Dear George,
There are three essays in the recently published Art Museum Libraries
and Librarianship that deal with collecting ephemera. The chapter is
titled: "The Invisible Made Visible: Collecting Ephemera in the Art
Museum Library" and the essays by Margaret Crocker Ford, Barbara
Rominski, and Sharon Wasserman are very informative. There was also a
panel devoted to ephemeral collections at the 2006 National Museum
Publishing Seminar in which I participated. I don't think these papers
are published but I would be happy to share mine with you. There seems to
be quite a bit more on the subject coming from the UK - perhaps the John
Johnson collection and the Ephemera Society make the topic germane for
British librarians. Finally, the Artist Files Working Group of
ARLIS/NA is working on an ambitious project that would provide guidance
and resources for making one form of collected ephemera available to
users. The 2005 and 2006 meeting minutes for this group are available at:
http://www.arlisna.org/news/conferences/2005/proceedings/dg_artistfiles.pdf
and
http://www.arlisna.org/news/conferences/2006/proceedings/wg_artistfiles.pdf
Best wishes,
Kraig
Kraig Binkowski
Head Librarian
Reference Library and Photograph Archive
Yale Center for British Art
1080 Chapel Street
P.O. Box 208280
New Haven, CT 06520-8280
Phone: 203.432.2846
Fax: 203.432.7180
Email: [log in to unmask]
http://www.yale.edu/ycba
At 11:41 PM 9/9/2007, you wrote:
Hello: I am an MLIS
student at the University of Oklahoma who is exploring
possible thesis topics.
I have recently become interested in ephemera and grey/gray literature
in
fine arts libraries. I have searched both the ARLIS archives as
well as
Dissertation Abstracts and haven't found a lot of discussion on this
topic.
There is some literature in the journals, however.
I did find a posting by one Ruth Wallach asking in 2004 if anyone
was
interested in hosting a panel on grey literature. Does anyone know
if such
a panel was ever conducted?
Additionally I would be curious to know if this is a topic that affects
many
of you. Do you find that your institutions house ephemera and/or
grey
literature of various kinds? Is this a non-topic because art
libraries
already have systematic ways of dealing with these two classes of
information and no further inquiry is needed? Or do you feel, rather,
that
there is a lot of ephemera and/or grey literature in fine arts
libraries
that has not been effectively managed?
I have intentionally held off offering any definitions of either
"ephemera"
or "grey literature" because I'd rather see what kind of
responses are
prompted by my questions without any such definitions at this
time.
Thank you!
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests,
etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at:
[log in to unmask]
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org/join.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]