BANFF NEW MEDIA INSTITUTE,
DATABASE OF VIRTUAL ART
and LEONARDO/ISAST
produce :
REFRESH!
1st INTERNATIONAL CONFERENCE ON
KEYNOTE
EDMOND COUCHOT: Towards the Autonomous Image
I. MEDIAARTHISTORIES : TIMES AND
LANDSCAPES I
GUNALAN NADARAJAN: Islamic Automation: A Reading of
al-Jazari's The Book of Knowledge of Ingenious Mechanical Devices
(1206)
LOUISE POISSANT: From Material to Medium
OLIVER GRAU: REMEMBER THE
PHANTASMAGORIA! Virtual Art of the 19th century and Its future
MARIO CARPO:
The Demise of the Identicals Architectural Standardization in the Age of Digital
Reproducibility
II. METHODOLOGIES
MARK HANSEN:
tba
ERKKI HUHTAMO: Media Arts and Media Archaeology - Collision or
Convergence
IRINA ARISTARKHOVA: Excavating Mother, Excavating
Cyborg
ANDREAS BROECKMANN: Image, Process, Performance, Machine, Paradigms of
Media Art Theory
III. IMAGE SCIENCE AND 'REPRESENTATION': FROM
A COGNITIVE POINT OF VIEW
BARBARA STAFFORD: Picturing Uncertainty: From
Representation to Mental Representation
KRISTIN VEEL: Once Upon a Time
There Was a DatabaseSDatabase and Narrative from a Cognitive (...)
CHRISTINE
ROSS: Slow Time in Contemporary Media Arts, (Canada)
PHILLIP THURTLE &
CLAUDIA X. VALDES: Biofeedback and the Arts: Listening as Experimental
Practice
CHRISTOPHER SALTER: The Performative Turn in New Media - A Critical
History
TIM CLARK: Computation, Aesthetics, and Representation: A Critical
Examination of the "The Thesis of Computational Sufficiency & Explanation"
and the Incorporation of "The Argument from Human
Creativity
IV. ART AS RESEARCH / ARTISTS AS
INVENTORS
DIETER DANIELS: Art as Research / Artists as Inventors
CHRIS
MEIGH-ANDREWS: Richard Monkhouse & Peter Donebauer, and Development of the
EMS Spectron and the Videokalos Image Processor
FRED TURNER: Where
Cybernetics Met The Counterculture: The Us Company
SIMON PENNY: Bridging Two
Cultures: Towards an Interdisciplinary History of the Artist-Inventor and the
Machine Artwork
CORNELIUS BORCK: Going Beyond the Body's Limits: Raoul
Hausmann's Art of Prosthetic Perception
V. MEDIAARTHISTORIES:
TIMES AND LANDSCAPES II
EDWARD SHANKEN: Towards a Comprehensive
Technological History of Art?
CHARLIE GERE: Early British Computer Art: the Findings of the CACHe
Project
GRANT TAYLOR: How Anti-Computer Sentiment Shaped Early Computer
Art
DARKO FRITZ & MARGIT ROSEN: Between Form and Concept - The
Positioning of Computer-Based Arts in the Late 1960s
SYLVIE LACERTE:
Experiments in Art and Technology: a Gap to Fill in Art History's Recent
Chronicles
ANNE COLLINS GOODYEAR: Technophilia, Vietnam, and the Rise and
Fall of 'Art and Technology' in the United States, 1965-1971
CAROLINE
LANGILL: Hey, Look at Me! Thoughts on the Canonical Exclusion of Early
Electronic Art
MARIA FERNANDEZ: Gordon Pask - Cybernetic
Polymath
Fri, 30 Sept. 05
VI. COLLECTING; PRESERVING AND ARCHIVING THE MEDIA ARTS
JEAN GAGNON: The Daniel Langlois Foundation's Research and Documentation
Centre (CR+D) : Building and Preserving Tools and Resources on Media
Arts
CHRISTIANE PAUL: The Myth of Immateriality - Presenting & Preserving
New Media
PETER WEIBEL: The Migration and Preservation of Media
JON IPPOLITO:
Creative Networks: Frictionless or Regulated?
VII. DATABASE /
NEW SCIENTIFIC TOOLS
RUDOLF FRIELING: 'Media Art Net': Database and
Context
CHRISTIAN BERNDT: Database of Virtual Art - For an Expanded Concept
of Documentation
SANDRA FAUCONNIER: V2_'s Archive - A Dynamic Model for the
Description of Media Art
ALAIN DEPOCAS: tba.
ANNE-MARIE DUGUET:
tba.
RICHARD RINEHART: A System of Formal Notation for Scoring Works of
Digital and Variable Media Art
VIII. POP/ MASS/
SOCIETY
MACHIKO KUSAHARA: Technology as Art: 'Device Art' as a New
Japanese Paradigm
ANDREAS LANGE: Archiving of Computer Games
KAREN
KEIFER-BOYD: Computer Games: Art in the 21st Century
TOBEY CROCKETT: An
Aesthetics of Play - or, How to Appreciate Interactive Fun
MARK TRIBE: Open
Source Culture
RUDOLF ARNHEIM LECTURE
SARAT MAHARAJ:
Xeno-Epistemics: Global Migrations and 'Other' Ways of
Knowing
Sat, 1 Oct. 05
IX. CROSS-CULTURE - GLOBAL
ART
SARA DIAMOND: Cross Culture - Global Art
MANRAY HSU: From
TEchno-Utopia to Network Cosmopolitanism: On the Convergence between New Media
Art and Contemporary Art
MARKO STAMENKOVIC: New Media Art in Postsocialist
Conditions
SHEILA PETTY: CyberRace Constructs: Transnational Identities in R.
Kempadoo's Ghosting
MARY LEIGH MORBEY: From Cybercolonialism to
Cyberglocalization: A Virtual Shifting of Cultural Identity on National Musea
Websites
THOMAS RICCIO: World Narrative: The Creation of a New
?Place?
APARNA SHARMA: Oscillations... Occasions of Excess and
Interrogation
LAURA MARKS: Latent Rhythm: Algorithmic Performativity in Media
Art and Islamic Calligraphy
X. CROSS-DISCIPLINARY RESEARCH
METHODS
FRIEDER NAKE: Events of Significance
RON BURNETT: Is New Media
New?
DOT TUER: Transculturation and New Media History
GUY SUI DURAND:
tba.
WILL STRAW: Grounded Materialities: Who Isn't
Interdisciplinary?
DAVID TOMAS: Toward a Relational History of Media and its
Practices
MICHAEL CENTURY: New Media in an Adhocracy
XI.
REJUVINATE : FILM; SOUND AND MUSIC IN THE MEDIA ARTS HISTORY
DOUGLAS
KAHN: Music: The First Digital Art
SEAN CUBITT: tba.
KEITH SANBORN: Hollis
Frampton's Algorithmic Aesthetic
SCOTT BUKATMAN: Comics and the Critique of
Chronophotography, or "He Never Knew When It Was Coming!"
KEYNOTE
LUCIA SANTAELLA: The Semiosis of Media Art, Science, and
Technology
XII. COLABORATIVE PRACTICE / NETWORKING
(HISTORY)
RYSZARD KLUSZCZYNSKI: RE-Writing the History of Modern Art: How
Hypermedia Change Our Vision of the Past (the case of artistic
collaboration)
DIANA DOMINGUES, ELISEO REATEGUI: Collaborative
Transdisciplinary Practices for Complex Systems in Interactive and Immersive
Art
NINA CZEGLEDY: Cross Cultural Interdisciplinary Initiatives
TODD
DAVIS, DOUGLAS JARVIS, JEREMY TURNER: SAT-TEL-COMP -
(Satellite-Telephone-Computer): Beginnings of Multi-Dimensional Artist Networks
Through the Connectivity of (technological) Telecommunications Devices and Human
Dialogue
MARGARET DOLINSKY: CAVEs Projecting Imagination into Reality Across
High Speed Networks
XIII. WHAT CAN THE HISTORY OF NEW MEDIA
LEARN
FROM THE HISTORY OF SCIENCE/SCIENCE STUDIES ?
TIMOTHY LENOIR:
Making Studies in New Media Critical
MICHAEL PUNT: History of Science,
Technology and Entertainment at the Turn of the 19th Century
LINDA HENDERSON:
'The Fourth Dimension,' the History of Science, and New Media
TIMOTHY
DRUCKREY: Idiosyncratic Archaeologies: Realigning Media History
SIMON
WERRETT: Logics of Innovation: Science Studies and New Media Approaches
Compared
YANN CHATEIGNÉ: The Fourth Memory: Beyond Information Art in
Hypertechnological Times
XIV. HIGH ART / LOW CULTURE -
THE FUTURE OF MEDIA ART SCIENCES?
KARIN BRUNS: High Art / Low Culture -
the Future of Media Art Sciences?
YARA GUASQUE: Immersive and Participative
Environments
ANDY POLAINE: Lowbrow, High Art. Why Big Fine Art Doesn't
Understand Interactivity
CLAUS PIAS: Zombies of the Revolution
BARBARA
PAUL: tba
XV. HISTORY OF INSTITUTIONS
ITSUO SAKANE: On
the History of Interaction between Art and Technology - Toward the Cultural
Evolution of Human-Being
JASIA REICHARDT: The Computer in Art
MICHAEL
NAIMARK: Dynamics of Sustainability
PETER RICHARDS: tba.
JOHANNES GOEBEL:
tba.
ANDREAS BROECKMANN: discussant
POSTER SESSION
with:
KIRSTY ROBERTSON, CHARLOTTE FROST, GENCO GULAN, ATTEQA MALIK,
MICHAEL SALMOND, MARIA VICTORIA GUGLIETTI, AYESHA HAMEED, CHRISTOPH KLUETSCH,
JOHN MAXWELL, TIM JACKSON, SYLVIA GRACE BORDA & ALICE MING WAI JIM,
ARTUR MATUCK, MAUREEN NAPPI, MARTIN RIESER, JAN ALTMANN, FRANCES DYSON,
FRANCK ANCEL, CAROLINE BERNARD, JEAN-LOUIS BOISSIER, JEAN-LUC
MARCHINA, DANIEL PINKAS, COUNTY TAM, MARA TRAUMANE and SUSANNE
SCHUMACHER
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