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Dear Colleagues,
I would like to make you aware of the following publication INTERSTICES 6, which is produced in New Zealand. Please find attached information relating to this publication, a subscription form, availability of back issues and a small "snapshot" of some of this issue.
If you require any further information on this topic please do not hesitate to get in touch.
Wendy Garvey
Architecture Library
Te Herenga Whaihanga
University of Auckland
Private Bag 92019
Auckland
New Zealand
+64 9 3737599 xtn: 88643
e-mail: [log in to unmask]
Interstices – Journal of Architecture and Related Arts is the
only established publication of its kind in Australasia. Since its
inception in 1989 it has seen five issues, in which writers and
presenters such a the 2005 Pritzker winner Tom Mayne (USA),
Mark Wigley (USA), Francesco Venezia and Renato Rizzi (Italy),
and Mark Goulthorpe (France, now teaching at MIT) contributed
to contemporary local and international debates. From
now on, the journal will be published once a year and its scope
will widen further to address audiences in Australasia who are
interested in architecture and related arts … and beyond.
The current issue, Animal/Impulse, sets its sights on what is
perhaps a central problematic for contemporary culture and
theory. It raises a series of questions regarding the idea of the
human/animal divide in Western thought and addresses important
philosophical and ethical questions. Questions that go to
the root not just of what we think but of who we are. Contributors
to the refereed part of Animal/Impulse explore a set of coordinates
for the representation of these issues in and through
contemporary architecture and related arts.
In its non-refereed part, an interesting mixture of speculation,
review, translation and reporting enriches the thematic academic
contributions. Marco Frascari, Director of Carleton University's
School of Architecture, speculates on the heuristic potential
of cheese for architecture. Reports on the projects of
Deane Simpson (Switzerland/Denmark/US) and Anthony
Hoete (UK/NZ/Holland/Belgium/France/Lebanon) are juxtaposed
with the reviews by a student and an academic of the
Auckland University Fale Pasifika. Of local importance are reviews
of the Auckland Models for Living Exhibition. Then, taking
targets beyond New Zealand, a book review addresses
Giorgio Agamben’s The Open: Man and Animal; a Nuiean poet
gives an account of MAU’s performance PARADISE in Germany
and Holland; and a translation of Félix Guattari’s
“L’énonciation architecturale” makes this text for the first time
available in English as Architectural Enunciation.
A forum for the dissemination of research into architectural, art
and design practice, the journal provides a critical platform for
the review and discussion of current projects in New Zealand
and overseas.
i n t e r s t i c e s
Journal of Architecture and Related Arts
Now available: Interstices (6): Animal/Impulse.
Content: Impulsive Openness: Boredom and Bio-politics (Mark
Jackson); Heidegger and the Herringbone Cowshed (Laurence
Simmons); Animation, the Cat and Escaping Drawing (Sarah
Treadwell and Paul Veart); Architecture = Building + Value:
Exploring the Social Purpose of Architecture (Peter Wood); Woven Flesh (Albert Refiti); Frontiers
of Shame and Repulsion (A.-Chr. Engels-Schwarzpaul); What Goes Up Must Come Down: The
Combat of Impulses in Italian Futurism and Rationalism (Ross Jenner); Gee Wiz … (Marco Frascari);
Plus: project, literature, and performance reviews, as well as a translation of Félix Guattari’s
Architectural Enunciation.
Subscription
I would like to subscribe to Interstices: Journal of Architecture and Related Arts for
1 year (1 issue) 2 years (2 issues)
New Zealand NZ$30 NZ$55
International NZ$53 NZ$100
Last name: First name:
Department: Title:
Institution:
Address:
Email:
Tel: Fax:
Signature: Date:
Notification will be posted to all previous subscribers and interested parties.
Make cheques payable to The University of Auckland, Interstices. Post to: A.-Chr. Engels-
Schwarzpaul, School of Art and Design, Auckland University of Technology, Private Bag 92006,
Auckland 1020, New Zealand.
Purchase Interstices (6), as well as back issues, online at www.mercurysubs.co.nz/interstices.
Back issues are available of Interstices 3, 4 and 5 (NZ$20 within New Zealand, NZ$40 internationally);
Interstices 1 and 2 are out of print. See reverse for contents.
Interstices: Journal of Architecture and Related Arts is a non-profit forum, published annually in
September at the School of Architecture, The University of Auckland, and the School of Art and
Design, Auckland University of Technology, in collaboration with Schools of Architecture, Art and
Design in New Zealand and Australia.
(this form can be completed on screen)
Back issues:
Interstices 1: The Spaces Between (Ross Jenner); On Two Sublimes (Jonathan Lamb); Two Visions of Utopia
(David Fausett); Three Projects (Renato Rizzi); The Necessity of Beauty (Renato Rizzi); Speaking To
and Talking About: Maori Architecture (Michael Linzey); Silence, Solitude, Suffering and the Invention of
New Zealand (A Fictitious Story) (Frances Pound); Two Houses at Haslett Street, Auckland (Neil Kirkland
and Kim Sinclair); The Kirkland House and the Sinclair and Shouler House (John Dickson); "After Titian":
Intertextuality and Deconstruction in an Early Painting by Colin McCahon (Laurence Simmons); Incorporating
Architecture (Paul Walker); Two Recent Projects (Morphosis); On Masquerade (Lita Barrie); Architectural
Titans (John Dickson); Le Corbusier's Longest Journey (Russell Walden); Two Single Dwellings (Architectus:
Bowes Clifford Thomson); Grace and McRae Houses: A Review (Paul Walker); Book Reviews
Interstices 2: An Architectural Metaphor: The Destining of Imhotep Stone (Michael Linzey); Shaky Ground
(Paul Walker); The Quadrature of Stone (Jonathan Lamb); Mitchell Stout House (Sarah Treadwell and Mike
Austin); Vladimir Cacala and the Gelb House (G. Elliot Reid); Sacrifice and Signification in the Poetry of Allen
Curnow (Alex Calder); Buildings of the Morehu: Te Ao Hou (Bill McKay and Deirdre Brown); Stone and
Shakespeare's Sonnets (John Dickson); Lamella: A Spacing of Skin and Distant Boundaries (Sarah Treadwell);
The Other “Ich” or the Desire for a Void: For a Tomb of Adolf Loos (Hubert Damisch, trans. Ross Jenner);
A House in the West (Bill McKay); The Venice Prize (The University of Auckland); L'ingresso alle
Corderie dell'Arsenale (Massimo Scolari, trans. Helen Furjan); Interviews: Franscesco Venezia and Nigel
Ryan, Mark Wigley and Paul Walker
Interstices 3: Coconuts: First Persons Singular and Un-relative Events (Jonathan Lamb); In the Shadow of
Ledoux: Installation at Le Magasin, Grenoble (Mark Goulthorpe); Reykjavik High Court, Iceland (Mark Goulthorpe);
Masters and Slaves: Ornament and the Particular, The Stones of Venice (Ross Jenner); Interview
Shin Takamatsu-Ornament and (anti)Urbanism (Tom Daniell); "Take them out of the crate Joe": The Surface
of Detail in John O'Shea's Runaway (Laurence Simmons); The Readymade: Duchamp's Thing (Daniel Naegele);
The Architect's Residence (Patrick Clifford); Chomolungma and the Beekeeper: S. Marco, Venice and
the Ananda Temple, Pagan: Two Architectural Views of the Himalayas (John Dickson); Te Puna Hut, Waikaremoana
(Rewi Thompson); Wishart House, Hokianga (Rewi Thompson); Between the Lines: Expressing the
Particular in the Discourse of Surveying (Giselle Byrnes); Citadel: A Precise Anomaly (Keith Evan Green);
"The Laugh" (Szczepan Jan Urbanowicz and Mark David Pankhurst)
Interstices 4 (CD): The Matter of the Cutting Edge (Jennifer Bloomer); Battlelines: E.1027 (Beatriz Colomina);
Recycling Recycling (Mark Wigley); Theory on the Sepik (Mike Austin); Intersecting Lines (Deidre
Brown); Drawing to Conclusions: Sketching the Modulated Subject of Le Corbusier (Mark Campbell); The
Fearful Mirror of Apollo (Andrew Childs); Smudges, Smears and Adventitious Marks (Justine Clark); The
History of Entrapment: A Reading of Architecture's 2-D Accessory (John Dickson); Dualism and Polarism:
Structures of Architectural and Landscape Architectural Discourse in China and the West (Stanislaus Fung
and Mark Jackson); Privacy and Propaganda: The Politics of the Dixon Street Flats (Julia Gatley); Some
Binary Architecture: Sites for Possible Thought (Mike Linzey); Excess: The Possibility of Disruption on the
Side of Woman/Women (Mirjana Lozanovska); The Butcher's Shop: Disgust in Picturesque Aesthetics and
Architecture (John Macarthur); The Bach (Christine McCarthy); Standing in the Shadows (Gail Matthewson);
Aping Architecture (Anna Miles); Figure and Experience: The Labyrinth and Le Corbusier's World Museum
(Antony Moulis); Mathematical Misreadings in Non-linearity: Architecture as Accessory/Theory (M. J. Ostwald
and R. J. Moore); The Monument of Ornament: Michelangelo's Moses (Laurence Simmons);
(Mis)appropriation in New Zealand Art and Architecture: An Incriminating Cite (Vanya Steiner); The Nature
and/or Culture of Architecture (Bill Taylor); Drawing Variants: Tilting the Theodolite (Barbara Tuck and Sarah
Treadwell); The "Maori House" at the Canterbury Museum (Paul Walker); The Stamp of Architecture: Postmarking
the Architectural Drawing (Peter Wood); Some Thoughts on Cultural Safety (Leonard Bell); Artifice 2
(Christine McCarthy); Illuminating Pacific Perspectives (Roger Neich); The Perplexity of Painting (Laurence
Simmons)
Interstices 5: Facing Fronting (Gordana Kostich-Lefebvre); Un corps à habiter: The Image of the Body in the
Œuvre of Le Corbusier (Daniel Naegele); White Walls, Black Holes: The Molecular Face of Contemporary
Architecture (Tim Adams); Facing It All: Mighty Faces and the Western Façade (Gordana Kostich-Lefebvre);
Architecture and the Evil Eye: Coop Himmelblau and the Apotropaic Oculus Invidiosus (Michael J. Ostwald);
The Sea of Tranquility (Rod Barnett); Mapping Landscape (Katrina Simon); Re-visiting Mae West’s Face
(Gordana Kostich-Lefebvre); The Male Audit: Aural Access in the Life and Art of Michelangelo Buaonarotti
(John D. Dickson); Erasing the Face: Control and Shading in Post-Colonial Architecture (William W.
Braham); Moore or Less House (Simon Anderson); Long Weekend House (Simon Anderson and Kate Hislop);
Céramique Office Building (Wiels Arets); Piha Bach (Daniel Marshall); The St Matthew Passion: J.S.
Bach Music School and Auditorium (Sue Gallagher); Round Table Connections: The House in the Auckland
Scene (Mike Austin).