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THIS MONTH: Creativetime, Real Life Magazine, Freight + Volume Magazine 1, Global Feminisms, Nocturne: Late Nights at the Whitechapel, Conrad Atkinson, New Photography from China, China International Gallery Exposition 2006
 
This month’s list hits both the local and global by reflecting on the history of art in New York City and highlighting new trends and initiatives overseas. Read on. 
 
Creativetime, New York’s long-standing institution for public art, celebrates its 33rd anniversary this month with a gorgeous new title detailing its history. Dense with interviews, essays, and more than 300 images documenting three decades of innovative public art projects, this book is a must have for anyone interested in Public Art or the history of New York’s diverse art scene. Contributors include many of the world's most dynamic, emerging, and established artists including Vito Acconci, Laurie Anderson, Paul Chan, Mel Chin, Thomas Demand, Julian LaVerdiere, Jenny Holzer, Adelle Lutz, William Pope.L, Martha Rosler, David Levi Strauss, and Mierle Laderman Ukeles.

New York art history buffs should also checkout the  new non-profit Primary Information. Devoted to printing artists books,  artist writings, out of print publications and editions, Primary Information  premiered this month with an anthology of the seminal 1980s periodical  Real Life Magazine. Edited and produced by artist, writer and curator  Thomas Lawson and writer Susan Morgan, this comprehensive anthology features  writings by and about Dara Birnbaum, Eric Bogosian, Rhys Chatham, Mark Dion,  Jack Goldstein, Felix Gonzalez-Torres, Kim Gordon, Dan Graham, Thomas  Lawson, Louise Lawler, Sherrie Levine, Allan McCollum, John Miller, Dave  Muller, Matt Mullican, Adrian Piper, Richard Prince, David Robbins, Ed  Ruscha, Cindy Sherman, Laurie Simmons, Michael Smith, John Stezaker, Bernard  Tschumi, Jeff Wall, Lawrence Weiner, and James Welling among others. 
 

Another innovative "art mag" was just launched by New York gallery  Freight + Volume. Following a format similar to Me Magazine, each  issue spotlights one or two artists who work with the gallery and provides a  picture of the friends, influences and aspirations that aid and influence  their creative process. Brendan Cass and Brian Belott are the focus of this  issue, which features essays and interviews by Donald Baechler, Joe Bradley,  Melissa Brown, Katherine Bernhardt, Jen DeNike, Anthony Haden-Guest, and  Chie Fueki.
 

The Elizabeth A. Sackler Center for Feminist Art at the Brooklyn  Museum opened its doors this spring. Dedicated to exhibiting feminist  art, its inaugural exhibition Global Feminisms: New Directions in  Contemporary Art is a survey of over 80 women artists from over 50  countries. The exhibition catalog provides an unparalleled perspective on  feminist art practice from 1990 until the present day. A crucial document  that is not to be missed, the book includes work by a multinational group of  artists Catherine Opie, Miwa Yanagi, Pilar Albarracin, Shahzia Sikander and  Yin Xiuzhen.
 

Turning eastward, London’s Whitechapel Art Gallery produced the  first-ever audio release from their popular weekly music series Late  Nights at the Whitechapel. A compilation of 15 studio and live tracks by  the innovative artists who have performed at the space, the CD spans a wide  variety of genres from UK grime and rockabilly swing to improv jazz and  metal doom. Artists include: Alexander Tucker, Francois and the Atlas  Mountains, Shimmy Rivers & And Canal, Humanzee, Yeborobo, Agaskodo  Teliverek, Temperatures, The Bobby McGee's, Suzanne Andrade, Leopard Leg,  Sleeping States, Evan Parker with Birds, Jesus Licks, DJ Top Gear, and Ruff  Sqwad. 
 

More than 30 years after his groundbreaking exhibition at London's  Institute of Contemporary Arts, Conrad Atkinson is rightly regarded  as one of Britain's most important living political artists. Landescapes,  the first of a complete series on Atkinson's oeuvre, reviews work relating  specifically to the land, and was published in response to the inclusion of  Atkinson's early masterwork, "For Wordsworth, For West Cumbria," in the Tate  Gallery's recent exhibition, A Picture of Britain. The book includes  an essay by Richard Cork, chief art critic of the London Times, an interview  with Antony Hudek of the Courtauld Institute, and original writings by the  artist. Represented in New York by the Ronald Feldman Gallery, Atkinson is  also a Professor of Art at the University of California at  Davis.
 

Anyone attuned to the international art scene will know that further  east, China is booming. We’ve received two contemporary art books out of  China that highlight the latest artists and trends coming out of the area.  3030 Press, based in Hong Kong, is known for their high-end English-language  art books. Colorful, fully illustrated and superbly designed, 3030’s New  Photography in China brings together some of the most well known  photographers under 30 including Cai Wei Dong, Cao Fei, Chen Wei, Chi Peng,  Guo Hang, Jin Shan, Liang Yue, Liu Ren, Lu Yanpeng, Peng & Chen and Su  Han Guang, Yang Chang Hong, and Zhao Yao among others.
 

Timezone 8 have provided a complete index of the 108 leading Asian and  Chinese galleries who exhibited at the China International Gallery  Exposition in April 2006. A full overview of Asian and particularly  Chinese art today, this whopping 450-page paperback wonderfully presents  works and information about established and emerging artists coming out of  this area and their representation worldwide.




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