The exhibition is installed now and looks stunning. It will open to the
public tomorrow at 9 am, and has a surprise for everybody.
We look forward to welcoming you in the Queens College Art Center.
Suzanna Simor & Alexandra de Luise
The press release:
Contact: Maria Terrone Maria
Matteo
Director
of Communications News Assistant
718-997-5591 718-997-5590
QUEENS COLLEGE PRESENTS
THE ART LIBRARIES SOCIETY OF NORTH AMERICA:
MEMBERS EXHIBITION
Exhibition Dates: April
15 July 15, 2004
Where: The
Queens College Art Center
6th
Floor, Benjamin S. Rosenthal Library
Queens
College
65-30
Kissena Blvd, Flushing, NY
Gallery Talk/ Sunday,
April 18, 2004
Reception 1:00
- 5:00 pm
Gallery Hours: Mondays
- Thursdays, 9:00 am - 8:00 pm,
Fridays, 9:00 am - 5:00 pm until May 27th;
then call for summer hours;
closed
weekends and holidays.
Gallery Contacts: For
more info: (718) 997-3770
Fee: Free
and open to the public
FLUSHING, NY - From April 15 through July 15, 2004, the Queens College
Art Center presents The Art Libraries Society of North America: Members
Exhibition. The show presents the work of 23 artists who belong to the Art
Libraries Society of North America (ARLIS/NA), the professional
organization of architecture and art librarians, visual resources
professionals, curators, educators, publishers, and others interested in visual
arts information.
On view in the rich
exhibition, curated by Queens College Art Center
director Suzanna
-more-
Simor and curator Alexandra de Luise, are paintings in oil, acrylic,
watercolor, and Chinese ink; drawings, prints, collages, and assemblages;
glass and fiber sculpture; mixed media; artists books and bookworks;
photographs; and textiles. The artists are Margaret Boylan, Yvette Cortes,
Mary Jane Cuneo, Deirdre Donohue, Kay Downey, Sheila D. Fox, Tom
Greives, Annette Haines, Elizabeth Hylen, B.J. Kish Irvine, Miguel Juarez,
Joy Kestenbaum, Robert Lobe, Jae Jennifer Rossman, Janette Rozene,
Marilyn Russell, Nina Stephenson, Carol S. Terry, Shannon Van Kirk,
William Bond Walker, Tony White, Laurie Whitehill Chong, and Tammy
Wofsey.
The range of these
artists is only suggested in the exhibition, which
can display only a few works by each. The watercolor/drawing by Shannon
Van Kirk introduces this essentially urban artist from the West Coast and
Midwest. Van Kirk considers herself most at home in areas with a rich mix of
cultures and a huge store of racial memorya good fit for New York. Laurie
Whitehill Chongs collages are inspired by the natural worldits textures,
colors, and patterns which she observes with passion and reverently
recreates in watercolor, drawing, and sometimes other media and found
materials.
Several other artists
focus on nature as well. Kay Downeys still lifes
and local landscapes, drawn from life, are less concerned with accuracy in
depicting the image than with endowing the image with movement. Annette
Hainess still lifes of natural forms communicate her spiritual dialogue with
her subjects. Janette Rozenes landscape paintings interpret nature its
light, form and atmosphere with the goal of awakening emotion and
inspiring the viewer. For William Walker, the painting is a window onto a
part of the observed world as well as a window into the unknown; the
representational and the abstract are both present in his work. Tom Greives
luminous watercolors of the Southwest landscape draw focus and power from
their organizing composition. The paintings, drawing, prints, and artists
books by Jae Rossman are physical records of visual stimuli filtered through
the artists all-embracing perception.
-more-
B.J. Kish Irvines
ink and watercolor paintings are inspired by her
long study of the tradition of Chinese art. Her work expresses the rhythm and
elegance of calligraphic forms, the play of negative and positive spaces, and
her joy of traditional Chinese brushwork, ink, and handmade paper. Nina
Stephenson, another highly versatile artist, is a printmaker, photographer,
collagist, and book and textile artist who has studied traditional textiles in
Java, Indonesia. On view are a quilt wall hanging and an artists book, both
inspired by and created for Stephensons adopted Chinese daughter. The
painting by Marilyn Russell, a Minnesota Chippewa, is powerfully imprinted
with the symbols and spiritual meanings of her Native American culture, and
tells a story rich in feeling. Tammy Wofsey, a painter and printmaker, draws
on her childhood memories. By integrating collages of newspaper stories
with paint on canvas, she creates a new dynamic, prompting the viewer to
rethink and question the normal news of the day.
Photography is strongly
represented in this exhibition. Margaret
Boylans compositions incorporate formal artistic elements, and are governed
by an overriding sculptural sensibility. Strong, expressive compositions also
characterize the photographic portraits of saints sculptures by Yvette
Cortes. The quiet, mysterious space of an upper floor of Harvards Widener
Library is endowed with personality in Mary Jane Cuneos images. Joy
Kestenbaums dual interests in the history of architecture and photography
intersect in her sensitive and surprising photographic interpretations of
French architecture. In Weekend Warriors, Miguel Juarez delivers a casual,
contemporary portrait of people at play. Robert Lobes carefully observed
photographs taken in Western Queens and Lower Manhattan capture the
unexpected beauty, mystery and meaning of our everyday surroundings. Like
urban still lifes, his compositions are filled with the citys rhythms, patterns,
and colors, and the ever-changing imprint of the citys people.
Carol Terrys
visceral response to the work of sculptor Richard Serra
has produced haunting images of slices of the built environment, in which
the abstracted shapes interact, with much to say to the viewer. The Group
Portrait by Tony Whitea double, hanging collage of random photo-
fragmentsbelongs to the artists current photo-work Portrait as Intimate
Object. Existing in the barely perceptible space between the ephemeral and
the concrete, the collage examines the internal tension between destroying an
image often fraught with nostalgic meaning and a desire to preserve the act of
taking the picture.
-more-
The Cisalpino
Prayer Rug by Deirdre Donahuea 20-foot-long
hanging of small cotton embroidery flagsis one of the book projects that
Donahue has pursued since traveling extensively through the Alps in 2003.
Sheila Fox exhibits a unique form of freestanding, textile-based sculpture that
she developed and calls solid plaiting. She builds these sculptural objects
from industrially manufactured webbings, tapes, and non-wovens of various
fibers, plaiting the bands together. The resulting soft sculptures, while
remaining pliable and elastic, stand freely without armatures, fusing the
geometric and organic qualities. Beth Hylena glass artist immersed in the
mediums expressive possibilities as well as its historyis represented by her
recently created glass jewelry. Using different techniques, primarily
lampworking, and exploring line and gesture, she creates glass as wearable
sculpture.
The Art Libraries
Society of North America: Members Exhibition is
sponsored, in part, by the Art Libraries Society of North America and the
Office of Research and Graduate Studies, Queens College.
Queens College of
the City University of New York (CUNY) is
dedicated to the idea that a first-rate education should be accessible to
talented individuals of all backgrounds and financial means. Founded in
1937, the college offers an exceptional liberal arts curriculum (with over 100
undergraduate and graduate programs) that prepares students for a successful
future in our global society. Located on a beautiful 77-acre campus in
Flushing, Queens College enjoys a national reputation for its liberal arts and
sciences and preprofessional programs. Its nearly 17,000 students come from
more than 140 nations and speak 66 languages, creating an extraordinarily
diverse and welcoming environment.
__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
http://www.arlisna.org//membership.html
Send administrative matters (file requests, subscription requests, etc)
to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]