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Very interesting, Miguel.

When I saw the message calling for the dissolution of the GLBT Round Table,
I was reminded of a few low-energy Women & Art Round Table meetings over the
years.  I've served as WomART moderator more than once when no one else
stepped forward to do so because I felt it was important for the group to
keep going.  Usually at the business meetings or in chatting with other
ARLIS members, someone questions the need for such a group "in this day and
age."  We discussed this issue at the Houston 2005 meeting as a way to sort
of warm up and get the meeting started, and, happily, several first-time
attendees as well as non-first-time attendees were quite adamant that such a
group was needed and that they were very interested in the issue.

This "day and age" is a time when many young women view the word "feminist"
as a nasty label for, and I quote from a recent article, "ugly, strident
man-haters" [see "On Campus, A New Flowering of Feminism",
http://www.philly.com/mld/inquirer/11385041.htm from the Philadelphia
Inquirer, 4/17/2005], and "liberal" has become a dirty word.  (I won't even
mention the current president of the United States and all his
administration represents, that's just too scary and disgusting for me.)

I don't pretend to speak for every member of the Women & Art RT, but I'll
sign myself as the current moderator.

Sara
------ 
Sara J. MacDonald, Women & Art Round Table Moderator, 2005/2006
Public Services Librarian
The University of the Arts - University Libraries
320 S Broad St - Philadelphia PA 19102 - USA
[log in to unmask]   http://library.uarts.edu/
215-717-6282  fax: 215-717-6287




> Do We Still Need a GLBT Roundtable in the Art Libraries Society of North
> America?
>  
>  
> On April 20, 2005, Ted C. Goodman, a revered and long-time member of the Art
> Libraries Society of North America and one of the founding member of the Gay
> and Lesbian Interests Roundtable (GLIRT) sent out an e-mail to the ARLIS
> members electronic mailing list calling the dissolution of the roundtable
> citing that because of ³the current recycling of moderators,² it was time to
> dissolve the group.  He stated that the roundtable had outlived its
> usefulness.  The list included some of the founders and long time members of
> the roundtable.  Coincidentally, those who supported the dissolution, except
> for one person, did not attend the annual meeting in Houston or voice their
> opinions on the issue there.  Wasnıt the Houston meeting an appropriate venue
> to voice the proposed dissolution?  Why wait until afterwards and do it via
> e-mail?  Is this an emerging protocol?
>  
> At a time when diversity issues are at the forefront of national debates, at
> time when the Society of American Archivists (SAA) and the American Libraries
> Association (ALA) have committed themselves to creating and supporting a glbt
> presence within their structures, comes the proposed dissolution.   At first,
> I thought this logic was just a ploy, as previously demonstrated by similar
> antics with the dissolution of the Diversity Committee in 2002, to test the
> waters of member interest, but on closer inspection, it was actually true.  I
> was quite disappointed.  Quite frankly, as the out-going Moderator, it would
> have been easy for me to not care, because Iım transitioning to a new position
> with art librarianship now being a part of my work, as opposed to being the
> sum of it.  But something inside tugged at me, and I wasnıt going to let this
> one go, if for the future members who may one day thank us for trying to keep
> the roundtable intact.
>  
> The proposed dissolution of the group raises interesting issues of how ARLIS
> members see their rights as members in the governance of the organization.
> Why should the rest of us participate in organized committees where moderators
> and chairs are nominated and elected if ad hoc groups can freely come forward
> and dictate the dissolution of roundtables?  Why do certain members of the
> organization take it upon themselves to make decisions that affect entire
> groups of people?  It is my opinion, that over time, these behaviors reduce
> organizations to cliques and deter democratic process and participation and
> are an antithesis to organizational development and growth.  This has been a
> grave concern and a possible reason for a decline in membership in recent
> years.  By members preferring to look the other way at this insidious
> behavior, ARLIS/NA, as an organization, has historically operated differently
> from other library associations.
>  
> Another interesting issue, maybe paralleling the times we as glbt people now
> live in, is how certain members of the gay community view identity politics as
> no longer necessary in the context of their professional lives.
> Coincidentally, an early GLIRT member and previous Moderator Ray Anne Lockard
> had recently stepped up again to act as Vice Moderator and is set to act as
> Moderator in the associationıs annual meeting in Banff in 2006.  As if by
> design, Ted and his pals struck at a time when Ray Anne is on sabbatical.  I
> donıt know if the ad hoc group consulted with her prior to sending out their
> message?  
>  
> At my first ARLIS/NA meeting in Pittsburgh in 1999, a long time female member
> took me aside during coffee with the vendors and cautioned me against saying
> anything politically incorrect against the gay and lesbian members in the
> organization.   She told me gay men and lesbians were a force to be reckoned
> with and that I should be careful what I said (in other words, not to tick
> them off).  Perhaps she thought that I as a Latino male would find the
> abundance of lgbt persons in the art librarianship profession an affront?
> Perhaps she thought I wasnıt accustomed to working with glbt people?  Whatever
> the reason, she had good intentions and from then on, I was intrigued and
> interested in attending a GLIRT meeting and participating as a round table
> member, but due to my attendance at the Women and Art Roundtable (Wom-Art)
> meeting (where I later became the first male moderator), I could not attend
> because they were both scheduled at the same time.
>  
> During my second ARLIS/NA conference, in 2000 in Los  Angeles, I did attend a
> GLIRT meeting.  It was a bit unnerving to attend a mostly White male meeting.
> Even then, it was obvious who was calling the shots.  In recent years and
> maybe since its inception, GLIRT has been characterized as a close knit group
> of select gay White males who have passed the position of Vice Moderator and
> Moderator amongst themselves.  I was probably the first outsider to volunteer
> and be elected as GLIRT Vice-Moderator in St. Louis and then serve as the
> Moderator in Houston.  In retrospect, I was not as effective as previous
> Moderators because I was not part of the clique, although I did not do less
> work.
>  
> I believe that dissolving the roundtable would equate us to shooting ourselves
> in the foot.  If DIVERSITY is a virtue in art librarianship and in the library
> profession, eliminating this important roundtable, is setting us back in time.
> You donıt see other library organizations dissolving their GLBT committees,
> even in the face of extreme political and social adversity.  Why should we in
> ARLIS/NA be any different?  It doesnıt make any sense.
>  
> If the members who support the dissolution believe that the roundtable has
> outlived its usefulness, I recommend they put their energies elsewhere within
> the organization. That or they can put time and energy in recruiting new
> members, but why give up?  The recycling of leadership is partly due because
> of certain inbreeding of members.   The people who lent their name in support
> of the dissolution are members of a recycling corps themselves‹they exchange
> seats periodically on just about every committee and on the presidency for our
> organization.  
>  
> Years from now, I want to look back and know that I was part of the effort
> that responded to try and keep GLIRT alive.  It is in times like this that I
> am reminded of the Gary Larson cartoon where a herd of cattle (or is it a herd
> of sheep?) is running towards the end of a cliff and one is asking the other,
> ³Where are we going?² and the other one states, ³I donıt know, but it is sure
> a lot of fun.²   As an aside, it amuses me that while the world was mourning
> the death of a John Paul II and the cardinals were deciding on a new Pope, Ted
> Goodman and his cardinals were gathering consensus and deciding on the future
> of GLIRT.  
>  
>  
> Miguel Juarez, Art & Photography Librarian, University  of Arizona Library
> * Moderator, Gay and Lesbian Interests Roundtable, the Art Libraries Society
> of North America, 2004-05.
> * Moderator, organizer: ³Chicano Art through the Collectorıs Eye,² ARLIS/NA
> 2005. 
> * Outgoing Co-chair, Diversity Committee, the Art Libraries Society of North
> America,  2004-05
> * Member, Women and Art (Wom-ART Roundtable) 2005-.
> * Committee member, the Art Libraries Society of North America Professional
> Development Committee, Mentoring Sub-committee, 2004-.
> * List owner and moderator, Photography Librarians, 2003-.
> * ³Adding Teeth: Forum on Diversity,² development of a web site that focused
> on the needs of diversity of ARLIS/NA, led to the re-constitution of the
> ARLIS/NA Diversity Committee from an ad hoc group to a full standing
> committee:  http://www.library.arizona.edu/users/juarezm/addingteeth.html
> * Moderator, Academic Library Division, the Art Libraries Society of North
> America ­Visual Resources Association Joint Conference, St. Louis, MO, March
> 2002. 
> * Moderator, Women and Art Roundtable (Wom-Art), the Art Libraries  Society of
> North America ­Visual Resources Association Joint Conference, St. Louis, MO.
> Credited for successfully changing name of roundtable from WART to Wom-Art,
> March 2002.  
> * Co-organizer (with Kim Collins, Emory University) for the Art  Libraries
> Society of North America ­Visual Resources Association Joint Conference, St.
> Louis, MO ­Visual Resources Association Plenary Session II: The Three V's:
> Visual Technology, Visual Culture, and Visual Literacy, March 2002.
> * Co-organized meeting of Photography Librarians.  This was the first time in
> the history of the Art Libraries  Society of North America that a group of
> librarians interested in photography convened at the annual meeting, March
> 2002. 
> * Organized first meeting of multicultural art librarians.  Our group sought
> to increase the attendance of underrepresented librarians and library school
> students at the annual Art Libraries Society of North  America meeting, March
> 2002. 
> * Presentation: ³Developing an Online Teaching Portfolio to Assess
> Bibliographic Instruction," as part of ³The Classroom Odyssey: Teaching
> Adventures in the Art Library & Cyberspace,² moderated by B. J. Kish Irvine,
> Ph.D., Fine Arts Librarian, Indiana University, the Art Libraries Society of
> North America Conference,  Los Angeles, Calif., April 2001.
> * Poster Session: ³Developing Collaborative Web Sites at the University of
> Arizona,²  Tuesday, the Art Libraries Society of North America Conference, Los
> Angeles, Calif.,  April 2001.
> * Vice-Moderator, the Art Libraries Society of North America, Academic
> Libraries Division, March 2000/2001.
> * Vice-Moderator, the Art Libraries Society of North America, Women & Art
> Roundtable, March 2000/2001.
> * Update Column Editor, the Art Libraries Society of North America, Academic
> Libraries Section, March 2000-2001.
>  
>  
> Miguel Juarez, Assistant Librarian
> (Art, Art Education, Art History & Photography)
> Fine Arts Library
> Center for Creative Photography Library
> University of Arizona Library
> Office: Music 231B
> P.O. Box 210103, Tucson, AZ  85721-0103
> VOICE: (520) 626-9434/FAX: (520) 626-1630
> E-mail: [log in to unmask] <mailto:[log in to unmask]>
>  
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