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Since it doesn’t look as though anyone more qualified has
replied, and since it may be a while before I make it over to the University of
Washington, take a look at Journal of aesthetics and art criticism 31:2
(Winter 1972): 215-226. We don’t take that journal, but my guess is that this
article will direct you to the passage you’re looking for. (I may well be
wrong, but it seems worth a try.)
Steve Perisho
Theology/Humanities/Fine
Arts Librarian
Seattle
Pacific University
Tel.: 206 281
2417; Fax: 206 281 2936
E-mail:
[log in to unmask]
“[Theology] is
the sole knowledge whose end qua science (finis operis) is identical
with the end of the one who practices it (finis operantis).”
Jean-Pierre
Torrell, “Théologien et mystique: le cas de Thomas d’Aquin,” Revue des
sciences religieuses 77, no. 3 (2003): 355-356.
From: ART LIBRARIES
SOCIETY DISCUSSION LIST [mailto:[log in to unmask]] On Behalf Of Gail R
Gilbert
Sent: Monday, June 16, 2008 8:37 AM
To: [log in to unmask]
Subject: [ARLIS-L] Q on Susanne Langer and icons
I received the following question from
a faculty member and I'm hoping you can help me with the answer:
"I am doing a book on
verbal-visual communication and am trying to locate an essay or chapter Susanne
K. Langer wrote on icons in painting and other art. It gave her
definition of icon. Could you give me bibliographic information about
such a piece?"
I've searched databases and the few
Langer books we have in the art library. I'm hoping someone in the
Collective Wisdom knows the reference and can help.
Thanks.
Gail R. Gilbert
Margaret M. Bridwell Art Library
Schneider Hall
University of Louisville
Louisville, KY 40292
502-852-6741
library.louisville.edu/art
[log in to unmask]
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