On October 17, the Midwestern Art Cataloging Discussion Group held its fall meeting at the Cranbrook Academy of Art Library in conjunction with the fall meeting of ARLIS/Midstates. I would like to thank Alba Fernadez and Terrie Wilson from ARLIS/Midstates for organizing the ARLIS portions of the day and to thank Judy Dyki and everyone at Cranbrook for hosting. Below are the minutes from that meeting which will also shortly be available on the group's website: http://www.sla.purdue.edu/midwestart Midwestern Art Cataloging Discussion Group 7th Meeting Hosted by the Cranbrook Academy of Art Library October 17, 2003 Attendees: Angela Falsey, Art Institute of Chicago Nathaniel Feis, Art Institute of Chicago Alba Fernandez, Indianapolis Museum of Art Nicole Finzer, student, Indiana University Terry Kerby, University of Michigan Marian Lambers, College for Creative Studies Nancy Steffes, College for Creative Studies Beth Walker, College for Creative Studies The seventh meeting of the Midwest Art Cataloging Discussion Group convened on Friday, October 17, 2003 at the Library of the Cranbrook Academy of Art with welcomes and introductions by those in attendance. Topic: Do you catalog comic books as serials or monographs? At Ryerson, if a series of comic books has a single title, issue numbers, or other characteristics of a serial, it is cataloged as a serial. Those with individual titles are cataloged as monographs. Checking the catalogs of other libraries with extensive holdings of comics was suggested. It was also mentioned that RLIN has a lot of copy for comics; checking OCLC's Worldcat was also suggested. Topic: Do you catalog annual (biennial, triennial) exhibition catalogs as serials or monographs? At Ryerson, they are cataloged as monographs if they are individually titled, feature named curators, or if they are catalogs from a small part of a larger exhibition. If the catalogs have one title, obvious numbering, and no individual distinguishing features, they are cataloged as serials. At the Indianapolis Museum of Art, they are all cataloged as monographs. Topic: Do you have an online catalog or a database for your visual library? The University of Michigan and the College for Creative Studies both have databases. Topic: Do faculty/curators try to dictate the location or classification of your collection's resources (images or books)? The difference between cataloging print and visual collections was discussed. The cataloging of print collections differs from visual collections in that print collection cataloging generally follows more standards. Visual collection classification systems are usually homegrown. Although many of those in attendance hear these requests for different classification, and all keep the audience in mind when classing items, visual resource libraries are in a better position to accommodate patrons. Topic: Are your slide collections digitizing? The University of Michigan is digitizing images and migrating records from an 18-year-old in-house database to a digital asset management system. The entire collection won't be digitized, but they currently have about 250,000 records. ARTstor has expressed an interest in their digital image collection, but there are copyright issues to be resolved. The College for Creative Studies is looking into embedding images into their OPAC with Innovative Interfaces. It was noted that Saskia is now only offering digital photos, and that Kodak will be discontinuing its projectors. The Madison Digital Image Database was recommended. Topic: Is anyone switching from DDC 21 to 22? Ryerson Library is presently still using DDC 21. Indianapolis Museum of Art still uses an older edition of Dewey for consistency's sake. No one else present is using Dewey. The merits and difficulties of Dewey and LC classification systems were discussed briefly. Topic: Subject headings: how do you handle 20th-21st century art? University of Michigan has an "international file" for artists after 1945. The College for Creative Studies did away with geographic divisions for artists for 20th century on. University of Michigan does not use chronological subdivisions. Classing can almost be a question of personal preference; subject headings can assure access, especially in closed stack libraries. The difficulties of cataloging works on non-Western or "non-traditional" arts were briefly discussed. The next MACDG meeting is tentatively planned for January 2004. Any librarians interested in hosting this meeting should contact Nathaniel Feis at the Art Institute of Chicago ([log in to unmask] or 312-443-3526). Notes by Angela Falsey 10/17/03 -- Nathaniel Feis, Serials Librarian Ryerson and Burnham Libraries The Art Institute of Chicago 111 South Michigan Ave. Chicago, IL 60603-6110 e-mail: [log in to unmask] phone: 312-443-3526 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]