Winter 2008
Journal of Architectural Education
May 2008
MD International Magazine of Design
October 2006
Metropolis
February 2004
January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
October 2005
November 2005
December 2005
New England Home
July-August 2006
May-June 2008
Old House Journal
June 2004
February 2005
April 2005
Places
Spring 2004
Fall 2004
Summer 2005
Fall 2005
Spring 2006
Summer 2006
Preservation
May-June 2004
January-February 2008
March-April 2008
Preservation Forum
Spring 1988 3 copies
Summer 1988 2 copies
Fall 1988 2 copies
Winter 1987-88
Spring 1989
Fall 1989
Spring 1990
Progressive Architecture
August 1992
Quaderns D'arquitectura I Urbanisme
No. 251 tardor 2006
Reflections
Fall 1985
Stone World
November 2004
Urban Land
October 2005
:-)
Robert Adams
-------------Acquisitions and Reserves Coordinator
Boston Architectural College Library
320 Newbury St.
Boston MA 02115
(617)585-0232
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Hi All:<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>If anyone is interested in the following journals, please
contact Robert at <a href="mailto:[log in to unmask]">[log in to unmask]</a>.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Thanks,<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Sheri<o:p></o:p></span></font></p>
<p class=MsoAutoSig><st1:PersonName w:st="on"><font size=3 face="Myriad Pro"><span
style='font-size:12.0pt;font-family:"Myriad Pro"'>Sheri Rosenzweig</span></font></st1:PersonName><br>
Reference/Visual Resources Librarian<br>
<st1:place w:st="on"><st1:City w:st="on">Boston</st1:City></st1:place>
Architectural College<br>
<ns1:Street w:insAuthor="sheri.rosenzweig" w:insDate="2008-09-19T12:51:00Z"
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w:endInsAuthor="sheri.rosenzweig" w:endInsDate="2008-09-19T12:51:00Z"><st1:Street
w:st="on"><st1:address w:st="on">320 Newbury Street</st1:address></st1:Street></ns1:address></ns1:Street>,
Rm 511 <br>
<ns1:place w:insAuthor="sheri.rosenzweig" w:insDate="2008-09-19T12:51:00Z"
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w:st="on"><st1:City w:st="on">Boston</st1:City></ns1:City></st1:place>, <ns1:State
w:insAuthor="sheri.rosenzweig" w:insDate="2008-09-19T12:51:00Z"
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w:insAuthor="sheri.rosenzweig" w:insDate="2008-09-19T12:51:00Z"
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<br>
<o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>The BAC
Library has the following magazines to offer. We request reimbursement for
shipping over $5, <i><span style='font-style:italic'>payable by check</span></i>.
Please contact me by October 30<sup>th</sup> with your request. After the 30<sup>th</sup>
they will be dumped. Sorry </span></font></b><font size=5 face=Wingdings><span
style='font-size:18.0pt;font-family:Wingdings'>L</span></font><b><span
style='font-weight:bold'> </span></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>ACSA
News</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>AMC</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June-July 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>A
Monthly Journal of World Architecture and Urbanism</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>No. 71<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Archis</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>January 1993<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architect</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>December 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>February 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>March 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>August 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architecture
MN</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September-October 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architecture
Newspaper</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 21 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 25 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July 9 20008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July 30 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September 3 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architectural
Forum</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 1948<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 1948<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>March 1953<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 1953<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September 1953<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architectural
Record</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 1987<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>August 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>November 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>December 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>January 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>February 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>March 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>March 2008 2 copies<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2008 2 copies<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2008 2 copies<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>August 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architectural
Research Quarterly</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architectural
Review</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architecture</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>January 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Architecture
Boston</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July-August 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>November-December 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May-June 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>November-December 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May-June 2006 3 copies<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July-August 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September-October 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>November-December 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Arkitektur</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Art in America</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>December 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Bauwelt</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Building
Design + Construction</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>November 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Building
Stone Magazine</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April-June 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July/August/September 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Cape Cod
& Islands Home</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall/Holiday 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Summer 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Case Da
Abitare</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Dwell</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April-May 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July-August 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October-November 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>January-February 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>March 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July-August 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October-November 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>December-January 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2007<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Eco-Structure</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>September-October 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Fashion</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Fulcrum</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Green
Tech</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Harvard
Design Magazine</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 2005-Winter 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Historic
New England</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Historic
Preservation</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July-September 1970<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October-December 1970<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Information
Today</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July-August 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Journal
of the American Planning Association (JAPA)</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Spring 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Winter 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Journal
of Architectural Education</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>MD
International Magazine of Design</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Metropolis</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>February 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>January 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>February 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>March 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>October 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>November 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>December 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>New
England Home</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>July-August 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May-June 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Old
House Journal</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>June 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>February 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>April 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Places</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Spring 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Summer 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 2005<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Spring 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Summer 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Preservation</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>May-June 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>January-February 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>March-April 2008<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Preservation
Forum</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Spring 1988 3 copies<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Summer 1988 2 copies<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 1988 2 copies<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Winter 1987-88<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Spring 1989<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 1989<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Spring 1990<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Progressive
Architecture</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>August 1992<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Quaderns
D’arquitectura I Urbanisme</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>No. 251 tardor 2006<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Reflections</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fall 1985<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Stone
World</span></font></b><o:p></o:p></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>November 2004<o:p></o:p></span></font></p>
<p class=MsoNormal style='mso-margin-top-alt:5.0pt;margin-right:0in;margin-bottom:
5.0pt;margin-left:0in;text-autospace:none'><b><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-weight:bold'>Urban
Land</span></font></b><o:p></o:p></p>
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========================================================================Date: Sat, 20 Sep 2008 08:28:20 -0400
Reply-To: "Tobias, Jennifer" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Tobias, Jennifer" <[log in to unmask]>
Subject: seeking artists who did commercial art early in their careers
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For an upcoming conference I would appreciate hearing of artists who did--and hid--commercial work early in their careers.
I want people to say, "Georgia O'Keeffe designed lace?"
Not artists who embraced their commercial pasts, such as Warhol, Kruger, or Dali.
Any thoughts appreciated.
Jennifer Tobias
MoMA Library
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========================================================================Date: Sat, 20 Sep 2008 10:43:20 -0400
Reply-To: Richard Minsky <[log in to unmask]>
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From: Richard Minsky <[log in to unmask]>
Subject: Correction on BookArt-a-Month Club
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I must apologize for the bad link in my post about this project. The page
it went to was confusing and outdated. The correct link is below, and a
redirect has been put on the old URL.<br><br>
<div align="center"><b> Richard Minsky's BookArt-a-Month Club<br>
</b><a href="http://minsky.com/bam.htm" eudora="autourl">
http://minsky.com/bam.htm<br><br>
</a></div>
If you have any questions please do not hesitate to contract me
directly.<br><br>
Best regards,<br>
Richard </body>
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========================================================================Date: Mon, 22 Sep 2008 08:14:02 -0400
Reply-To: Moira Steven <[log in to unmask]>
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From: Moira Steven <[log in to unmask]>
Subject: Videos on Color Theory
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Thanks to those who responded to my question about DVDs on color theory.
Here are the responses:
From ECIAD:
Insight Media in New York distributes a number of titles on color theory.
Our faculty often request art, design and fashion titles from this
educational media distributor:
http://www.insight-media.com/IMHome.asp
From CCA: This was supplied by the company.
TITLE Navigating color space [videorecording] / with Robert
Gamblin ;
presented by Gamblin Artists Colors.
IMPRINT Portland, Ore. : Gamblin Artists Colors, 2004.
DESCRIPT 1 videodisc (ca. 20 min.) : sd., col. ; 4 3/4 in.
NOTE America's premier colorman shows how to turn color
theory into
color mixing.
NOTE DVD.
SUBJECT Color in art.
SUBJECT Painting -- Technique.
SUBJECT Documentary films about art.
SUBJECT Nonfiction films.
SUBJECT Documentary films.
Best,
Moira
_______________________________________
Moira Steven
Library Director
Joanne Waxman Library
Maine College of Art
522 Congress Street
Portland, ME 04101
207-775-5153 / [log in to unmask]
"All art is about saying yes, and all art is about its own making" - John
Currin
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========================================================================Date: Mon, 22 Sep 2008 08:49:53 -0700
Reply-To: "Wolfe, Paula" <[log in to unmask]>
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From: "Wolfe, Paula" <[log in to unmask]>
Subject: interesting reference question , any thoughts? thanks artists who
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A student is a printmaker and is interested in other contemporary
artists who develop art related to diseases? I am not aware of any but
will do some searching. Anyone think of a contemporary artist like this?
This student develops his artwork about cancer. Thanks.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson, Arizona 85721
520-626-9434
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<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Tahoma">A student is a printmaker and is interested in other contemporary artists who develop art related to diseases?</FONT></SPAN><SPAN LANG="en-us"> <FONT FACE="Tahoma">I am not aware of any but will do some searching. Anyone think of a contemporary artist like this? This student develops his artwork about cancer. Thanks.</FONT></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><B></B></SPAN><B><SPAN LANG="en-us"></SPAN></B><B><SPAN LANG="en-us"><FONT FACE="Arial">Paula Wolfe</FONT></SPAN></B><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Fine Arts and Architecture Librarian</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">1015 N Olive Street</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">University of Arizona</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Fine Arts Library</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Office 231b</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Tucson, Arizona 85721</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">520-626-9434</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><A HREF="mailto:[log in to unmask]"><SPAN LANG="en-us"><U></U></SPAN><U><SPAN LANG="en-us"></SPAN></U><U><SPAN LANG="en-us"><FONT COLOR="#0000FF" FACE="Arial">[log in to unmask]</FONT></SPAN></U><SPAN LANG="en-us"></SPAN></A><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN></P>
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========================================================================Date: Mon, 22 Sep 2008 11:42:29 -0400
Reply-To: Charlotte Priddle <[log in to unmask]>
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From: Charlotte Priddle <[log in to unmask]>
Subject: Help with Article - Studio International January 1966
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Hello all,
I'm looking for a copy of an article from the January 1966 edition of
Studio International, of a debate between Andrew Forge and Michael Podro
on the Royal Academy's Bonnard show in the winter of 1965/66. Title is
unknown, but there's a reference to it in Forge's obituary in Studio
International.
Please contact me off list if you can access to a copy.
Thanks in advance,
Charlotte
*************************
Charlotte Priddle
Librarian
New York Studio School
8 West 8th Street
New York, NY 10011
tel: 212.673.6466 x118
fax: 212.777.0996
www.nyss.org/library.asp <http://www.nyss.org/library.asp>
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I’m looking for a copy of an article from the January
1966 edition of Studio International, of a debate between Andrew Forge and
Michael Podro on the <st1:place w:st="on"><st1:PlaceName w:st="on">Royal</st1:PlaceName>
<st1:PlaceType w:st="on">Academy</st1:PlaceType></st1:place>’s Bonnard show
in the winter of 1965/66. Title is unknown, but there’s a reference to it
in Forge’s obituary in Studio International. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Please contact me off list if you can access to a copy. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Thanks in advance,<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><st1:City w:st="on"><st1:place w:st="on"><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>Charlotte</span></font></st1:place></st1:City><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>*************************</span></font><o:p></o:p></p>
<p class=MsoNormal><st1:PersonName w:st="on"><font size=2 face="Century Gothic"><span
style='font-size:10.0pt;font-family:"Century Gothic"'>Charlotte Priddle</span></font></st1:PersonName><o:p></o:p></p>
<p class=MsoNormal><font size=2 face="Century Gothic"><span style='font-size:
10.0pt;font-family:"Century Gothic"'>Librarian</span></font><o:p></o:p></p>
<p class=MsoNormal><st1:place w:st="on"><st1:PlaceName w:st="on"><font size=2
face="Century Gothic"><span style='font-size:10.0pt;font-family:"Century Gothic"'>New
York</span></font></st1:PlaceName><font size=2 face="Century Gothic"><span
style='font-size:10.0pt;font-family:"Century Gothic"'> <st1:PlaceName w:st="on">Studio</st1:PlaceName>
<st1:PlaceType w:st="on">School</st1:PlaceType></span></font></st1:place><o:p></o:p></p>
<p class=MsoNormal><st1:Street w:st="on"><st1:address w:st="on"><font size=2
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West 8th Street</span></font></st1:address></st1:Street><o:p></o:p></p>
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style='font-size:10.0pt;font-family:"Century Gothic"'>, <st1:State w:st="on">NY</st1:State>
<st1:PostalCode w:st="on">10011</st1:PostalCode></span></font></st1:place><o:p></o:p></p>
<p class=MsoNormal><font size=2 face="Century Gothic"><span style='font-size:
10.0pt;font-family:"Century Gothic"'>tel: 212.673.6466 x118</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face="Century Gothic"><span style='font-size:
10.0pt;font-family:"Century Gothic"'>fax: 212.777.0996</span></font><o:p></o:p></p>
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12.0pt'><a href="http://www.nyss.org/library.asp"><font size=1
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</span></font><o:p></o:p></p>
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========================================================================Date: Mon, 22 Sep 2008 12:00:01 -0400
Reply-To: Moira Steven <[log in to unmask]>
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From: Moira Steven <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
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Two book artists/printmakers come to mind:
Janine Wong's work deals with her cancer (www.janinewong.com) and Susan
King's Treading the Maze is on breast cancer.
Hope this helps.
Moira
_______________________________________
Moira Steven
Library Director
Joanne Waxman Library
Maine College of Art
522 Congress Street
Portland, ME 04101
207-775-5153 / [log in to unmask]
"All art is about saying yes, and all art is about its own making" - John
Currin
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========================================================================Date: Mon, 22 Sep 2008 11:17:05 -0500
Reply-To: Megan Macken <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Megan Macken <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
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This summer ³eMotion Pictures: An Exhibition of Orthopaedics in Art² was
exhibited at the Chicago Cultural Center:
http://www.aaos75th.org/gallery/emotion_pictures.htm
There is a lot of artwork focused on AIDS also. The first three links on
google for the search AIDS art looked relevant.
Your artist might ask the online community at
http://www.npr.org/blogs/mycancer/ about contemporary artists and cancer as
well.
Megan
. . . . . .
Megan Macken
Assistant Director, Visual Resources Collection
The University of Chicago Department of Art History
5540 S. Greenwood Ave., Chicago, Illinois 60637
773.702.0261 | [log in to unmask]
Visit our blog at http://lucian.uchicago.edu/blogs/vrc
On 9/22/08 10:49 AM, "Wolfe, Paula" <[log in to unmask]> wrote:
> A student is a printmaker and is interested in other contemporary artists who
> develop art related to diseases? I am not aware of any but will do some
> searching. Anyone think of a contemporary artist like this? This student
> develops his artwork about cancer. Thanks.
>
> Paula Wolfe
>
> Fine Arts and Architecture Librarian
>
> 1015 N Olive Street
>
> University of Arizona
>
> Fine Arts Library
>
> Office 231b
>
> Tucson, Arizona 85721
>
> 520-626-9434
>
> [log in to unmask] <mailto:[log in to unmask]>
>
> __________________________________________________________________ Mail
> submissions to [log in to unmask] For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html Send administrative matters (file requests,
> subscription requests, etc) to [log in to unmask] ARLIS-L Archives and
> subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions
> may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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to [log in to unmask]
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--B_3304927026_14312504
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<FONT FACE="News Gothic MT"><SPAN STYLE='font-size:12.0px'>This summer “eMotion Pictures: An Exhibition of Orthopaedics in Art” was exhibited at the Chicago Cultural Center:<BR>
<a href="http://www.aaos75th.org/gallery/emotion_pictures.htm">http://www.aaos75th.org/gallery/emotion_pictures.htm</a><BR>
<BR>
There is a lot of artwork focused on AIDS also. The first three links on google for the search AIDS art looked relevant. <BR>
<BR>
Your artist might ask the online community at <a href="http://www.npr.org/blogs/mycancer/">http://www.npr.org/blogs/mycancer/</a> about contemporary artists and cancer as well.<BR>
<BR>
Megan<BR>
<BR>
</SPAN></FONT><SPAN STYLE='font-size:12.0px'><FONT FACE="Courier New">. . . . . . <BR>
Megan Macken <BR>
Assistant Director, Visual Resources Collection<BR>
The University of Chicago Department of Art History<BR>
5540 S. Greenwood Ave., Chicago, Illinois 60637<BR>
773.702.0261 | [log in to unmask]<BR>
<BR>
Visit our blog at <FONT COLOR="#0000FE"><U><a href="http://lucian.uchicago.edu/blogs/vrc">http://lucian.uchicago.edu/blogs/vrc</a><BR>
</U></FONT></FONT><FONT FACE="News Gothic MT"><BR>
<BR>
<BR>
On 9/22/08 10:49 AM, "Wolfe, Paula" <[log in to unmask]> wrote:<BR>
<BR>
</FONT></SPAN><BLOCKQUOTE><SPAN STYLE='font-size:12.0px'><FONT FACE="Tahoma">A student is a printmaker and is interested in other contemporary artists who develop art related to diseases?</FONT><FONT FACE="News Gothic MT"> </FONT><FONT FACE="Tahoma">I am not aware of any but will do some searching. Anyone think of a contemporary artist like this? This student develops his artwork about cancer. Thanks.<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial"><B>Paula Wolfe<BR>
</B></FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial">Fine Arts and Architecture Librarian<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial">1015 N Olive Street<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial">University of Arizona<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial">Fine Arts Library<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial">Office 231b<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial">Tucson, Arizona 85721<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT FACE="Arial">520-626-9434<BR>
</FONT><FONT FACE="News Gothic MT"><BR>
</FONT><FONT COLOR="#0000FF"><FONT FACE="Arial"><U>[log in to unmask]</U></FONT></FONT><FONT FACE="News Gothic MT"> <a href="mailto:[log in to unmask]"><mailto:[log in to unmask]></a> <BR>
<BR>
__________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a> Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: <a href="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</a> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]<BR>
</FONT></SPAN></BLOCKQUOTE><SPAN STYLE='font-size:12.0px'><FONT FACE="News Gothic MT"><BR>
<BR>
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--B_3304927026_14312504--
========================================================================Date: Mon, 22 Sep 2008 10:00:22 -0700
Reply-To: "Wolfe, Paula" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Wolfe, Paula" <[log in to unmask]>
Subject: thanks for all the suggestions about sisease and art
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If anyone needs the list of recommendations from the listserv let me
know. I found topics in the databases but not all the contemporary
artists mentioned in the ARLIS emails can be found in the standard art
journals. The student is truly amazed, thank you.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson, Arizona 85721
520-626-9434
[log in to unmask]
__________________________________________________________________
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For information about joining ARLIS/NA see:
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<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Tahoma">If anyone needs the list of recommendations from the listserv let me know. I found topics in the databases but not all the contemporary artists mentioned in the ARLIS emails can be found in the standard</FONT></SPAN><SPAN LANG="en-us"> <FONT FACE="Tahoma">art journals. The student is truly amazed, thank you.</FONT></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><B></B></SPAN><B><SPAN LANG="en-us"></SPAN></B><B><SPAN LANG="en-us"><FONT FACE="Arial">Paula Wolfe</FONT></SPAN></B><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Fine Arts and Architecture Librarian</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">1015 N Olive Street</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">University of Arizona</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Fine Arts Library</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Office 231b</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">Tucson, Arizona 85721</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"><FONT FACE="Arial">520-626-9434</FONT></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN><A HREF="mailto:[log in to unmask]"><SPAN LANG="en-us"><U></U></SPAN><U><SPAN LANG="en-us"></SPAN></U><U><SPAN LANG="en-us"><FONT COLOR="#0000FF" FACE="Arial">[log in to unmask]</FONT></SPAN></U><SPAN LANG="en-us"></SPAN></A><SPAN LANG="en-us"></SPAN><SPAN LANG="en-us"></SPAN></P>
<P DIR=LTR><SPAN LANG="en-us"></SPAN></P>
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========================================================================Date: Mon, 22 Sep 2008 13:24:21 -0400
Reply-To: John Taormina <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: John Taormina <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
In-Reply-To: <[log in to unmask]>
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There have been many artists since the 1980s who have developed
AIDS-related issues in their art. There have been a multitude of
publications and exhibitions on the topic, overwhelmingly so. Many
websites as well. The Graduate Center at CUNY held a conference,
AIDS/ART/WORK, in May 2008. Their site has a short bibliography. UCLA
also held a conference, AIDS-SIDA Global Updates, Art and
Performance, recently.
Robert Mapplethorpe and Keith Haring, as two major artists, come
immediately to mind. There is also ACT Up's Silence = Death Project
(1987), and the NAMES Foundation project, which produced the AIDS
Memorial Quilt, also started in 1987.
"Trauma" is also a topic now for many artists; you might want to
search the literature on that.
John
>A student is a printmaker and is interested in other contemporary
>artists who develop art related to diseases? I am not aware of any
>but will do some searching. Anyone think of a contemporary artist
>like this? This student develops his artwork about cancer. Thanks.
>
>Paula Wolfe
>
>Fine Arts and Architecture Librarian
>
>1015 N Olive Street
>
>University of Arizona
>
>Fine Arts Library
>
>Office 231b
>
>Tucson, Arizona 85721
>
>520-626-9434
>
><mailto:[log in to unmask]>[log in to unmask]
>
>__________________________________________________________________
>Mail submissions to [log in to unmask] For information about
>joining ARLIS/NA see: http://www.arlisna.org/join.html Send
>administrative matters (file requests, subscription requests, etc)
>to [log in to unmask] ARLIS-L Archives and subscription
>maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may
>be addressed to list owner (Judy Dyki) at: [log in to unmask]
--
John J. Taormina
Director, Visual Resources Center
Dept. of Art, Art History & Visual Studies
Duke University
Box 90764
112 East Duke Building
Durham NC 27708-0764
Ph: 919-684-2501
E-mail: [log in to unmask]
http://www.duke.edu/web/art/
What would Mickey and Judy do?
Mickey who?
Roonie!
Judy who?
Garland!
They'd throw a party!
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
--></style><title>Re: [ARLIS-L] interesting reference question , any
though</title></head><body>
<div>There have been many artists since the 1980s who have developed
AIDS-related issues in their art. There have been a multitude of
publications and exhibitions on the topic, overwhelmingly so. Many
websites as well. The Graduate Center at CUNY held a conference,
AIDS/ART/WORK, in May 2008. Their site has a short bibliography. UCLA
also held a conference, AIDS-SIDA Global Updates, Art and Performance,
recently.</div>
<div><br></div>
<div>Robert Mapplethorpe and Keith Haring, as two major artists, come
immediately to mind. There is also ACT Up's Silence = Death Project
(1987), and the NAMES Foundation project, which produced the AIDS
Memorial Quilt, also started in 1987.</div>
<div><br></div>
<div>"Trauma" is also a topic now for many artists;
you might want to search the literature on that.</div>
<div><br></div>
<div>John</div>
<div> </div>
<div><br></div>
<blockquote type="cite" cite><font face="Tahoma">A student is a
printmaker and is interested in other contemporary artists who develop
art related to diseases? I am not aware of any but will do some
searching. Anyone think of a contemporary artist like this? This
student develops his artwork about cancer. Thanks.</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Arial"><b>Paula
Wolfe</b></font><br>
</blockquote>
<blockquote type="cite" cite><font face="Arial">Fine Arts and
Architecture Librarian</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Arial">1015 N Olive
Street</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Arial">University of
Arizona</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Arial">Fine Arts
Library</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Arial">Office 231b</font><br>
</blockquote>
<blockquote type="cite" cite><font face="Arial">Tucson, Arizona
85721</font><br>
</blockquote>
<blockquote type="cite" cite><font
face="Arial">520-626-9434</font><br>
</blockquote>
<blockquote type="cite" cite><a
href="mailto:[log in to unmask]"><font face="Arial"
color="#0000FF"><u>[log in to unmask]</u></font></a><br>
</blockquote>
<blockquote type="cite"
cite
>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>--
</pre></x-sigsep>
<div><font size="-1" color="#000000">John J. Taormina<br>
Director, Visual Resources Center<br>
Dept. of Art, Art History & Visual Studies<br>
Duke University<br>
Box 90764<br>
112 East Duke Building<br>
Durham NC 27708-0764<br>
<br>
Ph: 919-684-2501<br>
E-mail: [log in to unmask]<br>
http://www.duke.edu/web/art/</font></div>
<div><font size="-1" color="#000000"><br></font></div>
<div><font size="-1" color="#000000"><i>What would Mickey and Judy
do?</i></font></div>
<div><font size="-1" color="#000000"><i><br></i></font></div>
<div><font size="-1" color="#000000"><i>Mickey who?</i></font></div>
<div><font size="-1" color="#000000"><i>Roonie!</i></font></div>
<div><font size="-1" color="#000000"><i><br></i></font></div>
<div><font size="-1" color="#000000"><i>Judy who?</i></font></div>
<div><font size="-1" color="#000000"><i>Garland!</i></font></div>
<div><font size="-1" color="#000000"><i><br></i></font></div>
<div><font size="-1" color="#000000"><i>They'd throw a
party!</i></font></div>
<div><font size="-1" color="#000000"><br>
<br>
</font></div>
<div><font size="-1" color="#000000"><br></font></div>
<div><font size="-1" color="#000000"><br></font></div>
</body>
</html>
__________________________________________________________________
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--============_-990018227==_ma============--
========================================================================Date: Mon, 22 Sep 2008 14:10:31 -0400
Reply-To: Karen DeWitt <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Karen DeWitt <[log in to unmask]>
Organization: NCSU Libraries
Subject: Journal issues
Comments: cc: Martha Scotford <[log in to unmask]>
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Hi all:
One of the professors here, Martha Scotford, has these journal issues
available to libraries that want them. Please email her directly at
[log in to unmask] if you want any issues. Thanks!
PRINT
1940 vol 1, no 2,3,4
1941 vol 2, no 1,2,3&4
1942 vol 3, no 2,3
1949 vol 6, no 2,3
1953 vol 8, no 2,3,4
1954 vol 9, no 1,2,4
1957 vol 11, no 2,4,6
1959 vol 13, no 6
1960 vol 14, no 2
1960 vol 14, special on Aspen Conference
Printing and the Graphic Arts
Stinehour Press
1957 vol 5, no 2 Moxon
1957 vol 5, no 4 Bodoni punches
1958 vol 5, no 1 Keystone Foundry
1958 vol 6, no 2 Morris type
--
Karen DeWitt
Director of the Harrye B. Lyons Design Library
North Carolina State University Libraries
Harrye B. Lyons Design Library
Campus Box 7701
Raleigh, NC 27695-7701
email: [log in to unmask]
phone: (919)515-2207 or (919)513-3860
fax: (919)515-7330
http://www.lib.ncsu.edu/design/
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 22 Sep 2008 18:35:32 +0000
Reply-To: [log in to unmask]
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Andrew D. Washton" <[log in to unmask]>
Subject: Bulletin 217A, Non-European Art
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Dear Friends and Colleagues, September, 2008
As most of you know we specialize
in books on EuropeanArt and Architecture,
but books on Non-European Art accrue nevertheless,
sowe have put together the following list on Non-European Art,
which contains scholarlymuseum publications, exhibition catalogues, sale catalogues, dealer catalogues,and more, about 275 numbers.
Mostare out-of-print. Some are very recent publications.
We will send it as an attachment, or will send a hardcopy.
Please contact us at [log in to unmask]
or telephone914 933 0479.
Thank you.
BULLETIN 217A
ANCIENT ART & ARCHAEOLOGY,
GREEK AND ROMAN ART, CHINESE andJAPANESE ART,
ASIAN ART, AFRICAN ART.
www.washtonbooks.com
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<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><font face="georgia,palatino"><b style=""><span style="font-size: 16pt;"><br>
</span></b></font></p>
<font face="georgia,palatino"><br>
</font>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><font face="georgia,palatino"><span style=""><span style="font-size: 16pt;">
</span></span></font></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;">
</p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><span style="font-size: 11pt;"><br>
Dear Friends and Colleagues, <span style=""> </span>September, 2008<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><span style="font-size: 11pt;"><o:p> </o:p></span></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><span style="font-size: 11pt;">As most of you know we specialize <br>
in books on European
Art and Architecture,<br>
but books on Non-European Art accrue nevertheless, <br>
so
we have put together the following list on Non-European Art, <br>
which contains scholarly
museum publications, exhibition catalogues, sale catalogues, dealer catalogues,
and more, about 275 numbers. <span style=""> </span><br>
Most
are out-of-print. <span style=""> </span>Some are very recent publications.<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><span style="font-size: 11pt;">We will send it as an attachment, or will send a hard
copy.<span style=""></span><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><span style="font-size: 11pt;">Please contact us at <a href="mailto:[log in to unmask]">[log in to unmask]</a> <br>
or telephone
914 933 0479.<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><span style="font-size: 11pt;"><o:p> </o:p></span></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><span style="font-size: 11pt;">Thank you.<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><b style=""><span style="font-size: 16pt;"><o:p> </o:p></span></b></p>
<div style="border: 1.5pt double windowtext; padding: 1pt 4pt; margin-left: 0.25in; margin-right: 0in;">
<p class="MsoNormal" align="center" style="border: medium none ; padding: 0in; text-align: center;"><b style=""><span style="font-size: 16pt;"><o:p> </o:p></span></b></p>
<p class="MsoNormal" align="center" style="border: medium none ; padding: 0in; text-align: center;"><b style=""><span style="font-size: 14pt; font-family: Garamond;">BULLETIN 217A<span style=""> </span><o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="border: medium none ; padding: 0in; text-align: center;"><b style=""><span style="font-size: 14pt; font-family: Garamond;">ANCIENT ART & ARCHAEOLOGY, <br>
</span></b></p>
<p class="MsoNormal" align="center" style="border: medium none ; padding: 0in; text-align: center;"><b style=""><span style="font-size: 14pt; font-family: Garamond;">GREEK AND ROMAN ART, CHINESE and
JAPANESE ART, <o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="border: medium none ; padding: 0in; text-align: center;"><b style=""><span style="font-size: 14pt; font-family: Garamond;">ASIAN ART, AFRICAN ART.<o:p></o:p></span></b></p>
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<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><b style=""><span style="font-family: Garamond;"><font face="georgia,palatino" size="2"><a href="http://www.washtonbooks.com/">www.washtonbooks.com</a></font> <o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><br>
<br>
<span style="font-size: 11pt;"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><b style=""><span style="font-size: 16pt;"> <o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="margin-left: 0.25in; text-align: center;"><b style=""><span style="font-size: 16pt;"> <o:p></o:p></span></b></p>
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========================================================================Date: Mon, 22 Sep 2008 15:06:47 -0400
Reply-To: Laurie Whitehill Chong <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Laurie Whitehill Chong <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
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Paula,
The following artists' books and exhibition catalog deal with disease, and in particular, cancer.
Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981
Hall, Martha. TATTOO. Orr's Island, ME: M. Hall, 2001
HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL. Northampton, MA: Smith College, Mortimer Rare Book Room, 2003
Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK. Rochester, NY: Visual Studies Workshop Press, 1981
Martha Hall was a book artist who made several books relating to her struggle with breast cancer. The Smith College exhibition catalog includes images and text of all of her books. Sadly, she did not win this struggle, but her work is intensely personal and powerful. I believe they still have copies of this catalog available for sale.
The other artists' books may be available at library collections near you. I would look these titles up on Worldcat to check locations.
I hope these will be helpful.
Laurie
Laurie Whitehill Chong
Special Collections Librarian
The Fleet Library at RI School of Design
2 College Street
Providence, RI 02903
401.709.5927
[log in to unmask]
>>> "Wolfe, Paula" <[log in to unmask]> 9/22/2008 11:49 AM >>>
A student is a printmaker and is interested in other contemporary
artists who develop art related to diseases? I am not aware of any but
will do some searching. Anyone think of a contemporary artist like this?
This student develops his artwork about cancer. Thanks.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson, Arizona 85721
520-626-9434
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========================================================================Date: Mon, 22 Sep 2008 15:19:07 -0400
Reply-To: Katy Rawdon <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Katy Rawdon <[log in to unmask]>
Subject: ARLIS Delaware Valley Chapter Fall Meeting Announcement
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The ARLIS-DVC Fall meeting will be held in the Board Room at Moore
College of Art (on the 4th floor of Wilson Hall) on Thursday, October
16th. We are looking forward to meeting on the campus of a notable local
school of art. Special thanks to Annabelle Curran, Archivist at Moore,
for assisting in the coordination of the meeting.
We will be holding elections for the office of
Vice-President/President-Elect, discussing the 2009 chapter Travel
Award, and deciding our annual contribution in support of the 2007
ARLIS/NA conference.
Meeting attendees will also have the opportunity to view the exhibitions
Alice Neel - Drawing from Life <http://www.moore.edu/event_calendar/20>
and Mary McFadden - Goddesses <http://www.moore.edu/event_calendar/25> ,
as well as a free screening of the movie Green: The New Red, White and
Blue from 11:30 to 12:30. This documentary by Thomas Friedman is "about
the other inconvenient truth, the unprecedented scale of changes that
need to be made in the world to combat global warming."
The meeting will begin at 9:30 am, and the agenda is as follows:
Approval of Spring 2008 Meeting Minutes
Secretary/Treasurer Report by Mary Louise Castaldi
Old Business
New Business
Report by Nominating Committee, and Elections
Report by Outreach Committee
ARLIS-DVC Conference Contribution for 2009
Announcements
Adjournment
For more information about Moore College of Art, see:
http://www.moore.edu/
For directions, see:
http://www.moore.edu/site/about_moore/directions_to_moore
-Katy Rawdon
____________________
Katy Rawdon
Archivist and Librarian
The Barnes Foundation
300 North Latch's Lane
Merion, PA 19066-1759
Ph: (610) 667-0290 ext. 1048
Fax: (610) 664-4026
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www.barnesfoundation.org/archivesandlibrary.html
<http://www.barnesfoundation.org/archivesandlibrary.html>
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<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>The ARLIS-DVC Fall meeting will be held in the Board Room
at Moore College of Art (on the 4<sup>th</sup> floor of Wilson Hall) on
Thursday, October 16th. We are looking forward to meeting on the campus of a
notable local school of art. Special thanks to Annabelle Curran, Archivist at
Moore, for assisting in the coordination of the meeting. </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>We will be holding elections for the office of
Vice-President/President-Elect, discussing the 2009 chapter Travel Award, and
deciding our annual contribution in support of the 2007 ARLIS/NA conference.</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>Meeting attendees will also have the opportunity to view
the exhibitions </span></font><font face=Garamond><span style='font-family:Garamond'><a href="http://www.moore.edu/event_calendar/20" title="Alice Neel - Drawing from Life ">Alice Neel - Drawing from Life</a> and <a href="http://www.moore.edu/event_calendar/25" title="Mary McFadden - Goddesses ">Mary
McFadden - Goddesses</a>, </span></font><font face=Garamond><span style='font-family:Garamond'>as well as a free screening of the movie <i><span style='font-style:italic'>Green: The New Red, White and Blue</span></i> from
11:30 to 12:30. This documentary by Thomas Friedman is “about the other
inconvenient truth, the unprecedented scale of changes that need to be made in
the world to combat global warming.” </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>The meeting will begin at 9:30 am, and the agenda is as
follows:</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>Approval of Spring 2008 Meeting Minutes</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>Secretary/Treasurer Report by Mary Louise Castaldi </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>Old Business</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>New Business</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>
Report by Nominating Committee, and Elections</span></font></p>
<p class=MsoNormal style='text-indent:36.0pt'><font size=3 face=Garamond><span style='font-size:12.0pt;font-family:Garamond'>Report by Outreach Committee</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>
ARLIS-DVC Conference Contribution for 2009 </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>Announcements</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>Adjournment</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>For more information about Moore College of Art, see: <a href="http://www.moore.edu/">http://www.moore.edu/</a> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>For directions, see: <a href="http://www.moore.edu/site/about_moore/directions_to_moore">http://www.moore.edu/site/about_moore/directions_to_moore</a>
</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>-Katy Rawdon</span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'> </span></font></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'>____________________<br>
</span></font><font size=2 face="Californian FB"><span style='font-size:10.0pt;
font-family:"Californian FB"'>Katy Rawdon<br>
Archivist and Librarian<br>
The Barnes Foundation<br>
300 North Latch's Lane<br>
</span></font><font size=2><span style='font-size:10.0pt'><font face="Californian FB"><span style='font-family:"Californian FB"'>Merion</span></font><u style='text-decoration:
none'><span class=msoIns><ins datetime="2008-09-10T15:50"></ins></span></u><font face="Californian FB"><span style='font-family:"Californian FB"'>, </span></font><font face="Californian FB"><span style='font-family:"Californian FB"'>PA</span></font><u style='text-decoration:
none'><span class=msoIns><ins datetime="2008-09-10T15:50"></ins></span></u><font face="Californian FB"><span style='font-family:"Californian FB"'> </span></font><font face="Californian FB"><span style='font-family:"Californian FB"'>19066-1759</span></font><u style='text-decoration:none'><span class=msoIns><ins datetime="2008-09-10T15:50"></ins></span></u></span></font><font size=2 face="Californian FB"><span style='font-size:10.0pt;font-family:"Californian FB"'><br>
Ph: (610) 667-0290 ext. 1048<br>
Fax: (610) 664-4026<br>
</span></font><a><font size=2 face="Californian FB"><span style='font-size:10.0pt;font-family:"Californian FB"'>[log in to unmask]</span></font></a><font size=2 face="Californian FB"><span style='font-size:10.0pt;font-family:"Californian FB"'><br>
</span></font><a href="http://www.barnesfoundation.org/archivesandlibrary.html"><font size=2 face="Californian FB"><span style='font-size:10.0pt;font-family:"Californian FB"'>www.barnesfoundation.org/archivesandlibrary.html</span></font></a><font size=2 face="Californian FB"><span style='font-size:10.0pt;font-family:"Californian FB"'>
<br>
<br>
</span></font><font size=2 face="Californian FB"><span style='font-size:10.0pt;
font-family:"Californian FB"'></span></font></p>
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------_=_NextPart_001_01C91CE8.14E323FC--
========================================================================Date: Mon, 22 Sep 2008 14:20:19 -0600
Reply-To: Susan Ferrer-Vinent <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Susan Ferrer-Vinent <[log in to unmask]>
Subject: Use of NH Photography classification
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Dear ARLIS catalogers,
If you are an art museum cataloger, your response to this simple, 3-question survey about NH Photography classification would be appreciated.
http://www.surveymonkey.com/s.aspx?sm=D0MbpdkZ8oOe1X4yMaMKhQ_3d_3d
Thank you very much,
Susan T. Ferrer-Vinent
Librarian
Denver Art Museum Library
100 West 14th Avenue Parkway
Denver, CO 80204-2788
720-913-0100
This email and any files transmitted with it are intended solely for the use of the individual or entity to which they are addressed. It may contain confidential or proprietary information and may be subject to the attorney-client privilege, solicitor-client privilege or other confidentiality protections. Any other distribution, copying or disclosure of this email and/or files is strictly prohibited.
__________________________________________________________________
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For information about joining ARLIS/NA see:
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--_000_00323F05A8E60D4B9BDD70A50B38BB960F99FB9E04SpurDenverArt_
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<div>Dear ARLIS catalogers,</div>
<div>If you are an art museum cataloger, your response to this simple, 3-question survey about NH Photography classification would be appreciated.</div>
<div> </div>
<div><a href="http://www.surveymonkey.com/s.aspx?sm=D0MbpdkZ8oOe1X4yMaMKhQ_3d_3d"><font color="#0000FF"><u>http://www.surveymonkey.com/s.aspx?sm=D0MbpdkZ8oOe1X4yMaMKhQ_3d_3d</u></font></a></div>
<div> </div>
<div>Thank you very much,</div>
<div><font face="Comic Sans MS, cursive" size="2" color="#008000">Susan T. Ferrer-Vinent</font></div>
<div><font face="Comic Sans MS, cursive" size="2" color="#008000">Librarian</font></div>
<div><font face="Comic Sans MS, cursive" size="2" color="#008000">Denver Art Museum Library</font></div>
<div><font face="Comic Sans MS, cursive" size="2" color="#008000">100 West 14th Avenue Parkway</font></div>
<div><font face="Comic Sans MS, cursive" size="2" color="#008000">Denver, CO 80204-2788</font></div>
<div><font face="Comic Sans MS, cursive" size="2" color="#008000">720-913-0100</font></div>
<div style="margin-top: 5pt; margin-bottom: 5pt; "><font size="1">This email and any files transmitted with it are intended solely for the use of the individual or entity to which they are addressed. It may contain confidential or proprietary information and
may be subject to the attorney-client privilege, solicitor-client privilege or other confidentiality protections. Any other distribution, copying or disclosure of this email and/or files is strictly prohibited.</font></div>
<div><font size="1"> </font></div>
<div> </div>
</font>
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--_000_00323F05A8E60D4B9BDD70A50B38BB960F99FB9E04SpurDenverArt_--
========================================================================Date: Mon, 22 Sep 2008 16:38:47 -0400
Reply-To: Laurie Whitehill Chong <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Laurie Whitehill Chong <[log in to unmask]>
Subject: Female Roommate Needed for ARLIS/NY Contemporary Artists Books
Conference
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If there is anyone planning to attend the ARLIS/NY Contemporary Artists' Books Conference, October 23-26, who would like to share hotel expenses or needs a roommate, please contact me off list. Also, if there are any suggestions for good places to stay midtown, I would be grateful to hear of them.
Thank you so much,
Laurie
Laurie Whitehill Chong
Special Collections Librarian
The Fleet Library at RI School of Design
2 College Street
Providence, RI 02903
401.709.5927
[log in to unmask]
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For information about joining ARLIS/NA see:
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========================================================================Date: Tue, 23 Sep 2008 01:45:57 -0700
Reply-To: Steve Gilheany <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Steve Gilheany <[log in to unmask]>
Subject: 3 Day UNLV Extension Course: Document Imaging and Document
Management: Winter 2008 - University of Nevada Las Vegas
Comments: To: Listserv <[log in to unmask]>
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*****
3 Day UNLV Extension Course: Document Imaging and Document Management:
Winter 2008 - University of Nevada Las Vegas
*****
.
.
The UCLA course materials will be updated for UNLV and will be uploaded to
the website on or before December 1, 2008.
All of the printed class materials are available free on the Internet for
those who cannot attend the class:
[http://www.archivebuilders.com/whitepapers/index.html]. All of the
materials can be downloaded with a single click and then printed with a
single click. The materials are in a full text searchable PDF file. All
acronyms are spelled out. You can also download the materials as native
Microsoft Office files so that you can incorporate these materials in your
presentations, publications, or papers. The course is generally offered
twice a year.
.
------------------------
Course Dates
------------------------
.
Three days: Winter 2008: Tuesday, December 9, 2008, 8:00 AM to 5:00 PM,
Wednesday, December 10, 2008, 8:00 AM to 5:00 PM, and Thursday, December 11,
2008, 8:00 AM to 5:00 PM at UNLV in Las Vegas, Nevada. Please see below for
a detailed course description. To enroll, visit
http://edoutreach.unlv.edu/registration, the click on "view catalog" then
click on "course search" with the keyword 'document imaging' The course
will appear with enrollment instructions. You can also register over the
phone: (702) 895-3394
Please see the website for the course description:
[http://www.archivebuilders.com/abcourses.html]
.
------------------------
Special One Evening Course on Digitizing for Everyone
------------------------
.
One Evening: Winter 2008 (Weekday) Wednesday, December 10, 2008, 7:00 PM to
9:30 PM. Digitizing for everyone: black and white, greyscale, color
scanning, audio digitizing, video digitizing, and the digital alphabet.
Digitizing: How does it work? What does in mean? If you hear the word
'digital' a lot, and would like to know what it is, this course is for you.
You will get an understanding of how faxes, books, photographs, audio,
video, real estate parcels, earthquakes, weather, and climate change are
converted to ones and zeros for storage in computers and transmission over
the Internet. The instruction is done entirely with geometric images, no
mathematics is required. The course is designed for people who did not like
math in high school. The course also describes how digital documents, like
emails, automotive designs, and digital dinosaurs, are created, transmitted,
displayed, and have the potential to be turned into the physical objects
that make up our world. We live in a digital world with an analog veneer.
This not just an imaginary world that is seen only in movies. Pierce the
veil. See why the digital revolution is the twenty-first century equivalent
of Gutenberg's moveable type. Use an understanding of the newly digital
world to make better decision at work and at play.
(University of Nevada Las Vegas) To enroll, visit <A
href="http://edoutreach.unlv.edu/registration">http://edoutreach.unlv.edu/re
gistration </A>, the click on "view catalog" then click on "course search"
with the keyword 'digitizing' The course will appear with enrollment
instructions. You can also register over the phone: (702) 895-3394 Course
Location: UNLV Paradise Campus (PAR) Room 107.
.
------------------------
3 Day Course Description
------------------------
.
This course is for managers who have been assigned to manage a document
imaging system, and must start immediately, but can spend three days to
study the subject and its background. This course is designed to assist
managers to be more effective in bringing the immediate and long term
benefits of document imaging and document management to their organizations
and to their organizations' clients, customers, and constituents. Students
will gain an understanding of how document imaging can be used and managed
in both small and large-scale organizations. Document imaging is the
process of scanning paper or microfilm documents. Document imaging moves
the documents from their hard-copy format on shelves and in file cabinets to
a digital format stored in computer based document repositories. Document
management organizes scanned documents, paper documents, and born-digital
documents in their native-format, for compliance with records retention
requirements, including permanent preservation. This course provides an
understanding of the details that there is often no time to review in the
rush to implement a system. The course content is intended to be useful to
students in their professional work for twenty years into the future and is
also intended to be useful for planning to preserve digital documents
forever. The course may be too broad for those students seeking to learn a
specific software application. Students will learn about the technology of
scanning, importing, transmitting, organizing, indexing, storing,
protecting, searching, retrieving, viewing, printing, preserving, and
authenticating documents for document imaging systems, and archives. Image
and document formats, metadata, XML (eXtensible Markup Language),
multimedia, rich text, PDF (Portable Document Format), GIS (Geographic
Information Systems), CAD (Computer Aided Design), VR (Virtual Reality) and
GPS (Global Positioning System) indices, image enabled databases, data
visualization, finite element analysis models, animations, molecular models,
RAM (Random Access Memory) based SQL (Structured Query Language) databases,
knowledge management, data warehousing, records inventories, retention
schedules, black and white, grayscale, and color scanning, OCR (Optical
Character Recognition), multispectral imaging, audio and video digitizing,
destructive (lossy) and non-destructive (lossless) compression, digital
signatures and seals, encryption, the three components of vision:
resolution, color, and motion, the imaging technology of continuous tone,
halftoning, dithering, and pixels, RAID (Redundant Array of Inexpensive
Disks) fault tolerance, ECCs (Error Correcting Codes for RAID, CD, and DVD),
and mirrored site disaster planning will be discussed. System design issues
in hardware, software, networking, ergonomics, and workflow will be covered.
Emerging technologies such as the DVD Digital Video Disc, HDTV (High
Definition TV), and very high speed Internet, intranet, and extranet links,
Internet protocol stacks, and Internet 2 will be presented. The course will
include the DVD's role in completing the convergence of the PC and
television, the convergence of telephony, cable, and the Internet, the
merging of home and office, the merging of business and entertainment, and
the management of the resulting document types. Can everything be
digitized? The course follows Shakespeare through being (or not to be),
love, wisdom, knowledge, information, data, bits, and discernable
differences (optical disc pits). Many professionals including records
managers, librarians, archivists, and compliance officers work with document
management issues every day. While not limited to these professionals, this
course builds on the broad range of tools and techniques that exist in these
professions. The class content is designed so that students can benefit from
each part of the class without fully understanding every technical detail
presented. This course is designed for non-technical professionals.
Several system designs will be done based on system requirements provided by
the students. System designs are done to provide an understanding of the
design process, not to provide guaranteed solutions to specific problems.
There is no hands-on use of scanning equipment. The course is designed to
improve the ability of non-technical managers to participate in, and to
direct, technical discussions. Instructional techniques include
storytelling, iconic objects, and videos. Interaction between students is
considered an important part of the learning experience.
The course covers a wide variety of materials and provides a foundation for
understanding the many types of document management. However, some people
might find the materials presented too broad for their purposes. If, in the
course materials, you find a single area of great interest to you, but you
have no interest in the other topics, it might be better if you included
just a portion of the class in a self-study plan. Because the technology
continues to evolve rapidly, and the spread of technology is also occurring
rapidly, the course continues to evolve and is different each time it is
taught.
Instructor: SteveGilheany@ ATT.net, BA Computer Science, MBA, MLS
Specialization in Information Science, CDIA (Certified Document Imaging
System Architect), CRM (Certified Records Manager), California Adult
Education teaching credential, Sr. Systems Engineer, 25 years of experience
in digital document imaging.
Enrollment is limited. Please call the instructor at +1 (925) 457-0363 for
questions about the course. Students are encouraged to read the course
materials and to speak with the instructor to determine if the course will
be suitable for their purposes.
Because there is no charge for making a room reservation, and room costs
increase when availability is limited, students are encouraged to make
reservations as early as possible. The course is located at the UNLV
Paradise Campus (PAR) at the corner of Tropicana Ave. and Swenson St. at 851
E. Tropicana Ave. Las Vegas, NV 89119. (googleable) UNLV Paradise Campus
(PAR) is ten blocks east of the Las Vegas Strip and ten blocks north of the
Las Vegas McCarran Airport Terminal.
For an overview of Las Vegas itself, please see
http://www.vegastodayandtomorrow.com
The instructor has taught classes similar to this course to document imaging
users and managers, in legal records management, to librarians and
archivists, and to various industry groups. He has worked in digital
document management and document imaging for twenty-five years. His
experience in the application of document management and document imaging in
industry includes: aerospace, banking, manufacturing, natural resources,
petroleum refining, transportation, energy, federal, state, and local
government, civil engineering, utilities, entertainment, commercial records
centers, archives, non-profit development, education, and administrative,
engineering, production, legal, and medical records management. At the same
time, he has worked in product management for hypertext, for windows based
user interface systems, for computer displays, for engineering drawing,
letter size, microform, and color scanning, and for xerographic,
photographic, newspaper, engineering drawing, and color printing.
The following is an example of the course materials available at
[http://www.ArchiveBuilders.com/whitepapers/index.html]. There are also
several papers that describe various document management topics in prose.
Computer storage requirements for various digitized document types:
1 scanned page (8 1/2 by 11 inches, A4) = 50 KiloBytes (KByte)
(on average, black & white, CCITT G4 compressed)
1 file cabinet (4 drawer) (10,000 pages on average) = 500 MegaBytes (MByte)
= 1 CD (ROM or WORM) 2 file cabinets = 10 cubic feet = 1,000 MBytes = 1
GigaByte (GByte) 10 file cabinets = 1 DVD (WORM)
1 box (in inches: 15 1/2 long x 12 wide x 10 deep) (2,500 pages) =
1 file drawer = 2 linear feet of files = 1 1/4 cubic feet = 125 MBytes
8 boxes = 16 linear feet = 2 file cabinets = 1 GByte
Technology:
The cost of document storage is now (2008) essentially zero. Cell phones
(Apple iPhone second edition) have 16 GigaByes of storage = 30 thousand
scanned pages = 30 four drawer file cabinets. Laptop computers have 1
terabyte of storage = 20 million scanned pages = 2 thousand 4 drawer file
cabinets.
Steve Gilheany, CRM, CDIA
Contact: SteveGilheany@ ATT.com http://www.ArchiveBuilders.com (925)
457-0363 - new number
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 23 Sep 2008 08:27:57 -0400
Reply-To: Sherman Clarke <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sherman Clarke <[log in to unmask]>
Subject: SEI 2010+: hosting application
Comments: To: [log in to unmask]
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The joint ARLIS/NA-VRA Foundation Summer Educational Institute for Visual Resources and Image Management (SEI) has now been held five times: 2004 and 2005 at Duke University, 2006 at Reed College, 2007 at Indiana University, and 2008 at James Madison University. Each SEI has been fully booked with some on the waiting list. The response from attendees has been enthusiastic.
The 2009 SEI will be held at Simmons College in Boston.
We are pleased to announce that we are now seeking proposals for future institutes. An application is available on the SEI website at: http://www.vraweb.org/seiweb/2010hosting_app.pdf
Much information about the past institutes is still available on the website at http://www.vraweb.org/seiweb/ -- quick facts, information, curriculum, instructors, and sponsors. Hosting SEI is an excellent opportunity for an institution to participate in an exciting and successful training program for visual resources and image management.
We are asking for hosting applications to be submitted by October 20, 2008. If you have any questions or concerns, please do not hesitate to contact us at [log in to unmask]
SEI Advisory Group
Sherman Clarke, chairman
New York University Libraries
[log in to unmask]
Johanna Bauman
ARTstor
[log in to unmask]
Eileen Fry
Indiana University
[log in to unmask]
Amber Ruiz
Stanford University
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 23 Sep 2008 10:23:31 -0400
Reply-To: "Reiskind, Alix" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Reiskind, Alix" <[log in to unmask]>
Subject: SEI Co-chair announcement
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Hello ARLIS-L,
It is with pleasure that I share Loy Zimmerman's, Chair of the VRA
Foundation, announcement below. We look forward to many more years of
successful Summer Educational institutes.
Alix Reiskind
The VRA Foundation and the Art Libraries Society of North America are
pleased to announce the appointment of Kathe Hicks Albrecht as incoming
co-chair of the Summer Educational Institute. Kathe will join the
Implementation Team in September, 2008, beginning her term as Co-chair
when current Co-chair Jeanne Keefe completes her term in September 2009.
Members of the 2009 SEI Implementation Team and the Long Term Advisory
Group are listed below. The two groups will work under the auspices of
the VRA Foundation and ARLIS/NA, partners in the SEI project.
2009 SEI Implementation Team:
Chairs:
VRA/VRAF Co-chair: Jeanne Keefe
ARLIS/NA Co-chair: Alix Reiskind
Local Chair: Martha Mahard, Simmons College
Team Members:
Kathe Albrecht (incoming VRAF Co-Chair)
Chris Hilker (registration and web manager), replacing Evan Towle
Trudy Jacoby (development), replacing Elaine Paul
Megan Young (continuing member)
Board liaisons:
For ARLIS/NA: Elizabeth Schaub
For VRA Foundation: Jeanne Keefe
SEI Advisory Group:
Sherman Clarke
Johanna Bauman
Eileen Fry
Amber Ruiz
_________________________________________________
Alix Reiskind
Visual Resources Librarian
Frances Loeb Library
Harvard Graduate School of Design
48 Quincy Street
Cambridge, MA 02138
----------------
617.496.8673
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Hello ARLIS-L,</span><span style='font-size:11.0pt;font-family:
"Calibri","sans-serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>It is with pleasure that I share Loy Zimmerman’s, Chair of
the VRA Foundation, announcement below. We look forward to many more
years of successful Summer Educational institutes.<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<div style='mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.5pt;
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<p class=MsoNormal style='border:none;padding:0in'><span style='font-size:11.0pt;
font-family:"Calibri","sans-serif";color:#1F497D'>Alix Reiskind <o:p></o:p></span></p>
</div>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-family:"Calibri","sans-serif"'>The VRA
Foundation and the Art Libraries Society of North America are pleased to
announce the appointment of Kathe Hicks Albrecht as incoming co-chair of the
Summer Educational Institute. Kathe will join the Implementation Team in
September, 2008, beginning her term as Co-chair when current Co-chair Jeanne
Keefe completes her term in September 2009. Members of the 2009 SEI
Implementation Team and the Long Term Advisory Group are listed below.
The two groups will work under the auspices of the VRA Foundation and ARLIS/NA,
partners in the SEI project. <br>
<br>
<u>2009 SEI Implementation Team</u>: <br>
Chairs:<br>
VRA/VRAF Co-chair: Jeanne Keefe <br>
ARLIS/NA Co-chair: Alix Reiskind <br>
Local Chair: Martha Mahard, Simmons College<br>
<br>
Team Members:<br>
Kathe Albrecht (incoming VRAF Co-Chair) <br>
Chris Hilker (registration and web manager), replacing Evan Towle<br>
Trudy Jacoby (development), replacing Elaine Paul<br>
Megan Young (continuing member)<br>
<br>
Board liaisons:<br>
For ARLIS/NA: Elizabeth Schaub<br>
For VRA Foundation: Jeanne Keefe <br>
<br>
<u>SEI Advisory Group</u>: <br>
Sherman Clarke <br>
Johanna Bauman <br>
Eileen Fry<br>
Amber Ruiz<br>
<br>
<span style='color:#1F497D'><o:p></o:p></span></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-family:"Calibri","sans-serif"'><br>
<span style='color:#1F497D'>_________________________________________________</span><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Alix Reiskind<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Visual Resources Librarian<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Frances Loeb Library<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Harvard Graduate School of Design<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>48 Quincy Street<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Cambridge, MA 02138 <o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>----------------<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>617.496.8673<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>[log in to unmask]<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<p><span style='font-family:"Calibri","sans-serif"'><o:p> </o:p></span></p>
</div>
</body>
</html>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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========================================================================Date: Tue, 23 Sep 2008 12:14:20 -0400
Reply-To: Jacquelyn Aguirre <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Jacquelyn Aguirre <[log in to unmask]>
Subject: Free Auction Catalogs for your Collection!!
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The Winterthur Library is offering the following Auction Catalogs for
postage reimbursment. Libraries will be given first priority. This is not a
complete list. We have catalogs from many other auction houses including
Skinner, Cowan's, and Pook & Pook. More will be posted as space becomes
available. Please contact me if you'd like to receive a complete list of
what we have available.
Brunk Auctions
July 21-22, 2001
September 24, 2005 (2 copies)
November 12, 2005
November 12, 2005 (2 copies)
January 7-8, 2006 0276
June 17-18, 2006
March 24, 2007
July 14, 2007
May 19, 2007
September 8-9, 2007
November 3, 2007 (2 copies)
January 5–6, 2008 (2 copies)
March 1, 2008
Neal Auction Co.
December 7 & 8, 2002
February 8 & 9, 2003
April 5, 2003
June 7, 2003
August 2, 2003
October 4 & 5, 2003
December 6 & 7, 2003
February 7 & 8, 2004
April 3 & 4, 2004
June 5 & 6, 2004
February 18, 19, & 20, 2005 (2 copies)
February 3 & 4, 2007
June 9 & 10, 2007
August 4 & 5, 2007
October 6 & 7, 2007
February 23 & 24, 2008
Northeast Auctions
March 14 & 15, 1992
May 23 & 24, 1992
March 20 & 21, 1993
August 7 & 8, 1993 (2 copies)
August 6 & 7, 1994
August 20 & 21, 1994
November 5 & 6, 1994
March 4 & 5, 1995
August 5 & 6, 1995
August 19 & 20, 1995 (2 copies)
November 4 & 5, 1995
May 19, 1996
August 3 & 4, 1996 (3 copies)
March 7-8, 1998
November 2 & 3, 1996 (2 copies)
March 1 & 2, 1997 (2 copies)
June 1, 1997
August 2 & 3, 1997 Session 1
August 2 & 3, 1997
August 16 & 17, 1997
November 1 & 2, 1997
March 7 & 8, 1998
August 1 & 2, 1998
August 15 & 16, 1998 (2 copies)
November 7 & 8, 1998
March 20 & 21, 1999
August 7 & 8, 1999
August 21 & 22, 1999
November 6 & 7, 1999 (2 copies)
March 4 & 5, 2000
May 20 & 21, 2000
August 5, 2000
August 6, 2000
August 19 & 20, 2000
October 7, 2000 Stokes collection, Canterberry, N. H.
November 11-12, 2000 (2 copies)
November 12, 2000
March 3, 2001
March 3 & 4, 2001
May 18 – 20, 2001
August 4-5, 2001
August 18 & 19, 2001
November 3 & 4, 2001
March 2, 2002
March 3, 2002
May 18-19, 2002 (2 copies)
August 4, 2002
March 1-2, 2003
July, 12, 2003
August 1, 2003 (3 copies)
August 1-3, 2003 (2 copies)
August 3, 2003 (3 copies)
August 16-17, 2003
October 31 - November 2, 2003
March 6-7, 2004 (2 copies)
March 7, 2004 (2 copies)
August 7, 2004
November 6-7, 2004 (3 copies)
2004-2005 Pamela & Donald Levine Collection
April 3, 2005 (2 copies)
May 21 & 22, 2005 (2 copies)
August 6, 2005 Horton Foote Collection Am. Folk Art
August 6, 2005 Kilcup collection of Americana
November 19 & 20, 2005
February 24-26, 2006
May 20 & 21, 2006 (2 copies)
August 4-6. 2006
August 5, 2006
August 6, 2006
August 19-20, 2006
February 23-25, 2007 (3 copies)
May 19-20, 2007
August 3-5, 2007 Part 1 (2 copies)
August 3-5, 2007 Part 2
August 4, 2007
August 18-19, 2007 (6 copies)
August 19, 2007 (3 copies)
October 26-28, 2007 (2 copies)
October 27, 2007 Bisnoff Collection
February 22-24, 2008 (2 copies)
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========================================================================Date: Wed, 24 Sep 2008 07:56:49 +0300
Reply-To: Michaela Zonnenshain <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Michaela Zonnenshain <[log in to unmask]>
Subject: query- details (journal)
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Hello,
Are you familiar with the journal :
Details (not the german Detail)
I have not seen it in the core list of Architecture journals of Michael.
But a student asked about it.
Bye,
michaela
Michaela Zonnenshain
Architecture and Town Planning Library
Technion I.I.T.
Haifa 32000, Israel
Tel. 972-4-8294010
Fax 972-4-8294617
E-mail [log in to unmask]
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<DIV><FONT face=Arial size=2>Hello,</FONT></DIV>
<DIV><FONT face=Arial size=2>Are you familiar with the journal :</FONT></DIV>
<DIV><FONT face=Arial size=2>Details (not the german Detail)</FONT></DIV>
<DIV><FONT face=Arial size=2>I have not seen it in the core list of Architecture
journals of Michael.</FONT></DIV>
<DIV><FONT face=Arial size=2>But a student asked about it.</FONT></DIV>
<DIV><FONT face=Arial size=2>Bye,</FONT></DIV>
<DIV><FONT face=Arial size=2>michaela</FONT></DIV>
<DIV><FONT face=Arial size=2>Michaela Zonnenshain<BR>Architecture and Town
Planning Library<BR>Technion I.I.T.<BR>Haifa 32000, Israel</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>Tel.
972-4-8294010<BR>Fax
972-4-8294617<BR>E-mail <A
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></BODY></HTML>
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========================================================================Date: Wed, 24 Sep 2008 17:15:08 -0400
Reply-To: Karen DeWitt <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Karen DeWitt <[log in to unmask]>
Organization: NCSU Libraries
Subject: W. A. Dwiggins essay
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Hi:
One of the faculty members here is looking for a copy of the W.A.
Dwiggins essay "The Structure of the Book," which was published in AIGA
Fifty Books of the Year catalogue in 1926. I was hoping someone out
there could send me the page numbers for the essay or any other relevant
information she would need to request it through interlibrary loan. Or
if some ambitious soul is willing to fax it to me, that would be
fantastic. Thanks!
--
Karen DeWitt
Director of the Harrye B. Lyons Design Library
North Carolina State University Libraries
Harrye B. Lyons Design Library
Campus Box 7701
Raleigh, NC 27695-7701
email: [log in to unmask]
phone: (919)515-2207 or (919)513-3860
fax: (919)515-7330
http://www.lib.ncsu.edu/design/
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========================================================================Date: Wed, 24 Sep 2008 22:54:51 -0400
Reply-To: Judy Dyki <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Judy Dyki <[log in to unmask]>
Subject: Second issue of Photographies is now available
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Posted on behalf of
Joanna Woodcock
Marketing Co-ordinator
Routledge, Taylor & Francis Group
[log in to unmask]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Photographies
Issue 2 Now Available
Routledge is pleased to announce that the second issue of Photographies
is now available. This new issue of the journal includes the following
articles:
Snapshots
Geoffrey Batchen
Seductions and Flirtations
Patrizia Di Bello
Reciting the Past in Northwest Alaska Photographic Work
Matthew Kurtz
The Virtual Life of Photography
Sarah J. Kember
Watching the Sky
Mitchell Whitelaw
Surely Fades Away
Peter Buse
___________________________________________________________
Issue 1 Available Free Online
The first issue of Photographies was published by Routledge in February
2008.
You can read the first issue free online by visiting the website:
http://www.informaworld.com/photographies
ÂÂÂÂÂÂÂ_____________________________________________________
Submit a Paper
The Editors of Photographies are now inviting submissions. To find out
more read the full call for papers here:
http://www.tandf.co.uk/journals/cfp/rphocfp.pdf
ÂÂÂÂÂÂÂÂÂÂÂÂ___________________________________________________________
Find Out More
For information about Photographies, including how to subscribe, visit
the website:
http://www.informaworld.com/photographies
__________________________________________________________________
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========================================================================Date: Wed, 24 Sep 2008 23:24:27 -0400
Reply-To: Sarah Falls <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sarah Falls <[log in to unmask]>
Subject: Call for Papers, New Voices in the Profession,
Annual conference 2009
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Paper proposals for the New Voices in the Profession session at the
annual ARLIS-NA conference (2009, Indianapolis) are now being accepted.
New Voices showcases exceptional academic work by students and new
professionals (under 5 years post MLS.) Paper topics should relate
strongly to Art and/or Visual Resources Librarianship, but also digital
library projects, archives, library instruction, reference and the
changing nature of libraries, among other topics.
If interested, please send a paper topic and brief explanation to me by
Sept. 30. Please feel free to re-post.
Thanks!
Sarah Falls
User Services Specialist
ARTstor
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Paper proposals for the New Voices in the Profession session
at the annual ARLIS-NA conference (2009, <st1:place w:st="on"><st1:City w:st="on">Indianapolis</st1:City></st1:place>)
are now being accepted. <font color=black><span style='color:black'>New Voices
showcases exceptional academic work by students and new professionals (under 5
years post MLS.) Paper topics should relate strongly to Art and/or Visual Resources
Librarianship, but also digital library projects, archives, library
instruction, reference and the changing nature of libraries, among other
topics.<o:p></o:p></span></font></span></font></p>
<p class=MsoNormal><font size=2 color=black face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:black'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=black face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:black'>If interested, please send a paper topic
and brief explanation to me by Sept. 30. Please feel free to re-post. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=black face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:black'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=black face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:black'>Thanks!</span></font><font size=2
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size=2 face="Bookman Old Style"><span style='font-size:10.0pt;font-family:
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<p class=MsoNormal><font size=2 face="Bookman Old Style"><span
style='font-size:10.0pt;font-family:"Bookman Old Style"'>User Services
Specialist</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face="Bookman Old Style"><span
style='font-size:10.0pt;font-family:"Bookman Old Style"'>ARTstor</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 color=navy face="Bookman Old Style"><span
style='font-size:10.0pt;font-family:"Bookman Old Style";color:navy'>[log in to unmask]</span></font><o:p></o:p></p>
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========================================================================Date: Thu, 25 Sep 2008 09:52:06 -0400
Reply-To: Sherman Clarke <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sherman Clarke <[log in to unmask]>
Subject: the junction of tagging and controlled vocabularies
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For those of you interesting in the junction of social tagging and controlled vocabularies, this email exchange appeared on the metadatalibrarians list. I wasn't following the DC Social Tagging group but it sure looks like their wiki has some interesting stuff.
Sherman Clarke
New York University Libraries
[log in to unmask]
---------------------------
>From Sarah Currier <[log in to unmask]>
Sent Thursday, September 25, 2008 8:44 am
To A listserv for Metadata Librarians <[log in to unmask]>
Subject Re: [Metadatalibrarians] folksonomy authorities?
Hi Karen,
See the EnTag project in the UK:
http://www.ukoln.ac.uk/projects/enhanced-tagging/
Also, there are some interesting projects that have been presented at
the past few Dublin Core Conferences (including two presented today- I'm
at the Conference in Berlin!- check both the papers and the posters from
this conference: http://dc2008.de/ )- also check out the DC Social
Tagging Community http://dublincore.org/groups/social-tagging/ and
follow the link there to their wiki. It might be best to join their
email list and ask your question there.
Good luck! It's an interesting area and there is a growing variety of
work happening from a library perspective.
Sarah
Karen Benko wrote:
> Hello all,
>
> I am still in the early stages of learning about this metadata stuff.
> I have a question about the tension between user-generated tags and
> centrally-controlled vocabulary. I've seen library catalogs that use
> both, but I worry that given both, users will prefer the tags since
> they are new & interesting, and also usually are more noticeable on
> the screen. And yet, of course we should have the best of both
> options, if we can get it.
>
> I've been thinking that it would be interesting to try user generated
> *cross-references* in centrally-controlled authority records (which
> probably wouldn't be called authority records but that's the only
> phrase I know for them). So rather than tag the item, a user could tag
> the heading from the controlled vocabulary. Rather than add "accents"
> to _My fair lady_, the could add "accents" to "Speech and social
> status" and "English language--Dialects--Morphology." Someone else
> might add "accents" to "Vietnamese language--Spelling." Then a search
> on that tag would bring up all items with that heading or those
> headings assigned. If the same tag were applied to multiple headings,
> the results could be grouped according to the applicable heading.
>
> Given my inexperience, I doubt I can be the first person to have
> thought of this. Does anyone on the list know of its ever being tried?
> I would like to read about any attempts, successful or unsuccessful,
> but I have no idea where to even begin looking.
>
> Thanks for any suggestions,
>
> Karen
>
--
Sarah Currier
Moderator, Dublin Core Education Community
http://dublincore.org/groups/education/
Product Manager, Intrallect Ltd.
http://www.intrallect.com
2nd Floor, Regent House
Blackness Road
Linlithgow
EH49 7HU
United Kingdom
Tel: +44 870 234 3933
Mob: +44 (0)7980855801
E-mail: [log in to unmask]
--
P *Please consider the environment before printing this email.*
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========================================================================Date: Thu, 25 Sep 2008 13:07:23 -0400
Reply-To: Mo Dawley <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Mo Dawley <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
Comments: To: Laurie Whitehill Chong <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Jo Spence was an artist/performance/ photographer but she comes to mind
first.
Also this artist book deals with Cancer
The pull-out sheets are made of coffee filters
Czechowski, Terry Lee.
Title: That C word / by Terry Lee Czechowski.
Publication info: [New York, NY] : Women's Studio Workshop, 2001,
c1999.
Physical description: [8] p. : col. ill. ; 23 cm.
General note: Book consists of sliding covers and 8 pockets with pull-out
sheets containing text.
Mo
Mo Dawley
Art and Drama Librarian
Senior Librarian
[log in to unmask]
http://www.library.cmu.edu/Research/Arts/Art/index.html
http://www.library.cmu.edu/Research/Arts/Drama/index.html
http://www.library.cmu.edu/Research/Environment/index.html
http://www.greenarts.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On
Behalf Of Laurie Whitehill Chong
Sent: Monday, September 22, 2008 3:07 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts? thanks
artists who
Paula,
The following artists' books and exhibition catalog deal with disease, and
in particular, cancer.
Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981
Hall, Martha. TATTOO. Orr's Island, ME: M. Hall, 2001
HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL. Northampton, MA:
Smith College, Mortimer Rare Book Room, 2003
Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK. Rochester, NY: Visual Studies
Workshop Press, 1981
Martha Hall was a book artist who made several books relating to her
struggle with breast cancer. The Smith College exhibition catalog includes
images and text of all of her books. Sadly, she did not win this struggle,
but her work is intensely personal and powerful. I believe they still have
copies of this catalog available for sale.
The other artists' books may be available at library collections near you.
I would look these titles up on Worldcat to check locations.
I hope these will be helpful.
Laurie
Laurie Whitehill Chong
Special Collections Librarian
The Fleet Library at RI School of Design
2 College Street
Providence, RI 02903
401.709.5927
[log in to unmask]
>>> "Wolfe, Paula" <[log in to unmask]> 9/22/2008 11:49 AM >>>
A student is a printmaker and is interested in other contemporary artists
who develop art related to diseases? I am not aware of any but will do some
searching. Anyone think of a contemporary artist like this?
This student develops his artwork about cancer. Thanks.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson, Arizona 85721
520-626-9434
wolfep@u.library.arizona.edu
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========================================================================Date: Thu, 25 Sep 2008 11:37:22 -0700
Reply-To: "Yuzuki, Kristi" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Yuzuki, Kristi" <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
In-Reply-To: <[log in to unmask]>
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I recently came across the book Waves and plagues: the art of Masami
Teraoka by Howard A. Link (San Francisco : Chronicle Books, c1988),
which features Teraoka's "AIDS series" of watercolors.
Kristi Y. Yuzuki
Program Specialist/Cataloger
Research Library
Los Angeles County Museum of Art
5905 Wilshire Boulevard
Los Angeles, California 90036
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Mo Dawley
Sent: Thursday, September 25, 2008 10:07 AM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks artists who [heur]
Jo Spence was an artist/performance/ photographer but she comes to mind
first.
Also this artist book deals with Cancer
The pull-out sheets are made of coffee filters
Czechowski, Terry Lee.
Title: That C word / by Terry Lee Czechowski.
Publication info: [New York, NY] : Women's Studio Workshop,
2001,
c1999.
Physical description: [8] p. : col. ill. ; 23 cm.
General note: Book consists of sliding covers and 8 pockets
with pull-out
sheets containing text.
Mo
Mo Dawley
Art and Drama Librarian
Senior Librarian
[log in to unmask]
http://www.library.cmu.edu/Research/Arts/Art/index.html
http://www.library.cmu.edu/Research/Arts/Drama/index.html
http://www.library.cmu.edu/Research/Environment/index.html
http://www.greenarts.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On
Behalf Of Laurie Whitehill Chong
Sent: Monday, September 22, 2008 3:07 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks
artists who
Paula,
The following artists' books and exhibition catalog deal with disease,
and
in particular, cancer.
Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981
Hall, Martha. TATTOO. Orr's Island, ME: M. Hall, 2001
HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL. Northampton, MA:
Smith College, Mortimer Rare Book Room, 2003
Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK. Rochester, NY: Visual
Studies
Workshop Press, 1981
Martha Hall was a book artist who made several books relating to her
struggle with breast cancer. The Smith College exhibition catalog
includes
images and text of all of her books. Sadly, she did not win this
struggle,
but her work is intensely personal and powerful. I believe they still
have
copies of this catalog available for sale.
The other artists' books may be available at library collections near
you.
I would look these titles up on Worldcat to check locations.
I hope these will be helpful.
Laurie
Laurie Whitehill Chong
Special Collections Librarian
The Fleet Library at RI School of Design
2 College Street
Providence, RI 02903
401.709.5927
[log in to unmask]
>>> "Wolfe, Paula" <[log in to unmask]> 9/22/2008 11:49 AM >>>
A student is a printmaker and is interested in other contemporary
artists
who develop art related to diseases? I am not aware of any but will do
some
searching. Anyone think of a contemporary artist like this?
This student develops his artwork about cancer. Thanks.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson, Arizona 85721
520-626-9434
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining
ARLIS/NA see:
http://www.arlisna.org/join.html Send administrative matters
(file
requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at:
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<div class=Section1>
<p class=MsoPlainText><font size=3 color=blue face="Gill Sans MT"><span
style='font-size:12.0pt;color:blue'>I recently came across the book <u>Waves
and plagues: the art of Masami Teraoka</u> by Howard A. Link (San Francisco :
Chronicle Books, c1988), which features Teraoka’s “AIDS series”
of watercolors.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Kristi Y. Yuzuki</span></font></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Program Specialist/Cataloger</span></font></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Research Library</span></font></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Los Angeles</span></font><font size=2
color=blue><span style='font-size:11.0pt;color:blue'> County Museum</span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'> of Art</span></font></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>5905 Wilshire Boulevard</span></font></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Los Angeles</span></font><font size=2
color=blue><span style='font-size:11.0pt;color:blue'>, California 90036</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>-----Original Message-----<br>
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On
Behalf Of Mo Dawley<br>
Sent: Thursday, September 25, 2008 10:07 AM<br>
To: [log in to unmask]<br>
Subject: Re: [ARLIS-L] interesting reference question , any thoughts? thanks
artists who [heur]</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Jo Spence was an artist/performance/ photographer but she comes to mind</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>first.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Also this artist book deals with Cancer</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>The pull-out sheets are made of coffee filters</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Czechowski, Terry Lee.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Title: That C word / by Terry Lee Czechowski.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Publication info: [New York, NY] : Women's Studio Workshop, 2001,</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>c1999.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Physical description: [8] p. : col. ill. ; 23 cm.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>General note: Book
consists of sliding covers and 8 pockets with pull-out</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>sheets containing text.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Mo</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Mo Dawley</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Art and Drama Librarian</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Senior Librarian</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>[log in to unmask]</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.library.cmu.edu/Research/Arts/Art/index.html</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.library.cmu.edu/Research/Arts/Drama/index.html</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.library.cmu.edu/Research/Environment/index.html</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.greenarts.org </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>-----Original Message-----</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>From: ART LIBRARIES SOCIETY DISCUSSION LIST
[mailto:[log in to unmask]] On</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Behalf Of Laurie Whitehill Chong</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Sent: Monday, September 22, 2008 3:07 PM</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>To: [log in to unmask]</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>artists who</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Paula,</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>The following artists' books and exhibition catalog deal with disease,
and</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>in particular, cancer. </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Hall</span></font>, Martha. TATTOO. Orr's Island, ME: M. Hall, 2001</p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL. Northampton, MA:</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Smith</span></font> College, Mortimer Rare Book Room, 2003</p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK. Rochester, NY: Visual Studies</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Workshop Press, 1981</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Martha Hall was a book artist who made several books relating to her</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>struggle with breast cancer. The Smith College exhibition catalog
includes</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>images and text of all of her books. Sadly, she did not win this
struggle,</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>but her work is intensely personal and powerful. I believe they
still have</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>copies of this catalog available for sale. </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>The other artists' books may be available at library collections near
you.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>I would look these titles up on Worldcat to check locations.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>I hope these will be helpful.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Laurie</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Laurie Whitehill Chong</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Special Collections Librarian</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>The Fleet Library at RI School of Design</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>2 College Street</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Providence</span></font>, RI 02903</p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>401.709.5927</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>[log in to unmask]</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>>>> "Wolfe, Paula"
<[log in to unmask]> 9/22/2008 11:49 AM >>></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>A student is a printmaker and is interested in other contemporary
artists</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>who develop art related to diseases? I am not aware of any but will do
some</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>searching. Anyone think of a contemporary artist like this?</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>This student develops his artwork about cancer. Thanks.</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Paula Wolfe</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Fine Arts and Architecture Librarian</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>1015 N Olive Street</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>University</span></font> of Arizona</p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Fine Arts Library</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Office 231b</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Tucson</span></font>, Arizona 85721</p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>520-626-9434</span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>[log in to unmask] </span></font></p>
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<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
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<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
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Send administrative matters (file requests, subscription requests, etc)
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------_=_NextPart_001_01C91F3D.BF87F072--
========================================================================Date: Thu, 25 Sep 2008 15:01:33 -0400
Reply-To: "Andrews, Kim" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Andrews, Kim" <[log in to unmask]>
Subject: Stipends Available for AV Media Preservation - San Francisco,
November 2008
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A Race Against Time: Preserving Our Audiovisual Media
Presented by the Conservation Center for Art and Historic Artifacts
November 6 & 7, 2008
Cosponsored and hosted by the San Francisco Museum of Modern Art
San Francisco, CA
Lead Speaker:
Alan Lewis, Audiovisual Archives Consultant, Washington, DC
Speakers:
George Blood, President, Safe Sound Archive
Hannah Frost, Media Preservation Librarian, Digital Library Systems and
Services, Digital Production, Stanford University Libraries & Academic
Information Resources
Sarah Stauderman, Preservation Manager, Smithsonian Institution Archives
Maureen Whalen, Associate General Council, J. Paul Getty Trust
Richard Wright, Technology Manager, BBC Archives, United Kingdom
CCAHA is pleased to offer a limited number of stipends of up to $750 to
help defray travel, lodging, and registration costs associated with
attending A Race Against Time: Preserving Our Audiovisual Media.
Detailed program and stipend application information is on the
downloadable brochure at http://www.ccaha.org/education/program-calendar
Stipend Eligibility:
* Individuals must work in a non-profit institution that is open
to the public with an annual operating budget of less than $500,000.
* Preference will be given to those applicants who are directly
responsible for the care of the audiovisual materials collected by their
institution.
* Stipend applications must be postmarked by October 8, 2008.
Applicants must submit: one-page letter of interest; a brief
institutional profile or brochure; a brief description of audiovisual
materials held by the institution; proof of tax-exempt status; the
institution's most recent financial report; a letter of support from the
institution's director or board president; and the applicant's resume.
Applicants will be notified of the status of their application shortly
following the application deadline. For additional information on the
program and the stipend application process, please download the
brochure at http://www.ccaha.org/education/program-calendar
The fee for this two-day program is $200. Funders for this program
include the Institute of Museum and Library Services (IMLS) and the
Andrew W. Mellon Foundation.
In partnership with PALINET and cosponsored by the California
Preservation Program.
Download the brochure for A Race Against Time: Preserving Our
Audiovisual Media at http://www.ccaha.org/education/program-calendar
and apply for a stipend or to register now! For more information,
contact the Conservation Center for Art and Historic Artifacts: call
215-545-0613, email [log in to unmask] or visit www.ccaha.org
<http://www.ccaha.org/> .
Kim Andrews
Preservation Services Officer
CONSERVATION CENTER for Art and Historic Artifacts
264 S. 23rd Street
Philadelphia, PA 19103
215-545-0613 (phone)
215-735-9313 (fax)
[log in to unmask] <mailto:[log in to unmask]>
www.ccaha.org
Are you a member institution of the Conservation Center? Click here
<http://www.ccaha.org/index.php/support/member> to become a member and
take advantage of our great member benefits!
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<div class=Section1>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-variant:small-caps;font-weight:bold'>A Race
Against Time: Preserving Our Audiovisual Media<o:p></o:p></span></font></b></p>
<p class=MsoNormal><i><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-style:italic'>Presented by the <st1:place w:st="on"><st1:PlaceName
w:st="on">Conservation</st1:PlaceName> <st1:PlaceType w:st="on">Center</st1:PlaceType></st1:place>
for Art and Historic Artifacts<o:p></o:p></span></font></i></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'><o:p> </o:p></span></font></b></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>November 6 & 7, 2008 <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Cosponsored and hosted by the San Francisco Museum of Modern Art<o:p></o:p></span></font></p>
<p class=MsoNormal><st1:place w:st="on"><st1:City w:st="on"><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>San Francisco</span></font></st1:City>,
<st1:State w:st="on">CA</st1:State></st1:place><o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'>Lead Speaker:<i><span
style='font-style:italic'> <o:p></o:p></span></i></span></font></b></p>
<p class=MsoNormal><b><i><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold;font-style:italic'>Alan Lewis</span></font></i></b>,
Audiovisual Archives Consultant, <st1:place w:st="on"><st1:City w:st="on">Washington</st1:City>,
<st1:State w:st="on">DC</st1:State></st1:place> <o:p></o:p></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'>Speakers:<o:p></o:p></span></font></b></p>
<p class=MsoNormal><b><i><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold;font-style:italic'>George Blood</span></font></i></b>,
President, Safe Sound Archive<o:p></o:p></p>
<p class=MsoNormal><b><i><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold;font-style:italic'>Hannah Frost</span></font></i></b>,
Media Preservation Librarian, Digital Library Systems and Services, Digital
Production, <st1:place w:st="on"><st1:PlaceName w:st="on">Stanford</st1:PlaceName>
<st1:PlaceType w:st="on">University</st1:PlaceType></st1:place> Libraries
& Academic Information Resources<o:p></o:p></p>
<p class=MsoNormal><b><i><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold;font-style:italic'>Sarah Stauderman</span></font></i></b>,
Preservation Manager, Smithsonian Institution Archives<o:p></o:p></p>
<p class=MsoNormal><b><i><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold;font-style:italic'>Maureen Whalen</span></font></i></b>,
Associate General Council, J. Paul Getty Trust<o:p></o:p></p>
<p class=MsoNormal><b><i><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold;font-style:italic'>Richard Wright</span></font></i></b>,
Technology Manager, BBC Archives, United Kingdom<o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><st1:PersonName w:st="on"><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>CCAHA</span></font></st1:PersonName> is pleased to
offer a limited number of <b><span style='font-weight:bold'>stipends of up to
$750</span></b> to help defray travel, lodging, and registration costs
associated with attending <b><i><span style='font-weight:bold;font-style:italic'>A
Race Against Time: Preserving Our Audiovisual Media. </span></i></b>Detailed
program and stipend application information is on the downloadable brochure at<b><span
style='font-weight:bold'> <a
href="http://www.ccaha.org/education/program-calendar">http://www.ccaha.org/education/program-calendar</a>
<o:p></o:p></span></b></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'><o:p> </o:p></span></font></b></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'>Stipend Eligibility:<o:p></o:p></span></font></b></p>
<p class=MsoNormal style='margin-left:1.0in;text-indent:-.25in;mso-list:l0 level1 lfo1'><![if !supportLists]><font
size=3 face=Symbol><span style='font-size:12.0pt;font-family:Symbol'><span
style='mso-list:Ignore'>·<font size=1 face="Times New Roman"><span
style='font:7.0pt "Times New Roman"'>
</span></font></span></span></font><![endif]>Individuals must work in a
non-profit institution that is open to the public with an annual operating
budget of less than $500,000. <o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.0in;text-indent:-.25in;mso-list:l0 level1 lfo1'><![if !supportLists]><font
size=3 face=Symbol><span style='font-size:12.0pt;font-family:Symbol'><span
style='mso-list:Ignore'>·<font size=1 face="Times New Roman"><span
style='font:7.0pt "Times New Roman"'>
</span></font></span></span></font><![endif]>Preference will be given to those
applicants who are directly responsible for the care of the audiovisual
materials collected by their institution.<o:p></o:p></p>
<p class=MsoNormal style='margin-left:1.0in;text-indent:-.25in;mso-list:l0 level1 lfo1'><![if !supportLists]><font
size=3 face=Symbol><span style='font-size:12.0pt;font-family:Symbol'><span
style='mso-list:Ignore'>·<font size=1 face="Times New Roman"><span
style='font:7.0pt "Times New Roman"'>
</span></font></span></span></font><![endif]>Stipend applications must be
postmarked by <b><span style='font-weight:bold'>October 8, 2008</span></b>.<o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Applicants must submit: one-page letter of interest; a brief
institutional profile or brochure; a brief description of audiovisual materials
held by the institution; proof of tax-exempt status; the institution’s
most recent financial report; a letter of support from the institution’s
director or board president; and the applicant’s resume. Applicants will
be notified of the status of their application shortly following the
application deadline. For additional information on the program and the
stipend application process, please download the brochure at<b><span
style='font-weight:bold'> <a
href="http://www.ccaha.org/education/program-calendar">http://www.ccaha.org/education/program-calendar</a>
<o:p></o:p></span></b></span></font></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'><o:p> </o:p></span></font></b></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>The fee for this two-day program is $200. <strong><b><font
face="Times New Roman"><span style='font-weight:normal'>Funders for this
program include the</span></font></b> </strong><st1:place w:st="on"><st1:PlaceType
w:st="on">Institute</st1:PlaceType> of <st1:PlaceName w:st="on">Museum</st1:PlaceName></st1:place>
and Library Services (IMLS) and the Andrew W. Mellon Foundation. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'>In partnership with PALINET and</span></font></b><b><span
style='font-weight:bold'> cosponsored by the <st1:place w:st="on"><st1:State
w:st="on">California</st1:State></st1:place> Preservation Program.</span></b><o:p></o:p></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'><o:p> </o:p></span></font></b></p>
<p class=MsoNormal><b><font size=3 face="Times New Roman"><span
style='font-size:12.0pt;font-weight:bold'>Download the brochure for <i><span
style='font-style:italic'>A Race Against Time: Preserving Our Audiovisual Media
</span></i>at <a href="http://www.ccaha.org/education/program-calendar">http://www.ccaha.org/education/program-calendar</a>
and apply for a stipend or to register now! For more information, contact the
<st1:place w:st="on"><st1:PlaceName w:st="on">Conservation</st1:PlaceName> <st1:PlaceType
w:st="on">Center</st1:PlaceType></st1:place> for Art and Historic
Artifacts: call 215-545-0613, email [log in to unmask] or visit <a
href="http://www.ccaha.org/">www.ccaha.org</a> .<o:p></o:p></span></font></b></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Garamond><span style='font-size:11.0pt;
font-family:Garamond'>Kim Andrews</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Garamond><span style='font-size:11.0pt;
font-family:Garamond'>Preservation Services Officer</span></font><o:p></o:p></p>
<p class=MsoNormal><st1:place w:st="on"><st1:PlaceName w:st="on"><font size=1
face=Garamond><span style='font-size:9.0pt;font-family:Garamond;letter-spacing:
1.2pt'>CONSERVATION</span></font></st1:PlaceName><font size=1 face=Garamond><span
style='font-size:9.0pt;font-family:Garamond;letter-spacing:1.2pt'> <st1:PlaceType
w:st="on">CENTER</st1:PlaceType></span></font></st1:place><i><font size=1
color="#996633" face=Garamond><span style='font-size:9.0pt;font-family:Garamond;
color:#996633;font-style:italic'> for Art and Historic Artifacts</span></font></i><font
size=1 face=Garamond><span style='font-size:9.0pt;font-family:Garamond;
letter-spacing:1.2pt'><o:p></o:p></span></font></p>
<p class=MsoNormal><st1:Street w:st="on"><st1:address tabIndex="0"
style="BACKGROUND-POSITION: left bottom; BACKGROUND-IMAGE: url(res://ietag.dll/#34/#1001); BACKGROUND-REPEAT: repeat-x"
w:st="on"><font size=2 face=Garamond><span style='font-size:11.0pt;font-family:
Garamond'>264 S. 23rd Street</span></font></st1:address></st1:Street><font
size=2 face=Garamond><span style='font-size:11.0pt;font-family:Garamond'> <o:p></o:p></span></font></p>
<p class=MsoNormal><st1:place w:st="on"><st1:City w:st="on"><font size=2
face=Garamond><span style='font-size:11.0pt;font-family:Garamond'>Philadelphia</span></font></st1:City><font
size=2 face=Garamond><span style='font-size:11.0pt;font-family:Garamond'>, <st1:State
w:st="on">PA</st1:State> <st1:PostalCode w:st="on">19103</st1:PostalCode></span></font></st1:place><font
size=2 face=Garamond><span style='font-size:11.0pt;font-family:Garamond'><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Garamond><span style='font-size:11.0pt;
font-family:Garamond'>215-545-0613 (phone)</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Garamond><span style='font-size:11.0pt;
font-family:Garamond'>215-735-9313 (fax)</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'><a href="mailto:[log in to unmask]"
title="mailto:[log in to unmask]"><font size=2 color=black
title="mailto:[log in to unmask]"><span title="mailto:[log in to unmask]"><span
title="mailto:[log in to unmask]"><span style='font-size:11.0pt;color:windowtext'>[log in to unmask]</span></span></span></font></a></span></font><o:p></o:p></p>
<p class=MsoNormal><font size=3 face=Garamond><span style='font-size:12.0pt;
font-family:Garamond'><a href="http://www.ccaha.org">www.ccaha.org</a></span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Garamond><span style='font-size:11.0pt;
font-family:Garamond'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Garamond><span style='font-size:11.0pt;
font-family:Garamond'>Are you a member institution of the <st1:place w:st="on"><st1:PlaceName
w:st="on">Conservation</st1:PlaceName> <st1:PlaceType w:st="on">Center</st1:PlaceType></st1:place>?
Click <a href="http://www.ccaha.org/index.php/support/member"
title="http://www.ccaha.org/index.php/support/member">here</a> to become a
member and take advantage of our great member benefits!</span></font><font
size=2 face=Garamond><span style='font-size:11.0pt;font-family:Garamond'><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
</div>
</body>
</html>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------_=_NextPart_001_01C91F41.209FA315--
========================================================================Date: Thu, 25 Sep 2008 15:17:07 -0400
Reply-To: "Patrick, Jill" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Patrick, Jill" <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
In-Reply-To: A<[log in to unmask]>
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the obvious one for me is the Toronto artists collective General Idea
who published Fin de Siecle and Pharmacopia among other works relating
directly to their experience with AIDS - their catalog raisonne is an
ARLIS/NA award-winner and A.A. Bronson (the last surviving member) led a
workshop at the Banff conference - he is currently an
artist/guru/therapist in NYC and still involved with Printed Matter, I
believe. He would be a treasuire-trove of information if the student
wished to contact him directly.
Here is his website http://www.aabronson.com/art/gi.org/
Jill Patrick
OCAD
________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Yuzuki, Kristi
Sent: September 25, 2008 2:37 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks artists who
I recently came across the book Waves and plagues: the art of Masami
Teraoka by Howard A. Link (San Francisco : Chronicle Books, c1988),
which features Teraoka's "AIDS series" of watercolors.
Kristi Y. Yuzuki
Program Specialist/Cataloger
Research Library
Los Angeles County Museum of Art
5905 Wilshire Boulevard
Los Angeles, California 90036
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Mo Dawley
Sent: Thursday, September 25, 2008 10:07 AM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks artists who [heur]
Jo Spence was an artist/performance/ photographer but she comes to mind
first.
Also this artist book deals with Cancer
The pull-out sheets are made of coffee filters
Czechowski, Terry Lee.
Title: That C word / by Terry Lee Czechowski.
Publication info: [New York, NY] : Women's Studio Workshop,
2001,
c1999.
Physical description: [8] p. : col. ill. ; 23 cm.
General note: Book consists of sliding covers and 8 pockets
with pull-out
sheets containing text.
Mo
Mo Dawley
Art and Drama Librarian
Senior Librarian
[log in to unmask]
http://www.library.cmu.edu/Research/Arts/Art/index.html
http://www.library.cmu.edu/Research/Arts/Drama/index.html
http://www.library.cmu.edu/Research/Environment/index.html
http://www.greenarts.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On
Behalf Of Laurie Whitehill Chong
Sent: Monday, September 22, 2008 3:07 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks
artists who
Paula,
The following artists' books and exhibition catalog deal with disease,
and
in particular, cancer.
Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981
Hall, Martha. TATTOO. Orr's Island, ME: M. Hall, 2001
HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL. Northampton, MA:
Smith College, Mortimer Rare Book Room, 2003
Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK. Rochester, NY: Visual
Studies
Workshop Press, 1981
Martha Hall was a book artist who made several books relating to her
struggle with breast cancer. The Smith College exhibition catalog
includes
images and text of all of her books. Sadly, she did not win this
struggle,
but her work is intensely personal and powerful. I believe they still
have
copies of this catalog available for sale.
The other artists' books may be available at library collections near
you.
I would look these titles up on Worldcat to check locations.
I hope these will be helpful.
Laurie
Laurie Whitehill Chong
Special Collections Librarian
The Fleet Library at RI School of Design
2 College Street
Providence, RI 02903
401.709.5927
[log in to unmask]
>>> "Wolfe, Paula" <[log in to unmask]> 9/22/2008 11:49 AM >>>
A student is a printmaker and is interested in other contemporary
artists
who develop art related to diseases? I am not aware of any but will do
some
searching. Anyone think of a contemporary artist like this?
This student develops his artwork about cancer. Thanks.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson, Arizona 85721
520-626-9434
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>the obvious one for me is the Toronto artists
collective General Idea who published <i><span style='font-style:italic'>Fin de
Siecle</span></i> and <i><span style='font-style:italic'>Pharmacopia</span></i>
among other works relating directly to their experience with AIDS – their
catalog raisonne is an ARLIS/NA award-winner and A.A. Bronson (the last
surviving member) led a workshop at the Banff conference – he is
currently an artist/guru/therapist in NYC and still involved with Printed
Matter, I believe. He would be a treasuire-trove of information if the student
wished to contact him directly.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Here is his website <a
href="http://www.aabronson.com/art/gi.org/">http://www.aabronson.com/art/gi.org/</a>
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Jill Patrick<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>OCAD<o:p></o:p></span></font></p>
<div>
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face="Times New Roman"><span style='font-size:12.0pt'>
<hr size=2 width="100%" align=center tabindex=-1>
</span></font></div>
<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b><span style='font-weight:
bold'>On Behalf Of </span></b>Yuzuki, Kristi<br>
<b><span style='font-weight:bold'>Sent:</span></b> September 25, 2008 2:37 PM<br>
<b><span style='font-weight:bold'>To:</span></b> [log in to unmask]<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: [ARLIS-L] interesting
reference question , any thoughts? thanks artists who</span></font><o:p></o:p></p>
</div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoPlainText><font size=3 color=blue face="Gill Sans MT"><span
style='font-size:12.0pt;color:blue'>I recently came across the book <u>Waves
and plagues: the art of Masami Teraoka</u> by Howard A. Link (<st1:City w:st="on"><st1:place
w:st="on">San Francisco</st1:place></st1:City> : Chronicle Books, c1988),
which features Teraoka’s “AIDS series” of watercolors.</span></font><o:p></o:p></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Kristi Y. Yuzuki</span></font><o:p></o:p></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Program Specialist/Cataloger</span></font><o:p></o:p></p>
<p class=MsoPlainText><font size=2 color=blue face="Gill Sans MT"><span
style='font-size:11.0pt;color:blue'>Research Library</span></font><o:p></o:p></p>
<p class=MsoPlainText><st1:place w:st="on"><st1:PlaceName w:st="on"><font
size=2 color=blue face="Gill Sans MT"><span style='font-size:11.0pt;
color:blue'>Los Angeles</span></font></st1:PlaceName><font size=2 color=blue><span
style='font-size:11.0pt;color:blue'> <st1:PlaceType w:st="on">County</st1:PlaceType>
<st1:PlaceType w:st="on">Museum</st1:PlaceType></span></font></st1:place><font
size=2 color=blue><span style='font-size:11.0pt;color:blue'> of Art</span></font><o:p></o:p></p>
<p class=MsoPlainText><st1:Street w:st="on"><st1:address w:st="on"><font
size=2 color=blue face="Gill Sans MT"><span style='font-size:11.0pt;
color:blue'>5905 Wilshire Boulevard</span></font></st1:address></st1:Street><o:p></o:p></p>
<p class=MsoPlainText><st1:place w:st="on"><st1:City w:st="on"><font size=2
color=blue face="Gill Sans MT"><span style='font-size:11.0pt;color:blue'>Los
Angeles</span></font></st1:City><font size=2 color=blue><span
style='font-size:11.0pt;color:blue'>, <st1:State w:st="on">California</st1:State>
<st1:PostalCode w:st="on">90036</st1:PostalCode></span></font></st1:place><o:p></o:p></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>-----Original Message-----<br>
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On
Behalf Of Mo Dawley<br>
Sent: Thursday, September 25, 2008 10:07 AM<br>
To: [log in to unmask]<br>
Subject: Re: [ARLIS-L] interesting reference question , any thoughts? thanks
artists who [heur]<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Jo Spence was an artist/performance/ photographer but she comes to mind<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>first.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Also this artist book deals with Cancer<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>The pull-out sheets are made of coffee filters<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Czechowski, Terry Lee.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Title: That C word / by Terry Lee Czechowski.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Publication info: [<st1:place
w:st="on"><st1:City w:st="on">New York</st1:City>, <st1:State w:st="on">NY</st1:State></st1:place>]
: Women's Studio Workshop, 2001,<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>c1999.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Physical description: [8] p. : col. ill. ; 23 cm.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>General note:
Book
consists of sliding covers and 8 pockets with pull-out<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>sheets containing text.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Mo<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Mo Dawley<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Art and Drama Librarian<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Senior Librarian<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>[log in to unmask]<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.library.cmu.edu/Research/Arts/Art/index.html<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.library.cmu.edu/Research/Arts/Drama/index.html<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.library.cmu.edu/Research/Environment/index.html<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>http://www.greenarts.org <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>-----Original Message-----<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>From: ART LIBRARIES SOCIETY DISCUSSION LIST
[mailto:[log in to unmask]] On<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Behalf Of Laurie Whitehill Chong<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Sent: Monday, September 22, 2008 3:07 PM<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>To: [log in to unmask]<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>artists who<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Paula,<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>The following artists' books and exhibition catalog deal with disease,
and<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>in particular, cancer. <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><st1:place w:st="on"><st2:Sn w:st="on"><font size=3
face="Gill Sans MT"><span style='font-size:12.0pt'>Hall</span></font></st2:Sn>,
<st2:GivenName w:st="on">Martha</st2:GivenName></st1:place>. TATTOO.
Orr's <st1:place w:st="on"><st1:City w:st="on">Island</st1:City>, <st1:State
w:st="on">ME</st1:State></st1:place>: M. Hall, 2001<o:p></o:p></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL. <st1:place
w:st="on"><st1:City w:st="on">Northampton</st1:City>, <st1:State w:st="on">MA</st1:State></st1:place>:<o:p></o:p></span></font></p>
<p class=MsoPlainText><st1:place w:st="on"><st1:PlaceName w:st="on"><font
size=3 face="Gill Sans MT"><span style='font-size:12.0pt'>Smith</span></font></st1:PlaceName>
<st1:PlaceType w:st="on">College</st1:PlaceType></st1:place>, Mortimer Rare
Book Room, 2003<o:p></o:p></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK. <st1:place w:st="on"><st1:City
w:st="on">Rochester</st1:City>, <st1:State w:st="on">NY</st1:State></st1:place>:
Visual Studies<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Workshop Press, 1981<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Martha Hall was a book artist who made several books relating to her<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>struggle with breast cancer. The <st1:place w:st="on"><st1:PlaceName
w:st="on">Smith</st1:PlaceName> <st1:PlaceType w:st="on">College</st1:PlaceType></st1:place>
exhibition catalog includes<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>images and text of all of her books. Sadly, she did not win this
struggle,<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>but her work is intensely personal and powerful. I believe they
still have<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>copies of this catalog available for sale. <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>The other artists' books may be available at library collections near
you.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>I would look these titles up on Worldcat to check locations.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>I hope these will be helpful.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Laurie<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Laurie Whitehill Chong<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>Special Collections Librarian<o:p></o:p></span></font></p>
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<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
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<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
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<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
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<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>>>> "Wolfe, Paula" <[log in to unmask]>
9/22/2008 11:49 AM >>><o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>A student is a printmaker and is interested in other contemporary
artists<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>who develop art related to diseases? I am not aware of any but will do
some<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>searching. Anyone think of a contemporary artist like this?<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
12.0pt'>This student develops his artwork about cancer. Thanks.<o:p></o:p></span></font></p>
<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
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<p class=MsoPlainText><font size=3 face="Gill Sans MT"><span style='font-size:
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========================================================================Date: Thu, 25 Sep 2008 15:07:32 -0400
Reply-To: Tim Hennies <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Tim Hennies <[log in to unmask]>
Subject: Friends of the Library program?
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Hello, I am writing from the Mary R. Schiff Library located within the Cincinnati Art Museum. We are currently exploring the possibility of creating a Friends of the Library program and as such I am looking to other museum libraries to see if they have a Friends of program, and if so what types of benefits and privileges are offered to members of said program.
I thank you for your time and input and please do not hesitate to contact me if you have any questions or if anything needs clarification.
Tim Hennies
Interim Head Librarian
Mary R Schiff Library
Cincinnati Art Museum
953 Eden Park Drive
Cincinnati, OH 45202
(513)-639-2978
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<div>Hello, I am writing from the Mary R. Schiff Library located within the Cincinnati Art Museum. We are currently exploring the possibility of creating a Friends of the Library program and as such I am looking to other museum libraries to see if they have
a Friends of program, and if so what types of benefits and privileges are offered to members of said program.</div>
<div>I thank you for your time and input and please do not hesitate to contact me if you have any questions or if anything needs clarification. </div>
<div style="margin-top: 5pt; margin-bottom: 5pt; "><font face="Arial, sans-serif" size="2" color="#008000">Tim Hennies<font face="Times New Roman, serif" size="3" color="#000000">
<br>
</font>Interim Head Librarian<font face="Times New Roman, serif" size="3" color="#000000">
<br>
</font>Mary R Schiff Library<font face="Times New Roman, serif" size="3" color="#000000">
<br>
</font>Cincinnati Art Museum<font face="Times New Roman, serif" size="3" color="#000000">
<br>
</font>953 Eden Park Drive<font face="Times New Roman, serif" size="3" color="#000000">
<br>
</font>Cincinnati, OH 45202<font face="Times New Roman, serif" size="3" color="#000000">
<br>
</font>(513)-639-2978<font face="Times New Roman, serif" size="3" color="#000000">
<br>
</font>[log in to unmask]<font face="Times New Roman, serif" size="3" color="#000000"> </font></font></div>
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========================================================================Date: Thu, 25 Sep 2008 15:11:08 -0400
Reply-To: "McDermott, Ian" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "McDermott, Ian" <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
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The artist collective General Idea did a number of works about AIDS in the 1980s and 90s. There's a catalogue for an exhibition from about 5 years ago:
General Idea : editions, 1967-1995. Edited by Barbara Fischer. Mississauga, Ont. : Blackwood Gallery, University of Toronto at Mississauga, c2003.
Additionally, Sue Coe produced prints depicting people ill in hospital beds. I have seen these prints exhibited at the Yale University Medical Library but I am not sure if they are reproduced in any books by or about her. The Medical History Library here has a prints and drawings department with an amazing collection that would likely be useful for this student: http://www.med.yale.edu/library/historical/.
Ian
Ian McDermott
Librarian
Reference Library and Archives
Yale Center for British Art
1080 Chapel Street
P.O. Box 208280
New Haven, CT 06520-8280
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F: (203) 432-7180
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<p class=MsoNormal>The artist collective General Idea did a number of works
about AIDS in the 1980s and 90s. There’s a catalogue for an exhibition
from about 5 years ago:<o:p></o:p></p>
<p class=MsoNormal>General Idea : editions, 1967-1995. Edited by Barbara Fischer.
Mississauga, Ont. : Blackwood Gallery, University of Toronto at Mississauga,
c2003.<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Additionally, Sue Coe produced prints depicting people ill
in hospital beds. I have seen these prints exhibited at the Yale University
Medical Library but I am not sure if they are reproduced in any books by or
about her. The Medical History Library here has a prints and drawings
department with an amazing collection that would likely be useful for this
student: <a href="http://www.med.yale.edu/library/historical/">http://www.med.yale.edu/library/historical/</a>.
<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Ian<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>Ian McDermott<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>Librarian<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>Reference Library and Archives<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>Yale Center for British Art<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>1080 Chapel Street<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>P.O. Box 208280<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>New Haven, CT 06520-8280<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>[log in to unmask] <o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>P: (203) 432-2848<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Arial Narrow","sans-serif";
color:gray'>F: (203) 432-7180<o:p></o:p></span></p>
<p class=MsoNormal><o:p> </o:p></p>
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========================================================================Date: Thu, 25 Sep 2008 16:13:57 -0400
Reply-To: James Mitchell <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: James Mitchell <[log in to unmask]>
Subject: Reminder: ARLIS/NY Contemporary Artists' Books Conference,
New York City, October 23-26, 2008
In-Reply-To: <[log in to unmask]>
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Reminder: ARLIS/NY Contemporary Artists' Books Conference, New York
City, October 23-26, 2008.
Registration is limited, so sign up now!
The conference brings together major figures in the artists' books
scene, including artists, critics, historians, collectors, librarians,
and curators. The program features speakers, panels, artists'
presentations, institutional tours, and receptions, and attendees will
receive a commissioned, small-edition publication by "pamphleteers"
Dexter Sinister. Sessions will be held at the New York Public Library,
Museum of Modern Art, Brooklyn Museum, and the NY Art Book Fair at
Phillips de Pury.
The keynote features Hans-Ulrich Obrist in conversation with artists
Rirkrit Tiravanija and Joseph Grigely. Grigely's work involves
collected and fragmented texts, such as notes and found documents.
Linguistics, communication, and social transience are central themes,
The artist is known for accumulated conversations in the form of
handwritten notes, necessitated by his hearing loss in childhood. In
addition to artists' books--such as his visual/verbal epic Blueberry
Surprise (2006)--Grigely produces prints, video, performance, and
installation. His work has been exhibited at the Venice and Whitney
Biennials.
Rirkrit Tiravanija, known as "the artist who cooks," creates sites for
social interaction. Besides spaces for cooking and serving meals, the
artist has staged reading rooms and bicycled from conversation to
conversation. As a trans-national artist, these intimate events
represent larger cross-cultural interaction. His artists' books
include Rirkrit Tiravanija's Soccer Half-Time Book of Cookery (2006).
Recipient of the Hugo Boss Prize, Tiravanija has shown at MoMA and
LACMA, among other venues.
Leading the conversation will be Hans-Ulrich Obrist, whose "art"
constitutes prolific, published interviews with contemporary artists.
The conference is organized in collaboration with Printed Matter's NY
Art Book Fair.
For sessions, schedule, and registration information see
http://www.arlisny.org/cabc. To learn about the NY Art Book Fair, see
http://www.nyartbookfair.com.
Participants:
Barbara Bader, University of Oxford / Bern University of the Arts
Stuart Bailey, Dexter Sinister
Geoffrey Batchen, City University of New York
Bill Burns, Artist
Alejandro Cesarco, Artist
Luc Derycke, MER. Paper Kunsthalle
Jason Fulford, J & L Books
Joseph Grigely, Artist
Yuichi Hibi, Artist
Darius Himes, Critic
Matt Keegan, North Drive Press
Sandra Kroupa, Curator
Emily Larned, Red Charming
Cornelia Lauf, Universita Iuav di Venezia
Leigh Ledare, Artist
Esther Levine, Artist
Elisabeth Long, Journal of Artists' Books
Susan Meiselas, Photographer
Dan Nadel, PictureBox
Hans-Ulrich Obrist, Critic
Clive Phillpot, Fermley Press
David Reinfurt, Dexter Sinister
Jane Rolo, Book Works founder
Emily Roysdon, LTTR
Joachim Schmid, Artist
Victor Sira, Artist
Buzz Spector, Artist
Rirkrit Tiravanija, Artist
Matvei Yankelevich, Ugly Duckling Press
Posted by James Mitchell for the Organizing Committee
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========================================================================Date: Thu, 25 Sep 2008 14:54:53 -0700
Reply-To: "Brodhead, Heather" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Brodhead, Heather" <[log in to unmask]>
Subject: Nam June Paik: Family of Robot
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Nam June Paik: Family of Robot.
We have an extra copy of this soft cover, spiral-bound book published by
Carl Solway Gallery, Cincinnati, OH, which we will give to an
institutional library.
If the recipient were to stick a couple of dollars in an envelope to us
for postage, that would be nice. (We'd put it in our donation jar.)
Heather Brodhead
Librarian
Constance & George Fearing Library
Santa Barbara Museum of Art www.sbma.net
1130 State Street
Santa Barbara, CA 93101
(805) 884-6451
Library is open to the public Tues., Wed, Thu. 1-5 PM;
Librarian's hours 10-noon; 2-:530 on those days.
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size=2 face="MS Reference Sans Serif"><span style='font-size:11.0pt;font-family:
"MS Reference Sans Serif"'> June Paik: Family of Robot. <o:p></o:p></span></font></u></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'>We have an extra
copy of this soft cover, spiral-bound book published by Carl Solway Gallery, <st1:place
w:st="on"><st1:City w:st="on">Cincinnati</st1:City>, <st1:State w:st="on">OH</st1:State></st1:place>,
which we will give to an institutional library. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'>If the recipient
were to stick a couple of dollars in an envelope to us for postage, that would
be nice. (We’d put it in our donation jar.)<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Heather Brodhead</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Santa Barbara Museum of
Art
<a href="http://www.sbma.net">www.sbma.net</a></span></font><o:p></o:p></p>
<p class=MsoNormal><st1:Street w:st="on"><st1:address w:st="on"><font size=2
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w:st="on">CA</st1:State> <st1:PostalCode w:st="on">93101</st1:PostalCode></span></font></st1:place><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>(805) 884-6451</span></font><o:p></o:p></p>
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12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Library is open to the public Tues., Wed, Thu. 1-5 PM;</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> Librarian's hours 10-noon; 2-:530 on those days.</span></font><o:p></o:p></p>
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========================================================================Date: Thu, 25 Sep 2008 13:47:21 -0700
Reply-To: marta fodor <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
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From: marta fodor <[log in to unmask]>
Subject: Re: interesting reference question ,
any thoughts? thanks artists who
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I would also look into Nicholas Nixon's "People with Aids" book.
He was one of my professors during art school.
Here is the amazon description of the book/project:
"Nicholas Nixon, a well-known photographer who has been favorably
compared to Walker Evans and Diane Arbus, began to photograph AIDS
patients in the summer of 1987. The 15 men and women who appear in this
book responded to Nixon's call for volunteers and chose to reveal
themselves throughout the stages of their illness. These photographs,
which are accompanied by a text written by Bebe Nixon and feature the
words of the subjects themselves, present dramatic visual evidence of
the ravages of AIDS." (from Amazon)
Marta Fodor
Queens College CUNY
----- Original Message ----
From: "Patrick, Jill" <[log in to unmask]>
To: [log in to unmask]
Sent: Thursday, September 25, 2008 3:17:07 PM
Subject: Re: [ARLIS-L] interesting reference question , any thoughts? thanks artists who
the obvious one for me is the Toronto artists
collective General Idea who published Fin de
Siecle and Pharmacopia among other works relating directly to their experience with AIDS – their
catalog raisonne is an ARLIS/NA award-winner and A.A. Bronson (the last
surviving member) led a workshop at the Banff conference – he is
currently an artist/guru/therapist in NYC and still involved with Printed
Matter, I believe. He would be a treasuire-trove of information if the student
wished to contact him directly.
Here is his website http://www.aabronson.com/art/gi.org/
Jill Patrick
OCAD
________________________________
From:ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On Behalf Of Yuzuki, Kristi
Sent: September 25, 2008 2:37 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting
reference question , any thoughts? thanks artists who
I recently came across the book Waves
and plagues: the art of Masami Teraoka by Howard A. Link ( San Francisco : Chronicle Books, c1988),
which features Teraoka’s “AIDS series” of watercolors.
Kristi Y. Yuzuki
Program Specialist/Cataloger
Research Library
Los AngelesCounty Museumof Art
5905 Wilshire Boulevard
Los Angeles, California 90036
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On
Behalf Of Mo Dawley
Sent: Thursday, September 25, 2008 10:07 AM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts? thanks
artists who [heur]
Jo Spence was an artist/performance/ photographer but she comes to mind
first.
Also this artist book deals with Cancer
The pull-out sheets are made of coffee filters
Czechowski, Terry Lee.
Title: That C word / by Terry Lee Czechowski.
Publication info: [ New York , NY ]
: Women's Studio Workshop, 2001,
c1999.
Physical description: [8] p. : col. ill. ; 23 cm.
General note:
Book
consists of sliding covers and 8 pockets with pull-out
sheets containing text.
Mo
Mo Dawley
Art and Drama Librarian
Senior Librarian
[log in to unmask]
http://www.library.cmu.edu/Research/Arts/Art/index.html
http://www.library.cmu.edu/Research/Arts/Drama/index.html
http://www.library.cmu.edu/Research/Environment/index.html
http://www.greenarts.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST
[mailto:[log in to unmask]] On
Behalf Of Laurie Whitehill Chong
Sent: Monday, September 22, 2008 3:07 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks
artists who
Paula,
The following artists' books and exhibition catalog deal with disease,
and
in particular, cancer.
Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981
Hall , Martha . TATTOO.
Orr's Island , ME : M. Hall, 2001
HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL. Northampton , MA :
Smith College , Mortimer Rare
Book Room, 2003
Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK. Rochester , NY :
Visual Studies
Workshop Press, 1981
Martha Hall was a book artist who made several books relating to her
struggle with breast cancer. The Smith College
exhibition catalog includes
images and text of all of her books. Sadly, she did not win this
struggle,
but her work is intensely personal and powerful. I believe they
still have
copies of this catalog available for sale.
The other artists' books may be available at library collections near
you.
I would look these titles up on Worldcat to check locations.
I hope these will be helpful.
Laurie
Laurie Whitehill Chong
Special Collections Librarian
The Fleet Library at RI School of Design
2 College Street
Providence , RI 02903
401.709.5927
[log in to unmask]
>>> "Wolfe, Paula" <[log in to unmask]>
9/22/2008 11:49 AM >>>
A student is a printmaker and is interested in other contemporary
artists
who develop art related to diseases? I am not aware of any but will do
some
searching. Anyone think of a contemporary artist like this?
This student develops his artwork about cancer. Thanks.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson , Arizona 85721
520-626-9434
[log in to unmask]
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<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt"><div>I would also look into Nicholas Nixon's "People with Aids" book.<br>He was one of my professors during art school. <br>Here is the amazon description of the book/project:<br>"Nicholas Nixon, a well-known photographer who has been favorably
compared to Walker Evans and Diane Arbus, began to photograph AIDS
patients in the summer of 1987. The 15 men and women who appear in this
book responded to Nixon's call for volunteers and chose to reveal
themselves throughout the stages of their illness. These photographs,
which are accompanied by a text written by Bebe Nixon and feature the
words of the subjects themselves, present dramatic visual evidence of
the ravages of AIDS." (from Amazon)<br><br>Marta Fodor<br>Queens College CUNY<br></div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><br><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;">----- Original Message ----<br>From: "Patrick, Jill" <[log in to unmask]><br>To: [log in to unmask]<br>Sent: Thursday, September 25, 2008 3:17:07 PM<br>Subject: Re: [ARLIS-L] interesting reference question , any thoughts? thanks artists who<br><br>
<style>
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<p class="MsoNormal"><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy;">the obvious one for me is the Toronto artists
collective General Idea who published <i><span style="font-style: italic;">Fin de
Siecle</span></i> and <i><span style="font-style: italic;">Pharmacopia</span></i>
among other works relating directly to their experience with AIDS – their
catalog raisonne is an ARLIS/NA award-winner and A.A. Bronson (the last
surviving member) led a workshop at the Banff conference – he is
currently an artist/guru/therapist in NYC and still involved with Printed
Matter, I believe. He would be a treasuire-trove of information if the student
wished to contact him directly.</span></font></p>
<p class="MsoNormal"><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy;">Here is his website <a rel="nofollow" target="_blank" href="http://www.aabronson.com/art/gi.org/">http://www.aabronson.com/art/gi.org/</a>
</span></font></p>
<p class="MsoNormal"><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy;">Jill Patrick</span></font></p>
<p class="MsoNormal"><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy;">OCAD</span></font></p>
<div>
<div class="MsoNormal" style="text-align: center;" align="center"><font size="3" face="Times New Roman"><span style="font-size: 12pt;">
<hr tabindex="-1" size="2" width="100%" align="center">
</span></font></div>
<p class="MsoNormal"><b><font size="2" face="Tahoma"><span style="font-size: 10pt; font-family: Tahoma; font-weight: bold;">From:</span></font></b><font size="2" face="Tahoma"><span style="font-size: 10pt; font-family: Tahoma;"> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b><span style="font-weight: bold;">On Behalf Of </span></b>Yuzuki, Kristi<br>
<b><span style="font-weight: bold;">Sent:</span></b> September 25, 2008 2:37 PM<br>
<b><span style="font-weight: bold;">To:</span></b> [log in to unmask]<br>
<b><span style="font-weight: bold;">Subject:</span></b> Re: [ARLIS-L] interesting
reference question , any thoughts? thanks artists who</span></font></p>
</div>
<p class="MsoNormal"><font size="3" face="Times New Roman"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" color="blue" face="Gill Sans MT"><span style="font-size: 12pt; color: blue;">I recently came across the book <u>Waves
and plagues: the art of Masami Teraoka</u> by Howard A. Link (
San Francisco : Chronicle Books, c1988),
which features Teraoka’s “AIDS series” of watercolors.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="2" color="blue" face="Gill Sans MT"><span style="font-size: 11pt; color: blue;">Kristi Y. Yuzuki</span></font></p>
<p class="MsoPlainText"><font size="2" color="blue" face="Gill Sans MT"><span style="font-size: 11pt; color: blue;">Program Specialist/Cataloger</span></font></p>
<p class="MsoPlainText"><font size="2" color="blue" face="Gill Sans MT"><span style="font-size: 11pt; color: blue;">Research Library</span></font></p>
<p class="MsoPlainText"><font size="2" color="blue" face="Gill Sans MT"><span style="font-size: 11pt; color: blue;">Los Angeles</span></font><font size="2" color="blue"><span style="font-size: 11pt; color: blue;"> County
Museum</span></font><font size="2" color="blue"><span style="font-size: 11pt; color: blue;"> of Art</span></font></p>
<p class="MsoPlainText"><font size="2" color="blue" face="Gill Sans MT"><span style="font-size: 11pt; color: blue;">5905 Wilshire Boulevard</span></font></p>
<p class="MsoPlainText"><font size="2" color="blue" face="Gill Sans MT"><span style="font-size: 11pt; color: blue;">Los
Angeles</span></font><font size="2" color="blue"><span style="font-size: 11pt; color: blue;">, California
90036</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">-----Original Message-----<br>
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On
Behalf Of Mo Dawley<br>
Sent: Thursday, September 25, 2008 10:07 AM<br>
To: [log in to unmask]<br>
Subject: Re: [ARLIS-L] interesting reference question , any thoughts? thanks
artists who [heur]</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Jo Spence was an artist/performance/ photographer but she comes to mind</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">first.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Also this artist book deals with Cancer</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">The pull-out sheets are made of coffee filters</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Czechowski, Terry Lee.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Title: That C word / by Terry Lee Czechowski.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Publication info: [
New York , NY ]
: Women's Studio Workshop, 2001,</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">c1999.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Physical description: [8] p. : col. ill. ; 23 cm.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">General note:
Book
consists of sliding covers and 8 pockets with pull-out</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">sheets containing text.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Mo</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Mo Dawley</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Art and Drama Librarian</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Senior Librarian</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">[log in to unmask]</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"><a target="_blank" href="http://www.library.cmu.edu/Research/Arts/Art/index.html">http://www.library.cmu.edu/Research/Arts/Art/index.html</a></span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"><a target="_blank" href="http://www.library.cmu.edu/Research/Arts/Drama/index.html">http://www.library.cmu.edu/Research/Arts/Drama/index.html</a></span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"><a target="_blank" href="http://www.library.cmu.edu/Research/Environment/index.html">http://www.library.cmu.edu/Research/Environment/index.html</a></span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"><a target="_blank" href="http://www.greenarts.org">http://www.greenarts.org</a> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">-----Original Message-----</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">From: ART LIBRARIES SOCIETY DISCUSSION LIST
[mailto:[log in to unmask]] On</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Behalf Of Laurie Whitehill Chong</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Sent: Monday, September 22, 2008 3:07 PM</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">To: [log in to unmask]</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Subject: Re: [ARLIS-L] interesting reference question , any thoughts?
thanks</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">artists who</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Paula,</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">The following artists' books and exhibition catalog deal with disease,
and</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">in particular, cancer. </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Geller, Matthew. DIFFICULTY SWALLOWING. NY: Works Press, 1981</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Hall</span></font> ,
Martha . TATTOO.
Orr's Island ,
ME : M. Hall, 2001</p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">HOLDING IN, HOLDING ON: ARTIST'S BOOKS BY MARTHA HALL.
Northampton , MA :</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Smith</span></font>
College , Mortimer Rare
Book Room, 2003</p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Underhill, Linn. THIRTY FIVE YEARS/ ONE WEEK.
Rochester , NY :
Visual Studies</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Workshop Press, 1981</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Martha Hall was a book artist who made several books relating to her</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">struggle with breast cancer. The
Smith College
exhibition catalog includes</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">images and text of all of her books. Sadly, she did not win this
struggle,</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">but her work is intensely personal and powerful. I believe they
still have</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">copies of this catalog available for sale. </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">The other artists' books may be available at library collections near
you.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">I would look these titles up on Worldcat to check locations.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">I hope these will be helpful.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Laurie</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Laurie Whitehill Chong</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Special Collections Librarian</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">The Fleet Library at RI School
of Design</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">2 College Street</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Providence</span></font> ,
RI 02903</p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">401.709.5927</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">[log in to unmask]</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">>>> "Wolfe, Paula" <[log in to unmask]>
9/22/2008 11:49 AM >>></span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">A student is a printmaker and is interested in other contemporary
artists</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">who develop art related to diseases? I am not aware of any but will do
some</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">searching. Anyone think of a contemporary artist like this?</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">This student develops his artwork about cancer. Thanks.</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Paula Wolfe</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Fine Arts and Architecture Librarian</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">1015 N Olive Street</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">University</span></font>
of Arizona</p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Fine Arts Library</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Office 231b</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Tucson</span></font> ,
Arizona 85721</p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">520-626-9434</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">[log in to unmask] </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">__________________________________________________________________</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Mail submissions to [log in to unmask] For information about joining</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">ARLIS/NA see:</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">
<a target="_blank" href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a> Send administrative matters (file</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">requests, subscription requests, etc)</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> to [log in to unmask]</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">ARLIS-L Archives and subscription maintenance:</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">
<a target="_blank" href="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</a></span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;">Questions may be addressed to list owner (Judy Dyki) at:
[log in to unmask]</span></font></p>
<p class="MsoPlainText"><font size="3" face="Gill Sans MT"><span style="font-size: 12pt;"> </span></font></p>
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__________________________________________________________________
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--0-2134283493-1222375641=:15875--
========================================================================Date: Fri, 26 Sep 2008 07:36:55 -0500
Reply-To: Marlys McGuire <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Marlys McGuire <[log in to unmask]>
Subject: Interesting reference - artists and diseases
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Link
Simms, Ami, 1954-
Title Alzheimer's : forgetting piece by piece / Ami Simms, curator.
Published Flint, Mich. : Mallery Press, Inc. c2007.
Description 111 p. : ill. (some col.) ; 21 cm.
Availability
<http://umnlib.oit.umn.edu:80/F/J84HBU2LELVKT8EUPJI4IL3P37K8YLJ58IJAN6STPAJID4CKLQ-22355?func=item-global&doc_library=UMN01&doc_numberMagrath Library RC523.2 .S55 2007 Regular Loan
Summary "To raise awareness and to fund Alzheimer's research, 54
remarkably talented quiltmakers share their creativity in a traveling
exhibit"-- cover.
Note Includes index.
Subject LC
Link
Alzheimer's disease -- Popular works.
Link
Alzheimer's disease -- Anecdotes.
Contributor Alzheimer's Art Quilt Inititative.
ISBN 9780943079097
0943079098
Marlys McGuire
Magrath Library
[log in to unmask]
612/624-3659 (phone)
612/625-3134 (fax)
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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<img src="http://umnlib.oit.umn.edu:80/exlibris/aleph/u19_2/alephe/www_f_eng/icon/f-separator.gif" width=1 height=1 alt="Link">
Simms, Ami, 1954- <br>
<b>Title</b> Alzheimer’s : forgetting piece by piece / Ami Simms,
curator. <br>
<b>Published</b> Flint, Mich. : Mallery Press, Inc. c2007. <br>
<b>Description</b> 111 p. : ill. (some col.) ; 21 cm. <br>
<br>
<b>Availability</b>
<a href="http://umnlib.oit.umn.edu:80/F/J84HBU2LELVKT8EUPJI4IL3P37K8YLJ58IJAN6STPAJID4CKLQ-22355?func=item-global&doc_library=UMN01&doc_number=004988590&year=&volume=&sub_library=TMAGR">
TC Magrath Library RC523.2 .S55 2007 Regular Loan </a> <br>
<br>
<b>Summary</b> "To raise awareness and to fund Alzheimer’s
research, 54 remarkably talented quiltmakers share their creativity in a
traveling exhibit"-- cover. <br>
<b>Note</b> Includes index. <br>
<b>Subject LC</b>
<img src="http://umnlib.oit.umn.edu:80/exlibris/aleph/u19_2/alephe/www_f_eng/icon/f-separator.gif" alt="Link">
Alzheimer’s disease -- Popular works. <br>
<img src="http://umnlib.oit.umn.edu:80/exlibris/aleph/u19_2/alephe/www_f_eng/icon/f-separator.gif" alt="Link">
Alzheimer’s disease -- Anecdotes. <br>
<b>Contributor</b> Alzheimer’s Art Quilt Inititative. <br>
<b>ISBN</b> 9780943079097 <br>
0943079098 <br><br>
<br>
<x-sigsep><p></x-sigsep>
Marlys McGuire<br>
Magrath Library<br><br>
[log in to unmask]<br>
612/624-3659 (phone)<br>
612/625-3134 (fax)</body>
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--=====================_1361436375==.ALT--
========================================================================Date: Fri, 26 Sep 2008 09:46:10 -0400
Reply-To: Cyndi Adamo <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Cyndi Adamo <[log in to unmask]>
Subject: Available Journals: AIA JOURNAL & ARCHITECTURAL RECORD
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CROSS-POSTED WITH BACKSERV LISTSERV
--------------------------------------------------------------------------------------------------
Our library has the following issues
available to U.S. libraries
for postage reimbursement in U.S. Stamps (or check):
--AIA JOURNAL
1983 MAR, APR, MAY
1982 FEB, MAR, APR, MAY, MID-MAY, SEP, OCT, NOV
1981 MID-MAY, JUL, AUG, MID-AUG, SEP,. OCT, NOV
1980 AUG, SEP, OCT, NOV, DEC
--ARCHITECTURAL RECORD
1984 FEB, MAY
1983 MAR, MAY, JUN, SEP, OCT, NOV, DEC
1982 MAR, APR, MAY, JUN, AUG, OCT, NOV
1981 MID-OCTOBER
Unless noted, all issues are complete, unbound, and in good condition to the best of our knowledge. Because of the number of journal gifts our library is receiving, it is not possible for us to check individual issues for completeness before shipping. If you receive something incomplete, please do NOT send reimbursement.
We MAY mark addresses off of covers with a black marker OR rip off address labels in the case of journals donated to us.
All items will be sent via USPS library rate mail. A copy of your request will be included in the package, along with the address for postage reimbursement.
If interested, contact Cyndi Adamo at [log in to unmask]
Items will be shipped in the order requested.
Thank you,
Cyndi
Cyndi Adamo
Serials Specialist - Mortensen Library
University of Hartford
200 Bloomfield Avenue
West Hartford, CT 06117
Ph: 860-768-4811
Fax: 860-768-5349
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
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<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Our library has the following
issues<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">available
to </SPAN><?xml:namespace prefix = st1 ns =
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/><st1:country-region><st1:place><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">U.S.</SPAN></st1:place></st1:country-region><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">
libraries<BR></SPAN><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-weight: bold">for
postage reimbursement in U.S. Stamps (or check):<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">--AIA
JOURNAL<BR>1983 MAR, APR, MAY<BR>1982 FEB, MAR, APR, MAY, MID-MAY, SEP, OCT,
NOV<BR>1981 MID-MAY, JUL, AUG, MID-AUG, SEP,. OCT, NOV<BR>1980 AUG, SEP, OCT,
NOV, DEC<BR><BR>--ARCHITECTURAL RECORD<BR>1984 FEB, MAY<BR>1983 MAR, MAY, JUN,
SEP, OCT, NOV, DEC<BR>1982 MAR, APR, MAY, JUN, AUG, OCT, NOV<BR>1981
MID-OCTOBER</SPAN><BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Unless noted, all issues are
complete, unbound, and in good condition to the best of our knowledge. Because
of the number of journal gifts our library is receiving, it is not possible for
us to check individual issues for completeness before shipping. If you receive
something incomplete, please do NOT send reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">We MAY mark addresses off of covers
with a black marker OR rip off address labels in the case of journals donated to
us.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">All items
will be sent via USPS library rate mail. A copy of your request will be
included in the package, along with the address for postage
reimbursement.<BR><BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">If interested, contact Cyndi Adamo
at <A href="mailto:[log in to unmask]">[log in to unmask]</A></SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Items will be shipped in the order
requested.<BR><BR></SPAN><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Thank
you,<BR></SPAN><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Cyndi</SPAN></P>
<DIV></FONT><FONT face=Arial size=2><BR></FONT><FONT face=Arial size=2>Cyndi
Adamo<BR>Serials Specialist - Mortensen Library<BR>University of Hartford<BR>200
Bloomfield Avenue<BR>West Hartford, CT 06117<BR>Ph: 860-768-4811<BR>Fax:
860-768-5349<BR><A
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></DIV></DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------=_NextPart_000_0022_01C91FBC.B4CAEBC0--
========================================================================Date: Fri, 26 Sep 2008 09:49:28 -0400
Reply-To: "Wick, Artis" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Wick, Artis" <[log in to unmask]>
Subject: ARLIS-SE annual conference
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Hello-
This is just a reminder that website registration is now open and downloadable for the ARLIS-SE annual conference at The John and Mable Ringling Museum of Art in Sarasota, FL, Nov. 5-8, (http://arlissesarasota.wordpress.com/). We're planning a great program with special events including a talk by David Isay of NPR's oral history program at the Historic Asolo Theatre, a private tour of the Cà d'Zan (The Ringling Mansion), and a full day of programs at the Ringling College of Art and Design. Additionally, we have planned several interesting speakers and tours of both The Ringling College and The Ringling Museum campus'. The conference offers a look at the cultural side of Sarasota with our First Friday Artwalk, and also coincides with the Ringling Museum's Rose Festival on Nov. 8th.
The conference officially begins on Thursday, Nov. 6th at 8:30am with a light breakfast on the Cà d'Zan terrace overlooking Sarasota Bay (weather permitting).
Remember, registration forms need to be in by Oct. 15th so please fill out and mail today!
Thank you,
Artis Wick
Assistant Librarian
Ringling Museum Library
5401 Bay Shore Road
Sarasota, FL 34243
941-359-5700 x2702
FAX 941-360-7370
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<div class=Section1>
<p class=MsoNormal>Hello-<o:p></o:p></p>
<p class=MsoNormal>This is just a reminder that website registration is now
open and downloadable for the ARLIS-SE annual conference at The John and Mable Ringling
Museum of Art in Sarasota, FL, Nov. 5-8, (<a
href="http://arlissesarasota.wordpress.com/">http://arlissesarasota.wordpress.com/</a>).
We’re planning a great program with special events including a talk by
David Isay of NPR’s oral history program at the Historic Asolo Theatre, a
private tour of the Cà d’Zan (The Ringling Mansion), and a full day of
programs at the Ringling College of Art and Design. Additionally, we have planned
several interesting speakers and tours of both The Ringling College and The
Ringling Museum campus’. The conference offers a look at the cultural
side of Sarasota with our First Friday Artwalk, and also coincides with the
Ringling Museum’s Rose Festival on Nov. 8th. <o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>The conference officially begins on Thursday, Nov. 6<sup>th</sup>
at 8:30am with a light breakfast on the Cà d’Zan terrace overlooking Sarasota
Bay (weather permitting).<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Remember, registration forms need to be in by Oct. 15<sup>th</sup>
so please fill out and mail today!<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Thank you,<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Artis Wick<o:p></o:p></p>
<p class=MsoNormal>Assistant Librarian<o:p></o:p></p>
<p class=MsoNormal>Ringling Museum Library<o:p></o:p></p>
<p class=MsoNormal>5401 Bay Shore Road<o:p></o:p></p>
<p class=MsoNormal>Sarasota, FL 34243<o:p></o:p></p>
<p class=MsoNormal>941-359-5700 x2702<o:p></o:p></p>
<p class=MsoNormal>FAX 941-360-7370<o:p></o:p></p>
<p class=MsoNormal>[log in to unmask]<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
</div>
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--_000_8F13985725E86D4F8C59AF889BFC3B90184838E759henrirmaringl_--
========================================================================Date: Fri, 26 Sep 2008 15:54:52 -0400
Reply-To: John Maier <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: John Maier <[log in to unmask]>
Subject: Seeking Back Issues for Binding
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<body>
Pratt Institute Libraries is seeking the following items to help us bind
some journal runs. If anyone can help we would be much obliged.<br><br>
Art & antiques (New York, N.Y. : 1984)<br>
ISSN: 0195-8208<br>
v.31:no.3(2008:Mar.)<br><br>
The Magazine antiques.<br>
ISSN: 0161-9284<br>
v.173:no.3(2008:Mar.)<br>
v.173:no.4(2008:Apr.)<br><br>
Metropolis (New York, N.Y.)<br>
ISSN: 0279-4977<br>
v.27:no.3(2007:Oct.)<br><br>
Many thanks,<br><br>
<x-sigsep><p></x-sigsep>
<font face="Arial CE, Helvetica">John A. Maier<br>
Head of Technical Services<br>
Pratt Institute Libraries<br>
200 Willoughby Avenue<br>
Brooklyn, New York 11205<br>
p:718-636-3659<br>
f:718-399-4220<br>
[log in to unmask]<br>
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__________________________________________________________________
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For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Sun, 28 Sep 2008 09:34:01 -0400
Reply-To: "Soehner, Ken" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Soehner, Ken" <[log in to unmask]>
Subject: ARLIS/NA membership vote on membership dues increase
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At the Membership Meeting at the Denver Conference the Board announced
plans for a membership dues increase. As the membership renewal period
for 2009 approaches it is time to bring the new dues structure to the
membership for a vote. Following our bylaws, changes to the dues
schedule are determined by the board and then voted on by current
ARLIS/NA members. Changes are made if a majority of those voting approve
the Board's determination.
The ARLIS/NA Board proposes an increase in membership dues effective for
2009 memberships. There are a number of factors that call for a dues
increase. Dues have not increased for nearly ten years, and as we all
know costs have gone up in all areas including mailings, publications,
management services and conference costs. The ARLIS/NA archives are now
in good hands at the University of Illinois, but there will be
significant costs involved in processing this material over the next
three years.
We are confident that this dues increase will help to ensure the
sustainability of ARLIS/NA and will allow us to continue programs such
as internships, special funding for chapters and committees, the
mentorship program and many other benefits of ARLIS/NA membership.
I would like to remind you that memberships run on a calendar year. If
approved, the new membership dues structure will apply to membership
renewals and new membership applications for the 2009 calendar year. On
Tuesday, September 30, you will receive notification of an online
ballot. We will be voting using one of the features available through
MemberClicks. Please make sure that your member profile, especially your
email address is correct and current in the online directory. To access
your profile go to the ARLIS/NA homepage at www.arlisna.org and click on
the "MEMBER LOG-IN" link in the top right corner. Once you are logged
in, click on the link to "CHECK & UPDATE your profile information."
The voting period will remain open until November 3rd, but I encourage
you to vote as soon as possible.
Current Dues Structure
Student $45 (three year limit)
Retired/Unemployed $45
Individual $85
Institutional/Business Affiliate $145
Overseas $65
Proposed Dues Structure
Student $50 (three year limit)
Retired/Unemployed $60
Introductory $90 (new category with one year limit)
Individual $120
Institutional/Business Affiliate $190
Overseas $85
We feel that the increased dues are in line and in some cases still less
than membership fees in comparable professional associations. We feel
very strongly that membership in ARLIS/NA brings innumerable benefits,
both tangible and intangible, and that the new dues structure continues
to offer great value.
Please contact me directly if you have any questions.
Ken Soehner
President, ARLIS/NA
Kenneth Soehner
Arthur K. Watson Chief Librarian
Thomas J. Watson Library
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
Phone: 212 570-3934
Fax: 212 570-3847
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<div class=Section1>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>At the Membership Meeting at the Denver Conference the Board announced
plans for a membership dues increase. As the membership renewal period for 2009
approaches it is time to bring the new dues structure to the membership for a
vote. Following our bylaws, changes to the dues schedule are determined by the
board and then voted on by current </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>ARLIS/NA members. Changes are made if a majority of those voting
approve the Board’s determination.</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>The ARLIS/NA Board proposes an increase in membership dues effective
for 2009 memberships. There are a number of factors that call for a dues
increase. Dues have not increased for nearly ten years, and as we all know
costs have gone up in all areas including mailings, publications, management
services and conference costs. The ARLIS/NA archives are now in good hands at
the University of Illinois, but there will be significant costs involved in
processing this material over the next three years.</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>We are confident that this dues increase will help to ensure the
sustainability of ARLIS/NA and will allow us to continue programs such as
internships, special funding for chapters and committees, the mentorship
program and many other benefits of ARLIS/NA membership.</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>I would like to remind you that memberships run on a calendar year. If
approved, the new membership dues structure will apply to membership renewals
and new membership applications for the 2009 calendar year. On Tuesday,
September 30, you will receive notification of an online ballot. We will be
voting using one of the features available through MemberClicks. Please make
sure that your member profile, especially your email address is correct and
current in the online directory. To access your profile go to the ARLIS/NA
homepage at <a href="www.arlisna.org" title="blocked::www.arlisna.org">www.arlisna.org</a>
and click on the “MEMBER LOG-IN” link in the top right corner. Once
you are logged in, click on the link to “CHECK & UPDATE your profile
information.”</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>The voting period will remain open until November 3<sup>rd</sup>, but I
encourage you to vote as soon as possible.</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Current Dues Structure</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Student $45 (three year limit)</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Retired/Unemployed $45</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Individual $85</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Institutional/Business Affiliate $145</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Overseas $65</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Proposed Dues Structure</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Student $50 (three year limit)</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Retired/Unemployed $60</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Introductory $90 (new category with one year limit) </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Individual $120 </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Institutional/Business Affiliate $190 </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Overseas $85</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>We feel that the increased dues are in line and in some cases still
less than membership fees in comparable professional associations. We feel very
strongly that membership in ARLIS/NA brings innumerable benefits, both tangible
and intangible, and that the new dues structure continues to offer great value.
</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Please contact me directly if you have any questions.</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Ken Soehner</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>President, ARLIS/NA</span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Kenneth Soehner</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Arthur K. Watson Chief Librarian</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Thomas J. Watson Library</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>The <u1:place><u1:PlaceName>Metropolitan</u1:PlaceName> <u1:PlaceType>Museum</u1:PlaceType></u1:place> of Art</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>1000 <u1:Street><u1:address>Fifth Avenue</span></font></u1:address></u1:Street></p>
<p class=MsoNormal><u1:place><u1:City><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>New York</span></font></u1:City>, <u1:State>NY</u1:State>
<u1:PostalCode>10028 </u1:PostalCode></u1:place></p>
<p class=MsoNormal><u1:place><u1:PostalCode></u1:PostalCode></u1:place><font
size=3 face="Times New Roman"><span style='font-size:12.0pt'> </span></font></p>
<p class=MsoNormal><u1:place><u1:PostalCode><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Phone: 212 570-3934 </span></font></u1:PostalCode></u1:place></p>
<p class=MsoNormal><u1:place><u1:PostalCode><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>Fax: 212 570-3847</span></font></u1:PostalCode></u1:place></p>
<p class=MsoNormal><u1:place><u1:PostalCode><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'></u1:PostalCode></u1:place> </span></font></p>
<p class=MsoNormal><u1:place><u1:PostalCode><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'></u1:PostalCode></u1:place> </span></font></p>
<p class=MsoNormal><u1:place><u1:PostalCode><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'></u1:PostalCode></u1:place> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
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========================================================================Date: Sun, 28 Sep 2008 17:25:25 +0100
Reply-To: Gillian Varley <[log in to unmask]>
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From: Gillian Varley <[log in to unmask]>
Subject: Bibliographies Update 2009
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Art libraries journal: Bibliographies Update for 2009
Can you tell us about new bibliographies (published in the last couple of years) which should not be left out of the Art Libraries Journal's Bibliographies Update for 2009?
Barbara Polowy, the ALJ's Deputy Editor, is about to start compiling this and needs details of recent bibliographies on art, design, architecture and the performing arts. Please include readers' guides, research guides, bibliographic sourcebooks, substantial bibliographies in periodicals and of course electronic publications on the web or in other media.
If you have material to contribute, please send details direct to Barbara at [log in to unmask] and, if you can, cite
author/editor/compiler
title
imprint (place of publication/publisher/date of publication)
series title
pagination
and ideally also ISBN/ISSN and the price in your local currency.
Please help to make this annual ALJ feature as informative as possible.
Many thanks,
Gillian Varley
Editor, Art Libraries Journal
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 14pt; COLOR: black">Art libraries
journal</SPAN></STRONG><STRONG><SPAN style="FONT-SIZE: 14pt; COLOR: black">:
</SPAN></STRONG><STRONG><SPAN
style="FONT-WEIGHT: normal; FONT-SIZE: 14pt; COLOR: black; mso-bidi-font-weight: bold">Bibliographies
Update for 2009</SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; COLOR: black"><?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p> </o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><SPAN
style="COLOR: black">Can you tell us about new bibliographies (published in
the last couple of years) which should not be left out of the Art Libraries
Journal's Bibliographies Update for 2009?<SPAN style="mso-spacerun: yes">
</SPAN></SPAN><SPAN
style="COLOR: black; mso-bidi-font-size: 12.0pt"><o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="COLOR: black"><o:p><FONT size=3> </FONT></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>Barbara Polowy, the ALJ’s Deputy Editor, is about to start compiling this
and needs details of recent bibliographies on art, design, architecture and the
performing arts. Please include readers' guides, research guides, bibliographic
sourcebooks, substantial bibliographies in periodicals and of course electronic
publications on the web or in other media.<o:p></o:p></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="COLOR: black"><o:p><FONT size=3> </FONT></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>If you have material to contribute, please send details direct to
Barbara at </FONT><A href="mailto:[log in to unmask]"><FONT
size=3>[log in to unmask]</FONT></A><FONT size=3> and, if you can,
</FONT><FONT size=3>cite </FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>author/editor/compiler</FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>title</FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>imprint (place of publication/publisher/date of publication)
</FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>series title</FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>pagination </FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>and ideally also ISBN/ISSN and the price in your local
currency. </FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3></FONT></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>Please help to make this annual ALJ feature </FONT></SPAN><SPAN
style="COLOR: black"><FONT size=3>as informative as possible.</FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="COLOR: black"><o:p><FONT size=3> </FONT></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>Many thanks,<o:p></o:p></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN style="COLOR: black"><FONT
size=3>Gillian Varley<BR>Editor, Art Libraries Journal
<o:p></o:p></FONT></SPAN></P></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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========================================================================Date: Sun, 28 Sep 2008 14:30:48 -0700
Reply-To: Librarian <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Librarian <[log in to unmask]>
Subject: Sexy Stacks
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Hello ArLis members,
I started a new specialized yahoo group (listserv) that I
hope you will join. I know it will be very helpful for me
in keeping up with happenings related to my work and
thesis. I'd appreciate any participation.
Below is the link and also the group description.
Thanks,
Allison
http://tech.groups.yahoo.com/group/sexystacks/
Sexy Stacks is an online community list serve with the
sole purpose of connecting information specialists,
artists, curators and researchers who are specifically
interested in gender theory, sexuality and erotica.
Members are encouraged to post information on related art
openings, research questions/advice, calls for artists or
articles, guidance for libraries or special collections
etc. Moderator will approve all posts and memberships. If
you do not wish to receive individual emails, be sure to
click the "daily digest" when joining.
Allison R. Schulte
Librarian
[log in to unmask]
Tom of Finland Foundation
1421 Laveta Terrace
Los Angeles, CA 90026
www.tomoffinlandfoundation.org
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
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ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
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========================================================================Date: Mon, 29 Sep 2008 11:49:30 +0200
Reply-To: Annamaria Poma-Swank <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Annamaria Poma-Swank <[log in to unmask]>
Subject: project
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Dear all,
I would like to know if there is a study on the impact of museums
technology to museums policy such as museums collection development,
staffing, organizational chart, budget and so forth.
You can write to me at
[log in to unmask]
Annamaria Poma Swank
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
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<div dir="ltr">Dear all, <br>I would like to know if there is a study on the impact of museums <br>technology to museums policy such as museums collection development, <br>staffing, organizational chart, budget and so forth. <br>
You can write to me at <br><a href="mailto:[log in to unmask]">[log in to unmask]</a> <br><br>Annamaria Poma Swank <br></div>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------=_Part_28156_12665840.1222681771009--
========================================================================Date: Mon, 29 Sep 2008 08:21:59 -0400
Reply-To: Moira Steven <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Moira Steven <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
Comments: To: "Soehner, Ken" <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Thank you, Ken, for the update. I do have a few questions:
Why is the personal membership being increased by nearly 42% while the
institutional fee is being increased by only 31%? This increase places a
disproportionate burden on the individual member, many of whom would find
this onerous.
Was a straight, across-the-board percentage increase considered? If so,
why was it rejected? If not, why not?
Is there opportunity to discuss this issue now that the board has made its
recommendation?
Thank you for addressing these issues.
Moira
_______________________________________
Moira Steven
Library Director
Joanne Waxman Library
Maine College of Art
522 Congress Street
Portland, ME 04101
207-775-5153 / [log in to unmask]
"All art is about saying yes, and all art is about its own making" - John
Currin
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 29 Sep 2008 09:11:08 -0400
Reply-To: Kathleen List <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Kathleen List <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
In-Reply-To: A<[log in to unmask]>
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Ken,
I would anticipate some melt in the membership numbers with an increase
in the Individual membership dues because of the current economic
situation affecting both institutions and individuals.
As we consider our votes on the proposed increases, would the board be
willing to share information on the current dues revenue from each type
of membership and the anticipated dues revenue if the increases pass and
all members renew? I would be interested in knowing how dependent the
next society budget might be on both passage of a dues increase and
membership numbers remaining at least level and contingency plans if
not.
Thank you to the board for managing this important work of the society
on behalf of all of us.
Kathleen
Kathleen List
Director of Library Services
Ringling College of Art and Design
2700 N. Tamiami Trail
Sarasota, FL 34234-5895
941.359.7582 Office
941.359.7632 Fax
[log in to unmask]
www.lib.ringling.edu <http://www.lib.ringling.edu/>
________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Soehner, Ken
Sent: Sunday, September 28, 2008 9:34 AM
To: [log in to unmask]
Subject: [ARLIS-L] ARLIS/NA membership vote on membership dues increase
At the Membership Meeting at the Denver Conference the Board announced
plans for a membership dues increase. As the membership renewal period
for 2009 approaches it is time to bring the new dues structure to the
membership for a vote. Following our bylaws, changes to the dues
schedule are determined by the board and then voted on by current
ARLIS/NA members. Changes are made if a majority of those voting approve
the Board's determination.
The ARLIS/NA Board proposes an increase in membership dues effective for
2009 memberships. There are a number of factors that call for a dues
increase. Dues have not increased for nearly ten years, and as we all
know costs have gone up in all areas including mailings, publications,
management services and conference costs. The ARLIS/NA archives are now
in good hands at the University of Illinois, but there will be
significant costs involved in processing this material over the next
three years.
We are confident that this dues increase will help to ensure the
sustainability of ARLIS/NA and will allow us to continue programs such
as internships, special funding for chapters and committees, the
mentorship program and many other benefits of ARLIS/NA membership.
I would like to remind you that memberships run on a calendar year. If
approved, the new membership dues structure will apply to membership
renewals and new membership applications for the 2009 calendar year. On
Tuesday, September 30, you will receive notification of an online
ballot. We will be voting using one of the features available through
MemberClicks. Please make sure that your member profile, especially your
email address is correct and current in the online directory. To access
your profile go to the ARLIS/NA homepage at www.arlisna.org and click on
the "MEMBER LOG-IN" link in the top right corner. Once you are logged
in, click on the link to "CHECK & UPDATE your profile information."
The voting period will remain open until November 3rd, but I encourage
you to vote as soon as possible.
Current Dues Structure
Student $45 (three year limit)
Retired/Unemployed $45
Individual $85
Institutional/Business Affiliate $145
Overseas $65
Proposed Dues Structure
Student $50 (three year limit)
Retired/Unemployed $60
Introductory $90 (new category with one year limit)
Individual $120
Institutional/Business Affiliate $190
Overseas $85
We feel that the increased dues are in line and in some cases still less
than membership fees in comparable professional associations. We feel
very strongly that membership in ARLIS/NA brings innumerable benefits,
both tangible and intangible, and that the new dues structure continues
to offer great value.
Please contact me directly if you have any questions.
Ken Soehner
President, ARLIS/NA
Kenneth Soehner
Arthur K. Watson Chief Librarian
Thomas J. Watson Library
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
Phone: 212 570-3934
Fax: 212 570-3847
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2>Ken,</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2>I would anticipate some melt in the membership numbers
with an increase in the Individual membership dues because of the
current economic situation affecting both institutions and
individuals.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2>As we consider our votes on the proposed increases, would
the board be willing to share information on the current dues revenue from each
type of membership and the anticipated dues revenue if the increases pass and
all members renew? I would be interested in knowing how dependent the next
society budget might be on both passage of a dues increase and membership
numbers remaining at least level and contingency plans if
not.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2>Thank you to the board for managing this important work of
the society on behalf of all of us.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2>Kathleen</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><FONT face=Arial
color=#0000ff size=2></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=224434812-29092008><STRONG><FONT
face=Verdana color=#808080>Kathleen List<BR></FONT></STRONG><FONT size=3><FONT
color=#808080><STRONG><FONT face=Verdana>Director of Library
Services</FONT><BR></STRONG><FONT face=Verdana>Ringling College of Art and
Design</FONT></FONT></FONT>
<DIV align=left><FONT face=Verdana color=#808080>2700 N. Tamiami
Trail</FONT></DIV>
<DIV align=left><FONT face=Verdana color=#808080>Sarasota, FL
34234-5895</FONT></DIV>
<DIV align=left><FONT face=Verdana color=#808080></FONT> </DIV>
<DIV align=left><FONT face=Verdana color=#808080>941.359.7582
Office</FONT></DIV>
<DIV align=left><FONT face=Verdana color=#808080>941.359.7632 Fax</FONT></DIV>
<DIV align=left><FONT face=Verdana color=#808080><A
title=mailto:[log in to unmask]
href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV>
<DIV align=left><FONT face=Verdana color=#808080><A
title=http://www.lib.ringling.edu/
href="http://www.lib.ringling.edu/">www.lib.ringling.edu</A></FONT></DIV></SPAN></DIV><BR>
<DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left>
<HR tabIndex=-1>
<FONT face=Tahoma size=2><B>From:</B> ART LIBRARIES SOCIETY DISCUSSION LIST
[mailto:[log in to unmask]] <B>On Behalf Of </B>Soehner, Ken<BR><B>Sent:</B>
Sunday, September 28, 2008 9:34 AM<BR><B>To:</B>
[log in to unmask]<BR><B>Subject:</B> [ARLIS-L] ARLIS/NA membership vote on
membership dues increase<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV class=Section1>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">At the Membership Meeting at the Denver Conference the
Board announced plans for a membership dues increase. As the membership renewal
period for 2009 approaches it is time to bring the new dues structure to the
membership for a vote. Following our bylaws, changes to the dues schedule are
determined by the board and then voted on by current </SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">ARLIS/NA members. Changes are made if a majority of
those voting approve the Board’s determination.</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">The ARLIS/NA Board proposes an increase in membership
dues effective for 2009 memberships. There are a number of factors that call for
a dues increase. Dues have not increased for nearly ten years, and as we all
know costs have gone up in all areas including mailings, publications,
management services and conference costs. The ARLIS/NA archives are now in good
hands at the University of Illinois, but there will be significant costs
involved in processing this material over the next three
years.</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">We are confident that this dues increase will help to
ensure the sustainability of ARLIS/NA and will allow us to continue programs
such as internships, special funding for chapters and committees, the mentorship
program and many other benefits of ARLIS/NA membership.</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">I would like to remind you that memberships run on a
calendar year. If approved, the new membership dues structure will apply to
membership renewals and new membership applications for the 2009 calendar year.
On Tuesday, September 30, you will receive notification of an online ballot. We
will be voting using one of the features available through MemberClicks. Please
make sure that your member profile, especially your email address is correct and
current in the online directory. To access your profile go to the ARLIS/NA
homepage at <A title=blocked::www.arlisna.org
href="www.arlisna.org">www.arlisna.org</A> and click on the “MEMBER LOG-IN” link
in the top right corner. Once you are logged in, click on the link to “CHECK
& UPDATE your profile information.”</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">The voting period will remain open until November
3<SUP>rd</SUP>, but I encourage you to vote as soon as
possible.</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Current Dues Structure</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Student $45 (three year limit)</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Retired/Unemployed $45</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Individual $85</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Institutional/Business Affiliate $145</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Overseas $65</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Proposed Dues Structure</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Student $50 (three year limit)</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Retired/Unemployed $60</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Introductory $90 (new category with one year limit)
</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Individual $120 </SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Institutional/Business Affiliate $190 </SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Overseas $85</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">We feel that the increased dues are in line and in some
cases still less than membership fees in comparable professional associations.
We feel very strongly that membership in ARLIS/NA brings innumerable benefits,
both tangible and intangible, and that the new dues structure continues to offer
great value. </SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Please contact me directly if you have any
questions.</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Ken Soehner</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">President, ARLIS/NA</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial size=3><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face=Arial size=3><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face=Arial size=3><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Kenneth Soehner</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Arthur K. Watson Chief Librarian</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Thomas J. Watson Library</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">The <U1:PLACE><U1:PLACENAME>Metropolitan</U1:PLACENAME>
<U1:PLACETYPE>Museum</U1:PLACETYPE></U1:PLACE> of Art</SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">1000 <U1:STREET><U1:ADDRESS>Fifth
Avenue</SPAN></FONT></U1:ADDRESS></U1:STREET></P>
<P class=MsoNormal><U1:PLACE><U1:CITY><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">New York</SPAN></FONT></U1:CITY>,
<U1:STATE>NY</U1:STATE> <U1:POSTALCODE>10028 </U1:POSTALCODE></U1:PLACE></P>
<P class=MsoNormal><U1:PLACE><U1:POSTALCODE></U1:POSTALCODE></U1:PLACE><FONT
face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt"></SPAN></FONT></P>
<P class=MsoNormal><U1:PLACE><U1:POSTALCODE><FONT face="Times New Roman"
size=3><SPAN style="FONT-SIZE: 12pt">Phone: 212 570-3934
</SPAN></FONT></U1:POSTALCODE></U1:PLACE></P>
<P class=MsoNormal><U1:PLACE><U1:POSTALCODE><FONT face="Times New Roman"
size=3><SPAN style="FONT-SIZE: 12pt">Fax: 212
570-3847</SPAN></FONT></U1:POSTALCODE></U1:PLACE></P>
<P class=MsoNormal><U1:PLACE><U1:POSTALCODE><FONT face="Times New Roman"
size=3><SPAN
style="FONT-SIZE: 12pt"></U1:POSTALCODE></U1:PLACE></SPAN></FONT></P>
<P class=MsoNormal><U1:PLACE><U1:POSTALCODE><FONT face="Times New Roman"
size=3><SPAN
style="FONT-SIZE: 12pt"></U1:POSTALCODE></U1:PLACE></SPAN></FONT></P>
<P class=MsoNormal><U1:PLACE><U1:POSTALCODE><FONT face="Times New Roman"
size=3><SPAN
style="FONT-SIZE: 12pt"></U1:POSTALCODE></U1:PLACE></SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </P></DIV>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining ARLIS/NA
see: http://www.arlisna.org/join.html Send administrative matters (file
requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives
and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions
may be addressed to list owner (Judy Dyki) at: [log in to unmask]
</BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------_=_NextPart_001_01C92234.D664DCE7--
========================================================================Date: Mon, 29 Sep 2008 08:22:20 -0700
Reply-To: Maureen Burns <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Maureen Burns <[log in to unmask]>
Subject: Fwd: [MCN-L] MCN 2008 Early Bird Deadline Extended
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"; format=flowed
Please excuse cross-posting.
>From: "Cathryn Goodwin" <[log in to unmask]>
>To: "Museum Computer Network Listserv" <[log in to unmask]>
>Subject: [MCN-L] MCN 2008 Early Bird Deadline Extended
>X-Mailman-Version: 2.1.7
>Reply-To: Museum Computer Network Listserv <[log in to unmask]>
>
>Great News!
>
>MCN will extend the Early Bird Registration Deadline until October 10,
>2008
>
>Take advantage of this opportunity and register now for
>
>LET'S DO I.T. RIGHT!
>36th Annual Museum Computer Network Conference
>November 12th -15th, 2008 Washington, DC
>(full conference program available here:
>http://www.mcn.edu/conferences/index.asp )
>
>
>Register online today!
>http://www.mcn.edu/conferences/index.asp?subkeyˆ8
>
>
>Look forward to seeing you in DC
>
>Cathryn Goodwin
>President, Museum Computer Network
>www.mcn.edu
>
>_______________________________________________
>You are currently subscribed to mcn-l, the listserv of the Museum
>Computer Network (http://www.mcn.edu)
>
>To post to this list, send messages to: [log in to unmask]
>
>To unsubscribe or change mcn-l delivery options visit:
>http://toronto.mediatrope.com/mailman/listinfo/mcn-l
Maureen A. Burns, Ed.D.
Humanities Curator
Visual Resources Collection
61 Humanities Instructional Building
University of California
Irvine, CA 92697-3375
949-824-8027 phone
949-824-4298 fax
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 29 Sep 2008 14:16:53 -0400
Reply-To: Anne Haas <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Anne Haas <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
Comments: To: "Soehner, Ken" <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
Mime-version: 1.0
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i¹m with moira- $85 changing up to $120 is an enormous increase..and
institutional memberships are often paid for by the institution, while
personal ones often are not....seems like an unfair burden on the
individual.
anne
Anne B. Haas
Art Librarian
Bowdoin College
9300 College Station
Brunswick, Maine 04011
[log in to unmask]
On 9/28/08 9:34 AM, "Soehner, Ken" <[log in to unmask]> wrote:
> At the Membership Meeting at the Denver Conference the Board announced plans
> for a membership dues increase. As the membership renewal period for 2009
> approaches it is time to bring the new dues structure to the membership for a
> vote. Following our bylaws, changes to the dues schedule are determined by the
> board and then voted on by current
> ARLIS/NA members. Changes are made if a majority of those voting approve the
> Board¹s determination.
>
> The ARLIS/NA Board proposes an increase in membership dues effective for 2009
> memberships. There are a number of factors that call for a dues increase. Dues
> have not increased for nearly ten years, and as we all know costs have gone up
> in all areas including mailings, publications, management services and
> conference costs. The ARLIS/NA archives are now in good hands at the
> University of Illinois, but there will be significant costs involved in
> processing this material over the next three years.
>
> We are confident that this dues increase will help to ensure the
> sustainability of ARLIS/NA and will allow us to continue programs such as
> internships, special funding for chapters and committees, the mentorship
> program and many other benefits of ARLIS/NA membership.
>
> I would like to remind you that memberships run on a calendar year. If
> approved, the new membership dues structure will apply to membership renewals
> and new membership applications for the 2009 calendar year. On Tuesday,
> September 30, you will receive notification of an online ballot. We will be
> voting using one of the features available through MemberClicks. Please make
> sure that your member profile, especially your email address is correct and
> current in the online directory. To access your profile go to the ARLIS/NA
> homepage at www.arlisna.org and click on the ³MEMBER LOG-IN² link in the top
> right corner. Once you are logged in, click on the link to ³CHECK & UPDATE
> your profile information.²
>
> The voting period will remain open until November 3rd, but I encourage you to
> vote as soon as possible.
>
> Current Dues Structure
>
> Student $45 (three year limit)
> Retired/Unemployed $45
> Individual $85
> Institutional/Business Affiliate $145
> Overseas $65
>
> Proposed Dues Structure
>
> Student $50 (three year limit)
> Retired/Unemployed $60
> Introductory $90 (new category with one year limit)
> Individual $120
> Institutional/Business Affiliate $190
> Overseas $85
>
> We feel that the increased dues are in line and in some cases still less than
> membership fees in comparable professional associations. We feel very strongly
> that membership in ARLIS/NA brings innumerable benefits, both tangible and
> intangible, and that the new dues structure continues to offer great value.
>
> Please contact me directly if you have any questions.
>
> Ken Soehner
> President, ARLIS/NA
>
>
>
> Kenneth Soehner
> Arthur K. Watson Chief Librarian
> Thomas J. Watson Library
> The Metropolitan Museum of Art
> 1000 Fifth Avenue
> New York, NY 10028
>
> Phone: 212 570-3934
> Fax: 212 570-3847
>
>
>
>
> __________________________________________________________________ Mail
> submissions to [log in to unmask] For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html Send administrative matters (file requests,
> subscription requests, etc) to [log in to unmask] ARLIS-L Archives and
> subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions
> may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--B_3305542613_27017980
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<HEAD>
<TITLE>Re: [ARLIS-L] ARLIS/NA membership vote on membership dues increase</TITLE>
</HEAD>
<BODY>
<FONT FACE="Verdana, Helvetica, Arial"><SPAN STYLE='font-size:12.0px'>i’m with moira- $85 changing up to $120 is an enormous increase..and institutional memberships are often paid for by the institution, while personal ones often are not....seems like an unfair burden on the individual.<BR>
<BR>
anne<BR>
<BR>
</SPAN></FONT><SPAN STYLE='font-size:12.0px'><FONT COLOR="#0000FE"><FONT FACE="Optima, Times New Roman"><I>Anne B. Haas<BR>
Art Librarian<BR>
Bowdoin College<BR>
9300 College Station<BR>
Brunswick, Maine 04011<BR>
[log in to unmask]<BR>
</I></FONT></FONT><FONT FACE="Verdana, Helvetica, Arial"><BR>
<BR>
On 9/28/08 9:34 AM, "Soehner, Ken" <[log in to unmask]> wrote:<BR>
<BR>
</FONT></SPAN><BLOCKQUOTE><FONT SIZE="5"><FONT FACE="Times New Roman"><SPAN STYLE='font-size:16.0px'>At the Membership Meeting at the Denver Conference the Board announced plans for a membership dues increase. As the membership renewal period for 2009 approaches it is time to bring the new dues structure to the membership for a vote. Following our bylaws, changes to the dues schedule are determined by the board and then voted on by current <BR>
ARLIS/NA members. Changes are made if a majority of those voting approve the Board’s determination.<BR>
<BR>
The ARLIS/NA Board proposes an increase in membership dues effective for 2009 memberships. There are a number of factors that call for a dues increase. Dues have not increased for nearly ten years, and as we all know costs have gone up in all areas including mailings, publications, management services and conference costs. The ARLIS/NA archives are now in good hands at the University of Illinois, but there will be significant costs involved in processing this material over the next three years.<BR>
<BR>
We are confident that this dues increase will help to ensure the sustainability of ARLIS/NA and will allow us to continue programs such as internships, special funding for chapters and committees, the mentorship program and many other benefits of ARLIS/NA membership.<BR>
<BR>
I would like to remind you that memberships run on a calendar year. If approved, the new membership dues structure will apply to membership renewals and new membership applications for the 2009 calendar year. On Tuesday, September 30, you will receive notification of an online ballot. We will be voting using one of the features available through MemberClicks. Please make sure that your member profile, especially your email address is correct and current in the online directory. To access your profile go to the ARLIS/NA homepage at www.arlisna.org and click on the “MEMBER LOG-IN” link in the top right corner. Once you are logged in, click on the link to “CHECK & UPDATE your profile information.”<BR>
<BR>
The voting period will remain open until November 3rd, but I encourage you to vote as soon as possible.<BR>
<BR>
Current Dues Structure<BR>
<BR>
Student $45 (three year limit)<BR>
Retired/Unemployed $45<BR>
Individual $85<BR>
Institutional/Business Affiliate $145<BR>
Overseas $65<BR>
<BR>
Proposed Dues Structure<BR>
<BR>
Student $50 (three year limit)<BR>
Retired/Unemployed $60<BR>
Introductory $90 (new category with one year limit) <BR>
Individual $120 <BR>
Institutional/Business Affiliate $190 <BR>
Overseas $85<BR>
<BR>
We feel that the increased dues are in line and in some cases still less than membership fees in comparable professional associations. We feel very strongly that membership in ARLIS/NA brings innumerable benefits, both tangible and intangible, and that the new dues structure continues to offer great value. <BR>
<BR>
Please contact me directly if you have any questions.<BR>
<BR>
Ken Soehner<BR>
President, ARLIS/NA<BR>
</SPAN></FONT><SPAN STYLE='font-size:16.0px'><FONT FACE="Arial"> <BR>
<BR>
<BR>
</FONT><FONT FACE="Times New Roman">Kenneth Soehner<BR>
Arthur K. Watson Chief Librarian<BR>
Thomas J. Watson Library<BR>
The Metropolitan Museum of Art<BR>
1000 Fifth Avenue<BR>
New York</FONT></SPAN></FONT><FONT FACE="Verdana, Helvetica, Arial"><SPAN STYLE='font-size:12.0px'>, NY 10028 <BR>
</SPAN></FONT><FONT SIZE="5"><FONT FACE="Times New Roman"><SPAN STYLE='font-size:16.0px'> <BR>
Phone: 212 570-3934 <BR>
Fax: 212 570-3847<BR>
<BR>
<BR>
<BR>
<BR>
</SPAN></FONT></FONT><FONT FACE="Verdana, Helvetica, Arial"><SPAN STYLE='font-size:12.0px'>__________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a> Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: <a href="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</a> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE="Verdana, Helvetica, Arial"><SPAN STYLE='font-size:12.0px'><BR>
</SPAN></FONT>
</BODY>
</HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--B_3305542613_27017980--
========================================================================Date: Mon, 29 Sep 2008 14:03:00 -0400
Reply-To: Susan Flaherty <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Susan Flaherty <[log in to unmask]>
Subject: Available Journals
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 8bit
The Maine College of Art has the following journals available:
Art in America
No. 7 (July 1997)
Afterimage
V. 36 no. 1 (July/Aug 2008)
Artnews
V. 107 no. 5 (May 2008)
Communication Arts
No. 360 (May/June 2008)
No. 362 (Aug 2008)
Contact Sheet
143
144
145
Dwell
V. 7 no. 10 (Oct. 2007)
V. 8 no. 1 (Nov 2007))
Journal of Modern Craft
V. 1 issue 2 (July 2008)
Sculpture
V. 27 no. 6 (July/Aug. 2008) (2 copies)
V. 27 no. 8 (Oct 2008)
Wired
Sept 2008
You may contact me directly at [log in to unmask] We'd like to be
reinversed for postage. Thank you. Susan Flaherty
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 29 Sep 2008 11:43:42 -0700
Reply-To: "Wolfe, Paula" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Wolfe, Paula" <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
Comments: To: Anne Haas <[log in to unmask]>
In-Reply-To: A<[log in to unmask]>
MIME-Version: 1.0
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I would agree with the change if it included membership in one regional
group.
Paula Wolfe
Fine Arts and Architecture Librarian
1015 N Olive Street
University of Arizona
Fine Arts Library
Office 231b
Tucson, Arizona 85721
520-626-9434
[log in to unmask]
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Anne Haas
Sent: Monday, September 29, 2008 11:17 AM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
i'm with moira- $85 changing up to $120 is an enormous increase..and
institutional memberships are often paid for by the institution, while
personal ones often are not....seems like an unfair burden on the
individual.
anne
Anne B. Haas
Art Librarian
Bowdoin College
9300 College Station
Brunswick, Maine 04011
[log in to unmask]
On 9/28/08 9:34 AM, "Soehner, Ken" <[log in to unmask]> wrote:
At the Membership Meeting at the Denver Conference the Board announced
plans for a membership dues increase. As the membership renewal period
for 2009 approaches it is time to bring the new dues structure to the
membership for a vote. Following our bylaws, changes to the dues
schedule are determined by the board and then voted on by current
ARLIS/NA members. Changes are made if a majority of those voting approve
the Board's determination.
The ARLIS/NA Board proposes an increase in membership dues effective for
2009 memberships. There are a number of factors that call for a dues
increase. Dues have not increased for nearly ten years, and as we all
know costs have gone up in all areas including mailings, publications,
management services and conference costs. The ARLIS/NA archives are now
in good hands at the University of Illinois, but there will be
significant costs involved in processing this material over the next
three years.
We are confident that this dues increase will help to ensure the
sustainability of ARLIS/NA and will allow us to continue programs such
as internships, special funding for chapters and committees, the
mentorship program and many other benefits of ARLIS/NA membership.
I would like to remind you that memberships run on a calendar year. If
approved, the new membership dues structure will apply to membership
renewals and new membership applications for the 2009 calendar year. On
Tuesday, September 30, you will receive notification of an online
ballot. We will be voting using one of the features available through
MemberClicks. Please make sure that your member profile, especially your
email address is correct and current in the online directory. To access
your profile go to the ARLIS/NA homepage at www.arlisna.org and click on
the "MEMBER LOG-IN" link in the top right corner. Once you are logged
in, click on the link to "CHECK & UPDATE your profile information."
The voting period will remain open until November 3rd, but I encourage
you to vote as soon as possible.
Current Dues Structure
Student $45 (three year limit)
Retired/Unemployed $45
Individual $85
Institutional/Business Affiliate $145
Overseas $65
Proposed Dues Structure
Student $50 (three year limit)
Retired/Unemployed $60
Introductory $90 (new category with one year limit)
Individual $120
Institutional/Business Affiliate $190
Overseas $85
We feel that the increased dues are in line and in some cases still less
than membership fees in comparable professional associations. We feel
very strongly that membership in ARLIS/NA brings innumerable benefits,
both tangible and intangible, and that the new dues structure continues
to offer great value.
Please contact me directly if you have any questions.
Ken Soehner
President, ARLIS/NA
Kenneth Soehner
Arthur K. Watson Chief Librarian
Thomas J. Watson Library
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
Phone: 212 570-3934
Fax: 212 570-3847
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<p class=MsoNormal><span style='font-family:"Tahoma","sans-serif";color:blue'>I
would agree with the change if it included membership in one regional group.<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-family:"Tahoma","sans-serif";color:blue'><o:p> </o:p></span></p>
<div>
<p class=MsoNormal><b><span style='font-size:11.0pt;font-family:"Garamond","serif";
color:gray'>Paula Wolfe<o:p></o:p></span></b></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'>Fine Arts and Architecture Librarian<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'>1015 N Olive Street</span><span style='color:blue'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'>University of Arizona<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'>Fine Arts Library</span><span style='color:blue'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'>Office 231b<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'>Tucson, Arizona 85721<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'>520-626-9434<o:p></o:p></span></p>
</div>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Garamond","serif";
color:gray'><a href="mailto:[log in to unmask]">[log in to unmask]</a></span><span
style='font-family:"Tahoma","sans-serif";color:blue'><o:p></o:p></span></p>
<div>
<div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'>
<p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span
style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b>On Behalf Of </b>Anne
Haas<br>
<b>Sent:</b> Monday, September 29, 2008 11:17 AM<br>
<b>To:</b> [log in to unmask]<br>
<b>Subject:</b> Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase<o:p></o:p></span></p>
</div>
</div>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:9.0pt;
font-family:"Verdana","sans-serif"'>i’m with moira- $85 changing up to $120 is
an enormous increase..and institutional memberships are often paid for by the
institution, while personal ones often are not....seems like an unfair burden
on the individual.<br>
<br>
anne<br>
<br>
</span><i><span style='font-size:9.0pt;color:#0000FE'>Anne B. Haas<br>
Art Librarian<br>
Bowdoin College<br>
9300 College Station<br>
Brunswick, Maine 04011<br>
[log in to unmask]<br>
</span></i><span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'><br>
<br>
On 9/28/08 9:34 AM, "Soehner, Ken" <[log in to unmask]>
wrote:</span><o:p></o:p></p>
<p class=MsoNormal>At the Membership Meeting at the Denver Conference the Board
announced plans for a membership dues increase. As the membership renewal
period for 2009 approaches it is time to bring the new dues structure to the
membership for a vote. Following our bylaws, changes to the dues schedule are
determined by the board and then voted on by current <br>
ARLIS/NA members. Changes are made if a majority of those voting approve the
Board’s determination.<br>
<br>
The ARLIS/NA Board proposes an increase in membership dues effective for 2009
memberships. There are a number of factors that call for a dues increase. Dues
have not increased for nearly ten years, and as we all know costs have gone up in
all areas including mailings, publications, management services and conference
costs. The ARLIS/NA archives are now in good hands at the University of
Illinois, but there will be significant costs involved in processing this
material over the next three years.<br>
<br>
We are confident that this dues increase will help to ensure the sustainability
of ARLIS/NA and will allow us to continue programs such as internships, special
funding for chapters and committees, the mentorship program and many other
benefits of ARLIS/NA membership.<br>
<br>
I would like to remind you that memberships run on a calendar year. If
approved, the new membership dues structure will apply to membership renewals
and new membership applications for the 2009 calendar year. On Tuesday,
September 30, you will receive notification of an online ballot. We will be
voting using one of the features available through MemberClicks. Please make
sure that your member profile, especially your email address is correct and
current in the online directory. To access your profile go to the ARLIS/NA
homepage at www.arlisna.org and click on the “MEMBER LOG-IN” link in the top
right corner. Once you are logged in, click on the link to “CHECK & UPDATE
your profile information.”<br>
<br>
The voting period will remain open until November 3rd, but I encourage you to
vote as soon as possible.<br>
<br>
Current Dues Structure<br>
<br>
Student $45 (three year limit)<br>
Retired/Unemployed $45<br>
Individual $85<br>
Institutional/Business Affiliate $145<br>
Overseas $65<br>
<br>
Proposed Dues Structure<br>
<br>
Student $50 (three year limit)<br>
Retired/Unemployed $60<br>
Introductory $90 (new category with one year limit) <br>
Individual $120 <br>
Institutional/Business Affiliate $190 <br>
Overseas $85<br>
<br>
We feel that the increased dues are in line and in some cases still less than
membership fees in comparable professional associations. We feel very strongly
that membership in ARLIS/NA brings innumerable benefits, both tangible and
intangible, and that the new dues structure continues to offer great value. <br>
<br>
Please contact me directly if you have any questions.<br>
<br>
Ken Soehner<br>
President, ARLIS/NA<br>
<span style='font-family:"Arial","sans-serif"'><br>
<br>
<br>
</span>Kenneth Soehner<br>
Arthur K. Watson Chief Librarian<br>
Thomas J. Watson Library<br>
The Metropolitan Museum of Art<br>
1000 Fifth Avenue<br>
New York<span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'>, NY
10028 <br>
</span><br>
Phone: 212 570-3934 <br>
Fax: 212 570-3847<br>
<br>
<br>
<br>
<br>
<span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining ARLIS/NA
see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a>
Send administrative matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance: <a
href="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</a>
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]</span><o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining ARLIS/NA
see: http://www.arlisna.org/join.html Send administrative matters (file requests,
subscription requests, etc) to [log in to unmask] ARLIS-L Archives and
subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions
may be addressed to list owner (Judy Dyki) at: [log in to unmask] <o:p></o:p></p>
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------_=_NextPart_001_01C92263.4B94CA14--
========================================================================Date: Mon, 29 Sep 2008 15:01:49 -0400
Reply-To: rachel resnik <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: rachel resnik <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
Comments: To: Moira Steven <[log in to unmask]>
In-Reply-To: <[log in to unmask]>
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Hi Moira et al.
Here's a little more history on dues.
Dues
History:
2004
1998
Individual
($50K+)
$85
$90
Retired/Unemployed
$45
$50
Student
$45
$40
Business
$145
$105
Institutional
$145
$100
Subscriber
$65
$60
Dues haven't been raised for Individual members since 1998 (in fact they've gone down). Institutional/Business Affiliate dues on the other hand were raised fairly significantly in 2004. So the percentage increases in the proposal seem unfair when you compare them to the current dues. When you look at it over a ten year period, it makes a lot more sense.
It's definitely not an easy increase to swallow, but I do believe it's fair. And necessary, from what I understand.
Rachel Resnik
Massachusetts College of Art and Design
[log in to unmask]
> Date: Mon, 29 Sep 2008 08:21:59 -0400
> From: [log in to unmask]
> Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues increase
> To: [log in to unmask]
>
> Thank you, Ken, for the update. I do have a few questions:
>
> Why is the personal membership being increased by nearly 42% while the
> institutional fee is being increased by only 31%? This increase places a
> disproportionate burden on the individual member, many of whom would find
> this onerous.
>
> Was a straight, across-the-board percentage increase considered? If so,
> why was it rejected? If not, why not?
>
> Is there opportunity to discuss this issue now that the board has made its
> recommendation?
>
> Thank you for addressing these issues.
>
> Moira
> _______________________________________
> Moira Steven
> Library Director
> Joanne Waxman Library
> Maine College of Art
> 522 Congress Street
> Portland, ME 04101
> 207-775-5153 / [log in to unmask]
>
> "All art is about saying yes, and all art is about its own making" - John
> Currin
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests, etc)
> to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
_________________________________________________________________
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Hi Moira et al.<br><br>Here's a little more history on dues. <br><br><meta http-equiv="Content-Type" content="text/html; charset=utf-8"><meta name="ProgId" content="Word.Document"><meta name="Generator" content="Microsoft Word 11"><meta name="Originator" content="Microsoft Word 11"><link rel="File-List" href="file:///C:%5CDOCUME%7E1%5Crresnik%5CLOCALS%7E1%5CTemp%5Cmsohtml1%5C01%5Cclip_filelist.xml"><!--[if gte mso 9]><xml>
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<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">Dues
History:<o:p></o:p></span></p>
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<td style="border-style: solid solid solid none; border-color: windowtext windowtext windowtext -moz-use-text-color; border-width: 1pt 1pt 1pt medium; padding: 0in 5.4pt; width: 7.3pt; height: 13.4pt;" x:num="" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">2004<o:p></o:p></span></p>
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<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">1998<o:p></o:p></span></p>
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<tr style="height: 13.4pt;">
<td style="border-style: none solid; border-color: -moz-use-text-color windowtext; border-width: medium 1pt; padding: 0in 5.4pt; width: 33.7pt; height: 13.4pt;" valign="bottom" width="45" nowrap="nowrap">
<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">Individual
($50K+)<o:p></o:p></span></p>
</td>
<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 7.3pt; height: 13.4pt;" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$85<o:p></o:p></span></p>
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<td style="border-style: none solid; border-color: -moz-use-text-color windowtext; border-width: medium 1pt; padding: 0in 5.4pt; width: 33.7pt; height: 13.4pt;" valign="bottom" width="45" nowrap="nowrap">
<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">Retired/Unemployed<o:p></o:p></span></p>
</td>
<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 7.3pt; height: 13.4pt;" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$45<o:p></o:p></span></p>
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<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$50 <o:p></o:p></span></p>
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<tr style="height: 13.4pt;">
<td style="border-style: none solid; border-color: -moz-use-text-color windowtext; border-width: medium 1pt; padding: 0in 5.4pt; width: 33.7pt; height: 13.4pt;" valign="bottom" width="45" nowrap="nowrap">
<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">Student<o:p></o:p></span></p>
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<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 7.3pt; height: 13.4pt;" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$45<o:p></o:p></span></p>
</td>
<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 0.1in; height: 13.4pt;" x:num="45" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$40 <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">Business<o:p></o:p></span></p>
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<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 7.3pt; height: 13.4pt;" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$145<o:p></o:p></span></p>
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<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$105 <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">Institutional<o:p></o:p></span></p>
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<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 7.3pt; height: 13.4pt;" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$145<o:p></o:p></span></p>
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<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 0.1in; height: 13.4pt;" x:num="145" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$100 <o:p></o:p></span></p>
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<td style="border-style: none solid; border-color: -moz-use-text-color windowtext; border-width: medium 1pt; padding: 0in 5.4pt; width: 33.7pt; height: 13.4pt;" valign="bottom" width="45" nowrap="nowrap">
<p class="MsoNormal"><span style="font-size: 10pt; font-family: Arial;">Subscriber<o:p></o:p></span></p>
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<td style="border-style: none solid none none; border-color: -moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color; border-width: medium 1pt medium medium; padding: 0in 5.4pt; width: 7.3pt; height: 13.4pt;" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$65<o:p></o:p></span></p>
</td>
<td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 1pt 1pt medium; padding: 0in 5.4pt; width: 0.1in; height: 13.4pt;" x:num="65" valign="bottom" width="10" nowrap="nowrap">
<p class="MsoNormal" style="text-align: center;" align="center"><span style="font-size: 10pt; font-family: Arial;">$60 <o:p></o:p></span></p>
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<br>Dues haven't been raised for Individual members since 1998 (in fact they've gone down). Institutional/Business Affiliate dues on the other hand were raised fairly significantly in 2004. So the percentage increases in the proposal seem unfair when you compare them to the current dues. When you look at it over a ten year period, it makes a lot more sense.<br><br>It's definitely not an easy increase to swallow, but I do believe it's fair. And necessary, from what I understand.<br><br>Rachel Resnik<br>Massachusetts College of Art and Design<br>[log in to unmask]<br><br><br><br>> Date: Mon, 29 Sep 2008 08:21:59 -0400<br>> From: [log in to unmask]<br>> Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues increase<br>> To: [log in to unmask]<br>> <br>> Thank you, Ken, for the update. I do have a few questions:<br>> <br>> Why is the personal membership being increased by nearly 42% while the<br>> institutional fee is being increased by only 31%? This increase places a<br>> disproportionate burden on the individual member, many of whom would find<br>> this onerous.<br>> <br>> Was a straight, across-the-board percentage increase considered? If so,<br>> why was it rejected? If not, why not?<br>> <br>> Is there opportunity to discuss this issue now that the board has made its<br>> recommendation?<br>> <br>> Thank you for addressing these issues.<br>> <br>> Moira<br>> _______________________________________<br>> Moira Steven<br>> Library Director<br>> Joanne Waxman Library<br>> Maine College of Art<br>> 522 Congress Street<br>> Portland, ME 04101<br>> 207-775-5153 / [log in to unmask]<br>> <br>> "All art is about saying yes, and all art is about its own making" - John<br>> Currin<br>> <br>> __________________________________________________________________<br>> Mail submissions to [log in to unmask]<br>> For information about joining ARLIS/NA see:<br>> http://www.arlisna.org/join.html<br>> Send administrative matters (file requests, subscription requests, etc)<br>> to [log in to unmask]<br>> ARLIS-L Archives and subscription maintenance:<br>> http://lsv.uky.edu/archives/arlis-l.html<br>> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]<br><br /><hr />See how Windows connects the people, information, and fun that are part of your life. <a href='http://clk.atdmt.com/MRT/go/msnnkwxp1020093175mrt/direct/01/' target='_new'>See Now</a></body>
</html>__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
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--_dde1e73b-6df7-46fc-9361-8dcca617f3a6_--
========================================================================Date: Mon, 29 Sep 2008 14:06:46 -0500
Reply-To: Jeffrey Weidman <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Jeffrey Weidman <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
Comments: To: Anne Haas <[log in to unmask]>
In-Reply-To: A<[log in to unmask]>
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Colleagues,
With no increase in a decade, 35 dollars increase for an individual
membership does not seem unreasonable to me at all. If ARLIS/NA is to
be viable, funds are needed to run the Society, especially as we are
taking on new and ever increasingly exciting initiatives (e.g., the
Archives project). Many of us are members of quite a number of
associations, and comparatively speaking, ARLIS/NA is still quite a
reasonable bargain, considering everything its members get for their
membership. As professionals, the basic fees we are asked to pay
support our major organization. ARLIS/NA was founded by individuals,
has always been run by individuals, and cannot survive without the
support of individuals. Institutional memberships are important, to be
sure, but it is each and every single one of us who IS ARLIS/NA. It is
our individual responsibility to support OUR Society, and one way we can
do so is in this material fashion. And, when you pay a little more, you
can deduct more: we all win!
Jeffrey Weidman, Ph.D.
Senior Librarian, Public Services & Collection Development
Spencer Art Reference Library
The Nelson-Atkins Museum of Art
4525 Oak Street
Kansas City, MO 64111
Tel: 816-751-1215
FAX: 816-561-1229
[log in to unmask]
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Anne Haas
Sent: Monday, September 29, 2008 1:17 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
i'm with moira- $85 changing up to $120 is an enormous increase..and
institutional memberships are often paid for by the institution, while
personal ones often are not....seems like an unfair burden on the
individual.
anne
Anne B. Haas
Art Librarian
Bowdoin College
9300 College Station
Brunswick, Maine 04011
[log in to unmask]
On 9/28/08 9:34 AM, "Soehner, Ken" <[log in to unmask]> wrote:
At the Membership Meeting at the Denver Conference the Board announced
plans for a membership dues increase. As the membership renewal period
for 2009 approaches it is time to bring the new dues structure to the
membership for a vote. Following our bylaws, changes to the dues
schedule are determined by the board and then voted on by current
ARLIS/NA members. Changes are made if a majority of those voting approve
the Board's determination.
The ARLIS/NA Board proposes an increase in membership dues effective for
2009 memberships. There are a number of factors that call for a dues
increase. Dues have not increased for nearly ten years, and as we all
know costs have gone up in all areas including mailings, publications,
management services and conference costs. The ARLIS/NA archives are now
in good hands at the University of Illinois, but there will be
significant costs involved in processing this material over the next
three years.
We are confident that this dues increase will help to ensure the
sustainability of ARLIS/NA and will allow us to continue programs such
as internships, special funding for chapters and committees, the
mentorship program and many other benefits of ARLIS/NA membership.
I would like to remind you that memberships run on a calendar year. If
approved, the new membership dues structure will apply to membership
renewals and new membership applications for the 2009 calendar year. On
Tuesday, September 30, you will receive notification of an online
ballot. We will be voting using one of the features available through
MemberClicks. Please make sure that your member profile, especially your
email address is correct and current in the online directory. To access
your profile go to the ARLIS/NA homepage at www.arlisna.org and click on
the "MEMBER LOG-IN" link in the top right corner. Once you are logged
in, click on the link to "CHECK & UPDATE your profile information."
The voting period will remain open until November 3rd, but I encourage
you to vote as soon as possible.
Current Dues Structure
Student $45 (three year limit)
Retired/Unemployed $45
Individual $85
Institutional/Business Affiliate $145
Overseas $65
Proposed Dues Structure
Student $50 (three year limit)
Retired/Unemployed $60
Introductory $90 (new category with one year limit)
Individual $120
Institutional/Business Affiliate $190
Overseas $85
We feel that the increased dues are in line and in some cases still less
than membership fees in comparable professional associations. We feel
very strongly that membership in ARLIS/NA brings innumerable benefits,
both tangible and intangible, and that the new dues structure continues
to offer great value.
Please contact me directly if you have any questions.
Ken Soehner
President, ARLIS/NA
Kenneth Soehner
Arthur K. Watson Chief Librarian
Thomas J. Watson Library
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, NY 10028
Phone: 212 570-3934
Fax: 212 570-3847
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
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to [log in to unmask]
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<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Colleagues,<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>With no increase in a decade, 35 dollars increase for an
individual membership does not seem unreasonable to me at all. If
ARLIS/NA is to be viable, funds are needed to run the Society, especially as we
are taking on new and ever increasingly exciting initiatives (e.g., the
Archives project). Many of us are members of quite a number of
associations, and comparatively speaking, ARLIS/NA is still quite a reasonable
bargain, considering everything its members get for their membership. As professionals,
the basic fees we are asked to pay support our major organization.
ARLIS/NA was founded by individuals, has always been run by individuals, and
cannot survive without the support of individuals. Institutional memberships
are important, to be sure, but it is each and every single one of us who IS ARLIS/NA.
It is our individual responsibility to support OUR Society, and one way we can
do so is in this material fashion. And, when you pay a little more, you
can deduct more: we all win!<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<div>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif";
color:navy'>Jeffrey Weidman, Ph.D.<br>
Senior Librarian, Public Services & Collection Development<br>
Spencer Art Reference Library<br>
The Nelson-Atkins Museum of Art<br>
4525 Oak Street<br>
Kansas City, MO 64111<br>
Tel: 816-751-1215<br>
FAX: 816-561-1229<br>
<a href="mailto:[log in to unmask]">[log in to unmask]</a></span><span
style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p></o:p></span></p>
</div>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p> </o:p></span></p>
<div>
<div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'>
<p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span
style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b>On Behalf Of </b>Anne
Haas<br>
<b>Sent:</b> Monday, September 29, 2008 1:17 PM<br>
<b>To:</b> [log in to unmask]<br>
<b>Subject:</b> Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase<o:p></o:p></span></p>
</div>
</div>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:9.0pt;
font-family:"Verdana","sans-serif"'>i’m with moira- $85 changing up to
$120 is an enormous increase..and institutional memberships are often paid for
by the institution, while personal ones often are not....seems like an unfair
burden on the individual.<br>
<br>
anne<br>
<br>
</span><i><span style='font-size:9.0pt;color:#0000FE'>Anne B. Haas<br>
Art Librarian<br>
Bowdoin College<br>
9300 College Station<br>
Brunswick, Maine 04011<br>
[log in to unmask]<br>
</span></i><span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'><br>
<br>
On 9/28/08 9:34 AM, "Soehner, Ken" <[log in to unmask]>
wrote:</span><o:p></o:p></p>
<p class=MsoNormal>At the Membership Meeting at the Denver Conference the Board
announced plans for a membership dues increase. As the membership renewal
period for 2009 approaches it is time to bring the new dues structure to the
membership for a vote. Following our bylaws, changes to the dues schedule are
determined by the board and then voted on by current <br>
ARLIS/NA members. Changes are made if a majority of those voting approve the
Board’s determination.<br>
<br>
The ARLIS/NA Board proposes an increase in membership dues effective for 2009
memberships. There are a number of factors that call for a dues increase. Dues
have not increased for nearly ten years, and as we all know costs have gone up
in all areas including mailings, publications, management services and
conference costs. The ARLIS/NA archives are now in good hands at the University
of Illinois, but there will be significant costs involved in processing this
material over the next three years.<br>
<br>
We are confident that this dues increase will help to ensure the sustainability
of ARLIS/NA and will allow us to continue programs such as internships, special
funding for chapters and committees, the mentorship program and many other
benefits of ARLIS/NA membership.<br>
<br>
I would like to remind you that memberships run on a calendar year. If
approved, the new membership dues structure will apply to membership renewals
and new membership applications for the 2009 calendar year. On Tuesday,
September 30, you will receive notification of an online ballot. We will be
voting using one of the features available through MemberClicks. Please make
sure that your member profile, especially your email address is correct and
current in the online directory. To access your profile go to the ARLIS/NA
homepage at www.arlisna.org and click on the “MEMBER LOG-IN” link
in the top right corner. Once you are logged in, click on the link to
“CHECK & UPDATE your profile information.”<br>
<br>
The voting period will remain open until November 3rd, but I encourage you to
vote as soon as possible.<br>
<br>
Current Dues Structure<br>
<br>
Student $45 (three year limit)<br>
Retired/Unemployed $45<br>
Individual $85<br>
Institutional/Business Affiliate $145<br>
Overseas $65<br>
<br>
Proposed Dues Structure<br>
<br>
Student $50 (three year limit)<br>
Retired/Unemployed $60<br>
Introductory $90 (new category with one year limit) <br>
Individual $120 <br>
Institutional/Business Affiliate $190 <br>
Overseas $85<br>
<br>
We feel that the increased dues are in line and in some cases still less than
membership fees in comparable professional associations. We feel very strongly
that membership in ARLIS/NA brings innumerable benefits, both tangible and
intangible, and that the new dues structure continues to offer great value. <br>
<br>
Please contact me directly if you have any questions.<br>
<br>
Ken Soehner<br>
President, ARLIS/NA<br>
<span style='font-family:"Arial","sans-serif"'><br>
<br>
<br>
</span>Kenneth Soehner<br>
Arthur K. Watson Chief Librarian<br>
Thomas J. Watson Library<br>
The Metropolitan Museum of Art<br>
1000 Fifth Avenue<br>
New York<span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'>, NY
10028 <br>
</span><br>
Phone: 212 570-3934 <br>
Fax: 212 570-3847<br>
<br>
<br>
<br>
<br>
<span style='font-size:9.0pt;font-family:"Verdana","sans-serif"'>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining ARLIS/NA
see: <a href="http://www.arlisna.org/join.html">http://www.arlisna.org/join.html</a>
Send administrative matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance: <a
href="http://lsv.uky.edu/archives/arlis-l.html">http://lsv.uky.edu/archives/arlis-l.html</a>
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]</span><o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>__________________________________________________________________
Mail submissions to [log in to unmask] For information about joining ARLIS/NA
see: http://www.arlisna.org/join.html Send administrative matters (file
requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives
and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] <o:p></o:p></p>
</div>
</body>
</html>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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Send administrative matters (file requests, subscription requests, etc)
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------_=_NextPart_001_01C92266.843FBF2F--
========================================================================Date: Mon, 29 Sep 2008 16:40:23 -0400
Reply-To: "Waibel,Guenter" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Waibel,Guenter" <[log in to unmask]>
Subject: New Report: "Beyond the Silos of the LAMs: Collaboration Among
Libraries, Archives and Museums"
In-Reply-To: <[log in to unmask]>
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hi everybody,
I thought the ARLIS community will be interested in this new report on library, archive and museum collaboration. Art librarians who work in a museum or campus settings in particular may find our case studies and insights into catalysts for collaborative processes well worth considering.
http://www.oclc.org/programs/publications/reports/2008-05.pdf
Cheers,
Günter
***Excuse Cross-Posting***
Dear Colleagues,
I'd like to alert you that our latest publication, a report on library, archive and museum collaboration by our contractor, Diane Zorich, and Program Officers Günter Waibel and Ricky Erway, "Beyond the Silos of the LAMs: Collaboration Among Libraries, Archives and Museums," (.pdf: 334K/59pp) is now available on the RLG Programs Web site at http://www.oclc.org/programs/publications/reports/2008-05.pdf.
The report highlights lessons learned from five LAM workshops held at RLG Partner institutions in the US and the UK, and contains information about inspiring collaborative projects in campus environments. The bulk of the report, however, is dedicated to the catalysts which allow collaboration to thrive. These insights should be helpful to anyone who is trying to foster deeper working relationships.
Next year, you'll have the opportunity to hear from many of the workshop participants in person. The Committee on Archives, Libraries and Museums (CALM) has endorsed a series of panel presentations at ALA, SAA and AAM during 2009, which will give workshop participants from University of Edinburgh, Princeton University, the Smithsonian Institution, the Victoria and Albert Museum, and Yale University a platform to share the progress their institutions have made in aligning the efforts of their collecting units to provide a better experience for their respective audiences.
Questions or comments regarding this report can be directed to Günter Waibel, Program Officer, at [log in to unmask] Please also get in touch with Günter if you'd like to be added to our library, archive and museum collaboration mailing list.
Best regards,
Melissa
Melissa Renspie
Senior Communications Officer
OCLC Programs and Research
6565 Kilgour Place
Dublin, OH 43017-3395
Phone: (614) 761-5231
FAX: (614) 718-7585
E-mail: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 29 Sep 2008 16:20:16 -0400
Reply-To: Alison Huftalen <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Alison Huftalen <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
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While I cannot disagree with Jeffrey's assessment, there still remains
one difficulty in my eyes. Current dues and and an increase make it
incredibly difficult for those on a lower payscale to become (and
remain) members. There are societies whose membership structure takes
this into account and has a lower dues option for non-salaried
librarians and support staff (who make under a given amount). Our
current structure (nor the proposed) does not provide an easy option for
librarians and staff in these categories. Though I do notice that in
Rachel's overview of the dues from 1998 and 2004 there is a (50K+) under
individual, not sure where that derives from. While I believe current
members will stay members and pay the $120, the current structure may
continue to hinder new and underemployed librarians and staff who do
want to support and be involved but may not find it economically
feasible.
Alison L. Huftalen
Catalog Librarian
Art Reference Library
Toledo Museum of Art
[log in to unmask]
419.254.5771 x7386
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 29 Sep 2008 16:36:07 -0500
Reply-To: Marilyn Carbonell <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Marilyn Carbonell <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
In-Reply-To: A<[log in to unmask]>
MIME-Version: 1.0
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Many state library associations, such as the Missouri Library Association, offer full membership based on a graduated or tiered rate according to annual salary. The scaled dues structure encourages new members and retaining members. Just curious whether this approach was discussed by the committee.
Thanks.
Marilyn Carbonell, M.A., M.A.
Head, Library Services
The Nelson-Atkins Museum of Art
4525 Oak Street
Kansas City, MO 64111
Office - 816.751.1381
Fax - 816.751.0498
Email - [log in to unmask]
Web - www.nelson-atkins.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On Behalf Of Alison Huftalen
Sent: Monday, September 29, 2008 3:20 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues increase
While I cannot disagree with Jeffrey's assessment, there still remains
one difficulty in my eyes. Current dues and and an increase make it
incredibly difficult for those on a lower payscale to become (and
remain) members. There are societies whose membership structure takes
this into account and has a lower dues option for non-salaried
librarians and support staff (who make under a given amount). Our
current structure (nor the proposed) does not provide an easy option for
librarians and staff in these categories. Though I do notice that in
Rachel's overview of the dues from 1998 and 2004 there is a (50K+) under
individual, not sure where that derives from. While I believe current
members will stay members and pay the $120, the current structure may
continue to hinder new and underemployed librarians and staff who do
want to support and be involved but may not find it economically
feasible.
Alison L. Huftalen
Catalog Librarian
Art Reference Library
Toledo Museum of Art
[log in to unmask]
419.254.5771 x7386
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Mon, 29 Sep 2008 18:25:58 -0400
Reply-To: Eric Wolf <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Eric Wolf <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
Comments: To: Marilyn Carbonell <[log in to unmask]>
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The American Association of Museums also has different membership fees based on a graduated salary scale.
A good move in my opinion.
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 East 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST on behalf of Marilyn Carbonell
Sent: Mon 9/29/2008 5:36 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues increase
Many state library associations, such as the Missouri Library Association, offer full membership based on a graduated or tiered rate according to annual salary. The scaled dues structure encourages new members and retaining members. Just curious whether this approach was discussed by the committee.
Thanks.
Marilyn Carbonell, M.A., M.A.
Head, Library Services
The Nelson-Atkins Museum of Art
4525 Oak Street
Kansas City, MO 64111
Office - 816.751.1381
Fax - 816.751.0498
Email - [log in to unmask]
Web - www.nelson-atkins.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On Behalf Of Alison Huftalen
Sent: Monday, September 29, 2008 3:20 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues increase
While I cannot disagree with Jeffrey's assessment, there still remains
one difficulty in my eyes. Current dues and and an increase make it
incredibly difficult for those on a lower payscale to become (and
remain) members. There are societies whose membership structure takes
this into account and has a lower dues option for non-salaried
librarians and support staff (who make under a given amount). Our
current structure (nor the proposed) does not provide an easy option for
librarians and staff in these categories. Though I do notice that in
Rachel's overview of the dues from 1998 and 2004 there is a (50K+) under
individual, not sure where that derives from. While I believe current
members will stay members and pay the $120, the current structure may
continue to hinder new and underemployed librarians and staff who do
want to support and be involved but may not find it economically
feasible.
Alison L. Huftalen
Catalog Librarian
Art Reference Library
Toledo Museum of Art
[log in to unmask]
419.254.5771 x7386
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
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ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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ARLIS-L Archives and subscription maintenance:
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========================================================================Date: Mon, 29 Sep 2008 17:46:59 -0700
Reply-To: lindy narver <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: lindy narver <[log in to unmask]>
Subject: Raising Dues Vote
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I am probably one of the oldest members of ARLIS/NA, joining when I was a graduate library student in 1974. In looking at the history of the dues structure, I find $120.00 a bit extreme for a single membership. I don't even pay that for my ALA membership which is based on salary. Since I am now not in a full-time position, my income has been severely cut and I will have to make some serious decisions on what organizations I will belong to in the upcoming year. It would sadden me to have to drop the ARLIS membership after so many years. Please reconsider the single membership dues. I would be willing to pay $100.00 but not $120.00.
Lindy Narver
__________________________________________________________________
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<DIV><FONT face=Arial size=2>I am probably one of the oldest members of
ARLIS/NA, joining when I was a graduate library student in 1974. In
looking at the history of the dues structure, I find $120.00 a bit extreme for a
single membership. I don't even pay that for my ALA membership which is
based on salary. Since I am now not in a full-time position, my income has
been severely cut and I will have to make some serious decisions on what
organizations I will belong to in the upcoming year. It would sadden me to
have to drop the ARLIS membership after so many years. Please reconsider
the single membership dues. I would be willing to pay $100.00 but not
$120.00.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Lindy Narver</FONT></DIV></BODY></HTML>
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========================================================================Date: Tue, 30 Sep 2008 07:34:07 -0400
Reply-To: Sherman Clarke <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sherman Clarke <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
In-Reply-To: <[log in to unmask]>
MIME-Version: 1.0
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ARLIS/NA used to have varying membership fees based on salary. My memory is that we changed from that because of some legality: a conflict with our 501(c)3 status? That doesn't make sense since similar associations have graduated membership fees. Besides, I'm no lawyer and the laws may have changed.
Sherman Clarke
New York University Libraries
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
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========================================================================Date: Tue, 30 Sep 2008 08:53:00 -0400
Reply-To: [log in to unmask]
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Judith Pynchon <[log in to unmask]>
Subject: ANNOUNCE New List: Artists Jewelry
MIME-Version: 1.0
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PLEASE DO NOT HIT YOUR REPLY BUTTON, BUT MAKE SURE ANY REPLIES COME
DIRECTLY TO ME AT THE ADDRESS BELOW, RATHER THAN TO THE ENTIRE LIST. THANK
YOU.
A new focused catalogue for your consideration: "Artists Jewelry", a
collection of documentation of the development of modernist jewelry design
in the 20th century in America and elsewhere (including the Soviet Union).
To see the list, simply go to www.rugglesbooks.com and scroll down the home
page to The Current Catalogues, click on Artists Jewelry and you should be
there. If the link doesn't work, please let me know, and I'll either fix it
or send a copy another way.
Thanks for your attention, and best regards,
Judith
Judith Pynchon
Ruggles Books
645 Baltic Street
Brooklyn NY 11217-3101
718-857-2426
On the Web at www.rugglesbooks.com
and www.antiqbook.com and www.abebooks.com
For the unusual in all the arts
[log in to unmask]
Ruggles Books is an affiliate of Ruggles & Company, a fine arts appraisal,
cataloguing, and collection management company.
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 30 Sep 2008 09:53:29 -0400
Reply-To: "Scott, Fran" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Scott, Fran" <[log in to unmask]>
Subject: Announcement of the Fall WNY ARLIS-VRA joint chapter meeting
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The joint meeting of the ARLIS/NA Western New York chapter and the VRA
Upstate and New England chapters will be held October 23-24th at
Rensselaer Polytechnic Institute in Troy, New York. The meeting will
focus on the theme of Media Arts and highlight the opening of an
Experimental Media and Performing Arts Center on our campus:
http://empac.rpi.edu/
Any other ARLIS/NA or VRA members who are interested in attending are
welcome to join us! Information on the program and registration can be
found on the following website:
http://www.rpi.edu/~keefej/VRA-ARLIS/index.htm and--soon to be
posted--on the Western New York chapter's website:
http://libweb1.lib.buffalo.edu/arliswny/
Deadline for registrations is Monday, October 13th.
Thank you!
Fran Scott
************************************************************************
***
Fran Scott
Manager, Architecture, Experimental Media & the Arts
Rensselaer Libraries
Office: Architecture Library-Greene Building, Room 309
Rensselaer Polytechnic Institute
110 8th St., Troy, NY 12180-3590
http://library.rpi.edu/architecture
Email: [log in to unmask] Voice: 518-276-6312 Fax: 518-276-6753
************************************************************************
****
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<div class=Section1>
<p class=MsoNormal>The joint meeting of the ARLIS/NA Western New York chapter
and the VRA Upstate and New England chapters will be held October 23-24<sup>th</sup>
at Rensselaer Polytechnic Institute in Troy, New York. The meeting will focus
on the theme of Media Arts and highlight the opening of an Experimental Media
and Performing Arts Center on our campus: <a href="http://empac.rpi.edu/">http://empac.rpi.edu/</a><o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Any other ARLIS/NA or VRA members who are interested in attending
are welcome to join us! Information on the program and registration can
be found on the following website: <a
href="http://www.rpi.edu/~keefej/VRA-ARLIS/index.htm">http://www.rpi.edu/~keefej/VRA-ARLIS/index.htm</a>
and--soon to be posted--on the Western New York chapter’s website: <a
href="http://libweb1.lib.buffalo.edu/arliswny/">http://libweb1.lib.buffalo.edu/arliswny/</a><o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Deadline for registrations is Monday, October 13<sup>th</sup>.<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Thank you!<o:p></o:p></p>
<p class=MsoNormal>Fran Scott<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>***************************************************************************<o:p></o:p></p>
<p class=MsoNormal>Fran
Scott
<o:p></o:p></p>
<p class=MsoNormal>Manager, Architecture, Experimental Media & the Arts<o:p></o:p></p>
<p class=MsoNormal>Rensselaer Libraries<o:p></o:p></p>
<p class=MsoNormal>Office: Architecture Library-Greene Building, Room
309 <o:p></o:p></p>
<p class=MsoNormal>Rensselaer Polytechnic Institute<o:p></o:p></p>
<p class=MsoNormal>110 8th St., Troy, NY 12180-3590<o:p></o:p></p>
<p class=MsoNormal><a href="http://library.rpi.edu/architecture">http://library.rpi.edu/architecture</a><o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
<p class=MsoNormal>Email: <a href="mailto:[log in to unmask]">[log in to unmask]</a>
Voice: 518-276-6312 Fax: 518-276-6753<o:p></o:p></p>
<p class=MsoNormal>****************************************************************************<o:p></o:p></p>
<p class=MsoNormal><o:p> </o:p></p>
</div>
</body>
</html>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------_=_NextPart_001_01C92303.EB440F89--
========================================================================Date: Tue, 30 Sep 2008 08:33:56 -0500
Reply-To: Marianne Steadley <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Marianne Steadley <[log in to unmask]>
Subject: Second Life 101 and More
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LzI0NC0zMzAyDQo========================================================================Date: Tue, 30 Sep 2008 09:48:39 -0500
Reply-To: "Evans, Jon" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Evans, Jon" <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
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Dear all,
I believe that the Society had a tiered membership scale several years
ago. However, if I recall correctly it was decided that the issue of
determining membership levels based upon salary levels infringed on
privacy rights and therefore was discontinued. That said, I'm not sure
how other organizations get around this or if their legal teams are not
as concerned about such issues.
More to the point, I agree that an increase to $120 USD for those that
are on the lower end of the pay scale is not insignificant. However, if
one takes into account inflation over a ten year period then the value
of a membership based on 1998 dollars would make it approximately $114
USD (see the Consumer Price Index calculator at the Bureau of Labor
Statistics site: http://www.bls.gov/data/inflation_calculator.htm).
This seems to be very close to that proposed and in my mind is well
worth the value for ARLIS/NA membership given the increasing financial
commitments that Ken outlined.
Regards,
Jon
Jon Evans
Reference Librarian
Hirsch Library
Museum of Fine Arts, Houston
P.O Box 6826
Houston, TX 77265-6826
p: 713-639-7393
fax: 713-639-7795
www.mfah.org/library
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Eric Wolf
Sent: Monday, September 29, 2008 5:26 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
The American Association of Museums also has different membership fees
based on a graduated salary scale.
A good move in my opinion.
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 East 70th Street
New York, NY 10021
(212) 472-1500 x216
[log in to unmask] <mailto:[log in to unmask]>
________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST on behalf of Marilyn
Carbonell
Sent: Mon 9/29/2008 5:36 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
Many state library associations, such as the Missouri Library
Association, offer full membership based on a graduated or tiered rate
according to annual salary. The scaled dues structure encourages new
members and retaining members. Just curious whether this approach was
discussed by the committee.
Thanks.
Marilyn Carbonell, M.A., M.A.
Head, Library Services
The Nelson-Atkins Museum of Art
4525 Oak Street
Kansas City, MO 64111
Office - 816.751.1381
Fax - 816.751.0498
Email - [log in to unmask]
Web - www.nelson-atkins.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Alison Huftalen
Sent: Monday, September 29, 2008 3:20 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
While I cannot disagree with Jeffrey's assessment, there still remains
one difficulty in my eyes. Current dues and and an increase make it
incredibly difficult for those on a lower payscale to become (and
remain) members. There are societies whose membership structure takes
this into account and has a lower dues option for non-salaried
librarians and support staff (who make under a given amount). Our
current structure (nor the proposed) does not provide an easy option for
librarians and staff in these categories. Though I do notice that in
Rachel's overview of the dues from 1998 and 2004 there is a (50K+) under
individual, not sure where that derives from. While I believe current
members will stay members and pay the $120, the current structure may
continue to hinder new and underemployed librarians and staff who do
want to support and be involved but may not find it economically
feasible.
Alison L. Huftalen
Catalog Librarian
Art Reference Library
Toledo Museum of Art
[log in to unmask]
419.254.5771 x7386
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 30 Sep 2008 10:49:18 -0400
Reply-To: "Shaw, Meg" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Shaw, Meg" <[log in to unmask]>
Subject: Ohio Valley Chapter Fall Conference
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Here is some information about the Ohio Valley Chapter's fall conference. The registration form is available on our website: http://www.ov-arlis.org/index.php
Please return payment and registration form by October17th to Maggie Castellani, Ingalls Library, Cleveland Museum of Art, 11150 East Blvd., Cleveland, OH 44106
We'd love to have you join us in Louisville!
Meg Shaw
SAVE THE DATE OCTOBER 30-31 - annual ov-arlis meeting
The fall meeting for ARLIS/OV will take place Thursday, October 30, through Friday October 31 in Louisville, Kentucky. We will meet for dinner in downtown Louisville on Thursday evening and then walk over to 21c, the cutting-edge contemporary art museum housed in a unique hotel. Check out the web site for the hotel, www.21chotel.com<http://www.21chotel.com/>, and for the museum www.21chotel.org/museum<http://www.21chotel.org/museum> for a glimpse of the delights within. Our visit will include a look at the bathrooms which are among the 10 finalists in America's Best Bathroom Contest, the seventh sponsored by Cincinnati-based Cintas Corp.
On Friday, we will meet at the University of Louisville for a continental breakfast. The morning presentations will include a talk on public art in Louisville including the public art committee's work with a consulting firm on the first comprehensive public art plan for city, a session on the ARLIS Artist Files project, a tour of the Robotic Retrieval System at Ekstrom Library, and a demonstration of exhibits and other features in Second Life. Lunch will be in the Speed Museum's Sculpture Court. For more information on the museum, see speedmuseum.org/<http://speedmuseum.org/>
Following lunch will be a gallery talk by curator Scott Erbes about the exhibit Life, Liberty and the Pursuit of Happiness: Art and the American Experience, 1660-1893, from the Yale University Art Gallery. See speedmuseum.org/future_exhibitions.html<http://speedmuseum.org/future_exhibitions.html> for information about the almost 200 paintings, drawings, prints, photographs, furniture, silver, and ceramics in the exhibit.
The business meeting will be held at the museum with time afterwards to visit the galleries before the museum closes at 4:00 pm. We will be sending information about hotels and registration forms to chapter members in early September. For more information, contact Meg Shaw at [log in to unmask]<mailto:[log in to unmask]> This e-mail address is being protected from spam bots, you need JavaScript enabled to view it , or Gail Gilbert, at [log in to unmask]<mailto:[log in to unmask]> This e-mail address is being protected from spam bots, you need JavaScript enabled to view it .
%%%%%%%%%%%%%%%%%%
Meg Shaw
Art & Theater Librarian
Lucille Little Fine Arts Library
University of Kentucky
160 Patterson Dr.
Lexington, KY 40506
859-257-4908
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--_000_025A4E36D92BCF4D88CD226F1BDD4B1C29CE12F5C6EX7FM01adukye_
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<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>Here is some information about
the Ohio Valley Chapter’s fall conference. The registration form is
available on our website: <a href="http://www.ov-arlis.org/index.php">http://www.ov-arlis.org/index.php</a><o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>Please return payment and
registration form by October17th to Maggie Castellani, Ingalls Library, Cleveland
Museum of Art, 11150 East Blvd., Cleveland, OH 44106<o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>We’d love to have you join
us in Louisville!<o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>Meg Shaw<o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='font-size:11.5pt;font-family:"Arial","sans-serif"'>SAVE
THE DATE OCTOBER 30-31 - annual ov-arlis meeting </span><span
style='color:black'><o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>The fall meeting for ARLIS/OV
will take place Thursday, October 30, through Friday October 31 in Louisville,
Kentucky. We will meet for dinner in downtown Louisville on Thursday
evening and then walk over to 21c, the cutting-edge contemporary art
museum housed in a unique hotel. Check out the web site for the hotel, <a
href="http://www.21chotel.com/">www.21chotel.com</a>, and for the museum <a
href="http://www.21chotel.org/museum">www.21chotel.org/museum</a> for a
glimpse of the delights within. Our visit will include a look at the
bathrooms which are among the 10 finalists in America’s Best Bathroom
Contest, the seventh sponsored by Cincinnati-based Cintas Corp.<o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>On Friday, we will meet at the
University of Louisville for a continental breakfast. The morning
presentations will include a talk on public art in Louisville including the
public art committee's work with a consulting firm on the first comprehensive
public art plan for city, a session on the ARLIS Artist Files
project, a tour of the Robotic Retrieval System at Ekstrom Library, and a
demonstration of exhibits and other features in Second Life. Lunch will
be in the Speed Museum’s Sculpture Court. For more information on
the museum, see <a href="http://speedmuseum.org/">speedmuseum.org/</a><o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>Following lunch will be a gallery
talk by curator Scott Erbes about the exhibit <a name=yale></a><em><span
style='font-family:"Calibri","sans-serif"'>Life, Liberty and the Pursuit of
Happiness: Art and the American Experience, 1660-1893, from the Yale University
Art Gallery</span></em>. See <a
href="http://speedmuseum.org/future_exhibitions.html">speedmuseum.org/future_exhibitions.html</a>
for information about the almost 200 </span><span style='font-size:10.0pt;
font-family:"Helvetica","sans-serif";color:black'>paintings, drawings, prints,
photographs, furniture, silver, and ceramics in the exhibit.</span><span
style='color:black'><o:p></o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;
line-height:15.6pt'><span style='color:black'>The business meeting will be held
at the museum with time afterwards to visit the galleries before the museum
closes at 4:00 pm. We will be sending information about hotels and
registration forms to chapter members in early September. For more
information, contact Meg Shaw at <a href="mailto:[log in to unmask]">[log in to unmask]</a>
<span style='display:none'>This e-mail address is being protected from spam
bots, you need JavaScript enabled to view it </span>, or Gail Gilbert, at
<a href="mailto:[log in to unmask]">[log in to unmask]</a> <span
style='display:none'>This e-mail address is being protected from spam bots, you
need JavaScript enabled to view it </span>.<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:12.0pt;font-family:"Bodoni MT","serif"'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:12.0pt;font-family:"Bodoni MT","serif"'><o:p> </o:p></span></p>
<p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><span
style='font-size:10.0pt;font-family:"Century Gothic","sans-serif";color:maroon'>%%%%%%%%%%%%%%%%%%</span><span
style='font-size:12.0pt;font-family:"Times New Roman","serif"'><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Century Gothic","sans-serif";
color:#17365D'>Meg Shaw<br>
Art & Theater Librarian<br>
Lucille Little Fine Arts Library<br>
University of Kentucky<br>
160 Patterson Dr.<br>
Lexington, KY 40506<br>
859-257-4908</span><span style='color:#17365D'><o:p></o:p></span></p>
<p class=MsoNormal><o:p> </o:p></p>
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
--_000_025A4E36D92BCF4D88CD226F1BDD4B1C29CE12F5C6EX7FM01adukye_--
========================================================================Date: Tue, 30 Sep 2008 08:54:28 -0700
Reply-To: Joan Benedetti <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Joan Benedetti <[log in to unmask]>
Subject: ARLIS Archives
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"The ARLIS/NA archives are now in good hands at the University of Illinois, but there will be significant costs involved in processing this material over the next three years."
I was very happy to hear a few months ago that the ARLIS archives would be deposited at the U. of Illinois. However, I don't remember hearing that ARLIS would have to pay for their processing. Could someone explain more of the details (and the costs) of the arrangement? Since presumably files will be deposited at the U. of I. on a regular basis, does this mean that the costs will be ongoing? I have some experience in processing archives and I don't recall ever hearing that a host institution charged processing fees. In this time of shrinking budgets, is this a new wrinkle for some archives collections?
Joan Benedetti
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV>"The ARLIS/NA archives are now in good hands at the University of Illinois,
but there will be significant costs involved in processing this material over
the next three years." </DIV>
<DIV> </DIV>
<DIV>
<DIV><FONT face=Arial size=2>I was very happy to hear a few months ago that the
ARLIS archives would be deposited at the U. of Illinois. However, I don't
remember hearing that ARLIS would have to pay for their processing. Could
someone explain more of the details (and the costs) of the arrangement?
Since presumably files will be deposited at the U. of I. on a regular basis,
does this mean that the costs will be ongoing? I have some experience in
processing archives and I don't recall ever hearing that a host institution
charged processing fees. In this time of shrinking budgets, is this a new
wrinkle for some archives collections?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Joan Benedetti</FONT></DIV></DIV></BODY></HTML>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------=_NextPart_000_004D_01C922DA.25D4D590--
========================================================================Date: Tue, 30 Sep 2008 09:11:39 -0700
Reply-To: Sarah Sherman <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sarah Sherman <[log in to unmask]>
Subject: Stipends Available for AV Media Preservation - San Francisco,
November 2008
Comments: cc: Susan Allen <[log in to unmask]>
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Please excuse duplication
Locally cosponsored by The California Preservation Program.
Please note availability of stipends -- information below.
A Race Against Time: Preserving Our Audiovisual Media
Presented by the Conservation Center for Art and Historic Artifacts
November 6 & 7, 2008
Cosponsored and hosted by the San Francisco Museum of Modern Art
San Francisco, CA
Lead Speaker:
Alan Lewis, Audiovisual Archives Consultant, Washington, DC
Speakers:
George Blood, President, Safe Sound Archive
Hannah Frost, Media Preservation Librarian, Digital Library Systems and
Services, Digital Production, Stanford University Libraries & Academic
Information Resources
Sarah Stauderman, Preservation Manager, Smithsonian Institution Archives
Maureen Whalen, Associate General Council, J. Paul Getty Trust
Richard Wright, Technology Manager, BBC Archives, United Kingdom
CCAHA is pleased to offer a limited number of stipends of up to $750 to
help defray travel, lodging, and registration costs associated with
attending A Race Against Time: Preserving Our Audiovisual Media.
Detailed program and stipend application information is on the
downloadable brochure at http://www.ccaha.org/education/program-calendar
Stipend Eligibility:
* Individuals must work in a non-profit institution that is open
to the public with an annual operating budget of less than $500,000.
* Preference will be given to those applicants who are directly
responsible for the care of the audiovisual materials collected by their
institution.
* Stipend applications must be postmarked by October 8, 2008.
Applicants must submit: one-page letter of interest; a brief
institutional profile or brochure; a brief description of audiovisual
materials held by the institution; proof of tax-exempt status; the
institution's most recent financial report; a letter of support from the
institution's director or board president; and the applicant's resume.
Applicants will be notified of the status of their application shortly
following the application deadline. For additional information on the
program and the stipend application process, please download the
brochure at http://www.ccaha.org/education/program-calendar
The fee for this two-day program is $200. Funders for this program
include the Institute of Museum and Library Services (IMLS) and the
Andrew W. Mellon Foundation.
In partnership with PALINET and cosponsored by the California
Preservation Program.
Download the brochure for A Race Against Time: Preserving Our
Audiovisual Media at http://www.ccaha.org/education/program-calendar
and apply for a stipend or to register now! For more information,
contact the Conservation Center for Art and Historic Artifacts: call
215-545-0613, email [log in to unmask] or visit www.ccaha.org
<http://www.ccaha.org/> .
Kim Andrews
Preservation Services Officer
CONSERVATION CENTER for Art and Historic Artifacts
264 S. 23rd Street
Philadelphia, PA 19103
215-545-0613 (phone)
215-735-9313 (fax)
[log in to unmask] <mailto:[log in to unmask]>
www.ccaha.org
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
========================================================================Date: Tue, 30 Sep 2008 12:23:54 -0400
Reply-To: Anne Goska <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Anne Goska <[log in to unmask]>
Subject: Re: ARLIS Archives
In-Reply-To: A<CD60F2B069B541928352B48DF9EADEF6@new>
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Just a note, the American Association of Museums, along with many other
professional societies, use the Smithsonian Institution Archives to
preserve and house important association records. They do not charge,
and even shipping/transfer of records to the SIA is free for the
association.
Anne Goska
Information Specialist, Information Center
American Association of Museums
1575 Eye Street NW Suite 400
Washington D.C. 20005
Help is just a click away!
www.aam-us.org <http://www.aam-us.org/>
________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Joan Benedetti
Sent: Tuesday, September 30, 2008 11:54 AM
To: [log in to unmask]
Subject: [ARLIS-L] ARLIS Archives
"The ARLIS/NA archives are now in good hands at the University of
Illinois, but there will be significant costs involved in processing
this material over the next three years."
I was very happy to hear a few months ago that the ARLIS archives would
be deposited at the U. of Illinois. However, I don't remember hearing
that ARLIS would have to pay for their processing. Could someone
explain more of the details (and the costs) of the arrangement? Since
presumably files will be deposited at the U. of I. on a regular basis,
does this mean that the costs will be ongoing? I have some experience
in processing archives and I don't recall ever hearing that a host
institution charged processing fees. In this time of shrinking budgets,
is this a new wrinkle for some archives collections?
Joan Benedetti
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------_=_NextPart_001_01C92318.EE784CEC
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<div class=Section1>
<p class=MsoNormal><font size=3 color=blue face="Times New Roman"><span
style='font-size:12.0pt;color:blue'>Just a note, the American Association of
Museums, along with many other professional societies, use the Smithsonian
Institution Archives to preserve and house important association records. They
do not charge, and even shipping/transfer of records to the SIA is free for the
association.</span></font></p>
<p class=MsoNormal><font size=3 color=blue face="Times New Roman"><span
style='font-size:12.0pt;color:blue'> </span></font></p>
<p class=MsoNormal><font size=3 color=blue face="Times New Roman"><span
style='font-size:12.0pt;color:blue'> </span></font></p>
<div>
<p class=MsoNormal><font size=3 color=blue face="Times New Roman"><span
style='font-size:12.0pt;color:blue'>Anne Goska</span></font></p>
<p class=MsoNormal><font size=3 color="#0080ff" face="Times New Roman"><span
style='font-size:12.0pt;color:#0080FF'> </span></font></p>
<p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span
style='font-size:10.0pt;color:blue'>Information Specialist, Information Center</span></font></p>
<p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span
style='font-size:10.0pt;color:blue'>American Association of Museums</span></font></p>
<p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span
style='font-size:10.0pt;color:blue'>1575 Eye Street NW Suite 400</span></font></p>
<p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span
style='font-size:10.0pt;color:blue'>Washington D.C. 20005</span></font></p>
<p class=MsoNormal><font size=3 color="#0080ff" face="Times New Roman"><span
style='font-size:12.0pt;color:#0080FF'> </span></font></p>
<p class=MsoNormal><strong><b><i><font size=2 color=blue face="Times New Roman"><span
style='font-size:10.0pt;color:blue;font-style:italic'>Help is just a click
away!</span></font></i></b></strong></p>
<p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span
style='font-size:10.0pt;color:blue'><a href="http://www.aam-us.org/">www.aam-us.org</a></span></font><font
size=2 color="#0080ff"><span style='font-size:10.0pt;color:#0080FF'> </span></font></p>
</div>
<p class=MsoNormal><font size=3 color=blue face="Times New Roman"><span
style='font-size:12.0pt;color:blue'> </span></font></p>
<div>
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face="Times New Roman"><span style='font-size:12.0pt'>
<hr size=2 width="100%" align=center tabindex=-1>
</span></font></div>
<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b><span style='font-weight:
bold'>On Behalf Of </span></b>Joan Benedetti<br>
<b><span style='font-weight:bold'>Sent:</span></b> Tuesday, September 30, 2008
11:54 AM<br>
<b><span style='font-weight:bold'>To:</span></b> [log in to unmask]<br>
<b><span style='font-weight:bold'>Subject:</span></b> [ARLIS-L] ARLIS Archives</span></font></p>
</div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
</div>
<div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>"The ARLIS/NA archives are now in good hands at the University of
Illinois, but there will be significant costs involved in processing this
material over the next three years." </span></font></p>
</div>
<div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
</div>
<div>
<div>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I was very happy to hear a few months ago that the ARLIS
archives would be deposited at the U. of Illinois. However, I don't
remember hearing that ARLIS would have to pay for their processing. Could
someone explain more of the details (and the costs) of the arrangement?
Since presumably files will be deposited at the U. of I. on a regular basis,
does this mean that the costs will be ongoing? I have some experience in
processing archives and I don't recall ever hearing that a host
institution charged processing fees. In this time of shrinking budgets,
is this a new wrinkle for some archives collections?</span></font></p>
</div>
<div>
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12.0pt'> </span></font></p>
</div>
<div>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Joan Benedetti</span></font></p>
</div>
</div>
</div>
</body>
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------_=_NextPart_001_01C92318.EE784CEC--
========================================================================Date: Tue, 30 Sep 2008 11:18:54 -0700
Reply-To: "Brodhead, Heather" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Brodhead, Heather" <[log in to unmask]>
Subject: Nam June Paik: Family of Robot-Claimed!
In-Reply-To: A<[log in to unmask]>
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This book has been claimed. A huge response!.
-Heather B.
________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Brodhead, Heather
Sent: Thursday, September 25, 2008 2:55 PM
To: [log in to unmask]
Subject: [ARLIS-L] Nam June Paik: Family of Robot
Nam June Paik: Family of Robot.
We have an extra copy of this soft cover, spiral-bound book published by
Carl Solway Gallery, Cincinnati, OH, which we will give to an
institutional library.
If the recipient were to stick a couple of dollars in an envelope to us
for postage, that would be nice. (We'd put it in our donation jar.)
Heather Brodhead
Librarian
Constance & George Fearing Library
Santa Barbara Museum of Art www.sbma.net
1130 State Street
Santa Barbara, CA 93101
(805) 884-6451
Library is open to the public Tues., Wed, Thu. 1-5 PM;
Librarian's hours 10-noon; 2-:530 on those days.
__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
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<div class=Section1>
<p class=MsoNormal><font size=2 color=blue face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif";color:blue'>This
book has been claimed. A huge response!.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=blue face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif";color:blue'>-Heather
B.<o:p></o:p></span></font></p>
<div>
<div class=MsoNormal align=center style='text-align:center'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>
<hr size=2 width="100%" align=center tabindex=-1>
</span></font></div>
<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b><span style='font-weight:
bold'>On Behalf Of </span></b>Brodhead, Heather<br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, September 25, 2008
2:55 PM<br>
<b><span style='font-weight:bold'>To:</span></b> [log in to unmask]<br>
<b><span style='font-weight:bold'>Subject:</span></b> [ARLIS-L] <st1:country-region
w:st="on"><st1:place w:st="on">Nam</st1:place></st1:country-region> June Paik:
Family of Robot</span></font><o:p></o:p></p>
</div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><st1:place w:st="on"><st1:country-region w:st="on"><u><font
size=2 face="MS Reference Sans Serif"><span style='font-size:11.0pt;
font-family:"MS Reference Sans Serif"'>Nam</span></font></u></st1:country-region></st1:place><u><font
size=2 face="MS Reference Sans Serif"><span style='font-size:11.0pt;font-family:
"MS Reference Sans Serif"'> June Paik: Family of Robot. <o:p></o:p></span></font></u></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'>We have an extra
copy of this soft cover, spiral-bound book published by Carl Solway Gallery, <st1:place
w:st="on"><st1:City w:st="on">Cincinnati</st1:City>, <st1:State w:st="on">OH</st1:State></st1:place>,
which we will give to an institutional library. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'>If the recipient
were to stick a couple of dollars in an envelope to us for postage, that would
be nice. (We’d put it in our donation jar.)<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="MS Reference Sans Serif"><span
style='font-size:11.0pt;font-family:"MS Reference Sans Serif"'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Heather Brodhead</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Librarian</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Constance & George Fearing Library</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Santa Barbara Museum of
Art
<a href="http://www.sbma.net">www.sbma.net</a></span></font><o:p></o:p></p>
<p class=MsoNormal><st1:Street w:st="on"><st1:address w:st="on"><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>1130 State Street</span></font></st1:address></st1:Street><o:p></o:p></p>
<p class=MsoNormal><st1:place w:st="on"><st1:City w:st="on"><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>Santa Barbara</span></font></st1:City><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>, <st1:State
w:st="on">CA</st1:State> <st1:PostalCode w:st="on">93101</st1:PostalCode></span></font></st1:place><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>(805) 884-6451</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Library is open to the public Tues., Wed, Thu. 1-5 PM;</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> Librarian's hours 10-noon; 2-:530 on those days.</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
</div>
</body>
</html>
__________________________________________________________________
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For information about joining ARLIS/NA see:
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__________________________________________________________________
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For information about joining ARLIS/NA see:
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------_=_NextPart_001_01C92328.FF18A9B4--
========================================================================Date: Tue, 30 Sep 2008 13:51:21 -0500
Reply-To: [log in to unmask]
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Tim Reynolds <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
MIME-Version: 1.0
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Hi my name is Tim Reynolds and I am a new member. While I do not mind
spending that much on dues; I would like to know more about the reason for
this increase. Is it just the issue of inflation? Do we need more to cover
cost and if so what cost? Is ARLIS planning to introduce new programs and
new service? I find it hard to vote on anything if I do not know what I am
voting on. Lets hear some issues. I would love to hear debate too, but it
seems the how and how much was decided on during the annual meeting.
I am just asking for more information.
Tim Reynolds
Librarian
Harlingen Public Library
956-216-5822
--
Anything worth doing is worth fighting for
__________________________________________________________________
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<div dir="ltr"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial"><span style="letter-spacing: 0.0px">Hi my name is Tim Reynolds and I am a new member. While I do not mind spending that much on dues; I would like to know more about the reason for this increase. Is it just the issue of inflation? Do we need more to cover cost and if so what cost? Is ARLIS planning to introduce new programs and new service? I find it hard to vote on anything if I do not know what I am voting on. Lets hear some issues. I would love to hear debate too, but it seems the how and how much was decided on during the annual meeting.</span></p>
<div><br></div><div><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial"><span style="letter-spacing: 0.0px">I am just asking for more information.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial">
<br></p></div><div>Tim Reynolds</div><div>Librarian</div><div>Harlingen Public Library</div><div>956-216-5822</div><br>-- <br>Anything worth doing is worth fighting for<br>
</div>
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------=_Part_36061_12859658.1222800681670--
========================================================================Date: Tue, 30 Sep 2008 18:53:28 -0400
Reply-To: "Soehner, Ken" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Soehner, Ken" <[log in to unmask]>
Subject: Membership Dues Increase
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I would like to thank ARLIS/NA members who have written to express their
positions and ideas on the vote for a membership dues increase. I
appreciate the thoughtful nature of all the postings.
The mid-year board meeting takes place this Thursday and Friday in New
York. We will review all the ideas and concerns that have been raised,
and I will follow up with the membership early next week.
In the meantime, please vote.
Many thanks.
Ken
__________________________________________________________________
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For information about joining ARLIS/NA see:
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<div class=Section1>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>I would like to thank ARLIS/NA members who have written to
express their positions and ideas on the vote for a membership dues increase. I
appreciate the thoughtful nature of all the postings. </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>The mid-year board meeting takes place this Thursday and
Friday in New York. We will review all the ideas and concerns that have been
raised, and I will follow up with the membership early next week.</span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>In the meantime, please vote.</span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'> </span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>Many thanks.</span></font></p>
<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>Ken</span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> </span></font></p>
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For information about joining ARLIS/NA see:
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------_=_NextPart_001_01C9234F.5A81D124--
========================================================================Date: Tue, 30 Sep 2008 16:35:12 -0400
Reply-To: Sherman Clarke <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Sherman Clarke <[log in to unmask]>
Subject: the baby boom enters the golden years
Comments: To: [log in to unmask], [log in to unmask]
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The last couple years have been years of special reflection for me. Turning 62 this year as well as the death of my father last year have meant thinking a great deal about what I really want to do with my time. While there is much about working in an academic cataloging department that is very satisfying, there is also much that I would like to do that cannot happen while I am employed fulltime. There are the good meetings with discussion of new trends, plans for new services, arguments over arcane MARC fields, and then there are the others.
The next few years in the Technical Services Department at New York University Libraries, where I work, will be ones of a physical move to swing space (above ground?!?!) and then to a new space devoted to the department. Not really offsite but out of the library building. This just seems like the moment to retire from the Monday-Friday and 9-5 life rather than spending three years packing, moving, adjusting, packing, moving, adjusting, and then retiring.
I plan on indulging myself in some piecework cataloging jobs, reading, travel, whatever. I also plan on going to Toronto for VRA and Indianapolis for ARLIS/NA. I'll probably keep coming to the conferences until they knock me out. No immediate plans to stop doing any of my professional stuff but I plan on moving to Alfred, New York to the family homestead.
I'm taking out a membership in the AARP-SIG. Move over, Wolfgang, Bill, Joan, BJ, Janis, Pat, here I come.
Sherman Clarke
New York University Libraries
[log in to unmask]
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For information about joining ARLIS/NA see:
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to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
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========================================================================Date: Tue, 30 Sep 2008 16:28:33 -0700
Reply-To: Lynda Bunting <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Lynda Bunting <[log in to unmask]>
Subject: exhibition announcement
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MOCA
The Museum of Contemporary Art
250 South Grand Avenue
Los Angeles, CA 90012
213/621-1749
MEDIA CONTACTS:
Elizabeth Hinckley
Tel 310/854-8199
[log in to unmask]
Lyn Winter
Tel 213/633-5390
[log in to unmask]
FOR IMMEDIATE RELEASE
September 24, 2008
MOCA PRESENTS UNIQUE EXHIBITION OF ARTISTS' BOOKS
First Museum Survey of Artists' Books in Los Angeles Since 1978
Includes Online and Interactive Components
To Illustrate and Multiply: An Open Book
October 18, 2008-March 1, 2009
MOCA Pacific Design Center
West Hollywood, CA-The Museum of Contemporary Art, Los Angeles (MOCA),
presents To Illustrate and Multiply: An Open Book, the first large-scale
museum survey of artists' books in Los Angeles since 1978. Organized by
MOCA Librarian Lynda Bunting and MOCA Director of Publications Lisa
Gabrielle Mark, To Illustrate and Multiply highlights a diverse range of
conceptual strategies and formal processes, exploring how the ordering
of visual, textual, and material information- into book form affects
meaning. More than 100 artists are represented by over 130 works, which
are drawn from MOCA's permanent and library collections as well as
several public and private local collections. To Illustrate and Multiply
is on view at MOCA Pacific Design Center from October 19, 2008 through
March 1, 2009.
"Since the 1960s, making books has been a significant part of
contemporary art practice," said MOCA Director Jeremy Strick. "Artists
such as Ed Ruscha, John Baldessari, Douglas Huebler, and Al Ruppersberg,
among many others, have created beautiful and iconic works in book form.
In addition to being the first major museum show of artists' books in
Los Angeles in 30 years, To Illustrate and Multiply features an
interactive reading lounge and a distinctive web site where viewers can
access information about the show and watch videos of selected books set
in motion. These unique components help to bring the medium to life for
viewers."
Borrowing its title from an undated, limited-edition 'zine by Raymond
Pettibon, To Illustrate and Multiply: An Open Book presents many
different book forms, from spiral-bound and accordion-fold books to
photographic portfolios and boxed books of loose pages. The exhibition
includes work dating from 1965 to the present by both established
artists who view bookmaking as an integral part of their artistic
practice and emerging artists who have begun to experiment with this
media.
Contemporary artists' books-as opposed to the classic livres d'artiste,
which refers to traditional, limited-edition books illustrated with
original prints by well-known artists-began to emerge in the 1960s.
Early examples were often associated with conceptual art and Fluxus,
both of which sought to challenge institutional hierarchies and present
art in new ways. Artists' books, easily disseminated and often made with
inexpensive and/or unconventional materials, posed a stark contrast to
the unique, high-priced artworks typically prized by museums.
At the show's core are a number of important early examples of the
genre, including Ray Johnson's Paper Snake (1965) and Dieter Roth's
Kinderbuch (1957/1976). In addition, To Illustrate and Multiply
showcases well-known works such as Tom Phillip's A Humument: A Novel
After W. H. Mallock (1970), Edward Ruscha's Every Building on the Sunset
Strip (1966), and Michael Snow's Cover to Cover (1975), alongside the
work of a new generation that is revitalizing the practice of making
artists' books, including Darren Bader, Luca Buvoli, Douglas Gordon,
David Horovitz, Brendan Lott, and Euan Macdonald, among others. Evoking
the dynamic community that surrounds the creation and reception of the
genre, some books were produced by artists who also serve as publishers
and distributors of other artists' books, including Jan Voss of Boekie
Woekie in Amsterdam and Brian Kennon of 2nd Cannons Publications in Los
Angeles.
Some works, such as Adam Janes's drawing pad for living room (2008),
were created specially for this exhibition. This dramatic piece consists
of a 20-foot scroll drawing mounted on two six-foot tall cylinders. The
drawing can be turned via two large wheels that resemble helms. Also
featured in the exhibition are book works by artists who are well known
for their work in other media-such as Fischli and Weiss, Rodney Graham,
Ann Hamilton, Rebecca Horn, Harmony Korine, Barbara Kruger, Robert
Morris, Olafur Eliasson, Sigmar Polke, Richard Prince, and Jim Shaw.
To Illustrate and Multiply features an interactive reading lounge where
viewers are invited to physically engage with a number of the works in
the exhibition. These include books by Fernando Bryce, Matthew Chambers,
Hans-Peter Feldmann, Allen Ruppersberg, and Raymond Pettibon. To further
expand the content of the exhibition, a special web site has been
developed at moca.org/openbook. Launching on October 17, the web site
will include Quicktime videos that allow viewers to experience selected
works from the exhibition; an audio conversation between award-winning
book designer Lorraine Wild and 2nd Cannons Publications founder Brian
Kennon, moderated by the exhibition curators; installation images;
essays by the curators; a checklist of the exhibition; and an extensive
bibliography.
RELATED PROGRAMS
Art Talks
These informal discussions of current exhibitions feature artists,
curators, critics, writers, and other arts professionals. Unless
otherwise noted, talks take place in the exhibition galleries,
attendance is free with museum admission, and reservations are not
required.
INFO 213/621-1745 or [log in to unmask]
SUNDAY, OCT 19, 3pm-MOCA Pacific Design Center
Lynda Bunting, MOCA librarian and exhibition co-curator, leads an
opening day walkthrough of To Illustrate and Multiply: An Open Book.
FREE
SUNDAY, NOV 9, 3pm-MOCA Pacific Design Center
Lisa Gabrielle Mark, MOCA director of publications and exhibition
co-curator, discusses To Illustrate and Multiply: An Open Book.
FREE
Art Talks are made possible by The Times Mirror Foundation Endowment,
Good Works Foundation, and the Department of Cultural Affairs, City of
Los Angeles.
Book Making Workshop
SATURDAY, JAN 10, 10am-4pm
MOCA Pacific Design Center
Books are a rich and tactile means of collecting art and information,
and the choices made in assembling books can fortify their content. In
conjunction with the exhibition To Illustrate and Multiply: An Open
Book, learn how to construct, and deconstruct, basic book forms as a
tool to manipulate narrative and sequence in text and imagery. Following
a tour of the exhibition, this hands-on workshop will provide an
overview of the methods and tools of book construction and printing, as
well as experience with a variety of folds, bindings, papers, and
printing techniques.
Instructor: Elinor Nissley works as a project designer at Bestor
Architecture, but prefers never to be too far from a press. She is a
printmaker and book designer for Cloverfield Press and also makes work
under her own imprint, Krank Press.
Advance registration required; no refunds
INFO 213/621-1745 or [log in to unmask]
$100 MOCA members; $125 nonmembers
# # #
MOCA-Celebrating 30 Years as the Nation's Leading Contemporary Art
Museum
Founded in 1979, The Museum of Contemporary Art, Los Angeles (MOCA), has
achieved astonishing growth in its brief history-with three Los Angeles
locations of architectural renown; more than 20,000 members; a permanent
collection of nearly 6,000 works international in scope and among the
finest in the nation; hallmark education programs that are widely
emulated; award-winning publications that present original scholarship;
and groundbreaking monographic, touring, and thematic exhibitions of
international repute that survey the art of our time. MOCA's mission is
to be the defining museum of contemporary art. MOCA is a private
not-for-profit institution supported by its members, corporate and
foundation support, government grants, and admission revenues. MOCA
Grand Avenue and The Geffen Contemporary at MOCA are open 11am to 5pm on
Monday and Friday; 11am to 8pm on Thursday; 11am to 6pm on Saturday and
Sunday; and closed on Tuesday and Wednesday. General admission is $10
for adults; $5 for students with I.D. and seniors (65+); and free for
MOCA members, children under 12, and everyone on Thursdays from 5pm to
8pm, courtesy of Wells Fargo. MOCA Pacific Design Center is open 11am to
5pm Tuesday through Friday; 11am to 6pm on Saturday and Sunday; and
closed on Monday. Admission to MOCA Pacific Design Center is always
free. For 24-hour information on current exhibitions, education
programs, and special events, call 213/626-6222 or access MOCA online at
moca.org.
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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font-weight:bold'>MOCA</span></font></b></p>
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size=2 face="Helvetica Light"><span style='font-size:11.0pt;font-family:"Helvetica Light";
font-weight:bold'>The Museum of Contemporary Art</span></font></b></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><b><font size=2 face="Helvetica Light"><span style='font-size:11.0pt;font-family:"Helvetica Light";
font-weight:bold'>250 South Grand Avenue</span></font></b><b><font size=2
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font-weight:bold'>Los Angeles</span></font></b><b><font size=2
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font-weight:bold'>, CA 90012</span></font></b></p>
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size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>MEDIA CONTACTS:</span></font></b></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>Elizabeth
Hinckley</span></font></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>Tel
310/854-8199</span></font></p>
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face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'><a
href="mailto:[log in to unmask]"
title="mailto:[log in to unmask]">[log in to unmask]</a></span></font></p>
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face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>Lyn
Winter</span></font></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>Tel
213/633-5390</span></font></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'><a
href="mailto:[log in to unmask]" title="mailto:[log in to unmask]">[log in to unmask]</a></span></font></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><b><font
size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>FOR IMMEDIATE RELEASE</span></font></b></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><b><font
size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>September 24, 2008</span></font></b></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal style='margin-right:.25in;text-align:justify'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal align=center style='margin-right:.25in;margin-bottom:6.0pt;
margin-left:0in;text-align:center'><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>MOCA
PRESENTS UNIQUE EXHIBITION OF ARTISTS’ BOOKS</span></font></b></p>
<p class=MsoNormal align=center style='margin-right:.25in;text-align:center'><b><font size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>First</span></font></b><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'> Museum Survey of Artists’ Books in Los Angeles Since 1978</span></font></b></p>
<p class=MsoNormal align=center style='margin-right:.25in;margin-bottom:6.0pt;
margin-left:0in;text-align:center'><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>Includes
Online and Interactive Components</span></font></b></p>
<div align=center>
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style='border-collapse:collapse'>
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</td>
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<p class=MsoNormal align=center style='margin-right:.25in;text-align:center'><b><i><font
size=3 face="Helvetica Light"><span style='font-size:12.0pt;font-family:"Helvetica Light";
font-weight:bold;font-style:italic'>To Illustrate and Multiply: An Open Book</span></font></i></b></p>
<p class=MsoNormal align=center style='margin-right:.25in;text-align:center'><b><font
size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>October 18, 2008-March 1, 2009</span></font></b></p>
<p class=MsoNormal align=center style='margin-right:.25in;text-align:center'><b><font size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>MOCA</span></font></b><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'> Pacific Design Center</span></font></b></p>
<p class=MsoNormal style='margin-right:.25in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'> </span></font></b></p>
<p class=MsoNormal style='margin-right:.25in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>West Hollywood</span></font></b><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>, CA</span></font></b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light"'>—The Museum of
Contemporary Art, Los Angeles (MOCA), presents <i><span style='font-style:italic'>To
Illustrate and Multiply: An Open Book</span></i>, the first large-scale museum
survey of artists’ books in Los Angeles since 1978. Organized by MOCA
Librarian Lynda Bunting and MOCA Director of Publications Lisa Gabrielle Mark, <i><span
style='font-style:italic'>To Illustrate and Multiply</span></i> highlights a
diverse range of conceptual strategies and formal processes, exploring how the
ordering of visual, textual, and material information­ into book form affects
meaning. More than 100 artists are represented by over 130 works, which are
drawn from MOCA’s permanent and library collections as well as several
public and private local collections. <i><span style='font-style:italic'>To
Illustrate and Multiply</span></i> is on view at MOCA Pacific Design Center from October 19, 2008 through March 1, 2009.</span></font></p>
<p class=MsoNormal style='margin-right:.25in'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal style='margin-right:.25in'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>“Since
the 1960s, making books has been a significant part of contemporary art
practice,” said MOCA Director Jeremy Strick. “Artists such as Ed
Ruscha, John Baldessari, Douglas Huebler, and Al Ruppersberg, among many
others, have created beautiful and iconic works in book form. In addition to
being the first major museum show of artists’ books in Los Angeles in 30
years, <i><span style='font-style:italic'>To Illustrate and Multiply</span></i>
features an interactive reading lounge and a distinctive web site where viewers
can access information about the show and watch videos of selected books set in
motion. These unique components help to bring the medium to life for
viewers.”</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>Borrowing its title from an undated,
limited-edition ’zine by Raymond Pettibon, <i><span style='font-style:
italic'>To Illustrate and Multiply: An Open Book</span></i> presents many
different book forms, from spiral-bound and accordion-fold books to
photographic portfolios and boxed books of loose pages. The exhibition includes
work dating from 1965 to the present by both established artists who view
bookmaking as an integral part of their artistic practice and emerging artists
who have begun to experiment with this media.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>Contemporary artists’
books—as opposed to the classic livres d’artiste, which refers to
traditional, limited-edition books illustrated with original prints by
well-known artists—began to emerge in the 1960s. Early examples were
often associated with conceptual art and Fluxus, both of which sought to
challenge institutional hierarchies and present art in new ways. Artists’
books, easily disseminated and often made with inexpensive and/or unconventional
materials, posed a stark contrast to the unique, high-priced artworks typically
prized by museums.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>At the show’s core are a number of
important early examples of the genre, including Ray Johnson’s <i><span
style='font-style:italic'>Paper Snake</span></i> (1965) and Dieter Roth’s
<i><span style='font-style:italic'>Kinderbuch</span></i> (1957/1976). In
addition, <i><span style='font-style:italic'>To Illustrate and Multiply</span></i>
showcases well-known works such as Tom Phillip’s <i><span
style='font-style:italic'>A Humument: A Novel After W. H. Mallock</span></i>
(1970), Edward Ruscha’s <i><span style='font-style:italic'>Every Building
on the Sunset Strip</span></i> (1966), and Michael Snow’s <i><span
style='font-style:italic'>Cover to Cover</span></i> (1975), alongside the work
of a new generation that is revitalizing the practice of making artists’
books, including Darren Bader, Luca Buvoli, Douglas Gordon, David Horovitz,
Brendan Lott, and Euan Macdonald, among others. Evoking the dynamic community
that surrounds the creation and reception of the genre, some books were
produced by artists who also serve as publishers and distributors of other
artists’ books, including Jan Voss of Boekie Woekie in Amsterdam and
Brian Kennon of 2nd Cannons Publications in Los Angeles.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>Some works, such as Adam Janes’s <i><span
style='font-style:italic'>drawing pad for living room</span></i> (2008), were
created specially for this exhibition. This dramatic piece consists of a
20-foot scroll drawing mounted on two six-foot tall cylinders. The drawing can
be turned via two large wheels that resemble helms. Also featured in the
exhibition are book works by artists who are well known for their work in other
media—such as Fischli and Weiss, Rodney Graham, Ann Hamilton, Rebecca
Horn, Harmony Korine, Barbara Kruger, Robert Morris, Olafur Eliasson, Sigmar
Polke, Richard Prince, and Jim Shaw.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><i><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-style:italic'>To
Illustrate and Multiply</span></font></i><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light"'> features an interactive
reading lounge where viewers are invited to physically engage with a number of
the works in the exhibition. These include books by Fernando Bryce, Matthew
Chambers, Hans-Peter Feldmann, Allen Ruppersberg, and Raymond Pettibon. To
further expand the content of the exhibition, a special web site has been
developed at <b><span style='font-weight:bold'>moca.org/openbook</span></b>.
Launching on October 17, the web site will include Quicktime videos that allow
viewers to experience selected works from the exhibition; an audio conversation
between award-winning book designer Lorraine Wild and 2nd Cannons Publications
founder Brian Kennon, moderated by the exhibition curators; installation
images; essays by the curators; a checklist of the exhibition; and an extensive
bibliography.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> <br clear=all style='page-break-before:
always'>
<b><span style='font-weight:bold'>RELATED PROGRAMS</span></b></span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>Art
Talks</span></font></b></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>These informal discussions of current
exhibitions feature artists, curators, critics, writers, and other arts
professionals. Unless otherwise noted, talks take place in the exhibition
galleries, attendance is free with museum admission, and reservations are not
required.</span></font></p>
<p class=MsoNormal><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>INFO</span></font></b><font
size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>
213/621-1745 or [log in to unmask]</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal style='margin-left:.5in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>SUNDAY, OCT 19, 3pm—MOCA Pacific Design Center</span></font></b></p>
<p class=MsoNormal style='margin-left:.5in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>Lynda Bunting</span></font></b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>,
MOCA librarian and exhibition co-curator, leads an opening day walkthrough of <i><span
style='font-style:italic'>To Illustrate and Multiply: An Open Book</span></i>.</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>FREE</span></font></b></p>
<p class=MsoNormal style='margin-left:.5in'><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal style='margin-left:.5in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>SUNDAY, NOV 9, 3pm—MOCA Pacific Design Center</span></font></b></p>
<p class=MsoNormal style='margin-left:.5in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>Lisa Gabrielle Mark</span></font></b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>,
MOCA director of publications and exhibition co-curator, discusses <i><span
style='font-style:italic'>To Illustrate and Multiply: An Open Book</span></i>.</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><b><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'>FREE</span></font></b></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal style='margin-bottom:6.0pt'><font size=1
face="Helvetica Light"><span style='font-size:8.0pt;font-family:"Helvetica Light"'>Art
Talks are made possible by The Times Mirror Foundation Endowment, Good Works
Foundation, and the Department of Cultural Affairs, City of Los Angeles.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>Book
Making Workshop</span></font></b></p>
<p class=MsoNormal><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>SATURDAY,
JAN 10, 10am–4pm</span></font></b></p>
<p class=MsoNormal><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>MOCA</span></font></b><b><font
size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light";
font-weight:bold'> Pacific Design Center</span></font></b></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>Books are a rich and tactile means of
collecting art and information, and the choices made in assembling books can
fortify their content. In conjunction with the exhibition <i><span
style='font-style:italic'>To Illustrate and Multiply: An Open Book</span></i>,
learn how to construct, and deconstruct, basic book forms as a tool to
manipulate narrative and sequence in text and imagery. Following a tour of the
exhibition, this hands-on workshop will provide an overview of the methods and
tools of book construction and printing, as well as experience with a variety
of folds, bindings, papers, and printing techniques.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>Instructor: <b><span style='font-weight:
bold'>Elinor Nissley</span></b> works as a project designer at Bestor
Architecture, but prefers never to be too far from a press. She is a printmaker
and book designer for Cloverfield Press and also makes work under her own
imprint, Krank Press.</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>Advance registration required; no refunds</span></font></p>
<p class=MsoNormal><b><font size=2 face="Helvetica Light"><span
style='font-size:10.0pt;font-family:"Helvetica Light";font-weight:bold'>INFO</span></font></b><font
size=2 face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>
213/621-1745 or [log in to unmask]</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'>$100 MOCA members; $125 nonmembers</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face="Helvetica Light"><span style='font-size:10.0pt;font-family:"Helvetica Light"'>#
# #</span></font></p>
<p class=MsoNormal><font size=2 face="Helvetica Light"><span style='font-size:
10.0pt;font-family:"Helvetica Light"'> </span></font></p>
<p class=MsoNormal><b><font size=1 face="Helvetica Light"><span
style='font-size:8.0pt;font-family:"Helvetica Light";font-weight:bold'>MOCA—Celebrating
30 Years as the Nation’s Leading Contemporary Art Museum</span></font></b></p>
<p class=MsoNormal><font size=1 face="Helvetica Light"><span style='font-size:
8.0pt;font-family:"Helvetica Light"'>Founded in 1979, The Museum of
Contemporary Art, Los Angeles (MOCA), has achieved astonishing growth in its
brief history—with three Los Angeles locations of architectural renown;
more than 20,000 members; a permanent collection of nearly 6,000 works
international in scope and among the finest in the nation; hallmark education
programs that are widely emulated; award-winning publications that present
original scholarship; and groundbreaking monographic, touring, and thematic
exhibitions of international repute that survey the art of our time.
MOCA’s mission is to be the defining museum of contemporary art. MOCA is
a private not-for-profit institution supported by its members, corporate and
foundation support, government grants, and admission revenues. MOCA Grand Avenue and The Geffen Contemporary at MOCA are open 11am to 5pm on Monday and
Friday; 11am to 8pm on Thursday; 11am to 6pm on Saturday and Sunday; and closed
on Tuesday and Wednesday. General admission is $10 for adults; $5 for students
with I.D. and seniors (65+); and free for MOCA members, children under 12, and
everyone on Thursdays from 5pm to 8pm, courtesy of Wells Fargo. MOCA Pacific Design Center is open 11am to 5pm Tuesday through Friday; 11am to 6pm on
Saturday and Sunday; and closed on Monday. Admission to MOCA Pacific Design Center is always free. For 24-hour information on current exhibitions, education
programs, and special events, call 213/626-6222 or access MOCA online at
moca.org.</span></font></p>
<p class=MsoNormal><font size=1 face="Helvetica Light"><span style='font-size:
8.0pt;font-family:"Helvetica Light"'> </span></font></p>
</div>
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========================================================================Date: Tue, 30 Sep 2008 20:56:18 -0400
Reply-To: Shalimar Abigail Fojas White <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: Shalimar Abigail Fojas White <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
In-Reply-To: A<[log in to unmask]>
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Dear colleagues,
Thank you for all the comments about the upcoming vote on membership
dues. We thought it would be helpful to provide some background on what
has been a carefully considered decision to increase ARLIS/NA's
membership dues.
As you may recall, in early 2007, the Membership Committee conducted a
survey to gather feedback on various options for changing the membership
structure, including tiered scales and a la carte options for individual
benefits. These proposed changes were based on research conducted by
committee members to compare fee structures among similar associations.
We also took into account the results of the Assessment Task Force
Survey. Survey respondents expressed a clear preference against
introducing tiered membership levels and keeping the structure as simple
as possible. Based on this feedback, the committee developed a proposal
for a revised fee structure, which was reviewed and approved by the
Board.
Members responding to the survey also expressed a desire for improved
programming, while also maintaining existing services. As you know,
costs for current programs and services have risen over time. New
initiatives, such as the ARLIS/NA archives and MemberClicks, require
additional resources. Thus, the current proposal to increase dues
reflects the need to provide more financial support to both sustain and
improve our Society.
As Rachel Resnick, former chair of the Membership Committee, explained
in an earlier email, dues have not been raised for Individual members
since 1998 and have not reflected the rate of inflation over the last
decade. By contrast, Institutional/Business Affiliate dues were raised
38-45% in 2004. If you compare 1998 membership dues to the current 2008
proposed dues, Individual memberships will increase by 41%, while
Institutional/Business Affiliate dues increased by 81-90% over the same
period.
We realize that the additional $35 will be a burden for individuals. The
Membership Committee has struggled with the concerns expressed by
members. We also want to keep the Society accessible to new members,
which is reflected in the retention of the Student membership level and
the introduction of an Introductory category. In the end, membership
revenue is extremely important for the health of the Society and the
proposed increases are necessary for its sustainability. We hope that
the membership will consider these issues as you deliberate your vote on
the dues increase.
Sincerely,
ARLIS/NA Membership Committee
Laurel Bliss
Margaret Boylan
Bryan Loar
Jill Luedke
Ian McDermott
Alyssa Resnick
Eva Revitt
Shalimar Fojas White, chair
________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of rachel resnik
Sent: Monday, September 29, 2008 3:02 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
Hi Moira et al.
Here's a little more history on dues.
Dues History:
2004
1998
Individual ($50K+)
$85
$90
Retired/Unemployed
$45
$50
Student
$45
$40
Business
$145
$105
Institutional
$145
$100
Subscriber
$65
$60
Dues haven't been raised for Individual members since 1998 (in fact
they've gone down). Institutional/Business Affiliate dues on the other
hand were raised fairly significantly in 2004. So the percentage
increases in the proposal seem unfair when you compare them to the
current dues. When you look at it over a ten year period, it makes a lot
more sense.
It's definitely not an easy increase to swallow, but I do believe it's
fair. And necessary, from what I understand.
Rachel Resnik
Massachusetts College of Art and Design
[log in to unmask]
> Date: Mon, 29 Sep 2008 08:21:59 -0400
> From: [log in to unmask]
> Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
> To: [log in to unmask]
>
> Thank you, Ken, for the update. I do have a few questions:
>
> Why is the personal membership being increased by nearly 42% while the
> institutional fee is being increased by only 31%? This increase places
a
> disproportionate burden on the individual member, many of whom would
find
> this onerous.
>
> Was a straight, across-the-board percentage increase considered? If
so,
> why was it rejected? If not, why not?
>
> Is there opportunity to discuss this issue now that the board has made
its
> recommendation?
>
> Thank you for addressing these issues.
>
> Moira
> _______________________________________
> Moira Steven
> Library Director
> Joanne Waxman Library
> Maine College of Art
> 522 Congress Street
> Portland, ME 04101
> 207-775-5153 / [log in to unmask]
>
> "All art is about saying yes, and all art is about its own making" -
John
> Currin
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> For information about joining ARLIS/NA see:
> http://www.arlisna.org/join.html
> Send administrative matters (file requests, subscription requests,
etc)
> to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Judy Dyki) at:
[log in to unmask]
________________________________
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__________________________________________________________________ Mail
submissions to [log in to unmask] For information about joining
ARLIS/NA see: http://www.arlisna.org/join.html Send administrative
matters (file requests, subscription requests, etc) to
[log in to unmask] ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to
list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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<div class=Section1>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'>Dear colleagues, <o:p></o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'><o:p> </o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'>Thank you for all the
comments about the upcoming vote on membership dues. We thought it would be helpful
to provide some background on what has been a carefully considered decision to
increase ARLIS/NA’s membership dues. <o:p></o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'><o:p> </o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'>As you may recall, in
early 2007, the Membership Committee conducted a survey to gather feedback on
various options for changing the membership structure, including tiered scales
and a la carte options for individual benefits. These proposed changes were
based on research conducted by committee members to compare fee structures
among similar associations. We also took into account the results of the
Assessment Task Force Survey. Survey respondents expressed a clear preference
against introducing tiered membership levels and keeping the structure as
simple as possible. Based on this feedback, the committee developed a proposal
for a revised fee structure, which was reviewed and approved by the Board.<o:p></o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'><o:p> </o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'>Members responding to the
survey also expressed a desire for improved programming, while also maintaining
existing services. As you know, costs for current programs and services have
risen over time. New initiatives, such as the ARLIS/NA archives and
MemberClicks, require additional resources. Thus, the current proposal to
increase dues reflects the need to provide more financial support to both
sustain and improve our Society. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>As Rachel Resnick, former chair of the Membership Committee, explained
in an earlier email, dues have not been raised for Individual members since
1998 and have not reflected the rate of inflation over the last decade. By
contrast, Institutional/Business Affiliate dues were raised 38-45% in 2004. If
you compare 1998 membership dues to the current 2008 proposed dues, Individual
memberships will increase by 41%, while Institutional/Business Affiliate dues
increased by 81-90% over the same period. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'><o:p> </o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'>We realize that the additional
$35 will be a burden for individuals. The Membership Committee has struggled
with the concerns expressed by members. We also want to keep the Society
accessible to new members, which is reflected in the retention of the Student
membership level and the introduction of an Introductory category. In the end,
membership revenue is extremely important for the health of the Society and the
proposed increases are necessary for its sustainability. We hope that the
membership will consider these issues as you deliberate your vote on the dues
increase.<o:p></o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'><o:p> </o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'>Sincerely, <o:p></o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'><o:p> </o:p></span></font></p>
<p class=western style='margin:0pt;margin-bottom:.0001pt'><font size=2
face="Times New Roman"><span style='font-size:11.0pt'>ARLIS/NA Membership
Committee<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Laurel Bliss <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Margaret Boylan <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Bryan Loar <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Jill Luedke <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Ian McDermott <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Alyssa Resnick <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Eva Revitt <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span style='font-size:
11.0pt'>Shalimar Fojas White, chair <o:p></o:p></span></font></p>
<div>
<p class=MsoNormal><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'> </span></font><o:p></o:p></p>
</div>
<div>
<div class=MsoNormal align=center style='text-align:center'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>
<hr size=2 width="100%" align=center tabindex=-1>
</span></font></div>
<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] <b><span style='font-weight:
bold'>On Behalf Of </span></b>rachel resnik<br>
<b><span style='font-weight:bold'>Sent:</span></b> Monday, September 29, 2008
3:02 PM<br>
<b><span style='font-weight:bold'>To:</span></b> [log in to unmask]<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: [ARLIS-L] ARLIS/NA
membership vote on membership dues increase</span></font><o:p></o:p></p>
</div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma'>Hi Moira et al.<br>
<br>
Here's a little more history on dues. <br>
<br>
<br>
<o:p></o:p></span></font></p>
<table class=MsoNormalTable border=0 cellspacing=0 cellpadding=0 width=64
style='width:48.2pt;margin-left:5.15pt;border-collapse:collapse'>
<tr height=18 style='height:13.4pt'>
<td width=45 nowrap height=18 valign=bottom style='width:33.7pt;border:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt'>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><!--[if gte mso 9]><xml>
<u1:WordDocument>
<u1:View>Normal</u1:View>
<u1:Zoom>0</u1:Zoom>
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<u1:SaveIfXMLInvalid>false</u1:SaveIfXMLInvalid>
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</xml><![endif]--><!--[if gte mso 9]><xml>
<u2:LatentStyles DefLockedState="false" LatentStyleCount="156"> </u2:LatentStyles>
</xml><![endif]-->Dues History:<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.3pt;border:solid windowtext 1.0pt;
border-left:none;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color'
u4:num="">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>2004<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.2pt;border-top:
solid windowtext 1.0pt;border-left:none;border-bottom:solid windowtext 1.0pt;
border-right:none;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:
-moz-use-text-color' u4:str="'2004">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>1998<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
</tr>
<tr height=18 style='height:13.4pt'>
<td width=45 nowrap height=18 valign=bottom style='width:33.7pt;border-top:
none;border-left:solid windowtext 1.0pt;border-bottom:none;border-right:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color windowtext'>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Individual ($50K+)<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.3pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$85<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.2pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'
u4:num="85">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$90 <u3:p></u3:p></span></font><o:p></o:p></p>
</td>
</tr>
<tr height=18 style='height:13.4pt'>
<td width=45 nowrap height=18 valign=bottom style='width:33.7pt;border-top:
none;border-left:solid windowtext 1.0pt;border-bottom:none;border-right:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color windowtext'>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Retired/Unemployed<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.3pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$45<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.2pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'
u4:num="45">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$50 <u3:p></u3:p></span></font><o:p></o:p></p>
</td>
</tr>
<tr height=18 style='height:13.4pt'>
<td width=45 nowrap height=18 valign=bottom style='width:33.7pt;border-top:
none;border-left:solid windowtext 1.0pt;border-bottom:none;border-right:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color windowtext'>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Student<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.3pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$45<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.2pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'
u4:num="45">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$40 <u3:p></u3:p></span></font><o:p></o:p></p>
</td>
</tr>
<tr height=18 style='height:13.4pt'>
<td width=45 nowrap height=18 valign=bottom style='width:33.7pt;border-top:
none;border-left:solid windowtext 1.0pt;border-bottom:none;border-right:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color windowtext'>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Business<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.3pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$145<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.2pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'
u4:num="145">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$105 <u3:p></u3:p></span></font><o:p></o:p></p>
</td>
</tr>
<tr height=18 style='height:13.4pt'>
<td width=45 nowrap height=18 valign=bottom style='width:33.7pt;border-top:
none;border-left:solid windowtext 1.0pt;border-bottom:none;border-right:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color windowtext'>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Institutional<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.3pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$145<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.2pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'
u4:num="145">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$100 <u3:p></u3:p></span></font><o:p></o:p></p>
</td>
</tr>
<tr height=18 style='height:13.4pt'>
<td width=45 nowrap height=18 valign=bottom style='width:33.7pt;border-top:
none;border-left:solid windowtext 1.0pt;border-bottom:none;border-right:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color windowtext'>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Subscriber<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.3pt;border:none;
border-right:solid windowtext 1.0pt;padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;
border-color:-moz-use-text-color windowtext -moz-use-text-color -moz-use-text-color'>
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$65<u3:p></u3:p></span></font><o:p></o:p></p>
</td>
<td width=10 nowrap height=18 valign=bottom style='width:7.2pt;border-top:
none;border-left:none;border-bottom:solid windowtext 1.0pt;border-right:solid windowtext 1.0pt;
padding:0pt 5.4pt 0pt 5.4pt;height:13.4pt;border-color:-moz-use-text-color windowtext windowtext -moz-use-text-color'
u4:num="65">
<p class=MsoNormal align=center style='text-align:center'><font size=2
face=Arial><span style='font-size:10.0pt;font-family:Arial'>$60 <u3:p></u3:p></span></font><o:p></o:p></p>
</td>
</tr>
</table>
<p class=MsoNormal style='margin-bottom:12.0pt'><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'><br>
Dues haven't been raised for Individual members since 1998 (in fact they've
gone down). Institutional/Business Affiliate dues on the other hand were raised
fairly significantly in 2004. So the percentage increases in the proposal
seem unfair when you compare them to the current dues. When you look at it over
a ten year period, it makes a lot more sense.<br>
<br>
It's definitely not an easy increase to swallow, but I do believe it's fair.
And necessary, from what I understand.<br>
<br>
Rachel Resnik<br>
<st1:place w:st="on"><st1:PlaceName w:st="on">Massachusetts</st1:PlaceName> <st1:PlaceType
w:st="on">College</st1:PlaceType></st1:place> of Art and Design<br>
[log in to unmask]<br>
<br>
<br>
<br>
> Date: Mon, 29 Sep 2008 08:21:59 -0400<br>
> From: [log in to unmask]<br>
> Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase<br>
> To: [log in to unmask]<br>
> <br>
> Thank you, Ken, for the update. I do have a few questions:<br>
> <br>
> Why is the personal membership being increased by nearly 42% while the<br>
> institutional fee is being increased by only 31%? This increase places a<br>
> disproportionate burden on the individual member, many of whom would find<br>
> this onerous.<br>
> <br>
> Was a straight, across-the-board percentage increase considered? If so,<br>
> why was it rejected? If not, why not?<br>
> <br>
> Is there opportunity to discuss this issue now that the board has made its<br>
> recommendation?<br>
> <br>
> Thank you for addressing these issues.<br>
> <br>
> Moira<br>
> _______________________________________<br>
> Moira Steven<br>
> Library Director<br>
> Joanne Waxman Library<br>
> <st1:place w:st="on"><st1:PlaceName w:st="on">Maine</st1:PlaceName> <st1:PlaceType
w:st="on">College</st1:PlaceType></st1:place> of Art<br>
> <st1:Street w:st="on"><st1:address w:st="on">522 Congress Street</st1:address></st1:Street><br>
> <st1:place w:st="on"><st1:City w:st="on">Portland</st1:City>, <st1:State
w:st="on">ME</st1:State> <st1:PostalCode w:st="on">04101</st1:PostalCode></st1:place><br>
> 207-775-5153 / [log in to unmask]<br>
> <br>
> "All art is about saying yes, and all art is about its own
making" - John<br>
> Currin<br>
> <br>
> __________________________________________________________________<br>
> Mail submissions to <st1:PersonName w:st="on">[log in to unmask]</st1:PersonName><br>
> For information about joining ARLIS/NA see:<br>
> http://www.arlisna.org/join.html<br>
> Send administrative matters (file requests, subscription requests, etc)<br>
> to [log in to unmask]<br>
> ARLIS-L Archives and subscription maintenance:<br>
> http://lsv.uky.edu/archives/arlis-l.html<br>
> Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]<o:p></o:p></span></font></p>
<div class=MsoNormal align=center style='text-align:center'><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'>
<hr size=2 width="100%" align=center>
</span></font></div>
<p class=MsoNormal><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma'>See how Windows connects the people, information, and fun
that are part of your life. <a
href="http://clk.atdmt.com/MRT/go/msnnkwxp1020093175mrt/direct/01/"
target="_new">See Now</a><o:p></o:p></span></font></p>
</div>
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</html>
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
------_=_NextPart_001_01C92360.84E64851--
========================================================================Date: Tue, 30 Sep 2008 18:13:34 -0700
Reply-To: "Henri, Janine" <[log in to unmask]>
Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
From: "Henri, Janine" <[log in to unmask]>
Subject: Re: ARLIS/NA membership vote on membership dues increase
Comments: To: "Evans, Jon" <[log in to unmask]>
In-Reply-To: A<[log in to unmask]>
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Dear colleagues,
When I think about $120.00 a year, it's only $10.00 a month, and for me that translates into 4 cups of café-au-lait a month. When I put it that way the dues seem very reasonably priced!
FYI, I personally would not wish to include chapter dues as part of the annual ARLIS/NA dues, since I like the current system where chapters have their own funds for projects and activities (and the ability to set their dues).
We can all read our executive board and committee reports on the society website, and unless I'm mistaken, we are not currently experiencing a growth in membership size. Thus, we probably cannot anticipate additional revenues from increased numbers of members. We have had dedicated treasurers, development committee members, finance committee members, and membership committee members serving our society over the years and have benefited from the generous financial support of our donors, sponsors, vendors, friends, and members. But my understanding is that ARLIS/NA is not exactly flush with funds and sometimes has a tough time balancing the books (and the annual conference income can be quite important). I realize that these may be uncertain financial times for many of us (making the timing of our vote unfortunate, perhaps), but I would not be surprised to hear that the Society will face a reduction in interest income on its deposits this year. Perhaps it would help some of our members if budget summaries were posted on the website? And perhaps if members saw the society's bottom line, those able to would be more inclined to join the Society Circle? After all, this is our professional organization and if we want to see it thrive, we are the ones to make it so...
Best wishes,
Janine Henri
Architecture, Design, and Digital Services Librarian
UCLA Arts Library
1400 Public Affairs Building
Box 951392
Los Angeles, CA 90095-1392
[log in to unmask]
office: 310-206-4587
fax: 310-825-1303
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On Behalf Of Evans, Jon
Sent: Tuesday, September 30, 2008 7:49 AM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues increase
Dear all,
I believe that the Society had a tiered membership scale several years
ago. However, if I recall correctly it was decided that the issue of
determining membership levels based upon salary levels infringed on
privacy rights and therefore was discontinued. That said, I'm not sure
how other organizations get around this or if their legal teams are not
as concerned about such issues.
More to the point, I agree that an increase to $120 USD for those that
are on the lower end of the pay scale is not insignificant. However, if
one takes into account inflation over a ten year period then the value
of a membership based on 1998 dollars would make it approximately $114
USD (see the Consumer Price Index calculator at the Bureau of Labor
Statistics site: http://www.bls.gov/data/inflation_calculator.htm).
This seems to be very close to that proposed and in my mind is well
worth the value for ARLIS/NA membership given the increasing financial
commitments that Ken outlined.
Regards,
Jon
Jon Evans
Reference Librarian
Hirsch Library
Museum of Fine Arts, Houston
P.O Box 6826
Houston, TX 77265-6826
p: 713-639-7393
fax: 713-639-7795
www.mfah.org/library
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Eric Wolf
Sent: Monday, September 29, 2008 5:26 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
The American Association of Museums also has different membership fees
based on a graduated salary scale.
A good move in my opinion.
Eric M. Wolf
Director of the Library
New York School of Interior Design
170 East 70th Street
New York, NY 10021
(212) 472-1500 x216
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________________________________
From: ART LIBRARIES SOCIETY DISCUSSION LIST on behalf of Marilyn
Carbonell
Sent: Mon 9/29/2008 5:36 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
Many state library associations, such as the Missouri Library
Association, offer full membership based on a graduated or tiered rate
according to annual salary. The scaled dues structure encourages new
members and retaining members. Just curious whether this approach was
discussed by the committee.
Thanks.
Marilyn Carbonell, M.A., M.A.
Head, Library Services
The Nelson-Atkins Museum of Art
4525 Oak Street
Kansas City, MO 64111
Office - 816.751.1381
Fax - 816.751.0498
Email - [log in to unmask]
Web - www.nelson-atkins.org
-----Original Message-----
From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]
On Behalf Of Alison Huftalen
Sent: Monday, September 29, 2008 3:20 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] ARLIS/NA membership vote on membership dues
increase
While I cannot disagree with Jeffrey's assessment, there still remains
one difficulty in my eyes. Current dues and and an increase make it
incredibly difficult for those on a lower payscale to become (and
remain) members. There are societies whose membership structure takes
this into account and has a lower dues option for non-salaried
librarians and support staff (who make under a given amount). Our
current structure (nor the proposed) does not provide an easy option for
librarians and staff in these categories. Though I do notice that in
Rachel's overview of the dues from 1998 and 2004 there is a (50K+) under
individual, not sure where that derives from. While I believe current
members will stay members and pay the $120, the current structure may
continue to hinder new and underemployed librarians and staff who do
want to support and be involved but may not find it economically
feasible.
Alison L. Huftalen
Catalog Librarian
Art Reference Library
Toledo Museum of Art
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419.254.5771 x7386
__________________________________________________________________
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For information about joining ARLIS/NA see:
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__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
