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I'm summarising replys to the question I asked earlier this summer about how to place an insurance value on library collections. I've tried to come up with replacement costs, using the following: 1. A message to ARLIS-L by Stephen Zeitz, that I've copied here Date: Wed, 19 Jun 2002 12:33:15 -0400 Reply-To: Stephen Zietz <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 09:36:16 -0500 Reply-To: Alba Fernandez <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Alba Fernandez <[log in to unmask]> Subject: Archives de l'Art Contemporain-Belgium Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Greetings, A staff member is looking for the e-mail contact of the Archives de l'Art Contemporain in Belgium. Any information would be greatly appreciated. Thank you very much! Alba Fernandez .................................... Alba Fernández, Assistant Art Reference Librarian Indianapolis Museum of Art 4000 Michigan Road Indianapolis, IN 46208-3326 Phone 317.920.2647 Fax 317.931.1978 [log in to unmask] www.ima-art.org .................................... __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 12:07:52 -0500 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Rachel Crane <[log in to unmask]> Subject: ARLIS/Central Plains Fall Meeting MIME-Version: 1.0 Content-type: text/plain; charset=UTF-8 Content-transfer-encoding: base64 DQoNCg0KDQpQbGVhc2Ugam9pbiB1cyBmb3IgYSByb3VzaW5nIHRpbWUgb24gdGhlIHByYWlyaWUg YXQgdGhlIEFSTElTL0NlbnRyYWwNClBsYWlucyBGYWxsIE1lZXRpbmcgb24gT2N0b2JlciAxMCwg MjAwMy4NClNjaGVkdWxlZCBhY3Rpdml0aWVzIGFyZSBhcyBmb2xsb3dzOg0KDQpUaHVyc2RheSwg T2N0b2JlciA5DQogICAgNjowMCBwbSAgICAgTWFyYmVsbGEgQ2FmZSAgICAzMzUgUy4gQXJtb3Vy DQoNCkZyaWRheSwgT2N0b2JlciAxMA0KICAgOTowMCBhbSAgICAgIE1lZXQgYXQgdGhlIG5ld2x5 IHJlbm92YXRlZCBXaWNoaXRhIEFydCBNdXNldW0sIDE0MDAgV2VzdA0KTXVzZXVtIEJsdmQuDQoN CiAgICA5OjMwIGFtICAgICBCdXNpbmVzcyBtZWV0aW5nDQoNCiAgICAxMDozMCBhbSAgIE11c2V1 bSB0b3VyIGxlZCBieSBhIGRvY2VudA0KDQogICAgMTE6MzAgLSAyICAgIEV4cGxvcmUgbXVzZXVt LCBsaWJyYXJ5LCBnaWZ0IHNob3AsIGFuZCBsdW5jaCBpbiBtdXNldW0NCmNhZmUNCg0KICAgIDI6 MDAgcG0gICAgIE1lZXQgYXQgdGhlIEVkd2luIEEuIFVscmljaCBNdXNldW0sIFdpY2hpdGEgU3Rh dGUNClVuaXZlcnNpdHksIGZvciBhIHRvdXIgb2YgdGhlIGZhbW91cyBvdXRkb29yIHNjdWxwdHVy ZQ0KICAgICAgICAgICAgICAgY29sbGVjdGlvbi4NCg0KICAgIDU6MzAgcG0gICAgIERpbm5lciBh dCBIYW5hIENhZmUsIDMwNiBOLiBSb2NrIFJvYWQNCg0KU2F0dXJkYXksIE9jdG9iZXIgMTENCiAg ICA5OjAwIGFtICAgIFNvY2lldHkgb2YgRGVjb3JhdGl2ZSBQYWludGVycyBhbmQgTXVzZXVtLCAz OTMgTi4gTWNMZWFuDQpCbHZkIGZvciB0b3VyIGFuZCBkZW1vbnN0cmF0aW9uIG9mDQogICAgICAg ICAgICAgIGRlY29yYXRpdmUgcGFpbnRpbmcuIFRoaXMgaXMgdGhlIGhlYWRxdWFydGVycyBvZiB0 aGUgaW50J2wNClNvY2lldHkgb2YgRGVjLiBQYWludGVycy4gIFRoaXMgaXMgbm90IGENCiAgICAg ICAgICAgICAgbGFyZ2UgbXVzZXVtLCBidXQgd29ydGh5IG9mIGEgdmlzaXQuDQoNCiAgMTA6MzAg YW0gICAgT3B0aW9uYWwgdG91ciBvZiBGcmFuayBMbG95ZCBXcmlnaHTigJlzIEFsbGVuLUxhbWJl IEhvdXNlLCAyNTUNCk4uIFJvb3NldmVsdC4NCiAgICAgICAgICAgICAgIGh0dHA6Ly9ob21lLm9u ZW1haW4uY29tL35hbGxlbmxhbS9pbmRleC5odG1sDQoNCkZvciBmdXJ0aGVyIGRldGFpbHMgYW5k IHJlZ2lzdHJhdGlvbiBpbmZvcm1hdGlvbiwgcGxlYXNlIGNvbnRhY3QgbWUgYXQNCjMxNi05Nzgt NTA3OCBvciBhdCByYWNoZWwuY3JhbmVAd2ljaGl0YS5lZHUuDQpXZSBob3BlIHRvIHNlZSB5b3Ug dGhlcmUuDQoNClJhY2hlbCBDcmFuZQ0KTXVzaWMvRmluZSBBcnRzIExpYnJhcmlhbg0KV2ljaGl0 YSBTdGF0ZSBVbml2ZXJzaXR5DQoxODQ1IEZhaXJtb3VudA0KV2ljaGl0YSwgS2Fuc2FzIDY3MjYw LTAwNjgNCigzMTYpIDk3OC01MDc4IG9yIDMwMjkNCkZheDogKDMxNikgOTc4LTMwNDgNCkUtbWFp bDogcmFjaGVsLmNyYW5lQHdpY2hpdGEuZWR1 ========================================================================Date: Mon, 8 Sep 2003 13:38:33 -0500 Reply-To: Linda Duychak <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Linda Duychak <[log in to unmask]> Subject: assistance requested MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 8bit Hi Arlis-folks: Can someone check a citation for me? I'd appreciate it. I'm trying to find out which volume of a multi-volume set contains an article so we can ILL it. The article title is "Direction in a Picture Story" by Arthur Rothstein. It is supposedly (on good authority) contained in: The Complete Photographer: An Encyclopedia of Photography, ed. Willard Morgan (20 vols., New York, 1941-43). It is supposed to be located at 4:1356-64. Two attempts at ILL have retrieved volumes/ editions without the desired article. Thanks for your assistance at this busy second week of classes! --Linda Duychak Kohler Art Library Univ. of Wisconsin, Madison [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 14:36:15 -0400 Reply-To: James Findlay <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: James Findlay <[log in to unmask]> Subject: Frank Lloyd Wright Exhibition Comments: To: [log in to unmask], [log in to unmask] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Broward County Libraries Division's BIENES CENTER FOR THE LITERARY ARTS THE DIANNE AND MICHAEL BIENES SPECIAL COLLECTIONS AND RARE BOOK LIBRARY (Ft. Lauderdale, Florida) presents: Frank Lloyd Wright: An Exhibition of Books, Artifacts and Art from the Collection of Donald Singer, September 12, 2003-January 12, 2004 The exhibition of books and objects by and about FLW features approximately 54 books, periodicals, advertisements and perspectives, fabrics, photographs, stamps, and other artifacts and artworks dating from 1897 to the present. Donald Singer, an award-winning architect based in Fort Lauderdale, Florida, began collecting Frank Lloyd Wright materials when he was an architecture student at the University of Florida in the late 1950s. Donald Singer will talk about his collection at a Fontaneda Society (The Book Collectors Club of South Florida) meeting from 7 to 9 p.m., November 20th at the Broward County Main Library. The program is free and open to the public. A small black-and-white exhibition catalog will be available for sale in early October for $15. The exhibit will also be available on the Bienes Center's website at: www.broward.org/bienes For more information please contact: James A. Findlay Broward County Main Library Bienes Center for the Literary Arts The Dianne & Michael Bienes Special Collections and Rare Book Library 100 S. Andrews Ave. Ft. Lauderdale, FL 33301 954-357-8692 (voice) 954-357-6762 (fax) [log in to unmask] (e-mail) www.broward.org/bienes Broward County Libraries Division (A Service of the Broward County Board of County Commissioners) __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 16:21:33 -0400 Reply-To: Jack Robertson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jack Robertson <[log in to unmask]> Subject: Weekly News Digest, Sept 8 (USA, UK) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable -----Original Message----- From: H-Museum (Marra) [mailto:[log in to unmask]] Sent: Monday, September 08, 2003 2:39 PM To: [log in to unmask] Subject: ANTIGEN: NEWS: Weekly News Digest (USA, UK) [Editor's note: The following articles are published in American and British newspapers and magazines. The WEEKLY NEWS DIGEST service is made available by the editorial staff of H-Museum <[log in to unmask]>.] WEEKLY NEWS DIGEST September 1 - September 7 -- September 1 ++ American newspapers / magazines A museum's artful update Klaus Albrecht Schröder has led the restoration of the Albertina to its former Hapsburg glory while equipping it with state-of-the-art conservation and storage facilities (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-et-ybarra1sep01,2,2152621 .story?coll=cl-art ++ British newspapers / magazines Senua, Britain's unknown goddess unearthed Clues to catastrophe after rare Roman temple treasure found (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1033318,00.html 'Ancient' stone is modern art An "ancient" relic which had excited experts with its strange markings has been revealed as a modern work of art (BBC News) http://news.bbc.co.uk/2/hi/england/norfolk/3199721.stm -- September 2 ++ American newspapers / magazines Art vs. Religion: Whose Rights Will Come First? It was provocative, as modern art often is. But few of those involved could have foreseen just how provocative it would become when the Sakharov Museum here opened an exhibition of paintings and sculptures in January under the title "Caution! Religion." Four days after the Jan. 14 opening, six men from a Russian Orthodox church came to the museum's exhibition hall and sacked it, defacing many of the 45 works with spray paint and destroying others. "Sacrilege," one of them scrawled on the wall (New York Times) http://www.nytimes.com/2003/09/02/international/europe/02RUSS.html On a Swiss Lake, a Father-Daughter Art Dream Lives In a sense it is a love story, the story of a Swiss art dealer and his daughter who so loved paintings in their gallery that they decided to keep them and hang them at home. "We don't have a collection," Angela Rosengart remembers her father, Siegfried, saying. "We just have nice pictures." But of course it became a collection, one that reflected a particular affection for Picasso and Klee (New York Times) http://www.nytimes.com/2003/09/02/arts/design/02ROSE.html Obituary: Remembering John Coplans, a co-founder of Artforum magazine and a critic who came into his own as a photographer (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2003/09/02 /DD151546.DTL Obituary: John Shearman -- art historian and expert on Raphael John Shearman, an art historian, teacher and scholar who was an adviser on the renovation of the Sistine Chapel and a widely respected authority on Raphael and other Italian Renaissance artists, has died. He was 72 (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2003/09/02 /BA306190.DTL ++ British newspapers / magazines Obituary: Artist Sir Terry Frost dies Artist Sir Terry Frost, one of the most celebrated contemporary artists in the UK, has died aged 87 (BBC News) http://news.bbc.co.uk/2/hi/entertainment/3201925.stm Facts and figures Dele Fatluna visits a new exhibition in London which hopes to change our perceptions of obesity (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1034127,00.html L 3.5m ransom for stolen sculpture One of the world's most important works of art vanishes from Vienna's Art History Museum; strange announcements appear in the columns of the International Herald Tribune; a letter demanding ?5m is sent to an insurance company. The story of the most spectacular art theft in Austria since the second world war appears to be coming to an end. (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1033701,00.html -- September 3 ++ American newspapers / magazines Obituary: Robert Koch, an Arts Expert Who Helped Popularize Tiffany, Dies at 85 In 1958 Mr. Koch, freshly awarded a doctorate in art history from Yale, was curator for an exhibition of Louis Comfort Tiffany's work at the Museum of Contemporary Crafts in New York. That show set in motion a revival of interest in Tiffany's Art Nouveau glasswork designs, said Janet Zapata, an art historian and fellow Tiffany expert (New York Times) http://www.nytimes.com/2003/09/03/obituaries/03KOCH.html Auschwitz museum criticizes plans by Israeli fighters to fly over former death camp The Auschwitz museum Wednesday criticized a planned flight this week by Israeli F-15 fighter planes over the former concentration camp, saying the event meant to pay tribute to victims is "inappropriate." (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/news/archive/2003/09/03/inte rnational1436EDT0641.DTL ++ British newspapers / magazines Reopening party for museum A museum hit by an asbestos scare is planning a reopening celebration to mark its 10th anniversary (BBC News) http://news.bbc.co.uk/2/hi/england/cumbria/3077166.stm 10-year art restoration project ends Conservation work on a set of four paintings lasting more than 10 years and costing around £20,000 has finally finished (BBC News) http://news.bbc.co.uk/2/hi/england/somerset/3079304.stm Vintage flight restrictions at museum Restrictions have been placed on flights by vintage aircraft at the Imperial War Museum, Duxford, following a spate of crashes (BBC News) http://news.bbc.co.uk/2/hi/england/cambridgeshire/3078130.stm -- September 4 ++ American newspapers / magazines Auschwitz Museum Balks at Israeli Flyover The museum at the former Auschwitz death camp today criticized a planned flyover by Israeli F-15 fighter jets during this week's ceremony in remembrance of victims (New York Times) http://www.nytimes.com/2003/09/04/international/europe/04AUSC.html Design on a Diplomatic Tour Some of the most important pieces in the State Department's fabulous cache of American decorative arts are traveling around the country. Even if you can't make it to the Fresno Metropolitan Museum, where the show will run from Sept. 26 through Dec. 14, you can see the items in a new coffee table book that catalogues the exhibit. Either way, expect a ton of eagles (Washington Post) http://www.washingtonpost.com/wp-dyn/articles/A19017-2003Sep3.html From the drawing board to Gehry's final designs Frank O. GEHRY: Work in Progress," opening Sunday at the Museum of Contemporary Art in downtown Los Angeles, highlights the architect's design process through an examination of his firm's most current work. Focusing on 10 to 12 projects, the exhibition, composed of sketches, photographs, study models and final design models, traces the evolution of Gehry Partners' recent work from inception to final design (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-hm-datebook04sep04,2,3874 985.story?coll=cl-art ++ British newspapers / magazines Obituary: Patrick Procktor Painter who personified the Sixties (The Independent) http://news.independent.co.uk/people/obituaries/story.jsp?story=439964 Harrods hosts L 25m art show Luxury London store Harrods has become one of the biggest temporary galleries with a display of £25m worth of art (BBC News) http://news.bbc.co.uk/2/hi/entertainment/3080204.stm -- September 5 ++ American newspapers / magazines New Curators at the Modern Six months ago, when John Elderfield was named to what may be the most significant curatorial post in modern art - chief curator of painting and sculpture at the Museum of Modern Art - he was given the opportunity to shape the way the institution defines modern art at a critical time in its history. Its home on West 53rd Street, closed since May 2002 for an $858 million renovation and expansion, is to reopen in late 2004 with about 60 percent more space devoted to paintings and sculpture (New York Times) http://www.nytimes.com/2003/09/05/arts/design/05INSI.html Relics of Childhood From an Antique World Childhood in ancient Greece was no idyll. What today would be called pederasty or child molestation was condoned and even encouraged; so was child slavery. Brutal punishment and exposure - the economically motivated custom of casting out children (particularly girls) in a public place to await their fate - were commonplace (New York Times) http://www.nytimes.com/2003/09/05/arts/design/05GLUE.html Treasuring Ancient Secrets of Patagonia Collectors of art and artifacts are often an odd breed: secretive, passionate, dedicated and, sometimes, unbelievably generous. That is why so many museums have at their core collections assembled by individuals. Just imagine the Metropolitan Museum of Art's collection of Impressionist paintings without the H. O. Havemeyer bequest (New York Times) http://www.nytimes.com/2003/09/05/arts/design/05ANTI.html An Ambitious Architect of Visions and Dreams Frederick Kiesler is invariably called a "visionary architect," meaning that his most ambitious ideas were not practically buildable. Working with one foot in Constructivism and the other in Surrealism, he imagined structures that were as much for altering consciousness as they were for living or working in (New York Times) http://www.nytimes.com/2003/09/05/arts/design/05JOHN.html The Sackler Goes in Two Different Directions Whether Expressing religious devotion or aesthetic zeal, artists have explored many routes to transcendence. For the Persian manuscript illustrators of the 15th to 17th centuries, the path was lyrical poetry that celebrated human as well as divine love. And for venerable avant-gardist Yayoi Kusama, the road is constructed of polka dots (Washington Post) http://www.washingtonpost.com/wp-dyn/articles/A25371-2003Sep4.html Canvas shifts for Iraqi artists Without Hussein as subject, they paint U.S. soldiers The man in the painting looks like any Iraqi tribal elder, leaning on a walking stick in a traditional market, in a robe and checkered headscarf. But look closer: His wire-rimmed glasses are out of place in rural Iraq. The man is a U.S. soldier (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2003/09/05 /MN146899.DTL ++ British newspapers / magazines Tate neighbours' image of a toweringly grim future The first image was released yesterday of a proposed 20-storey block of flats sited on the doorstep of Tate Modern - a notion described by the Tate director, Sir Nicholas Serota, as "the equivalent of building a tower block in the forecourt of the British Museum". (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1035918,00.html Harrods puts paintings on the shopping list (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1036084,00.html Yoko to recreate naked art show Yoko Ono is to re-stage her conceptual art project which saw her invite people to cut off her clothes until she was left naked (BBC News) http://news.bbc.co.uk/2/hi/entertainment/3084494.stm -- September 6 ++ American newspapers / magazines Architects Sponsor 11 Days of Programs Architecture Week 2003, 11 days of free local events sponsored by the Washington chapter of the American Institute of Architects, begins today (Washington Post) http://www.washingtonpost.com/wp-dyn/articles/A31389-2003Sep5.html Holbein, penetrating eye of the Renaissance At rare intervals, a major exhibition reveals an unsuspected side to a master who has been famous for centuries. Who would have thought of Hans Holbein the Younger as a cynic with an unforgiving satirical strain jotting down every frightful nuance in the features of cynics worse than himself? And then suavely polishing up his images in painted portraits for consumption at the court of Henry VIII? (International Herald Tribune) http://www.iht.com/articles/109005.html Recasting porcelain in a glaze of glory Medieval Christendom may have been in a more or less permanent state of conflict with Islam, but this did not prevent Islamic knowledge from flowing into the West. The conduit for much of this traffic was Moorish Spain. And it was indubitably through the Iberian peninsula and islands that the Islamic technique of tin-glazing ceramics, perfected in Baghdad in the ninth century as an alternative means of achieving the luminous effects of Chinese porcelain, arrived in Italy - as witnessed by the term "maiolica," which most likely derived from the name of the Balearic island of Majorca (International Herald Tribune) http://www.iht.com/articles/108988.html Indonesian saris wrap Hindu heritage in art The exhibition is called "Sari to Sarong," and the stunning gold-leaf cloths and vermilion wraps on display at the national gallery here give considerable perspective on Indonesia, the world's most populous Muslim nation (International Herald Tribune) http://www.iht.com/articles/109011.html Family collection testifies to artistic ties that bind In a sense it is a love story, the story of a Swiss art dealer and his daughter who so loved paintings in their gallery that they decided to keep them and hang them at home. "We don't have a collection," Angela Rosengart remembers her father, Siegfried, saying. "We just have nice pictures." (International Herald Tribune) http://www.iht.com/articles/108983.html ++ British newspapers / magazines England's Leonardo revealed When historian turns detective: finding the face of Newton's rival (The Times) http://search.thetimes.co.uk/cgi-bin/ezk2srch?-aSTART# Tourists' brush with art thieves A couple have told how they came face to face with thieves carrying out one of world's biggest art robberies (BBC News) http://news.bbc.co.uk/2/hi/uk_news/scotland/3086576.stm -- September 7 ++ American newspapers / magazines Joan Jonas: All Over the Map A new crop of collaboration-minded 20-somethings now make headlines mixing media. Who knows how many of them have heard of Joan Jonas, today in her mid-60's. The Queens Museum opens a survey of Ms. Jonas's work on Dec. 14, and it is high time. Like various other experimental Americans of her generation, she is better known in Europe than here, where she has not gotten her due until now. A pioneering video artist and installationist, she was mining East Asian, South American, Hopi, Mexican, Japanese and Icelandic cultures for narratives and source material before people had ever heard the word globalism (New York Times) http://www.nytimes.com/2003/09/07/arts/artsspecial/07KIMM.html Judy Garland, Reincarnated and Clad in Steel The season's most highly anticipated architectural event in New York will arrive on Nov. 11, with the unveiling of Kazuyo Sejima's design for the new New Museum of Contemporary Art (New York Times) http://www.nytimes.com/2003/09/07/arts/artsspecial/07MUSC.html A Naked (and Nude) Narcissist Lucas Samaras may be the hardest-working, most modest narcissist in art showbiz. For more than 40 years, his obsessive, psychedelic, craft-crazed art has formed an alternate universe revolving around himself. That universe will be in full cry in "Unrepentant Ego: The Self-Portraits of Lucas Samaras," opening at the Whitney Museum of American Art on Nov. 13, and it couldn't be more relevant (New York Times) http://www.nytimes.com/2003/09/07/arts/design/07SMIT.html Treasures in the Attic It is the end of summer, and New Jersey's museums are gearing up for their big fall shows. There is much to look forward to, but also evidence of the challenges facing museums, with a weak economy, state budget cuts to the arts, and a decline in private contributions (New York Times) http://www.nytimes.com/2003/09/07/nyregion/07NJ.html At Museums, a Quiet Power Blockbuster Shows Are Absent This Year. That's Something to Shout About. (Washington Post) http://www.washingtonpost.com/wp-dyn/articles/A31349-2003Sep5.html You don't have to be Jewish . Judaism is the launching pad for the increasingly multicultural, eclectic entity that is the Skirball Cultural Center - and a major expansion is underway (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-ca-muchnic7sep07,2,461311 9.story?coll=cl-art ++ British newspapers / magazines World auction market shrinks Statistics show that volume and values are down, as are the number of L1 million artworks (The Art Newspaper) http://www.theartnewspaper.com/news/article.asp?idart=11297 US Congress moves to ban import of Iraqi antiquities Two bills are under review, one in the Senate supported by dealers and museums, the other in the House of Representatives, supported by archaeologists (The Art Newspaper) http://www.theartnewspaper.com/news/article.asp?idart=11294 Stedelijk Museum is slammed An official report has concluded that the institution has been severely mismanaged for two decades and that E83 million is needed to get it back on the right track (The Art Newspaper) http://www.theartnewspaper.com/news/article.asp?idart=11291 Stolen art database could cost L12 million Police and art trade both want it, but disagree on what form it should take (The Art Newspaper) http://www.theartnewspaper.com/news/article.asp?idart=11290 --- H-MUSEUM H-Net Network for Museums and Museum Studies E -Mail: [log in to unmask] WWW: http://www.h-museum.net __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 16:27:24 -0400 Reply-To: Jack Robertson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jack Robertson <[log in to unmask]> Subject: Weekly News Digest, Sept 8 (Germany, Austria, Switzerland) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable -----Original Message----- From: H-Museum (Marra) [mailto:[log in to unmask]] Sent: Monday, September 08, 2003 2:39 PM To: [log in to unmask] Subject: NEWS: Weekly News Digest (Germany, Austria, Switzerland) [Editor's note: The following articles are published in German, Austrian and Swiss newspapers and magazines. The WEEKLY NEWS DIGEST service is made available by the editorial staff of H-Museum <[log in to unmask]> The Austrian service is kindly supported by Dr. Georg Friebe, Naturschau Dornbirn/Austria.] WEEKLY NEWS DIGESTS September 1 - September 7, 2003 -- September, 1 ++ German newspapers / magazines Stadt - Land - Fluss: RUB-Kunsthistoriker begleiten Essener Ausstellung im Netz Die Vielfalt flämischer Malkunst zeigt das Internetprojekt "Stadt - Land - Fluss" des Kunstgeschichtlichen Instituts der Ruhr-Universität Bochum. Lehrende und Studierende haben die Internetpräsentation erarbeitet, um die Ausstellung "Die Flämische Landschaft 1520 - 1700" in der Villa Hügel, Essen (23.8.-30.11.2003) wissenschaftlich und vertiefend zu begleiten (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68344 Nebel am Tatort Die Hamburger Kunsthalle hat nach langen, harten Verhandlungen ein vor Jahren gestohlenes Gemälde zurückerhalten - und muss es nun wohl der Versicherung abkaufen (Der Spiegel) http://www.spiegel.de/spiegel/0,1518,263685,00.html Erster Reformer Europas Eine Tagung fragt nach der Rolle Karls des Großen (Frankfurter Allgemeine Zeitung) http://makeashorterlink.com/?O1B8314D5 Einsame Wölfin von Manhattan Diane Arbus' "Offenbarungen" Wochen, bevor die Retrospektive in San Fransisco beginnt, und zwei Jahre vor Ausstellungseröffnung in Essen, erreicht uns der Katalog der Offenbarungen (Revelations) zum Werk von Diane Arbus (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=287498 Die Welt ist ein Gefängnis Paul Klees Spätwerk in Basels Fondation Beyeler (Die Welt) http://www.welt.de/data/2003/09/01/162253.html "RAF-Ausstellung stiftet eine gemeinsame Geschichte" Berlins Kultursenator Flierl im Gespräch (Die Welt) http://www.welt.de/data/2003/09/01/162254.html Ansturm bei den Körperwelten Lange Schlangen auf der Reeperbahn - Auch viele Kinder besuchen umstrittene Leichenschau (Die Welt) http://www.welt.de/data/2003/09/01/162415.html ++ Austrian newspapers / magazines Albertina: Dürers Hase darf beschnuppert werden Am 4. September wird die große Dürer-Schau eröffnet. Zu diesem Anlass wird der "Feldhase" ausnahmsweise ausgestellt (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=374449 Weibliche Sexualität als Kunst In der Ausstellung "Sex in the City" setzen sich vier Künstlerinnen mit ihrem Geschlecht in urbaner Gesellschaft auseinander (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=374296 -- September, 2 ++ German newspapers / magazines Hochschulwettbewerb "digital sparks" 2003 entschieden Drei innovative Medienprojekte an deutschen Hochschulen werden ausgezeichnet. Preisverleihung am 10. September in Linz (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68370 Assimilation und Emanzipation in der Berliner Architektur. FU-Symposium zur jüdischen Baukultur Haben Juden die Architektur in Deutschland geprägt? Wie konnten sich jüdische Architekten bis zum Nationalsozialismus in Berlin entfalten? Diesen Fragen geht das Symposium "Architektur und Assimilation - Die jüdischen Baumeister Berlins" nach, das das Kunsthistorische Institut der Freien Universität Berlin vom 10. bis zum 13. September 2003 veranstaltet. Das Programm gliedert sich in vier Themenschwerpunkte: "Bauverwaltung oder Privatbureau", "Von der Emanzipation zur Integration", "Zwischen jüdischer Renaissance und Normalität" und "Der Blick auf die Architektur". Die Tagung endet mit einem Schlussvortrag von Werner Oechslin, Professor an der Eidgenössischen Technischen Hochschule (ETH) Zürich, über "Moderne, internationale und postmoderne Architektur und die innerliche Analogie mit dem Judentum". (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68371 Judaism as Wissenschaft Das Verhältnis von Judentum und Wissenschaft ist Gegenstand einer internationalen Tagung, die vom 15. bis 18. September 2003 im Jüdischen Museum Berlin stattfindet, und vom Lehrstuhl für Judaistik der Universität Erfurt in Kooperation mit dem Jüdischen Museum Berlin und der Wissenschaftlichen Arbeitsgemeinschaft des Leo Baeck Instituts ausgerichtet wird. Schirmherr der von der Deutschen Forschungsgemeinschaft geförderten Tagung mit dem Titel "Judaism as Wissenschaft - Wissenschaft as Judaism. The Development and Concepts of Historical Thinking" ist der Regierende Bürgermeister von Berlin, Klaus Wowereit (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68392 Villa Hadriana - Wasser für den Kaiser Ausstellung zum Tag des Denkmals mit ganztägigem Symposium zu den archäologischen Arbeiten an der Villa Hadriana, Rom (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68402 Doktorandenstipendium Komparative Forschungsprojekt "Vergleichende Tradierungsforschung" (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68387 Lebenswelten in der Südsee Neue Dauerausstellung des Bremer Überseemuseums (Geschichtsmagazin "Damals") http://warp6.dva.de/sixcms/detail.php?id=150203 Bevor wir malen, ein Gedicht, wenn du gestattest Über der Hofkunst schwebt die Poesie: Die Bundeskunsthalle in Bonn zeigt Meisterwerke aus dem Nationalmuseum von Tokio (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Die Austreibung der Angst vor der Erinnerung Schlechte Zeiten für den Dialog: In Polen und Tschechien wird der Streit um das "Zentrum gegen Vertreibungen" immer bizarrer geführt (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel26/ Ästhetik des Basislagers Die Münchner Pinakothek der Moderne zeigt die "Architektur der Obdachlosigkeit" (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel28/ Kein Besuch im Hause Goethe Eine Tagung in Weimar über die République des Lettres (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel49/ Wie Albrecht Dürer die Kunst "aus der Natur" gerissen hat (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel50/ Die Führung mit der Maus Wie das Museumspädagogische Zentrum Kindern Kunst und fremde Kulturen erklärt (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/muenchnerkultur/red-artikel2342/ Zusammengegossen, zusammengeflickt Zwei Architekturausstellungen: Wolfsburg fiebert einer gebauten Sensation entgegen, in Braunschweig feiert die lokale Architektenelite sich selbst (TAZ) http://www.taz.de/pt/2003/09/02/a0222.nf/text Die neuen Proletarier der Kunstwelt Warum erleben wir zur Zeit einen Boom bei Balkan-Ausstellungen? (Die Welt) http://www.welt.de/data/2003/09/02/162692.html Opfergaben für eine Tyrannin Gesalbt, geölt, gepierct: Das neue Wella-Museum in Darmstadt erzählt die Kulturgeschichte der Schönheitspflege (Die Welt) http://www.welt.de/data/2003/09/02/162681.html Buchmalerei des Klosters Reichenau ins "Weltgedächtnis" aufgenommen Die rund tausend Jahre alte Buchmalerei des Bodensee-Klosters Reichenau gehört zum "Gedächtnis der Menschheit" (Die Welt) http://www.welt.de/data/2003/09/02/162688.html Hubertus Knabe unterstützt Mauer-Aktion Hubertus Knabe, - Direktor der Gedenkstätte Berlin-Hohenschönhausen, hat dem Kölner Event-Organisator Christof Blaesius Unterstützung bei dessen Vorhaben angeboten, anlässlich der Fußballweltmeisterschaft 2006 die Berliner Mauer symbolisch wieder zu errichten. Zugleich betonte Knabe aber in einem Schreiben, dass die Aktion nicht zu einer Verharmlosung des DDR-Grenzregimes führen dürfe (Die Welt) http://www.welt.de/data/2003/09/02/163009.html ++ Austrian newspapers / magazines Ausstellung: In das Weite schweben Hannes Schwarz zeigt seine "Spanischen Reflexionen" im Wiener Palais Harrach. Ohne Karacho, aber mit befreiender Ruhe (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=374391 Dynamik und Urbanität Das "Historische Museum" wird zum "Wien Museum" und hat neue Ziele (Der Standard) http://derstandard.at/standard.asp?id=1407543 Das Bugholz-Möbel Catwalk für die Wiener Möbeldiva: Wiener Hofmobiliendepot ehrt den "Holzbieger" Thonet (Der Standard) http://derstandard.at/standard.asp?id=1408077 -- September, 3 ++ German newspapers / magazines Kunsthochschule stellt in der Militärstadt Wünsdorf aus Studierende der Kunsthochschule Berlin-Weißensee haben sich ein halbes Jahr mit dem Gelände der Militärstadt Wünsdorf und seiner wechselvollen Geschichte von der Nutzung durch kaiserliche Truppen vor 100 Jahren bis zum Abzug der russischen Armee 1994 auseinandergesetzt. Ihre Arbeiten beziehen sich auf ganz unterschiedliche historische, gesellschaftliche und ästhetische Aspekte (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68419 Geschichte hautnah - Wohnen im Baudenkmal Die Deutsche Stiftung Denkmalschutz veranstaltet am 14. September 2003 im Rahmen des "European Heritage Day" den "Tag des offenen Denkmals" (Geschichtsmagazin "Damals") http://warp6.dva.de/sixcms/detail.php?id=150250 Die Macht des Scheins gegen die Dauer Steinchen im Mosaik der Rangstreitkultur: Ein Dialog zwischen Leonardo da Vinci und Phidias (Frankfurter Allgemeine Zeitung) http://makeashorterlink.com/?A3CB265D5 Wildes Rauschen "Die Flämische Landschaft" in der Essener Villa Hügel (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Entlassung aufgehoben Ugo Perone soll in Berlin bleiben Ugo Perone, bisheriger Leiter des Italienischen Kulturinstituts in Berlin, hatte vor anderthalb Monaten seinen Schreibtisch räumen müssen (F.A.Z. vom 18. Juli). Er klagte daraufhin gegen das italienische Außenministerium als seinen Arbeitgeber (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Linien und Kreise Maler Sir Terry Frost gestorben Sir Terry Frost, einer der erfolgreichsten abstrakten Künstler Großbritanniens, ist im Alter von 87 Jahren gestorben. Wie die Royal Academy of Arts in London mitteilte, starb Frost bereits am Montag im Kreise seiner Familie in Newlyn in Cornwall (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Wunderschön prächtige Lob und Preis der restaurierten Marienkathedrale von Nowgorod (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Mit Herzblut hat er sie geschrieben Die Geheimschatulle ist die Büchse der Pandora: Eine Zürcher Ausstellung zu Leben und Werk Theodor W. Adornos (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Gigantenschau Das Pergamonmuseum bei 3sat In Zeiten beschleunigter Veränderungen ist es kühn zu nennen, wenn das ZDF über Jahre hinweg die Sanierung der Berliner Museumsinsel mit der Kamera begleitet. Insgesamt zehn Folgen sind geplant (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Vom Kaiser-Wilhelm-Gymnasium bis zur Kritischen Theorie Die Stadt Frankfurt würdigt Theodor W. Adorno zum 100. Geburtstag mit einem umfangreichen Programm (Frankfurter Rundschau) http://www.fr-aktuell.de/uebersicht/alle_dossiers/kultur/adorno_jahr_2003/?c nt=291923& Die Dinge im Fluss halten Der "Renzo Piano Building Workshop" nun auch im Kunstmuseum Louisiana bei Kopenhagen (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/architektur/?cnt=291350& Vampire vor Wiesbaden widmet sich der "Kunstlandschaft Austria" (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=291347& Galerie um den abwesenden Picasso Das leere Zentrum der Sammlerleidenschaft: Das Neue Museum Weserburg zu Bremen ist der Gegenwartskunst gewidmet. Nun zeigt es - zum ersten Mal hierzulande - Klassiker der Moderne aus der Kollektion des französischen Galeristenpaars Maeght (TAZ) http://www.taz.de/pt/2003/09/03/a0184.nf/text Scharff-Preis nicht vergessen Seit 1955 verliehener wichtiger Kunstpreis fiel 2002 aus. Vielleicht auch 2003. Kulturbehörde will alles nachholen (TAZ) http://www.taz.de/pt/2003/09/03/a0025.nf/text Das verleumdete Volk Die Vandalen hausten gar nicht so, wie gerne gesagt wird. Archäologen korrigieren ein Klischee (Die Welt) http://www.welt.de/data/2003/09/03/163130.html Mit neuen Augen sehen: Jean Dubuffet (Die Welt) http://www.welt.de/data/2003/09/03/163119.html ++ Austrian newspapers / magazines Rudern auf erhöhtem Schlag Museen der Stadt Wien: Gastarbeiter, Qualtinger, Paris Wien bekommt ein neues Museum. Jedenfalls einen neuen Museumsnamen. "Wien Museum" heißt die neue Dachmarke des alten Hauses, das Direktor Wolfgang Kos im April als "Historisches Museum der Stadt Wien" übernommen hat (Wiener Zeitung) http://www.wienerzeitung.at/frameless/kultur.htm?ID=M15&Menu=186484 Unwetter vernichtet Koligs Werk Zu den Geschädigten der Hochwasserkatastrophe in Vorderberg im Gailtal zählt auch der Kärntner Künstler Cornelius Kolig, der am Sonntag das 61. Lebensjahr vollendet. "Ich habe praktisch mein ganzes zeichnerisches Lebenswerk verloren", sagte er am Dienstag im Gespräch. "3.000 Zeichnungen, die in Kürze in drei Bildbänden erscheinen sollten, wurden zerstört. Alles, was sich nicht im ersten Stock befand, ist im wahrsten Sinne des Wortes den Bach hinuntergegangen." (Wiener Zeitung) http://www.wienerzeitung.at/frameless/kultur.htm?ID=M15&Menu=186488 -- September, 4 ++ German newspapers / magazines Mikroskopie der Gewalt. Tagung an der FU vom 18. bis 20. September 2003 Was ist Gewalt, wer nimmt gewalttätiges Handeln als solches wahr, wer spricht davon, welche Räume besetzt Gewalt, welche Rolle spielt sie in zwischenstaatlichem Handeln, welche in den Geschlechterbeziehungen? Und vor allem: wie unterscheidet sich legitime von illegitimer Gewalt? Unter diesen Leitthemen lädt die Arbeitsgemeinschaft Frühe Neuzeit im Verband der HistorikerInnen Deutschlands zu ihrer 5. Arbeitstagung "Gewalt in der Frühen Neuzeit" ein. Über 30 internationale HistorikerInnen werden sich in sechs Sektionen den verschiedenen Facetten des Phänomens "Gewalt" widmen. Die Podiumsdiskussion "Kann Gewalt im Recht sein? Der Blick aus der Frühen Neuzeit" soll der öffentlichen Diskussion besonderen Raum bieten (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68472 Zur Langen Nacht der Museen Wiener Liechtenstein-Museum öffnet nach zweijähriger Generalsanierung erstmals wieder seine Pforten (Geschichtsmagazin "Damals") http://warp6.dva.de/sixcms/detail.php?id=150272 4. Juni 1932, New York Die Geschichte einer Faszination: Fotografien von George Grosz, an einem Tag in Amerika aufgenommen, sind jetzt im Stadtmuseum Hofheim zu sehen (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/ Lösegeld für Saliera "Salzfass"-Räuber melden sich Rund drei Monate nach dem Diebstahl der "Saliera", eines aufwändig gestalteten Salzfasses des italienischen Renaissance-Bildhauers Benvenuto Cellini (SZ vom 14. Mai), werden fünf Millionen Euro "Lösegeld" für dessen Rückgabe verlangt (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel384/ Bilder aus der Parallelgesellschaft Feridun Zaimoglus "Accessoiremaximalismus" wird in der Kunsthalle Kiel visualisiert (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel390/ Ein Mammut der Moderne Der Mann mit dem Pritzker-Preis: Kenzo Tange, der Architekt der Olympiabauten von 1964, wird 90 Jahre alt (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel394/ Es kann nur besser werden Volker Reinhardt plaudert sich durch die Geschichte Italiens (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel397/ Der Erfinder des Hasen In Wien wird der berühmteste deutsche Künstler, Albrecht Dürer, frisch vermessen (Die Zeit) http://www.zeit.de/2003/37/D_9frer Hot art, cold cash Ob Leonardo oder C. D. Friedrich - warum so viele Meisterwerke gestohlen werden (Die Zeit) http://www.zeit.de/2003/37/Kunstmarkt37 Bildung zuerst Ein großes Buch über den Alltag der Juden in Deutschland (Die Zeit) http://www.zeit.de/2003/37/P-Kaplan Carl Osman und das Türkenmariandl Schon Jahrhunderte bevor die ersten Arbeitsimmigranten kamen, wurden hierzulande aus Türken Deutsche (gemacht) (Die Zeit) http://www.zeit.de/2003/37/A-Osman "Manche werden es hassen..." In Berlin beginnt der Bau des "Denkmals für die ermordeten Juden Europas" (Aufbau) http://www.aufbauonline.com/2003/issue17/6.html Aus den Tiefen der Zeit Arbeiten von Menashe Kadishman in Schwäbisch Gmünd (Aufbau) http://www.aufbauonline.com/2003/issue17/14_1.html Das Paradies ist hier und jetzt Eine Hamburger Ausstellung erinnert an die Surrealistin Meret Oppenheim (Aufbau) http://www.aufbauonline.com/2003/issue17/14_2.html Von den Nazis geraubte Bücher in Nürnberg entdeckt Teile einer verschollen geglaubten Sammlung befinden sich in der "Stürmer-Bibliothek" (Aufbau) http://www.aufbauonline.com/2003/issue17/21.html Hello Darkness, my Friend Der Brite Peter Doig malt epische, düstere Traumlandschaften, die wie nicht von dieser Welt scheinen. Das Bonnefanten-Museum in Maastricht zeigt wichtige Werke dieses spät entdeckten Wunderkindes (TAZ) http://www.taz.de/pt/2003/09/04/a0129.nf/text Gewusst wie !?! Eine Ausstellung über Ausstellungen im Bremer Künstlerhaus gibt Rätsel auf: Ist man schlicht zu blöd - oder ist die Schau zu trivial (TAZ) http://www.taz.de/pt/2003/09/04/a0238.nf/text Flimmern der Gegenwart Quer über den Bildschirm gewischt: Mit seiner Ausstellung "Turbulent Screen" zeigt das Oldenburger Edith-Ruß-Haus noch bis zum 9. November medienkritische Medienkunst in einem umfangreichen historischen Querschnitt von Fluxus und Pop Art bis zu heutigen Arbeiten (TAZ) http://www.taz.de/pt/2003/09/04/a0289.nf/text Liberale unterstützen Pläne für Berliner Vertriebenen-Zentrum Die Berliner FDP hat sich nach Angaben eines Parteisprechers für ein Gedenkzentrum für Heimatvertriebene in der deutschen Hauptstadt ausgesprochen. Damit sind die Liberalen die erste Landespartei, die sich für das umstrittene Projekt der Vertriebenen-Verbände stark macht (Die Welt) http://www.welt.de/data/2003/09/04/163929.html ++ Austrian newspapers / magazines Kunstforum: Bedingungslos unbescheiden Jawlensky, Chagall und Picasso: Das BA-CA Kunstforum ermöglicht in Wien einen einmaligen Blick in eine Schweizer Privatsammlung (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=374817 Im strengen Eigensinn des Sammlers Das Kunstforum der Bank Austria zeigt eine Schweizer Familie "Im Bann der Moderne" (Der Standard) http://derstandard.at/standard.asp?id=1410095 Barbapapa und die Barbaren "Did you ever dream of becoming barbarian?" - Eine österreichische Kunstausstellung in Paris (Der Standard) http://derstandard.at/standard.asp?id=1407259 Der Politiker und die Zeichner "Der Sonnenkönig - Das Phänomen Bruno Kreisky" im Karikaturmuseum Krems (Der Standard) http://derstandard.at/standard.asp?id=1407235 Grenzbewusst, ganz ohne Frust Vermittlungsversuche zwischen Kunst und Gesellschaft im Pavelhaus in Laafeld (Der Standard) http://derstandard.at/standard.asp?id=1406805 Asiatika-Los wurde doch nicht zurückgezogen "Vorwurf der Erpressung" sei unfair - Fortsetzung der Diskussion um den Holzschnitt "Ein Spiegel der Schönen in der Stadt" (Der Standard) http://derstandard.at/standard.asp?id=1406829 "Gedächtnis der Menschheit" erweitert Buchmalerei des Klosters Reichenau von der UNESCO ausgewählt (Der Standard) http://derstandard.at/standard.asp?id=1406406 Neun unter einer Marke Wiener Werkstätte (1903-1932) - und der heutige Blick darauf (Der Standard) http://derstandard.at/standard.asp?id=1409023 Ein Weltkulturerbe droht abzustürzen Quedlinburger Schlossberg bröckelt (Der Standard) http://derstandard.at/standard.asp?id=1409396 ++ Swiss newspapers / magazines Schönheit und Wahrheit Gelehrtenstreit um die Portland-Vase im British Museum (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/03/fe/page-article929BI.html Wie die Genfer schweizerisch wurden Nationale Integration im Genf der Jahre 1814-1846 Genfs später Bundesbeitritt 1815 wurde von der patriotischen Geschichtsschreibung lange Zeit als der letzte und unausweichliche Schritt einer Annäherung betrachtet, die bereits im späten Mittelalter begonnen hatte. Die Genfer Historikerin Irène Herrmann zeigt jedoch, dass die «Helvetisierung» Genfs alles andere als unproblematisch war und auf grosse Widerstände stiess. Und bis heute ist die Integration nicht abgeschlossen (Neue Zürcher Zeitung) http://buecher.nzz.ch/books/nzzbooks/0/list/$91KSM$T.html Die Moderne als Herbst des Mittelalters Michael Mitterauer antwortet Max Weber (Neue Zürcher Zeitung) http://buecher.nzz.ch/books/nzzbooks/0/list/$90YJ7$T.html -- September, 5 ++ German newspapers / magazines Hier stehe ich, ich darf jetzt anders Bridget Riley entläßt das Auge in die Freiheit: Die Tate Britain widmet der Malerin eine Werkschau (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Volkshotel Abgrund Gedenkstätte oder Tanzdiele: Warum der "Fichtebunker" der geeignete Ort für ein "Zentrum gegen Vertreibungen" wäre Während sich der Streit um ein "Zentrum gegen Vertreibungen" noch an Begriffen wie "europäisches Gedenken" oder "nationales Projekt" abarbeitet, hat diese letzte Auseinandersetzung um ideologische Differenzen und Versöhnung den Berliner Kiez erreicht (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Bis den Kölnern das Lochen vergeht Kasper König, der Direktor des Museums Ludwig, spricht über Haushaltswahrheiten, eine Kulturpolitik ohne Perspektiven und seine Pläne für eine programmatische Ausstellung (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Madonna für Frankfurt Holbeins Bild geht vorerst ins Städel (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Akten des Widerstands Marikje Smid wertet den Nachlass der Dohnanyis aus (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/das_politische_buch/?cnt =294408 Zwischen Erinnerung und Erforschung Positionen westdeutscher Historiker aus gut fünf Jahrzehnten: Nicolas Berg schreibt eine Gedächtnisgeschichte des Holocaust (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/das_politische_buch/?cnt =294407 Mutmaßliche Raubgräber der "Himmelsscheibe" vor Gericht Der Streit um die 3600 Jahre alte "Himmelsscheibe von Nebra" beschäftigt von Montag an erneut ein Gericht in Sachsen-Anhalt. Gut eine Woche nach einem Zivilprozess um die Vermarktungsrechte an dem einzigartigen archäologischen Fund beginnt vor dem Amtsgericht Naumburg ein Strafprozess. Die fünf Angeklagten müssen sich wegen Fundunterschlagung, Hehlerei und Beihilfe zur Hehlerei verantworten (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/boulevard/?cnt=296211& Nach Möglichkeit für alle Zeit Die "Madonna des Bürgermeisters Meyer" von Hans Holbein d. J. soll in Darmstadt bleiben, ist für das Land Hessen damit aber noch keineswegs gesichert (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel549/ Dieses obskure Objekt der Begierde Volker Mertens verfolgt die Geschichte des heiligen Grals (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel551/ Wenn Künstler vom Forschen leben Die Galerie der Gegenwart versucht in ihrer Ausstellung "Feldforschung" Wissenschaft und Kunst zu vereinen (TAZ) http://www.taz.de/pt/2003/09/05/a0228.nf/text Warmherzige Kaltnadelfreunde Kunsthalle: Horst Janssen und sein Drucker Hartmut Frielinghaus (Die Welt) http://www.welt.de/data/2003/09/05/164005.html Mythos Timbuktu Vor 150 Jahren erreichte der deutsche Afrikaforscher Heinrich Barth die legendäre Stadt im heutigen Mali (Die Welt) http://www.welt.de/data/2003/09/05/164037.html Die Dresdner Frauenkirche ist enthüllt 58 Jahre und sechseinhalb Monate klaffte die Lücke, an die sich kein Dresdner gewöhnen konnte. Jetzt ist sie geschlossen (Die Welt) http://www.welt.de/data/2003/09/05/164025.html ++ Austrian newspapers / magazines Der Natur die Kunst herausreißen "Albrecht Dürer": Mit Leihgaben aus der ganzen Welt eine superlativische, wohl nie mehr wiederholbare Zusammenschau auf das mit den Habsburgern eng verbundene deutsche Meisterwerk (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=375014 Dürer: Auf den Flügeln der Kunst Die Albertina schliesst ihre Schatzkammer auf und zeigt ihre berühmtesten kostbarkeiten: In der ersten Grossausstellung seit mehr als 30 jahren wird dem grössten deutschen Künstler der Renaissance umfassend Reverenz erwiesen: Albrecht Dürer ante portas! (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=374902 Die Krone der Stadt Dem Uhrturm sein Schatten, der Mur ihre Insel - und der Stadt ihre Krone. Zur Eröffnung des kürzlich renovierten Grazer Mausoleums (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=374910 Neuer Leiter für Jüdisches Museum Hohenems Hanno Loewy wechselt von Frankfurt nach Vorarlberg (Der Standard) http://derstandard.at/standard.asp?id=1410179 Wertsteigerungen allerorts 15 Jahre Sammlung Generali Foundation Wien: Jüngste Neuerwerbungen fünf KünstlerInnen stellt die privatwirtschaftliche Institution ins Rampenlicht (Der Standard) http://derstandard.at/standard.asp?id=1411269 Der frühe Europäer Joschka Fischer über Albrecht Dürer: Er hat sich "nie einer dumpfen Deutschtümelei verdächtig gemacht" - Der Festakt zur Albertina-Ausstellung (Der Standard) http://derstandard.at/standard.asp?id=1410691 Von der Vernichtung verschont Noch ein 11. September: Einge neuere Arbeiten von Cornelius Kolig blieben von den Fluten verschont - Zu sehen in Klagenfurt (Der Standard) http://derstandard.at/standard.asp?id=1411538 Grenzlandbilder auf Reisen Inge Moraths Fotos machen im slowenischen Koper Station (Der Standard) http://derstandard.at/standard.asp?id=1411446 Der Künstler als früher Europäer Albertina: "Albrecht Dürer" - Umfassende Werkschau anlässlich des 475. Todestages des Künstlers (Wiener Zeitung) http://www.wienerzeitung.at/frameless/kultur.htm?ID=M10&Menu=186723 -- September, 6 ++ German newspapers / magazines Kunst, aus der Natur herausgerissen Knotenpunkte einer großen Konzeption: Albrecht Dürer in der Wiener Albertina Mit Erstmaligkeiten hat es in Dürers Werk kein Ende. Gleich das erste erhaltene Werk, das Selbstbildnis des Dreizehnjährigen, ist eine erstaunliche Novität. Auch als bloße "Kinderzeichnung" wäre das Blatt ohne Vorläufer - die erste erhaltene Kinderzeichnung (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Postvisionär Steht Frankreichs Kulturpolitik kurz vor der Selbstauflösung? Niemand wird glauben, daß es wirklich die neue Verrechnungsart der Arbeitsstunden fürs Arbeitslosengeld der Intermittents ist, die den französischen Festivals im Sommer den Strom abgedreht hat und nun zum Saisonstart aufs neue für Aufregung sorgt (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Nudität zwangsläufig Die Premiere des Grazer Kunsthauses Das Kunsthaus der Kulturhauptstadt Graz, schon längst mit Spitznamen wie "blaue Blase" oder "Alien" bedacht, wird Ende September zwar termingerecht, aber nackt, nämlich ohne sein spektakuläres Fassadenkleid, eröffnet werden (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Denkmalreif Hamburgs Alter Elbtunnel wird geschützt Hamburgs Alter Elbtunnel an den St.- Pauli-Landungsbrücken soll unter Denkmalschutz gestellt werden. Dies erklärte Eckart Hannmann, der Leiter des Denkmalschutzamtes. Das Verfahrens soll voraussichtlich im Oktober dieses Jahres beendet sein (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Von Haftung und anderen Feinheiten Der Sammler und seine Rechte Die "European Fine Art Fair" in Maastricht, die Art Basel und die großen Auktionen des Frühjahrs sind vorüber. Die Umsätze beider Messen und der Auktionen können als Zeichen eines nach wie vor florierenden Kunsthandels gelten (Frankfurter Allgemeine Zeitung) http://www.faz.net/ So manches kommt in der Küche ans Licht Spanien blickt zurück auf ein erfolgreiches erstes Halbjahr / Der Staat gebraucht sein Vorkaufsrecht und schmückt seine Museen Für das erste Halbjahr verzeichnen die spanischen Auktionshäuser den besten Abschluß seit Jahren: Knapp fünf Millionen Euro erzielten die zehn teuersten Bilder, das ist bereits mehr, als im Jahr 2002 insgesamt mit Bildern der Kategorie ab 100 000 Euro eingenommen wurde (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Noch nicht genug Reform Der Konvent tagt: Frankreichs Versteigerer fühlen sich bevormundet Der französische Auktionshäuserverband "Syndicat National des Maisons de Ventes Volontaires" (Symev) hat auf seinem zweiten nationalen Konvent die Bilanz seiner eineinhalbjährigen Existenz gezogen und Strategien für die nähere Zukunft dargelegt (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Gestohlene Antiken Frederick Schultz sitzt in Haft Frederick Schultz, der frühere Präsident der amerikanischen "National Association of Dealers in Ancient, Oriental and Primitive Art", hat seine dreiunddreißig Monate dauernde Haftstrafe in einem Gefängnis in New Jersey nun angetreten (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Architektur aus Tüte, Karton und Decke Das Obdachlosenmagazin "Biss" arbeitet mit bekannten Fotokünstler Zum zehnjährigen Bestehen hat man sich jetzt eine Ausstellung gewährt. "Architektur der Obdachlosigkeit" nimmt in der Pinakothek der Moderne, jenem geweißelten Tempel der sich selbst feiernden Kunst, einen Raum ein (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=294376 Fiourucci macht schmerzfrei Junge Kunst im Migros Museum in Zürich: Mit mobilen Sound Systems werden die kulturellen Institutionen geentert (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/feuilleton/?cnt=295927& Was halten Sie vom Madonna-Kompromiss? Hessens Kunstminister Udo Corts hat den Kompromiss zwischen Darmstadt, Städel und dem hessischen Adel verkündet: Die 1526 von Hans Holbein dem Jüngeren gemalte Madonna kehrt nach einer Leihgabe ans Frankfurter Städel in etwa fünf Jahren wieder nach Darmstadt zurück, wo sie im dann umgebauten Landesmuseum statt bisher im Schlossmuseum zu sehen sein wird. Das Darmstadt-Team der Frankfurter Rundschau fragte bei Politikern und Bürgern nach, holte Meinungen und Stellungnahmen zu dem Madonna-Kompromiss ein (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/frankfurt_und_hessen/lokal_rundschau/offen bach_darmstadt/?cnt=296471&# Als das Kino plötzlich überall war Anne Hoormann zeigt in ihrer Studie über die Lichtspiele der zwanziger Jahre, wie das neue Medium in außerkünstlerische Bereiche hineinwirkte (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/das_politische_buch/?cnt =295858 Die Konkurrenz der Opfer Transnationales Gedächtnis als Alibi: Ein Zentrum gegen Vertreibungen in Berlin würde die Renationalisierung der Erinnerung befördern (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/feuilleton/?cnt=295926 Weiter Streit um Zentrum gegen Vertreibungen Die Vorsitzende des Bundes der Vertriebenen (BdV) und CDU-Bundestagsabgeordnete Erika Steinbach hat erneut bekräftigt, am Zentrum gegen Vertreibungen in Berlin festhalten zu wollen (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/politik/red-artikel693/ Lange Akten zum kurzen Prozess In Marburg wurde das "Forschungszentrum Kriegsverbrecherprozesse" eröffnet (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel708/ Das Blaue vom Himmel herunterholen Zeichnungen von Johann Georg von Dillis im Lenbachhaus in München (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel712/ Wir sehen uns im Jahr 3193! Wie die Bürger von Wemding Manfred Labers Jahrtausendwerk lieben lernten Vor nunmehr zehn Jahren beschloss der Stadtrat von Wemding ein Kunstwerk. Es wurde zum 1200jährigen Bestehens des Ortes begonnen und soll in weiteren 1200 Jahren, also im Jahr 3193, beendet sein (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/bayern/red-artikel808/ Kuh auf der Tapete 90 Werke von Andy Warhol bei einer Ausstellung in Prien (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/bayern/red-artikel809/ Herrscherinnen übers Fleischreich Eine Retrospektive in der Städtischen Galerie Delmenhorst zeigt Arbeiten des weitgehend vergessenen Malers Paul Kleinschmidt. Mit drallen, hochmütigen Weibern huldigen seine Bilder dem Matriarchat und preisen den Geist der Goldenen Zwanziger (TAZ) http://www.taz.de/pt/2003/09/06/a0355.nf/text Aus der Natur gerissene Kunst Eine Schau der Superlative: Die Wiener Albertina feiert das Genie Albrecht Dürers (Die Welt) http://www.welt.de/data/2003/09/06/164477.html Art Forum: Neuentdeckungen als Programm Die Berliner Messe für junge Kunst kämpft mit der internationalen Konkurrenz - Ausstellerzahl reduziert (Die Welt) http://www.welt.de/data/2003/09/06/164471.html 20 Jahre FRAC: Der französische Kunst-Staatsschatz Frankreichs Größe und die internationale Kunst: Eine beispielhafte Kunstinitiative feiert Geburtstag - und sich selbst (Die Welt) http://www.welt.de/data/2003/09/06/164473.html Dorotheum eröffnet eine Repräsentanz in München Der Expansionsdrang des größten österreichischen Auktionshauses (Eigenaussage: das größte im deutschsprachigen Raum), des mittlerweile als Privatfirma neu aufgestellten Dorotheums, ist ungebrochen (Die Welt) http://www.welt.de/data/2003/09/06/164468.html ++ Austrian newspapers / magazines Ars Electronica 2003: Festhalten flüchtiger Künste Die "CyberArts"-Ausstellung im O. K. Centrum für Gegenwartskunst versammelt Preisträger der "Goldenen Nicas" (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=k&id=375307 Kündigungswelle in der Kunsthalle Wien Das Sparprogramm schlägt wieder zu - Direktor Gerald Matt spricht vom "schwärzesten Tag seiner Zeit in der Kunsthalle" (Der Standard) http://derstandard.at/standard.asp?id=1411812 Immendorfs erste Ausstellung seit Kokain-Skandal Die Galeristin wundert Andrang und großes Medieninteresse nicht: "Wir sind ja nicht naiv" (Der Standard) http://derstandard.at/standard.asp?id=1411575 Verwahrloste Gedenkstätte Auch die Lieblosigkeit kann ausgestellt werden. Nur deshalb lohnt sich ein Besuch der Gedenkstätte in Franz Kafkas Kierlinger Sterbehaus (Der Standard) http://derstandard.at/standard.asp?id=1411447 Vincent Award für Pawel Althamer Polnischer Künstler errichtete Baumhaus vor Eingang der Biennale in Venedig (Der Standard) http://derstandard.at/standard.asp?id=1411574 ++ Swiss newspapers / magazines Neuer Wind und alte Ängste Polnische Debatte um ein «Zentrum gegen Vertreibungen» Polens Politik hat Stellung bezogen: Das in Deutschland gewünschte «Zentrum gegen Vertreibungen» solle europäischen Charakter haben und der Versöhnung dienen, doch am besten unter der Schirmherrschaft des Europarats und mit Standort in Sarajewo. Damit hat sich in der polnischen Debatte eine breite Abwehrfront gebildet: gegen den möglichen Standort Berlin und gegen eine vermeintlich in Deutschland vorhandene Tendenz, die Geschichte des Krieges neu zu schreiben (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/06/fe/page-article92INT.html Sag zum Abschied leise Hallo Im Palast der Republik staunen die letzten Besucher Vor dreizehn Jahren, im September 1990, stimmte der noch amtierende DDR-Ministerrat für die unverzügliche Schliessung des Palastes der Republik. Seither steht dieser leer und wartet mittlerweile asbestsaniert auf seinen Abriss. Bis dahin könnte der Bau mit Hilfe von Sponsoren für kulturelle Veranstaltungen genutzt werden. Grossen Zulauf gibt es jetzt schon: Führungen durch das einstige Volkshaus gewähren letzte Einblicke (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/06/fe/page-article8LGSP.html Balance zwischen Meer und Land Die Tate St. Ives feiert Barbara Hepworth (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/06/fe/page-article8Z0NR.html Schmetterlinge fliegen lassen Auf den Spuren von Jean Dubuffet In Reden und brillanten Essays polemisierte Jean Dubuffet gegen den Professionalismus in der «kulturellen Kunst». Er hatte erkannt, dass «Millionen von Ausdrucksmöglichkeiten existieren abseits der bekannten Hauptstrasse der Kultur». Er wollte beim Betrachter «eine Erneuerung seiner Sehgewohnheiten bewirken» und glaubte, dass es über das Sehen auch zu einer Erneuerung des Denkens kommen könne. Eine Spurensuche - nicht nur in Paris (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/06/li/page-article8XAVZ.html -- September, 7 ++ German newspapers / magazines Von Hasen und Händen Die Dürer-Ausstellung im Wiener Albertinum gibt einen Überblick über das riesige Schaffen des Renaissancekünstlers (Frankfurter Allgemeine Sonntagszeitung) http://www.faz.net/ Kreativer Big Bang im Ländle Ist das Schwabenland die Wiege der Kunst? Nach Ausgrabungsfunden scheint sicher: Die ältesten plastischen Kunstwerke der Welt stammen von der schwäbischen Alp. Archäologen jedoch wollen vom Kunst-Neandertaler nichts wissen. Bestenfalls ästhetisch sei der Jäger und Sammler gewesen (Der Spiegel) http://www.spiegel.de/wissenschaft/mensch/0,1518,264539,00.html Der Schöpfer Kein selbstloses Genie. Albrecht Dürer zeigte Heilige als Menschen und das Heilige im Menschen. Aber sein liebstes Modell war der Nürnberger sich selbst (Die Welt am Sonntag) http://www.wams.de/data/2003/09/07/165052.html Auf der Suche nach dem verlorenen Bild Eine Stiftung in Amsterdam fahndet in der ganzen Welt nach verschollenen Bildern. Ihr letzter Fund: Ein Altarbild von Albrecht Dürer (Die Welt am Sonntag) http://www.wams.de/data/2003/09/07/165051.html Sie glänzten nur wenige Sommer Die Amerikaner liebten sie, auf der Pariser Weltausstellung wurden sie prämiert. Jetzt versteigert Sotheby's die silbermontierten Vasen der böhmischen Glashütte Loetz-Witwe (Die Welt am Sonntag) http://www.wams.de/data/2003/09/07/165056.html Kunstmarkt bekommt Konkurrenz aus Österreich Neues Auktionshaus am Hofgarten - das Dorotheum lässt sich in München nieder (Die Welt am Sonntag) http://www.wams.de/data/2003/09/07/164939.html --- H-MUSEUM H-Net Network for Museums and Museum Studies E -Mail: [log in to unmask] WWW: http://www.h-museum.net __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 16:23:32 -0500 Reply-To: SUZANNA SIMOR <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: SUZANNA SIMOR <[log in to unmask]> Organization: Queens College, CUNY Subject: Queens College Art Center exhibition MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Dear Colleagues: Queens College Art Center cordially invites you to its 2003-2004 season, opening tomorrow with an exhibition Traces on the Wall: Works on Paper by Metka Krasovec. Presented are watercolor and mixed media works by this widely exhibited artist who lives and works in Ljubljana, Slovenia. The artist will lead a gallery tour at 5 pm. This will be followed by a reception. The exhibition is sponsored, in part, by the the College's Office of Research and Graduate Studies and by the Consulate General of the Republic of Slovenia. The Consul General, the Hon. Andrej Podvrsic, will attend the opening. All are welcome! For more information, please visit our website at http://forbin.qc.edu/Library/art/artcenter03_04.html Suzanna Suzanna Simor, Ph.D. Director, Queens College Art Center (T) 718 997-3771 (F) 718 997-3753 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 10:42:02 -1000 Reply-To: Ellen Chapman <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Ellen Chapman <[log in to unmask]> Subject: Re: Archives de l'Art Contemporain-Belgium Comments: To: Alba Fernandez <[log in to unmask]> In-Reply-To: <[log in to unmask]> MIME-version: 1.0 Content-type: TEXT/PLAIN; charset=X-UNKNOWN Content-transfer-encoding: QUOTED-PRINTABLE Several possibilities... The Museum of Contemporary Art (S.M.A.K.) Gent http://www.2hwy.com/be/s/smakmuse.htm MUHKA - Museum of Contemporary Art, Antwerp http://www.2hwy.com/be/m/muhka.htm Foundation for Contemporary Belgian Art, Brussells http://www.2hwy.com/be/f/founcoba.htm ULB - Museum of Contemporary Art/Muse d'art contemporain, Brussells http://www.2hwy.com/be/m/musecoar.htm |((| Ellen Chapman |))| University of Hawaii at Manoa Library On Mon, 8 Sep 2003, Alba Fernandez wrote: > Greetings, > > A staff member is looking for the e-mail contact of the Archives de > l'Art Contemporain in Belgium. > Any information would be greatly appreciated. Thank you very much! > > Alba Fernandez > > > .................................... > Alba Fernández, > Assistant Art Reference Librarian > Indianapolis Museum of Art > 4000 Michigan Road > Indianapolis, IN 46208-3326 > > Phone 317.920.2647 > Fax 317.931.1978 > [log in to unmask] > www.ima-art.org > .................................... > > __________________________________________________________________ > Mail submissions to [log in to unmask] > For information about joining ARLIS/NA see: > http://www.arlisna.org//membership.html > Send administrative matters (file requests, subscription requests, etc) > to [log in to unmask] > ARLIS-L Archives and subscription maintenance: > http://lsv.uky.edu/archives/arlis-l.html > Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] > __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 14:54:20 -0600 Reply-To: Eumie Imm-Stroukoff <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Eumie Imm-Stroukoff <[log in to unmask]> Subject: Georgia O'Keeffe Museum Research Center 2003-2004 scholarships in American Modernism MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The Georgia O'Keeffe Museum Research Center opened in July 2001 as a component of the Georgia O'Keeffe Museum. Dedicated to the study of American Modernism (1890s to the present), it sponsors research in the fields of art history, architectural history and design, literature, music, and photography through its annual, competitive scholarship program. The Research Center is pleased to announce the following scholars for the 2003-2004 research period: William Louis Anthes Assistant Professor, Art Department, University of Memphis "Native Moderns" September 2003 - May 2004 Anthes is preparing a book, "Native Moderns" in which he will explore the work of a small group of Native American painters and sculptors who were working after World War II and broke from the "art traditions" of their own culture to embrace and develop individual modernist styles. He will demonstrate how issues of identity, citizenship, cultural property, and sovereignty shape and are fundamental to an understanding of postwar American modernist culture. Alan C. Braddock Assistant Professor, Department of Fine Arts, Syracuse University "Displacing Orientalism: Thomas Eakins and Ethnographic Modernity" January 2004 - May 2004 Braddock will be examining the art of Thomas Eakins in relation to evolving anthropological conceptions of race and culture at the turn of the twentieth century. Special focus is on Eakins's 1895 portrait of, and friendship with, anthropologist Frank Hamilton Cushing, whose unprecedented fieldwork at Zuni Pueblo in New Mexico laid the foundation for modern cultural anthropology. Greg Forter Assistant Professor, Department of English, University of South Carolina "Melancholy Manhood: Gender Loss, and the Inability to Mourn in American Literacy Modernism" September 2003 - August 2004 Forter's project investigates gender, capitalism, and strategies of grieving in American literary modernism. The study concentrates on how the spread of monopoly capitalism between 1890 and 1920 gave rise to changes in the sex/gender system; how several male modernist writers experienced these changes as a profound loss; and how what they wrote reveals and seeks to resolve their conflicted responses to this issue. Theresa Leininger-Miller Associate Professor, Art History/School of Art, University of Cincinnati "Sculpting the New Negro: The Life and Work of Augusta Savage (1892-1962)" June 2004 - August 2004 Theresa Leininger-Miller will be working on a book, "Sculpting the New Negro: The Life and Work of Augusta Savage (1892-1962)," which will be the first monograph on one of the key leaders in the visual arts of the New Negro Movement, and it will establish Savage's place within and significance to the history of American Modernism. Linda Kim Ph.D. Candidate, Department of History of Art, University of California, Berkeley "Somatotypes: Race and Materiality in Early Twentieth-Century Sculpture and Photography" September 2003 - May 2004 In her dissertation, Kim investigates Malvina Hoffman's "Races of Mankind," an American sculpture series representing racial types for a natural history museum in the 1930s, and the particular qualities that made sculpture more apt at embodying race than either plaster mannequins or photography. Mark Andrew White Assistant Professor, Art Department, Oklahoma State University "Selling Abstraction: American Non-Objectivity in the 1930's" September 2003 - August 2004 White's research examines non-objective American art of the 1930s and the strategies abstractionists used to court the attention of indifferent critics and a hostile public. Areas of investigation include the American Abstract Artists, the Transcendental Painting Group, and the Williamsburg Housing Project. Further information about the Research Center or its Scholarship Program may be found in the museum web site: www.okeeffemuseum.org. Eumie Imm-Stroukoff Librarian and Archives Manager Georgia O'Keeffe Museum 217 Johnson St. Santa Fe, New Mexico 87501 505.946.1011 tel 505.946.1093 fax [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 8 Sep 2003 16:10:21 -0500 Reply-To: Linda Duychak <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Linda Duychak <[log in to unmask]> Subject: Reposting of thanks re Complete Photographer MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 8bit Many thanks to those who responded regarding my citation for "Complete Photographer." My student should have her article tomorrow. It's been said before...but this really is a *great* group! --Linda Duychak Kohler Art Library Univ. of Wisconsin, Madison P.S. I posted earlier to say my problem was solved, but I haven't seen the message come across ARLIS-L. Sorry for redundancy if my first email ever shows up. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 9 Sep 2003 09:53:57 +0100 Reply-To: Hinda Sklar <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Hinda Sklar <[log in to unmask]> Subject: Library valuation MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0012_01C376B8.499A12C0" This is a multi-part message in MIME format. ------=_NextPart_000_0012_01C376B8.499A12C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Folks, apparently my message got chopped off, so here it is again. Hinda Hinda F.Sklar The Librarian, and Administrative Deputy to the Chairman Architectural Association 34-36 Bedford Square London WC1B 3ES England [log in to unmask] Tel: 020 7887 4035 Fax: 020 7414 0782 AA website: http://www.aaschool.ac.uk I'm summarising replys to the question I asked earlier this summer about how to place an insurance value on library collections. I've tried to come up with replacement costs, using the following: 1. A message to ARLIS-L by Stephen Zeitz, Cleveland Public Library, on June 19, 2002, that I've copied here "We at CPL insure our collections for replacement value. To determine this value we use a variety of methods. This is particularly tricky in Fine Arts and Special Collections which I head. For Fine Arts we count the number of physical volumes, separating out the music from the visual arts. We keep separate track of folios and periodicals. We are able to determine the average cost to us of the volumes we have acquired by purchase over the last year. For the folios, it is necessary to sample the collection each time the insurance evaluation comes up. We look online in abebooks.com for the resale value of 40 to 50 folio volumes. We find a surprising number of them listed for sale. We then average the costs. For the rare materials, last year we hired a rarebook dealer to select items, estimate and substantiate his estimates, and list them separately. The number of rare books thus treated will increase as we continue doing the evaluations (we have just started this process). Periodicals are done by average subscription costs. Visual arts books must be accounted for separately from music because visual arts books tend to appreciate; music does not. I feel that as long as the costs of new books increases, we are accounting for the appreciation of the older stock. We have around 200,000 of these volumes to account for, so you can imagine how large the insurance value is! There is an equal quantity in Special Collections, so the amount of the capital value of the book collection in Fine Arts and Special Collections is staggering. The method we use is perhaps a little flawed, but it does give us a very good picture of what it would cost to replace anything we could replace. Stephen Zietz Fine Arts and Special Collections Cleveland Public Library" 2. A method suggested by Carol Terry from RISD in 1997, also copied below: For insurance purposes, we have determined the minimum replacement cost of the library collections at RISD as follows: Regular circulating collection @ $40 Oversized volumes @ $100 Special Collections half @$500 / half @ $1000 Vault collection @ $5000 Artists' books @$300 Bound periodicals @ $100 plus $30/volume for processing. AV Collections: Slides @ $5 + $5/proc. Clippings @ $1 (we have 425,000) Mounted reproductions @ $2 Posters @ $50 Record Albums @ $15 Compact discs @ $40 Videotapes @ $100 Microfiche sets @ $1000 The report based on these numbers was accepted by our insurance company. Carol Terry Rhode Island School of Design [log in to unmask] In the end, these are the figures I used, related to the kinds of collections we have. I've come up with a real "guesstimate", but we think the insurance company will accept it. Regular circulating & non-circulating collection (i.e. Main library, Gallery, Book Store, etc.): £32.00/volume Oversized volumes, circulating collection (Main, Book Store): £80.00/volume AA Collection Main: £75.00/vol. AA Collection Store: £32.00/vol. Exhibition Collection, regular sized volumes: £50.00/volume Exhibition Collection, oversized volumes: £70.00/volume 19th Century Collection, regular sized volumes: £50.00/volume 19th Century Collection, oversized volumes: £75.00/volume Bound periodical volumes: £65.00/volume Plus £20.00/volume for processing I also did some reading of one of the ARL Spec Kits--Spec Kit 272 : Insuring and Valuing Research Library Collections. I hope this is helpful to you all. I think the best way to do it is actually to get a dealer in that you trust and have worked with to do the valuation; we couldn't afford that, so I had to do it myself. Thank heavens for online catalogues that could provide item counts for me! Hinda F.Sklar The Librarian, and Administrative Deputy to the Chairman Architectural Association 34-36 Bedford Square London WC1B 3ES England [log in to unmask] Tel: 020 7887 4035 Fax: 020 7414 0782 AA website: http://www.aaschool.ac.uk __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0012_01C376B8.499A12C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1106" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2> <DIV><FONT face=Arial size=2>Folks, apparently my message got chopped off, so here it is again.</FONT></DIV> <DIV> </DIV> <DIV>Hinda</DIV> <DIV> </DIV> <DIV>Hinda F.Sklar<BR>The Librarian,<BR>and Administrative Deputy to the Chairman<BR>Architectural Association<BR>34-36 Bedford Square<BR>London WC1B 3ES<BR>England<BR><A href="mailto:[log in to unmask]">[log in to unmask]</A><BR>Tel: 020 7887 4035<BR>Fax: 020 7414 0782<BR>AA website: <A href="http://www.aaschool.ac.uk">http://www.aaschool.ac.uk</A></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>I'm summarising replys to the question I asked earlier this summer about how to place an insurance value on library collections. I've tried to come up with replacement costs, using the following:</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>1. A message to ARLIS-L by Stephen Zeitz, Cleveland Public Library, on June 19, 2002, that I've copied here</FONT></DIV> <DIV>"We at CPL insure our collections for replacement value. To determine<BR>this value we use a variety of methods. This is particularly tricky in<BR>Fine Arts and Special Collections which I head.<BR>For Fine Arts we count the number of physical volumes, separating out<BR>the music from the visual arts. We keep separate track of folios and<BR>periodicals. We are able to determine the average cost to us of the<BR>volumes we have acquired by purchase over the last year. For the folios,<BR>it is necessary to sample the collection each time the insurance<BR>evaluation comes up. We look online in abebooks.com for the resale value<BR>of 40 to 50 folio volumes. We find a surprising number of them listed<BR>for sale. We then average the costs. For the rare materials, last year<BR>we hired a rarebook dealer to select items, estimate and substantiate<BR>his estimates, and list them separately. The number of rare books thus<BR>treated will increase as we continue doing the evaluations (we have just<BR>started this process). Periodicals are done by average subscription<BR>costs.<BR>Visual arts books must be accounted for separately from music because<BR>visual arts books tend to appreciate; music does not. I feel that as<BR>long as the costs of new books increases, we are accounting for the<BR>appreciation of the older stock. We have around 200,000 of these volumes<BR>to account for, so you can imagine how large the insurance value is!<BR>There is an equal quantity in Special Collections, so the amount of the<BR>capital value of the book collection in Fine Arts and Special<BR>Collections is staggering.<BR>The method we use is perhaps a little flawed, but it does give us a very<BR>good picture of what it would cost to replace anything we could replace.<BR>Stephen Zietz<BR>Fine Arts and Special Collections<BR>Cleveland Public Library"<BR></DIV> <DIV><FONT face=Arial size=2>2. A method suggested by Carol Terry from RISD in 1997, also copied below:</FONT></DIV> <DIV><FONT face=Arial size=2> <FONT face="Times New Roman" size=3>For insurance purposes, we have determined the minimum replacement cost<BR>of the library collections at RISD as follows:<BR><BR>Regular circulating collection @ $40<BR>Oversized volumes @ $100<BR>Special Collections half @$500 / half @ $1000<BR>Vault collection @ $5000<BR>Artists' books @$300<BR>Bound periodicals @ $100<BR><BR>plus $30/volume for processing.<BR><BR>AV Collections:<BR><BR>Slides @ $5 + $5/proc.<BR>Clippings @ $1 (we have 425,000)<BR>Mounted reproductions @ $2<BR>Posters @ $50<BR>Record Albums @ $15<BR>Compact discs @ $40<BR>Videotapes @ $100<BR>Microfiche sets @ $1000<BR><BR>The report based on these numbers was accepted by our insurance company.<BR><BR>Carol Terry<BR>Rhode Island School of Design<BR><BR></FONT><A href="mailto:[log in to unmask]"><FONT face="Times New Roman" size=3>[log in to unmask]</FONT></A></FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>In the end, these are the figures I used, related to the kinds of collections we have. I've come up with a real "guesstimate", but we think the insurance company will accept it. </FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV><FONT face=Tahoma size=2> <DIV><FONT face=Arial>Regular circulating & non-circulating collection (i.e. Main library, Gallery, Book Store, etc.): £32.00/volume</FONT></DIV> <DIV><FONT face=Arial>Oversized volumes, circulating collection (Main, Book Store): £80.00/volume</FONT></DIV> <DIV><FONT face=Arial>AA Collection Main: £75.00/vol.</FONT></DIV> <DIV><FONT face=Arial>AA Collection Store: £32.00/vol.</FONT></DIV> <DIV><FONT face=Arial>Exhibition Collection, regular sized volumes: £50.00/volume</FONT></DIV> <DIV><FONT face=Arial>Exhibition Collection, oversized volumes: £70.00/volume</FONT></DIV> <DIV><FONT face=Arial>19<SUP>th</SUP> Century Collection, regular sized volumes: £50.00/volume</FONT></DIV> <DIV><FONT face=Arial>19<SUP>th</SUP> Century Collection, oversized volumes: £75.00/volume</FONT></DIV> <DIV><FONT face=Arial>Bound periodical volumes: £65.00/volume</FONT></DIV> <DIV><FONT face=Arial>Plus £20.00/volume for processing</FONT></DIV> <DIV><FONT face=Arial></FONT> </DIV> <DIV><FONT face=Arial>I also did some reading of one of the ARL Spec Kits--Spec Kit 272 : Insuring and Valuing Research Library Collections.</FONT></DIV> <DIV><FONT face=Arial></FONT> </DIV> <DIV><FONT face=Arial>I hope this is helpful to you all. I think the best way to do it is actually to get a dealer in that you trust and have worked with to do the valuation; we couldn't afford that, so I had to do it myself. Thank heavens for online catalogues that could provide item counts for me!</FONT></DIV> <DIV><FONT face=Arial></FONT> </DIV> <DIV><FONT face=Arial>Hinda F.Sklar<BR>The Librarian,<BR>and Administrative Deputy to the Chairman<BR>Architectural Association<BR>34-36 Bedford Square<BR>London WC1B 3ES<BR>England<BR><A href="mailto:[log in to unmask]">[log in to unmask]</A><BR>Tel: 020 7887 4035<BR>Fax: 020 7414 0782<BR>AA website: <A href="http://www.aaschool.ac.uk">http://www.aaschool.ac.uk</A></FONT></DIV></FONT></FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0012_01C376B8.499A12C0-- ========================================================================Date: Mon, 8 Sep 2003 22:40:18 -0400 Reply-To: Kim Nayyer <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Kim Nayyer <[log in to unmask]> Subject: Reminder: Digital Licensing Online Course MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii (This message is crossposted to several lists; please accept apologies for duplications.) **Reminder: Digital Licensing Online - Begins Soon** Copyrightlaws.com is pleased to announce its second offering of a unique online course on Digital Licensing. Dates: September 22 2003 to November 20 2003 Fee: US$ 99.00 The course is designed for information professionals who wish to learn more about licensing digital and online content - such as periodicals, databases and images - without attending a seminar. The target audience includes librarians, archivists, publishers, photographers, web site owners, content developers, and those in museums, educational institutions and governments. Participants will receive three e-lessons per week for nine weeks; each e-lesson has a self-marking quiz. Participants also will have access to an exclusive discussion list on the course content. This course is designed by Lesley Ellen Harris, author of several books and workshops on copyright and digital licensing. For further information on Lesley and her work, see: http://copyrightlaws.com. Course topics will include: * The concept of digital licensing * Developing a licensing strategy * Global aspects of licensing * Key concepts in licensing arrangements * Key clauses * Boiler plate clauses * Tips in negotiating licenses * Managing licenses For registration and course details, visit: http://www.acteva.com/go/copyright. For further information, email [log in to unmask] ______________________________________________________________________ Post your free ad now! http://personals.yahoo.ca __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 9 Sep 2003 07:56:55 EDT Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Sura Levine <[log in to unmask]> Subject: Re: Archives de l'Art Contemporain-Belgium MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_11a.27fe5923.2c8f1a07_boundary" --part1_11a.27fe5923.2c8f1a07_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear Members, Veronique Cardon is the archivist and the address you need for the archives de l'art contemporain in Brussels is: <A HREF="mailto:[log in to unmask]">[log in to unmask]</A> All best, Sura Levine Associate Professor of Art History Hampshire College Amherst, MA 01002 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_11a.27fe5923.2c8f1a07_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable <HTML><FONT FACE=arial,helvetica><FONT SIZE=3 FAMILY="SERIF" FACE="Book Antiqua" LANG="0">Dear Members,<BR> <BR> Veronique Cardon is the archivist and the address you need for the archives de l'art contemporain in Brussels is: </FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SERIF" FACE="Book Antiqua" LANG="0"> <A HREF="mailto:[log in to unmask]">[log in to unmask]</A></FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3 FAMILY="SERIF" FACE="Book Antiqua" LANG="0"><BR> <BR> All best,<BR> Sura Levine<BR> Associate Professor of Art History<BR> Hampshire College<BR> Amherst, MA 01002</FONT></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_11a.27fe5923.2c8f1a07_boundary-- ========================================================================Date: Tue, 9 Sep 2003 13:42:21 -0700 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Guenter Waibel <[log in to unmask]> Subject: Register now - MCN-RLG XML Workshop Comments: To: [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask] Comments: cc: [log in to unmask] MIME-Version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: quoted-printable ------------------------------------------------------ This message is being cross-posted. Apologies for duplication. ------------------------------------------------------ MCN-RLG cosponsored workshop ***Getting Started with XML, November 8, 2003*** University of Nevada, Las Vegas in conjunction with MCN 2003 Las Vegas, Nov 5-8 Designed for information professionals in the cultural heritage community, this workshop employs numerous examples, demonstrations, and structured, hands-on exercises in a computer lab setting to acquaint participants with XML (eXtensible Markup Language). Topics in this day-long event include adding value to electronic texts, creating archival finding aids, and implementing standards-compliant Web pages. The $150 fee covers the full day, including a 75-page workbook. By the close of the workshop you will have acquired a thorough introduction to XML and be able to - articulate why XML is important for museums and libraries, - list the six rules governing the syntax of XML documents, - create your very own XML markup language, - write XML documents using a plain text editor and validate them using a Web browser, - apply page layout and typographical techniques to XML documents using cascading style sheets, - create simple XML documents using a number of XML standards. What you learn in this workshop will enable you to evaluate uses of XML for making your institution's data and information more accessible to people as well as computers. Please register before October 1 at https://corpweb.igs.net/~clarkeservices/mcn/mcn2003/register.htm to secure a seat - space in the lab is limited, and seats are going fast! For more information on the workshop and the MCN annual conference in general, please see http://www.mcn.edu/Mcn2003/confmain/index.html. Instructor: Eric Lease Morgan, Head, Digital Access and Information Architecture Department, University Libraries of Notre Dame. Eric Morgan in an experienced instructor in this area as well as the principal of Infomotions, Inc., which offers consulting and programming services to help clients make better use of their information assets. Co-Sponsored by RLG Founded as the Research Libraries Group in 1974, RLG (www.rlg.org) is a not-for-profit membership corporation of universities, national libraries, archives, and other memory institutions with remarkable collections for research and learning. RLG and its members collaborate on projects that bring these collections online, help deliver them around the world, and support their preservation in digital form. Headquartered in Mountain View, California, RLG also has an office in New York City. Günter Waibel Program Officer/RLG **Until October 3, 2003** 1200 Villa Street. Mountain View CA 94041 USA **Beginning October 6, 2003** 2029 Stierlin Court, Suite 100, Mountain View, CA 94043 USA Phone (now and then): 650-691-2304 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 9 Sep 2003 21:57:04 +0000 Reply-To: Catherine Butler <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Catherine Butler <[log in to unmask]> Subject: artists' estates Mime-Version: 1.0 Content-Type: text/plain; format=flowed Hello list-members, I am currently working at the Autry Museum of Western Heritage in Los Angeles, CA where we are in the process of putting images of our holdings on-line. My job has been to track down artists and/or their estates to gain permission to put images of their artwork on the Autry website. There are a few that I have been unable to track down and I thought I might post them and see if anyone has leads on any of them or actually know who owns the rights. Thank you in advance! Catherine Butler, Autry Museum of Western Heritage, Electronic Cataloging Initiative. Leroy Archuleta Bryant Baker Edward Borein Charles Cristadoro Eve Drewelowe Harvey T. Dunn Anita Romero Jones George Lopez R. Brownell McGrew Ben Miller F. Luis Mora Enrique Rendon Thelma Ryan John Sloan William Standing _________________________________________________________________ Fast, faster, fastest: Upgrade to Cable or DSL today! https://broadband.msn.com __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 10 Sep 2003 09:43:05 -0400 Reply-To: "Lawson, Roger" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Lawson, Roger" <[log in to unmask]> Subject: FW: LEH Letter - Copyright, New Media Law & E-Commerce News (Vol. 7, no. 3: Sept. 9, 2003) Comments: cc: "Harris, Lesley Ellen" <[log in to unmask]> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable -----Original Message----- From: [log in to unmask] [mailto:[log in to unmask]] Sent: Tuesday, September 09, 2003 8:35 PM To: [log in to unmask] Subject: [Leh-letter] LEH Letter - Copyright, New Media Law & E-Commerce News FROM THE OFFICES OF LESLEY ELLEN HARRIS Copyright, New Media Law & E-Commerce News __________________________________________________________________ __________________________________________________________________ Vol. 7, No. 3, September 9, 2003 ISSN 1489-954X Contents: 1. Studies, Legislation and Conventions: UCITA Abandoned Australian Digital Copyright Review New WIPO Study on Digital Copyright U.S. Bill Gets Tough on Online File Sharing 2. Legal Cases: German Court Affirms Legality of Deep Linking U.S. Court Says Movie Trailers Protected by Copyright 3. Of Interest: Libraries Must Comply with CIPA by July 2004 4. Seminars: Digital Licensing Online __________________________________________________________________ __________________________________________________________________ Copyright, New Media & E-Commerce News is distributed for free by the office of Lesley Ellen Harris. Information contained herein should not be relied upon or considered as legal advice. Copyright 2003 Lesley Ellen Harris. This newsletter may be forwarded, downloaded or reproduced in whole in any print or electronic format for non-commercial purposes provided that its author is acknowledged and that you cc: [log in to unmask] This newsletter is archived with the National Library of Canada at: http://collection.nlc-bnc.ca/100/202/300/copyright-a/index.html __________________________________________________________________ __________________________________________________________________ 1. STUDIES, LEGISLATION AND CONVENTIONS: UCITA ABANDONED - Efforts to enact a nation-wide UCITA (Uniform Computer Information Transactions Act) have been abandoned. The President of the National Conference of Uniform State Laws announced in an August 1, 2003 letter to its' members that it will abandon its' efforts to lobby state legislatures to enact UCITA. UCITA proposes "default rules" for various contracts from software licenses to agreements for online access to databases, images and games. Since 1999, UCITA has only been passed in two states, Maryland and Virginia. Librarians and others have fought strongly against UCITA. AUSTRALIAN DIGITAL COPYRIGHT REVIEW - In consultation with the Australian Attorney-General's Department, issue papers have been prepared by the law firm Phillips Fox to discuss the Australian Government's Digital Agenda copyright reforms. The issue papers deal with: Libraries, Archives and Educational Copying; Carrier and Carriage Service Providers; Technology and Rights; and Circumvention Devices and Services, Technological Protection Measures and Rights Management Information. See the issues papers at: www.phillipsfox.com/whats_on/Australia/DigitalAgenda/DigitalAgenda.asp NEW WIPO STUDY ON DIGITAL COPYRIGHT - The World Intellectual Property Organization (WIPO) has released a study entitled, "WIPO Study on Limitations and Exceptions of Copyright and Related Rights in the Digital Environment." The study, prepared by Sam Ricketson, Professor of Law at the University of Melbourne, examines the limitations of digital copyright protection in conventions such as the Berne Convention and the WIPO Copyright Treaty. The study is available at http://www.wipo.int/documents/en/meetings/2003/sccr/pdf/sccr_9_7.pdf U.S. BILL GETS TOUGH ON ONLINE FILE SHARING - A Bill proposed in Congress by two Democrats would introduce harsh new penalties for online file sharing. The Author, Consumer and Computer Owner Protection and Security Act of 2003 envisions jail time of up to 5 years and fines of up to $250,000 US for uploading a single file to a peer-to-peer network. The Bill would also increase the budget of the justice department to investigate copyright crimes from $10 million to $15 million dollars a year. ________________________________________________________________________ ____ 2. LEGAL CASES: GERMAN COURT AFFIRMS LEGALITY OF DEEP LINKING - The German Federal Court recently held that a news service which provides direct links to online news articles did not violate copyright. The court said that the general interest in the smooth operation of the Web should take priority over publishers' rights, and that, without deep linking, meaningful use of the Internet would not be possible. U.S. COURT SAYS MOVIE TRAILERS PROTECTED BY COPYRIGHT - A U.S. federal court judge in New Jersey has ruled that movie trailers are an art form in themselves, and cannot be streamed on the Internet without permission of the copyright holder. In the case, Video Pipeline v. Buena Vista Home Entertainment, the judge noted that, despite the ruling that trailers are protected by copyright, there was nothing to prevent another company making their own version of a trailer. ________________________________________________________________________ ____ 3. OF INTEREST: LIBRARIES MUST COMPLY WITH CIPA BY JULY 2004 - The U.S. Federal Communications Commission (FCC) has set a deadline of July 1, 2004 for compliance with the filtering provisions of the Children's Internet Protection Act (CIPA). Under CIPA, libraries must install filtering software or be ineligible for e-rate discounts for Internet access or internal communications. The FCC decided to extend the compliance deadline following the ultimately unsuccessful legal challenge to CIPA mounted by organizations including the American Library Association and the American Civil Liberties Union. ________________________________________________________________________ ____ 4. SEMINARS: Digital Licensing Online will be offered for a second time beginning September 22, 2003. Full information on this online 9 week course on digital licensing is at: http://www.acteva.com/go/copyright or email: [log in to unmask] ________________________________________________________________________ ____ This newsletter is prepared by Lesley Ellen Harris, a Copyright and New Media Lawyer and Consultant. Lesley is the author of the books Digital Licensing (ALA Editions), Canadian Copyright Law (McGrawHill) and Digital Property: Currency of the 21st Century (McGrawHill). Lesley may be reached at [log in to unmask] and at http://copyrightlaws.com. ________________________________________________________________________ ____ This LEH-Letter issue was prepared with the help of Beth Davies. ------------------------------------------------- This mail sent through IMP: http://horde.org/imp/ _______________________________________________ Leh-letter mailing list [log in to unmask] http://max.listwizards.com/listinfo/leh-letter __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 10 Sep 2003 09:56:53 -0400 Reply-To: Patricia Thompson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Patricia Thompson <[log in to unmask]> Organization: Sloane Art Library Subject: New Dual Degree program MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_001A_01C37781.DCBBAF40" This is a multi-part message in MIME format. ------=_NextPart_000_001A_01C37781.DCBBAF40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear Colleagues- I'm happy to report that UNC-Chapel Hill will be offering a new dual degree program in art history/library and information science. My sincere thanks to BJ Irvine at Indiana for all her advice when I was preparing to present this possibility to the chairs/deans of the respective programs. At present there is no art librarianship course per se, but students can take the Methods course in the Art History program. Area librarians and I are offering a collection development workshop for the student group, AMLISS, this fall. The SILS announcement is: http://www.ils.unc.edu/ils/releases/RELEASE_dual_degree.html If anyone is interested, please contact SILS or the Art Department directly. Patricia T. Thompson Art Librarian Sloane Art Library University of North Carolina at Chapel Hill CB 3405 Hanes Art Center Chapel Hill NC 27599-3405 Tel. 919-962-2397 Fax 919-962-0722 e-mail [log in to unmask] www.lib.unc.edu/art __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_001A_01C37781.DCBBAF40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1226" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Dear Colleagues-</FONT></DIV> <DIV><FONT face=Arial size=2>I'm happy to report that UNC-Chapel Hill will be offering a new dual degree program in art history/library and information science. My sincere thanks to BJ Irvine at Indiana for all her advice when I was preparing to present this possibility to the chairs/deans of the respective programs. At present there is no art librarianship course per se, but students can take the Methods course in the Art History program. Area librarians and I are offering a collection development workshop for the student group, AMLISS, this fall.</FONT></DIV> <DIV><FONT face=Arial size=2>The SILS announcement is:</FONT></DIV> <DIV><FONT face=Arial size=2><A href="http://www.ils.unc.edu/ils/releases/RELEASE_dual_degree.html">http://www.ils.unc.edu/ils/releases/RELEASE_dual_degree.html</A></FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>If anyone is interested, please contact SILS or the Art Department directly.</FONT></DIV> <DIV><FONT face=Arial size=2>Patricia T. Thompson<BR>Art Librarian<BR>Sloane Art Library<BR>University of North Carolina at Chapel Hill<BR>CB 3405 Hanes Art Center<BR>Chapel Hill NC 27599-3405<BR>Tel. 919-962-2397 Fax 919-962-0722<BR>e-mail <A href="mailto:[log in to unmask]">[log in to unmask]</A><BR><A href="http://www.lib.unc.edu/art">www.lib.unc.edu/art</A></FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2></FONT> </DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_001A_01C37781.DCBBAF40-- ========================================================================Date: Wed, 10 Sep 2003 11:30:39 -0700 Reply-To: Jane Johnson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jane Johnson <[log in to unmask]> Subject: MIC in the press MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000E_01C3778E.F630F1D0" This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C3778E.F630F1D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Greetings All, There were a number of nice articles in the press last week about MIC: Moving Image Collections: Business Wire, 9/3/03: http://www.businesswire.com/cgi-bin/cb_headline.cgi?&story_file=bw.090303/23 2465575&directory=/google&header_file=header.htm&footer_fileComputer World, 9/3/03: http://www.computerworld.com/databasetopics/data/software/story/0,10801,8458 0,00.html Seattle Post-Intelligencer Reporter, 9/3/03: http://seattlepi.nwsource.com/local/137751_archive03.html Other articles appeared in the Atlanta Journal-Constitution, PC World Magazine, Internet News.com, Enterprise IT Planet, Linux World.com, Byte & Switch, Cox News Service, Network World Fusion, and Government Computer News. We welcome you to visit the MIC website for the latest developments: http://gondolin.rutgers.edu/MIC/. Note that there will also be a panel about MIC at the AMIA annual conference in Vancouver, B.C., November 18-22.(http://www.amianet.org/04_Annual/Annual2003.html). *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* Jane D. Johnson Project Coordinator MIC: Moving Image Collections A Library of Congress-AMIA Collaboration Library of Congress http://gondolin.rutgers.edu/MIC/ [log in to unmask] MIC: Moving Image Collections is a collaboration between the Library of Congress and the Association of Moving Image Archivists (AMIA) which is funded in part by a two-year grant from the National Science Foundation (NSF). MIC is a portal for discovery of moving image resources which will facilitate collaborative cataloging, preservation, programming, and digitization activities. It is part of the National Science Digital Library, and includes a union catalog, international directory of moving image repositories, cataloging utility, and education and outreach space. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_000E_01C3778E.F630F1D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1170" name=GENERATOR></HEAD> <BODY> <DIV> <DIV><SPAN class=104023421-09092003>Greetings All,</SPAN></DIV> <DIV><SPAN class=104023421-09092003></SPAN> </DIV> <DIV><SPAN class=104023421-09092003>There were a number of nice articles <SPAN class=698130018-10092003>in the press </SPAN>last week about <EM>MIC: Moving Image Collections</EM>:</SPAN></DIV> <DIV><SPAN class=104023421-09092003></SPAN> </DIV> <DIV><SPAN class=104023421-09092003>Business Wire, 9/3/03: <A href="http://www.businesswire.com/cgi-bin/cb_headline.cgi?&story_file=bw.090303/232465575&directory=/google&header_file=header.htm&footer_file">http://www.businesswire.com/cgi-bin/cb_headline.cgi?&story_file=bw.090303/232465575&directory=/google&header_file=header.htm&footer_file</A>=</SPAN></DIV> <DIV><SPAN class=104023421-09092003>Computer World, 9/3/03: <A href="http://www.computerworld.com/databasetopics/data/software/story/0,10801,84580,00.html">http://www.computerworld.com/databasetopics/data/software/story/0,10801,84580,00.html</A></SPAN></DIV> <DIV><SPAN class=104023421-09092003>Seattle Post-Intelligencer Reporter, 9/3/03: <A href="http://seattlepi.nwsource.com/local/137751_archive03.html">http://seattlepi.nwsource.com/local/137751_archive03.html</A></SPAN></DIV> <DIV><SPAN class=104023421-09092003></SPAN> </DIV> <DIV><SPAN class=104023421-09092003>Other articles appeared <SPAN class=698130018-10092003>in the Atlanta Journal-Constitution, </SPAN>PC World Magazine, Internet News.com, Enterprise IT Planet, Linux World.com, Byte & Switch, Cox News Service, Network World Fusion, and Government Computer News.</SPAN></DIV> <DIV><SPAN class=104023421-09092003></SPAN> </DIV> <DIV><SPAN class=104023421-09092003><SPAN class=698130018-10092003>We welcome you to visit </SPAN>the MIC website for the latest developments: <A href="http://gondolin.rutgers.edu/MIC/"><FONT color=#0000ff>http://gondolin.rutgers.edu/MIC/</FONT></A>. <SPAN class=698130018-10092003>Note that t</SPAN>here will also be a panel about MIC at the AMIA <SPAN class=698130018-10092003>annual </SPAN>conference in <SPAN class=698130018-10092003>Vancouver, B.C., </SPAN>November<SPAN class=698130018-10092003> 18-22.(<A href="http://www.amianet.org/04_Annual/Annual2003.html"><FONT color=#0000ff>http://www.amianet.org/04_Annual/Annual2003.html</FONT></A>)</SPAN>. </SPAN></DIV> <DIV><SPAN class=104023421-09092003></SPAN><SPAN class=104023421-09092003></SPAN> </DIV> <DIV><SPAN class=104023421-09092003> <DIV><SPAN class=055454617-29072002> <DIV><SPAN class=147054819-19072002>*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*<BR>Jane D. Johnson<BR><SPAN class=104023421-09092003>Project </SPAN>Coordinator</SPAN></DIV> <DIV><SPAN class=147054819-19072002>MIC: Moving Image Collections</SPAN></DIV> <DIV><SPAN class=147054819-19072002>A Library of Congress-AMIA Collaboration</SPAN></DIV> <DIV><SPAN class=147054819-19072002><SPAN class=698130018-10092003></SPAN>L<SPAN class=698130018-10092003>ibrary of Congress</SPAN><BR><A href="http://gondolin.rutgers.edu/MIC/"><FONT color=#000000>http://gondolin.rutgers.edu/MIC/</FONT></A><BR></SPAN><SPAN class=147054819-19072002><A href="mailto:[log in to unmask]"><FONT color=#000000>[log in to unmask]</FONT></A> </SPAN></DIV> <DIV><SPAN class=147054819-19072002></SPAN> </DIV> <DIV><SPAN class=147054819-19072002><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: Garamond; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><EM>MIC: Moving Image Collections</EM></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: Garamond; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"> is </SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">a collaboration between the Library of Congress and the Association of Moving Image Archivists (AMIA) which is funded in part by a two-year grant from the National Science Foundation (NSF).<SPAN style="mso-spacerun: yes"> </SPAN></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: Garamond; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">MIC is a portal for discovery of moving image resources which will facilitate collaborative cataloging, preservation, programming, and digitization activities.<SPAN style="mso-spacerun: yes"> </SPAN>It is part of the National Science Digital Library, and includes a union catalog, international directory of moving image repositories, cataloging utility, and education and outreach space.<SPAN style="mso-spacerun: yes"> </SPAN></SPAN></SPAN></DIV> <DIV><SPAN class=147054819-19072002><FONT size=2></FONT></SPAN> </DIV></SPAN></DIV></SPAN></DIV></DIV> <DIV> </DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_000E_01C3778E.F630F1D0-- ========================================================================Date: Wed, 10 Sep 2003 15:29:21 -0500 Reply-To: "Dodds, Kathrin" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Dodds, Kathrin" <[log in to unmask]> Subject: Architecture Librarian position MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Mississippi State University has an opening for an Architecture Branch Librarian and I was hoping ARLIS would post it. All of the information is contained at the following link. http://library.msstate.edu/library/employment/Assistant_Professor_Architectu re_Librarian.asp Thank you. Kathrin Dodds Asst. Prof/Librarian & Information Specialist Mississippi State University College of Architecture Jackson Branch Library 601-354-6184 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 11 Sep 2003 14:21:05 -0400 Reply-To: "Patricia Lynagh (by way of \"Kerri A. Scannell\" <[log in to unmask]>)" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Patricia Lynagh (by way of \"Kerri A. Scannell\" <[log in to unmask]>)" <[log in to unmask]> Subject: Charles C. Eldredge Prize Announced Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed 15th Annual Eldredge Prize Awarded for Examination of Censorship in 20th-Century American Art The Smithsonian American Art Museum has awarded the 2003 Charles C. Eldredge Prize for Distinguished Scholarship in American Art to Richard Meyer, associate professor of art history at the University of Southern California. His recent book, Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (Oxford University Press, 2002), is recognized for its groundbreaking historical analysis of the relationship between homosexuality and censorship in American art from 1934 through 2000. The three jurors who awarded the $2,000 prize were: Wanda M. Corn, Robert and Ruth Halperin Professor in art history at Stanford University; Sally Promey, professor in the department of art history and archaeology, University of Maryland; and Carol Troyen, John Moors Cabot Curator of paintings for the art of the Americas, Museum of Fine Arts, Boston. "We commend Meyer for the complexities of his arguments and for his generous, often personalized, voice," the Eldredge Prize jurors wrote in their decision. "While he makes it clear that he cares deeply about the issues of free sexual choice and free speech, it is the brilliance of his analysis that makes his scholarly advocacy so powerful. On several occasions, he shares with his readers his own sense of vulnerability in writing about explicit sexual imagery especially in an era that is itself prone to censorship. We found his interpretations to be comprehensive and multivalent, leaving plenty of room for readers to draw their own conclusions." The jurors also commented that "this beautifully written book analyzes difficult and controversial visual material with great care, sensitivity and intelligence." "Richard Meyer's outstanding book expands our knowledge of the dynamics at work in 20th-century American visual culture," said Elizabeth Broun, the museum's Margaret and Terry Stent Director. "The Smithsonian American Art Museum has a long history of supporting new research and new ideas." Outlaw Representation is a study of five different historical moments, from the confiscation of a painting by the U.S. Navy in 1934 to the culture wars over arts funding in the 1990s, when artists were censored and put under public scrutiny for creating sexual imagery deemed indecent, immoral or dangerous. The book focuses on particular artworks and the controversies they aroused in the careers of Paul Cadmus, Andy Warhol, Robert Mapplethorpe, David Wojnarowicz, Gran Fury (an AIDS activist collective) and Holly Hughes. In each case Meyer grounds his analysis in meticulous archival research, using newspaper coverage, personal and institutional correspondence, interviews, documentary photographs and other archival and visual data to work through the multi-layered cultural meanings inherent in these history-making events. Meyer received his doctorate from the University of California at Berkeley in 1996. He is currently the acting chair of the department of art history and an associate professor of modern and contemporary art at the University of Southern California, where he teaches courses on 20th-century American art and the history of photography. Meyer was the curator for "Paul Cadmus: The Sailor Trilogy" at the Whitney Museum of American Art in 1996 and served as a postdoctoral fellow at the Getty Research Institute in 1998. He is the editor of Representing the Passions: Histories, Bodies, Visions (Getty Research Institute, 2003). The Charles C. Eldredge Prize, named in honor of the former director of the museum (1982-1988), is sponsored by the American Art Forum, a patrons' support organization. This annual award, initiated in 1989, seeks to recognize originality and thoroughness of research, excellence of writing and clarity of method. Single-author, book-length publications in the field of American art history appearing within the three previous calendar years are eligible. It is especially meant to honor those authors who deepen or focus debates in the field or who broaden the discipline by reaching beyond traditional boundaries. The deadline for 2004 nominations is Dec. 1, 2003. Recent Eldredge Prize recipients include: --2002: Anthony W. Lee, Picturing Chinatown: Art and Orientalism in San Francisco (University of California Press, 2001) --2001: Jodi Hauptman, Joseph Cornell: Stargazing in the Cinema (Yale University Press, 1999) --2000: Wanda M. Corn, The Great American Thing: Modern Art and National Identity, 1915-1935 (The University of California Press, 1999) Further information about the Eldredge Prize and a complete list of past winners is available on the museum's Web site at http://AmericanArt.si.edu/study/opportunities-eldredge.html. The museum's research programs include fellowships for pre- and postdoctoral scholars, extensive photographic collections documenting American art and artists, and unparalleled art research databases. An active publications program of books, catalogs and the journal American Art complements the museum's exhibitions and educational programs. Eldredge Prize Lecture On Thursday, Nov. 20 at 3 p.m., Richard Meyer will present the annual Eldredge Prize lecture, titled "Outlaws: Queer Art and Public Controversy Since the Culture Wars," in the Grand Salon at the Renwick Gallery of the Smithsonian American Art Museum, located on Pennsylvania Avenue at 17th Street N.W. This event is free and open to the public but reservations are required; call (202) 275-2313. For more information, call (202) 275-1557. The Smithsonian American Art Museum collection began with gifts of art donated to the federal government in 1829 and has evolved into the world's most important American art holdings with approximately 40,000 artworks in all media spanning more than three centuries. While the renovation of the museum's historic building continues, American Art offers a full program of exhibitions at its Renwick Gallery (Pennsylvania Avenue at 17th Street N.W.). For information about Renwick Gallery activities, call (202) 357-2700 or visit the museum's award-winning Web site at AmericanArt.si.edu. Pat Lynagh Reference Librarian AA/PG Library Smithsonian Institution PO Box 37012 VB 2100, MRC 975 Washington, DC 20012-7012 (202) 275-1915 FAX (202) 275-1929 ----------------------------- /\ /\ o o == X = __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 11 Sep 2003 16:17:29 -0400 Reply-To: Stephen Zietz <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Stephen Zietz <[log in to unmask]> Subject: mail art MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Content-disposition: inline The Cleveland Public Library has just made accessible a small online exhibition of mail art. Baron's Mail Art Collection is a recent acquisition in the Library's Special Collections. The address is www.cpl.org/ExhibitHall.asp?FormMode=Exhibit&ID# If this link does not work, try www.cpl.org. Go to the exhibit hall tab on the upper heading bar. This should lead you to a selection of exhibitions. The mail art exhibition is the newest exhibition and is top on the list at the left of the screen. Stephen Zietz Head, Fine Arts and Special Collections Cleveland Public Library __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 11 Sep 2003 23:47:14 +0000 Reply-To: Catherine Butler <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Catherine Butler <[log in to unmask]> Subject: thank you Mime-Version: 1.0 Content-Type: text/plain; format=flowed I want to thank everyone who responded to my e-mail regarding artists and their estates. This list is extremely helpful and effective! Catherine Butler _________________________________________________________________ Send and receive larger attachments with Hotmail Extra Storage. http://join.msn.com/?PAGEþatures/es __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 09:43:35 -0500 Reply-To: Jane Zander <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jane Zander <[log in to unmask]> Subject: When is an art librarian/paraprofessional CATALOGER not a clerk? MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C3793C.40DEBD26" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C3793C.40DEBD26 Content-Type: text/plain; charset="iso-8859-1" Dear ARLIS members, This message really concerns anyone in ARLIS who is actively involved in the cataloging of art materials in a professional, or paraprofessional, capacity. Help is really needed with this issue. I know that this type of discussion has appeared before on this and probably other listservs, but I could use some specific and current information about how to communicate that art catalog librarians/paraprofessional catalogers are really not clerks or data processors--no offense to those who function in those capacities--and what it is we do that makes us professional/paraprofessional. Citations from specific articles, books, chapters in books and/or conference contributions stressing the intellectual or managerial activities of catalogers are needed, and. more importantly, your relevant comments. Also needed is information about how librarians and paraprofessional catalogers are ranked; I know that many universities have a ranking system of 1-IV for Librarians and/or Librarian Assistants. A brief definition of the skills and activities required for each ranking would be extremely useful. Also, is any difference in salary or ranking made because of job function? Catalogers of art materials have often not made it into the range of "professional" in terms of pay and it would appear that we must be able to explain in detail, but as simply as possible in "layman's terms," what it is we do. This is not so for all types of librarians. For example: Everyone seems to know what an art reference librarian does and most people wouldn't want to try to answer all the tricky art questions that reference librarians are asked to deal with--so art reference librarians must have quite a background in art history and therefore, they are "professional." And the art acquisitions librarians order, and sometimes choose, and pay for books--so they must be "professional," if only like a CPA who reads or looks at art books. Collection development librarians are"professional" because who else but someone with an impressive background in art/art history would know what books and materials to order out of all those many choices? But art catalogers just set and type and fill out those numbered computer fields, so their work is really just clerical, non-managerial, and definitely non-professional. This void of perception is particularly true in the area of catalogers' "management" activities, which is a prime factor used by most human resource depts in determining salaries; catalogers are not perceived as "managers" even though we do a great deal of "managing" and teaching. As we all know, most art catalogers do not arrive actually knowing how to catalog or possessed of foreign language skills in the areas of art, art history or publishing. And catalogers teach them and manage their work and revise their cataloging; sounds managerial/supervisory to me--we just often do not get paid for this work. How can we effectively, but simply, explain the vast pool of knowledge, experience, and flexibility necessary to produce a proffesional/paraprofessional art cataloger? Any simple, enlightening explanation for the uninformed would be much appreciated... Please respond personally to me rather than to the list and I will try to post a synopsis of replies to the list at a later date. Thanking you in advance... Jane Zander Senior Catalog Librarian Nelson-Atkins Museum of Art 4525 Oak Street Kansas City, MO 64111 [log in to unmask] <mailto:[log in to unmask]> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C3793C.40DEBD26 Content-Type: text/html; charset="iso-8859-1" <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1"> <META content="MSHTML 5.00.3315.2870" name=GENERATOR></HEAD> <BODY style="COLOR: #808000; FONT-FAMILY: Times New Roman" hb_focus_attach="true"> <DIV><STRONG> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>Dear <SPAN class6435615-28082003>ARLIS members,</SPAN></STRONG></SPAN></FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003></SPAN></STRONG></SPAN></FONT> </DIV> <DIV><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003></SPAN></STRONG></SPAN><FONT size=4><SPAN class6435615-28082003>This message really concerns anyone in ARLIS who is actively involved in the cataloging of art materials in a professional, or paraprofessional, capacity.</SPAN> </FONT></DIV> <DIV> </DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003>Help is really needed</SPAN> with this <SPAN class6435615-28082003>issue</SPAN>. I know that this type of discussion has appeared before on <SPAN class6435615-28082003>this and probably other</SPAN> listservs, but I could use some specific and current information about how to communicate that <SPAN class6435615-28082003>art </SPAN>catalog librarians<SPAN class6435615-28082003>/</SPAN>paraprofessional catalogers are really not clerks or data processors--no offense to those who function in those capacities--and what it is we do that makes us professional/paraprofessional.<SPAN class6435615-28082003> </SPAN></STRONG></SPAN></FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003></SPAN></STRONG></SPAN></FONT><FONT size=4> </FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>Citations from specific articles, books, chapters in books<SPAN class6435615-28082003> and/or </SPAN>conference contributions <SPAN class6435615-28082003>stressing the intellectual or managerial activities of catalogers </SPAN>are <SPAN class6435615-28082003>needed, and. more importantly, your relevant comments.</SPAN> </STRONG></SPAN></FONT></DIV> <DIV><SPAN class9431215-25082003><STRONG></STRONG></SPAN><FONT size=4> </FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003>Also needed is</SPAN> information about how librarians and paraprofessional catalogers are ranked; I know that many universities have a ranking system of 1-IV <SPAN class6435615-28082003>for Librarians </SPAN>and/or Librarian Assistants. A <SPAN class6435615-28082003>brief </SPAN>definition of the skills and activities required for each ranking would be extremely useful. Also, is any difference in salary or ranking made because of job function?</STRONG></SPAN></FONT></DIV> <DIV><SPAN class9431215-25082003><STRONG></STRONG></SPAN><FONT size=4> </FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>Catalogers <SPAN class6435615-28082003>of art materials </SPAN>have often not made it into the range of "professional" in terms of pay and <SPAN class6435615-28082003>it would appear that we </SPAN>must be able to explain in detail, but as simply as possible in "layman's terms," what it is we do<SPAN class6435615-28082003>. This is not so for all types of librarians. For example:</SPAN></STRONG></SPAN></FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG></STRONG></SPAN></FONT> </DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>Everyone seems to know what a<SPAN class6435615-28082003>n art</SPAN> reference librarian does and most people wouldn't want to try to answer all the <SPAN class6435615-28082003>tricky art </SPAN>questions <SPAN class6435615-28082003>that </SPAN>reference librarians are asked<SPAN class6435615-28082003> to deal with</SPAN>--so <SPAN class6435615-28082003>art </SPAN>reference librarians must <SPAN class6435615-28082003>have quite a background in art history and therefore, they are</SPAN> "professional."</STRONG></SPAN></FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG></STRONG></SPAN></FONT> </DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>And the <SPAN class6435615-28082003>art </SPAN>acquisitions librarians order, and sometimes choose, and pay for books--so they must be "professional<SPAN class6435615-28082003>," </SPAN>if only like a<SPAN class6435615-28082003> CPA</SPAN> who reads<SPAN class6435615-28082003> or looks at art </SPAN>books.</STRONG></SPAN></FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003></SPAN></STRONG></SPAN></FONT> </DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003>C</SPAN><SPAN class6435615-28082003>ollection development librarians are"professional" because who else but someone with an impressive background in art/art history would know what books and materials to order out of all those many choices?</SPAN></STRONG></SPAN></FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG><SPAN class6435615-28082003></SPAN></STRONG></SPAN></FONT> </DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>But <SPAN class6435615-28082003>art </SPAN>catalogers just set and type and fill out those numbered computer fields, so their work is really just clerical, <SPAN class6435615-28082003>non-managerial, </SPAN>and definitely non-professional<SPAN class6435615-28082003>. This void of perception is </SPAN><SPAN class6435615-28082003>p</SPAN><SPAN class6435615-28082003>articularly true in the area of catalogers' "management" activities, which is a prime factor used by most human resource depts in determining salaries; catalogers are not perceived as "managers" even though we do a great deal of "managing" and teaching. As we all know, most art catalogers do not arrive actually knowing how to catalog or possessed of foreign language skills in the areas of art, art history or publishing. And catalogers teach them and manage their work and revise their cataloging; sounds managerial/supervisory to me--we just often do not get paid for this work.</SPAN></STRONG></SPAN></FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003></SPAN></FONT> </DIV> <DIV><FONT size=4><SPAN class9431215-25082003><SPAN class6435615-28082003>How can we effectively, but simply, explain the vast pool of knowledge, experience, and flexibility necessary to produce a proffesional/paraprofessional art cataloger? </SPAN></SPAN></FONT></DIV> <DIV><SPAN class9431215-25082003><STRONG></STRONG></SPAN><FONT size=4> </FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>Any <SPAN class6435615-28082003>simple, </SPAN>enlightening <SPAN class6435615-28082003>explanation</SPAN> for the uninformed would be much appreciated...</STRONG></SPAN></FONT></DIV> <DIV><SPAN class9431215-25082003></SPAN><FONT size=4> </FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>Please respond personally to me rather than to the list and I will <SPAN class6435615-28082003>try to </SPAN>post a synopsis of replies to the list at a later date.</STRONG></SPAN></FONT></DIV> <DIV><SPAN class9431215-25082003></SPAN><FONT size=4> </FONT></DIV> <DIV><FONT size=4><SPAN class9431215-25082003><STRONG>Thanking you in advance...</STRONG></SPAN></FONT></DIV> <DIV><SPAN class9431215-25082003></SPAN><FONT size=4> </FONT></DIV> <DIV><FONT size=4><STRONG>Jane Zander</STRONG></FONT></DIV> <DIV><FONT size=4><STRONG>Senior Catalog Librarian</STRONG></FONT></DIV> <DIV><FONT size=4><STRONG>Nelson-Atkins Museum of Art</STRONG></FONT></DIV> <DIV><FONT size=4><STRONG>4525 Oak Street</STRONG></FONT></DIV> <DIV><FONT size=4><STRONG>Kansas City, MO 64111</STRONG></FONT></DIV> <DIV><FONT color=#808000 size=4><STRONG><A href="mailto:[log in to unmask]">[log in to unmask]</A></STRONG></FONT></DIV> <DIV> </DIV></STRONG></DIV> <P></P></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C3793C.40DEBD26-- ========================================================================Date: Fri, 12 Sep 2003 10:58:55 -0400 Reply-To: "Hughston, Milan" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Hughston, Milan" <[log in to unmask]> Subject: Internship, Museum of Modern Art MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" The Library of The Museum of Modern Art seeks applicants for a paid internship working with the Museum's Latin American Specialist in implementing a new program documenting Latino and Hispanic visual arts in the New York metropolitan area. This project is made possible by a generous grant from METRO (Metropolitan New York Library Council). Successful candidates should show strong current involvement with, and commitment to, the Latino visual art community in New York City. Previous library experience and/or enrollment in a graduate program in Library Science is preferred . The Intern will work closely with the Latin American Specialist and other library staff in the acquisition and processing of incoming material for inclusion in our new website featuring library holdings in Latin American Modern and Contemporary Art: http://momaapps.moma.org/shtmlpgs/lab/Home.html Please contact Milan R. Hughston, Chief of Library and Museum Archives for further information. _____________________________ Milan R. Hughston Chief of Library & Museum Archives The Museum of Modern Art 11 W. 53rd St. New York, NY 10019 212/708-9409;212/333-1122 (fax) [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 11:18:25 -0400 Reply-To: Jack Robertson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jack Robertson <[log in to unmask]> Subject: OCLC Report on Libraries MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Dear Folks who like to see big numbers, Take a look at this brief (six-page) pdf report provided by OCLC: http://www5.oclc.org/downloads/community/librariesstackup.pdf -- jack * * * * * * * * * * * * Jack Robertson. Foundation Librarian. Jefferson Library Thomas Jefferson Foundation P.O. Box 316. Charlottesville, VA 22902 434-984-7545 || 434-984-7546 fax [log in to unmask] || www.monticello.org/library __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 11:56:56 -0400 Reply-To: "Wolf, Eric" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Wolf, Eric" <[log in to unmask]> Subject: LC Subject Headings of interest to Art Librarians from August Week l y Lists MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable List of new Subject Headings of interest to Art Librarians from August LC Weekly Lists: 151 Agora (Heraclea, Italy) 110 Anderson Hall (Seattle, Wash.) 150 Animated films--Japan 150 Animated television programs [May Subd Geog] 150 Animated videos [May Subd Geog] 150 Animation (Cinematography) [May Subd Geog] 150 Anime 150 Architecture--Korean--Choson dynasty, 1392-1910 151 Argentina--Civilization--Mediterranean influences 150 Art facilities--Washington (State) 150 Art, Korean--Choson dynasty, 1392-1910 150 Art, Latin American--Italian influences 150 Art woodwork 150 Arts, Tibetan [May Subd Geog] 110 Assateague Lighthouse (Va.) 151 Avenue of the Americas (New York, N.Y.) 151 Battlefords Provincial Park, The (Sask.) 151 Belgium--Civilization--Islamic influences 110 Birch Bayh federal Building and United States Courthouse (Indianapolis, Ind.) 150 Boathouses--Washington (State) 110 British Airways London Eyd (London, England) 151 Buffalo Pound Provincial Park (Sask.) 110 Carl T. Curtis National Park Service Midwest Regional Headquarters Building (Omaha, Neb.) 110 Chateau de Lucens (Lucens, Switzerland) 150 Cinematography--Electronic equipment [May Subd Geog] 110 Clark Hall (Seattle, Wash.) 150 College presidents--Dwellings--Washington (State) 110 Conibear Shellhouse (Seattle, Wash.) 150 Corridoio vasariano (Galleria deglie Uffizi) 151 Crooked Lake Provincial Park (Sask.) 151 Danielson Provincial Park (Sask.) 150 Decoration and ornament--Korea--History--Choson dynasty, 1392-1910 150 Decorative arts--Korea--History--Choson dynasty, 1392-1910 151 Dillberry Lake Provincial Park (Alta.) 150 Dormitories--Washington (State) 151 Douglas Provincial Park (Sask.) 151 Duck Mountain Provincial Park (Sask.) 150 Easter in art 151 Echo Reservoir (Utah) 151 Echo Valley Provincial Park (Sask.) 150 Ecuadorians in art 110 Electrical Engineering Building (Seattle, Wash.) 150 Etching, Scottish [May Subd Geog] 150 Exhibit stands [May Subd Geog] 150 Exhibitions--Equipment and supplies [May Subd Geog] 150 Exhibitors [May Subd Geog] 150 Extinct cities--Portugal 150 Fan painting, Korean--Choson dynasty, 1392-1910 150 Fashion--Effects of architecture on [May Subd Geog] 150 Felt [May Subd Geog] 150 Ferris wheels [May Subd Geog] 150 Figure sculpture, Dutch [May Subd Geog] 150 Fly fishing in art 110 Forest Close (New York, N.Y.) 110 Forestry Building (Seattle, Wash.) 151 Fort Gorgast (Germany) 150 Franks in art 151 Freizeitpark Blauer See (Ratingen, Germany) 151 Fremont Bridge (Seattle, Wash.) 150 Furniture--Korea--Choson dynasty, 1392-1910 110 Glenn Hughes Penthouse Theatre (Seattle, Wash.) 110 Globe Theatre (London, England : 1996- ) 151 Good Spirit Lake Provincial Park (Sask.) 150 Graden squares [May Subd Geog] 151 Gran Via (Madrid, Spain) 151 Grand Canal (China) 151 Gibbs' Hill Lighthouse and Park (Bermuda Islands) 110 Hambacher Schloss (Neustadt an der Weinstrasse, Germany) 110 Henderson Hall (Seattle, Wash.) 110 Husky Union Building (Seattle, Wash.) 151 Italy--Civilization--Slovenian influences 150 Japanese animation 150 Japanimation 110 Kane Hall (Seattle, Wash.) 151 Lac La Ronge Provincial Park (Sask.) 151 Lake Washington Ship Canal Bridge (Seattle, Wash.) 110 Lander Hall (Seattle, Wash.) 150 Landscape painting, Korean--Choson dynasty, 1392-1910 151 Liberal Arts Quad (Seattle, Wash.) 150 Lighthouses--Virginia 151 Lost Creek Reservoir (Morgan County, Utah) 151 Makwa Lake Provincial Park (Sask.) 151 Malcolm X Boulevard (New York, N.Y.) 110 Mary Gates Hall (Seattle Wash.) 110 Meany Hall (Seattle, Wash. : 1974- ) 151 Montlake Bridge (Seattle, Wash.) 151 Montlake Landfill (Seatlte, Wash.) 150 Motion pictures--Westen influences 150 Motion picture theaters--Ohio 110 Mount, The (Lenox, Mass.) 150 Narration for silent films [May Subd Geog] 150 Narrative painting, Korean--Choson dynasty, 1392-1910 150 Natural history museums--Collection management [May Subd Geog] 151 Newport Plantation (S.C.) 150 Observation wheels [May Subd Geog] 150 Observation wheels--England 150 Official residences--Washington (State) 110 Ohio Theatre (Columbus, Ohio) 151 Opera posters [May Subd Geog] 150 Opera posters, Polish [May Subd Geog] 150 Painting, Korean--Choson dynasty, 1392-1910 110 Palazzo Donghi (Padua, Italy) 110 Palazzo Zuccari (Rome, Italy) 150 Parking garages--Washington (State) 110 Parrington Hall (Seattle, Wash.) 150 Patriotism in motion pictures 150 Photography--Electronic equipment [May Subd Geog] 150 Playing cards in bookplates [May Subd Geog] 150 Porcelain, Korean--Choson dynasty, 1392-1910 150 Pottery, Korean--Choson dynasty, 1392-1910 110 Roberts Hall (Seattle, Wash.) 150 Robots in art 110 Rose Mont (Gallatin, Tenn.) 151 Saskatchewan Landing Provincial Park (Sask.) 110 Schloss Fussberg (Gauting, Germany) 150 Scrolls, Korean--Choson dynasty, 1392-1910 150 Self-portraits, Belgian [May Subd Geog] 150 Semiotics and archaeology [May Subd Geog] 151 Sheldon Plantation (S.C.) 110 Sieg Hall (Seattle, Wash.) 150 Signs and symbols on postage stamps 150 Skid row [May Subd Geog] 151 Snake Butte Reservoir Dam (Mont.) 150 Student Unions--Washington (State) 110 Terry Hall (Seattle, Wash.) 110 Thomson Hall (Seattle, Wash.) 151 Tomotley Plantation (S.C.) 151 Trounson Kauri Park (N.Z.) 110 Utopia Theatre (Paineville, Ohio) 110 Walker-Ames Residence (Seattle, Wash.) 150 Walker-Ames Room (Kane Hall, Seattle, Wash.) 150 Watercolor painting, Korean--Yi dynasty, 1392-1910 110 Wildwood Estate (Mentor, Ohio) 150 Woodwork--Korea--History--Choson dynasty, 1392-1910 Eric Wolf, Assistant Cataloger Frick Art Reference Library of the Frick Collection 10 East 71st Street, New York, NY 10023 Tel: 212-547-0679 Fax: 212-547-0680 Email address: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 11:28:08 -0400 Reply-To: ARLIS/NA <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: ARLIS/NA <[log in to unmask]> Subject: Manager, Audiovisual & Imaging Services, OCAD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit OCAD, one of Canada's leading institutions for advanced education in art and design currently requires an experienced librarian to join us in the position of: Manager, Audiovisual & Imaging Services The successful candidate will be responsible for supporting the Vice-President, Academic in planning and directing the operation of Audiovisual & Imaging Services, comprised of Visual Resources (slides & digital image collections, including the image archives), AV Equipment, and the Permanent Collection, as well as ensuring the provision of collections and services relevant to the curriculum and the needs of the College community. Summary of Responsibilities: Participate in departmental planning, in consultation with the Vice-President, Academic, Director of Library Services, and Directors/Managers of other academic support units Report to the Vice-President, Academic on the overall operation, achievement of broad objectives, effectiveness, and integration of Audiovisual & Imaging Services with the curriculum, and in meeting the needs of faculty and students Serve on College committees as required; recommend future directions and strategies to insure that Audiovisual & Imaging Services continues to meet the needs of the curriculum and the College community Participate in the development and implementation of policies relating to academic services Supervise Audiovisual & Imaging Services staff, including setting goals, monitoring progress, evaluating employee performance, coaching and supporting professional development Prepare the annual operating, capital, renovation/alteration, and special grant budgets for Audiovisual & Imaging Services in consultation with the Director of Library Services and the Directors/Managers of other academic support units; and prioritize the distribution of available departmental resources Research, identify, plan and implement initiatives to advance the Audiovisual & Imaging Services' digital presence within the College and within the broader art and design community Oversee development of webpages to support Audiovisual & Imaging Services Research funding opportunities and develop grant applications in consultation with the Director of Library Services, Directors/Managers of other academic support units, and the VP Academic's office Plan and coordinate special projects including automation of processes & collections; digitization of images; digital preservation of archival materials; creation of unique digital image collections, including web-based learning objects that utilize both image and text; and provision of audiovisual equipment for curricular use Develop partnerships and participate in consortia, to improve access to audiovisual & imaging collections and services Contribute to the art/design library profession through research, publication, consultation, and committee work Perform other related duties as assigned Qualifications: < Masters degree in Library or Information Science from an ALA accredited institution, with a degree in Art, Design or the Humanities, or equivalent < Minimum of 5 years of continuous employment within a technology-rich academic library setting, with experience administering AV Equipment and Image Collections < Minimum of 3 years supervisory experience with a demonstrated ability to manage both unionized and non-unionized staff, including staff development & training < Knowledge of contemporary art and design < Working knowledge of equipment and image database management systems and applications, and the ability to lead in their future development < In-depth knowledge of standards and evolving technologies for the creation, storage, archiving, dissemination and use of digital images in the classroom < Knowledge of archival conservation issues and strategies; licensing practices and protocols; and copyright, legal and ethical issues related to visual resources management in Canada < Strong leadership and problem solving skills, including creativity and initiative in planning and facilitating projects < Strong organizational skills and demonstrated success with grant writing, project and budget management for large-scale automation and digital imaging projects < Excellent oral and written communication and presentation skills < Evidence of scholarly research and/or active participation and contribution to the library profession Compensation: $58,659 - $68,997 plus an excellent benefits package Interested applicants are invited to submit an updated resume, with a cover letter to: Human Resources Department Ontario College of Art & Design 100 McCaul Street, Toronto, Ontario M5T 1W1 Fax: (416) 977-3034 E-mail: [log in to unmask] Deadline: Friday, October 31, 2003, 4pm. As an employment equity employer, we encourage applications from women, First Nations People, visible minorities, and people with disabilities. All qualified persons are encouraged to apply, however, Canadians and permanent residents of Canada will be given priority. While we thank all candidates for their interest, only those short-listed will be contacted --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.514 / Virus Database: 312 - Release Date: 8/28/03 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 11:54:01 -0400 Reply-To: "Stephen (Steve) Majure" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Stephen (Steve) Majure" <[log in to unmask]> Subject: needed: Ceramics Art & Perception Comments: To: [log in to unmask] MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Content-disposition: inline posted to BACKSERV & ARLIS-L, please forgive any duplication. The Jen Library is in need of one issue of Ceramics Art & Perception: #51. We never rec'd our copy and the publisher is out of stock. We can reimburse postage with stamps or check. Please e-mail me if you are able to help. Thanks for checking! Steve Majure Jen Library Savannah College of Art and Design PO Box 3146 Savannah, GA 31402-3146 p (912) 525-4702 f (912) 525-4715 e [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 11:19:32 -0500 Reply-To: "Deborah K. Ultan" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Deborah K. Ultan" <[log in to unmask]> Subject: Symposium Announcement Comments: To: [log in to unmask] Mime-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ***************FALL SYMPOSIUM SPECIAL ANNOUNCEMENT**************** Registration opens today for the MINERVA 2003 SYMPOSIUM Minnesota Resources in the Visual Arts November 14th, 8:30-4:30 pm at the Weisman Art Museum About the symposium: Visual resources are being digitized to preserve collections, enhance education and provide research tools that are easily and widely accessible. These digital image resources are an exciting development in step with our increasingly visual culture, and their availability has been both prolific and well-received. Consequently, standards and practices for the design, usage and maintenance of digital image resources demand the critical attention of institutions and professionals developing these collections. The Minnesota Electronic Resources in the Visual Arts (MINERVA) 2003 Symposium offers an enriching program that focuses on the fundamental issues affecting digital image collections. In its third year, MINERVA ’03 will be held at the Weisman Art Museum on Friday, November 14th. Research professionals from Minnesota libraries, museums, historical centers, academic and other private or public research institutions interested in or actively developing digital image collections are encouraged to attend. The symposium is an opportunity to learn about digital preservation policies, metadata standards and pedagogical practices. MINERVA ’03 welcomes three nationally recognized guest speakers: Günter Waibel, Program Officer from the Research Libraries Group (RLG) and specialist in digital content and preservation; Bradley D. Westbrook, Librarian from the University of California, San Diego, a participant in the Union Catalog for Art Images project funded by the Andrew Mellon Foundation; and Christina Updike, Visual Resources Curator at James Madison University (JMU), a leading collaborator in the JMU Digital Image Database initiative. The MINERVA ’03 program also presents a panel session with three special guests representing digital image projects from around the state along with the featured national speakers. A founder of the Minnesota Digital Library Coalition (MDLC), Professor Keith Ewing of St. Cloud State University will moderate the discussion. *** To join us on Friday, November 14, 2003, please see the MINERVA '03 Symposium web site at http://minerva.umn.edu/ or go directly to the registration form at http://minerva.umn.edu/Registration2003.pdf *** For questions about the program or registration contact Deborah Ultan at (612)625-6438 *** The MINERVA 2003 Symposium continues to encourage cooperative sharing of ideas, expertise, and resources among institutions building or considering online image collections. The MINERVA 2003 Symposium fosters collaborative relationships between cultural heritage and museum institutions, the academic community and libraries. The MINERVA 2003 Symposium is co-sponsored by the Weisman Art Museum, the College of Architecture and Landscape Architecture, the College of Liberal Arts and the University of Minnesota Libraries. *** Deborah K. Ultan ph: (612)625-6438 Art/Art History Librarian fax: (612) 626-9353 University of Minnesota email: [log in to unmask] 170b Wilson Library 309 19th Ave South Minneapolis, MN 55455 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 12:42:06 -0400 Reply-To: Amy Schofield <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Amy Schofield <[log in to unmask]> Subject: Largess Comments: To: [log in to unmask] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline The Adam & Sophie Gimbel Design Library of Parsons School of Design has the following titles available for the cost of postage: The Art Museum in America. Pach, Walter. Pantheon, New York, 1948. The College Blue Book: Degrees Offered by College and Subject. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Narrative Descriptions. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Occupational Education. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Scholarships, Fellowships, Grants, and Loans. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Tabular Data. Simon & Schuster, New York, 1995, 25th ed. Directory of Research Grants. Oryx, Phoenix, AZ, 2000. Electronic Job Search Almanac: 1999. Sampson, Heidi E, ed. Adams Media, Holbrook, MA, 1998. The Foundation Directory. Jacobs, David G., ed. Foundation Center, New York, 2000. The Foundation Grants Index. MacLean, Rebecca, ed. Foundation Center, New York, 1999. Graduate Programs in the Humanities, Arts & Social Sciences. Peterson's, Stamford, Connecticut, 2001, book 2. Grant Finder (Science): The Complete Guide to Postgraduate Funding Worldwide. St. Martin's, New York, 2000. The Grants Register. Hackwood, Sara, ed. St. Martin's, New York, 2000, 18th ed. Kuwait Urbanization: Documentation Analysis Critique. Shiber, Saba G. National Directory of Arts Internships. Christensen, Warren, ed. NNAP, Los Angeles, 2000, 8th ed. National Guide to Funding In Arts & Culture. Foundation Center, New York, 1994, 3rd ed. Standard Directory of Advertising Agencies: The Agency Red Book, July. LexisNexis, New Providence, NJ, 2002. Standard Directory of Advertisers: Business Classifications. LexisNexis, New Providence, NJ, 2002, vol. 1. Standard Directory of Advertisers: Indexes. LexisNexis, New Providence, NJ, 2002, vol. 2. Standard Directory of Advertisers: Supplement, July. LexisNexis, New Providence, NJ, 2002. Standard Directory of Advertising Agencies: Supplement, October. LexisNexis, New Providence, NJ, 2002. The Yale Daily News Guide to Internships. Kaplan, New York, 1998. Amy Schofield Reference Librarian Adam and Sophie Gimbel Library Parsons School of Design 212-229-5587 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 12 Sep 2003 14:06:15 -0400 Reply-To: John Taormina <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: John Taormina <[log in to unmask]> Subject: Southeastern College Art Conference 2003 Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="============_-1148732493==_ma============" --============_-1148732493==_ma===========Content-Type: text/plain; charset="us-ascii" ; format="flowed" SECAC 2003 Raleigh, North Carolina October 29 - November 1, 2003 The annual meeting of the Southeastern College Art Conference (SECAC) will be held in conjunction with the Tri State Sculptors in Raleigh, North Carolina from October 29 - November 1, 2003. The meeting will be jointly hosted by the North Carolina State University's Department of Art and Design and Meredith College's Department of Art. The joint meeting of SECAC and Tri State Sculptors allows a rich menu of traditional sessions and panels as well as the "hands-on" demonstrations and workshops that are a traditional part of the Tri State meetings. Artist Alison Saar will be the keynote speaker. Please see http://www.meredith.edu/art/secac/default.htm for details on the conference city, the conference hotel, air and ground transportation, and conference registration. Advanced registration deadline: October 1, 2003. The Visual Resources Curators Group has a day-and-a-half of special VR events planned. In addition to a formal session at the conference hotel and a roundtable at Duke University (see below), many site visits have been scheduled to take advantage of the North Carolina Triangle cities' concentration of major universities: NC State University in Raleigh, Duke University in Durham, and the University of North Carolina in Chapel Hill. Raleigh is easily accessible by car or plane and VR specialists and art librarians in North Carolina and the neighboring states of Tennessee, Georgia, Virginia, Maryland, and South Carolina, and the city of Washington should take advantage of this exciting regional VR meeting. VISUAL RESOURCES CURATORS GROUP EVENTS Friday, Oct. 31 "VR CURATORS ON THE ROAD IN THE TRIANGLE" (subject to modification) 9:00-10:00 Raleigh VR Site Visit: North Carolina State University, Visual Resources Library 11:00-12:00 Durham VR Site Visit: Duke University, Center for Documentary Studies 12:00-1:00 Durham Lunch 1:15-2:00 Durham VR Site Visit: Duke University, Visual Resources Center 2:00-3:30 Durham VR Roundtable: Out With the Bath Water: The Orphaning of the Analog Image Surrogate. Duke University, East Campus, free and open to the public (see below) 4:00-5:00 Chapel Hill VR Site Visit: University of North Carolina Evening Raleigh Halloween Night Gallery Walk Saturday, Nov. 1 10:30-12:00 Raleigh VR Session: Current Directions in Digital Imaging: Theory and Practice. Conference Hotel, registration required (see below) 12:00-1:30 Raleigh VR Lunch and Business Meeting: Greenshields Brewery and Pub, Raleigh (www.greenshields.com) Evening NC Museum of Art reception VR ROUNDTABLE Out With the Bath Water: The Orphaning of the Analog Image Surrogate Moderator: Mark Pompelia, Rice University Abstract: At a time when visual resources professionals are still grappling with the idea and reality of parallel collections management (analog and digital), decisions are being made with greater frequency-at both the national and local levels-that will directly affect the future viability of the 35mm color slide in the visual resources collection. This growing pattern of abandonment is being established by image owners, users, and providers. The move toward digital-only collections has occurred at major institutions with substantial film holdings as well as at startup collections in smaller departments and schools; academic and museum activity, from field research to classroom presentation to publications, regularly occurs on a strictly digital pathway. Image vendors can now offer a complete digital inventory of their film holdings, with new offerings only from digital source material. Major new initiatives are built only as digital resources; and an increasing number of film manufacturers and local film processors are discontinuing slide film services due to declining demand. Unlike traditional book publishing that has not been hurt by the emergence of e-books and e-journals, the specialized nature of art image collections renders them highly susceptible to these shifts in market and user behaviors; thus the field of visual resources is irrevocably altered. This roundtable does not look to explore how visual resources professionals should manage, classify, or control a growing number of digital materials; rather it seeks to gauge the imminence-the problems and promise-of the digital-only environment. VR SESSION Current Directions in Digital Imaging: Theory and Practice Moderator: John J. Taormina, Duke University Abstract: Presentations will discuss practices, procedures, and problems related to developing a viable digital imaging program; case studies of implementing digital programs; existing software programs developed for digital archives and digital delivery; licensing and using online image resources; digital consortia; teaching with the digital format; and digital assets management Speakers: Ann Baird Whiteside, University of Virginia "Metadata: Today, Tomorrow, Forever" Christina B. Updike, James Madison University "Integrating Digital Imagery Into the Classroom: MDIDv2 and the ARTstor Beta-Test" Jenni Rodda, Institute of Fine Arts, New York University "MDID at the IFA: Workflow, Implementation, and Application Strategies" Rachel Kuhn, North Carolina State University "Luna Imaging Insight Implementation for Photographic Collections: Planning, Selection, and Discovery" -- John J. Taormina Director of Visual Resources Dept. of Art and Art History Duke University Box 90764 Durham NC 27708-0764 Ph: 919-684-2501 E-mail: [log in to unmask] http://www.duke.edu/web/art/ Editor, Visual Resources Association Bulletin http://www.vraweb.org __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1148732493==_ma===========Content-Type: text/html; charset="us-ascii" <!doctype html public "-//W3C//DTD W3 HTML//EN"> <html><head><style type="text/css"><!-- blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 } --></style><title>Southeastern College Art Conference 2003</title></head><body> <div><font size="+1"><b>SECAC 2003</b></font></div> <div><font size="+1"><b>Raleigh, North Carolina</b></font></div> <div><font size="+1"><b>October 29 - November 1, 2003</b></font></div> <div><br></div> <div><font color="#000000">The annual meeting of the Southeastern College Art Conference (SECAC) will be held in conjunction with the Tri State Sculptors in Raleigh, North Carolina from October 29 - November 1, 2003. The meeting will be jointly hosted by the North Carolina State University's Department of Art and Design and Meredith College's Department of Art. The joint meeting of SECAC and Tri State Sculptors allows a rich menu of traditional sessions and panels as well as the "hands-on" demonstrations and workshops that are a traditional part of the Tri State meetings. Artist Alison Saar will be the keynote speaker.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">Please see http://www.meredith.edu/art/secac/default.htm for details on the conference city, the conference hotel, air and ground transportation, and conference registration. <b> Advanced registration deadline: October 1, 2003</b>.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">The<b> Visual Resources Curators Group</b> has a day-and-a-half of special VR events planned. In addition to a formal session at the conference hotel and a roundtable at Duke University (see below), many site visits have been scheduled to take advantage of the North Carolina Triangle cities' concentration of major universities: NC State University in Raleigh, Duke University in Durham, and the University of North Carolina in Chapel Hill.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">Raleigh is easily accessible by car or plane and VR specialists and art librarians in North Carolina and the neighboring states of Tennessee, Georgia, Virginia, Maryland, and South Carolina, and the city of Washington should take advantage of this exciting regional VR meeting.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000"><br></font></div> <div><font size="+1" color="#000000"><b>VISUAL RESOURCES CURATORS GROUP EVENTS</b></font></div> <div><font size="+1" color="#000000"><b><br></b></font></div> <div><font color="#000000"><u>Friday, Oct. 31<br> </u><x-tab> </x-tab><br> "VR CURATORS ON THE ROAD IN THE TRIANGLE"</font></div> <div><font color="#000000">(subject to modification)</font></div> <div><font color="#000000"><br> 9:00-10:00 Raleigh<x-tab> </x-tab><x-tab> </x-tab></font></div> <div><font color="#000000"><i>VR Site Visit</i>: North Carolina State University, Visual Resources Library</font><br> </div> <div><font color="#000000">11:00-12:00 Durham<x-tab> </x-tab><br> <i>VR Site Visit</i>: Duke University, Center for Documentary Studies<br> <br> 12:00-1:00 Durham<x-tab> </x-tab><x-tab> </x-tab><br> Lunch<br> <br> 1:15-2:00 Durham<x-tab> </x-tab></font></div> <div><font color="#000000"><i>VR Site Visit</i>: Duke University, Visual Resources Center</font></div> <div><font color="#000000"><br> 2:00-3:30 Durham<x-tab> </x-tab></font></div> <div><font color="#000000"><i>VR Roundtable</i>: Out With the Bath Water: The Orphaning of the Analog Image Surrogate. Duke University, East Campus, free and open to the public (see below)<x-tab> </x-tab></font></div> <div><font color="#000000"><br> 4:00-5:00 Chapel Hill<x-tab> </x-tab><x-tab> </x-tab></font></div> <div><font color="#000000"><i>VR Site Visit</i>: University of North Carolina</font></div> <div><font color="#000000"><br> Evening Raleigh<x-tab> </x-tab><x-tab> </x-tab><br> Halloween Night Gallery Walk<br> <br> <br> <u>Saturday, Nov. 1</u></font><br> </div> <div><font color="#000000">10:30-12:00 Raleigh<x-tab> </x-tab></font></div> <div><font color="#000000"><i>VR Session</i>: Current Directions in Digital Imaging: Theory and Practice. Conference Hotel, registration required (see below)</font></div> <div><font color="#000000"><br> 12:00-1:30 Raleigh<x-tab> </x-tab><x-tab> </x-tab></font></div> <div><font color="#000000"><i>VR Lunch and Business Meeting</i>: Greenshields Brewery and Pub, Raleigh</font></div> <div><font color="#000000">(<u>www.greenshields.com</u>)<br> <br> Evening<x-tab> </x-tab><x-tab> </x-tab><br> NC Museum of Art reception<br> <br> <br> <br> <b>VR ROUNDTABLE<br> <br> </b><i>Out With the Bath Water: The Orphaning of the Analog Image Surrogate<br> <br> </i>Moderator: Mark Pompelia, Rice University<br> <br> Abstract:<br> At a time when visual resources professionals are still grappling with the idea and reality of parallel collections management (analog and digital), decisions are being made with greater frequency-at both the national and local levels-that will directly affect the future viability of the 35mm color slide in the visual resources collection. This growing pattern of abandonment is being established by image owners, users, and providers. The move toward digital-only collections has occurred at major institutions with substantial film holdings as well as at startup collections in smaller departments and schools; academic and museum activity, from field research to classroom presentation to publications, regularly occurs on a strictly digital pathway.<br> Image vendors can now offer a complete digital inventory of their film holdings, with new offerings only from digital source material. Major new initiatives are built only as digital resources; and an increasing number of film manufacturers and local film processors are discontinuing slide film services due to declining demand. Unlike traditional book publishing that has not been hurt by the emergence of e-books and e-journals, the specialized nature of art image collections renders them highly susceptible to these shifts in market and user behaviors; thus the field of visual resources is irrevocably altered.</font></div> <div><font color="#000000">This roundtable does not look to explore how visual resources professionals should manage, classify, or control a growing number of digital materials; rather it seeks to gauge the imminence-the problems and promise-of the digital-only environment.</font></div> <div><font color="#000000"><br> <br> <br> <b>VR SESSION<br> <br> </b><i>Current Directions in Digital Imaging: Theory and Practice<br> <br> </i>Moderator: John J. Taormina, Duke University<br> <br> Abstract:<br> Presentations will discuss practices, procedures, and problems related to developing a viable digital imaging program; case studies of implementing digital programs; existing software programs developed for digital archives and digital delivery; licensing and using online image resources; digital consortia; teaching with the digital format; and digital assets management<br> <br> Speakers:<br> <br> Ann Baird Whiteside, University of Virginia<br> "Metadata: Today, Tomorrow, Forever"<br> <br> Christina B. Updike, James Madison University<br> "Integrating Digital Imagery Into the Classroom: MDIDv2 and the ARTstor Beta-Test"<br> <br> Jenni Rodda, Institute of Fine Arts, New York University<br> "MDID at the IFA: Workflow, Implementation, and Application Strategies"<br> <br> Rachel Kuhn, North Carolina State University<br> "Luna Imaging Insight Implementation for Photographic Collections: Planning, Selection, and Discovery"</font></div> <div><br></div> <x-sigsep><pre>-- </pre></x-sigsep> <div><font color="#000000">John J. Taormina</font></div> <div><font color="#000000">Director of Visual Resources<br> Dept. of Art and Art History<br> Duke University<br> Box 90764<br> Durham NC 27708-0764</font></div> <div><font color="#000000"><br> Ph: 919-684-2501<br> E-mail: [log in to unmask]</font></div> <div><font color="#000000">http://www.duke.edu/web/art/</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">Editor,<i> Visual Resources Association Bulletin</i></font></div> <div><font color="#000000">http://www.vraweb.org</font></div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1148732493==_ma============-- ========================================================================Date: Fri, 12 Sep 2003 14:56:19 -0500 Reply-To: Biblioteca <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Biblioteca <[log in to unmask]> Subject: An expresionistic painting MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00CF_01C3793E.06400CE0" This is a multi-part message in MIME format. ------=_NextPart_000_00CF_01C3793E.06400CE0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello feriends of ARLIS: Sometime ago I sent a message concerning a patron who wants to find out about a painting she has in her house. Painted mainly in blues and green, it depicts bathers by the sea. Some of you aswered about this before but I think the request was sent in a wrong time (holidays for you in the Northern Hemisphere). Many thanks to those who answered. I have jpg of the painting if someone wants to see it. The data is the following: 1. Apparently, it is a german expresionistic painter. 2. The signature reads any of the following, GRINANT, GERINANT, CURISSANT, AVINANT 3. Title: "Obsternte am Bodensee" Berlin - Dahlem 16.4.1923 This is the only information we have. I have checked out the Benezit we have and there is nothing. Perhaps you can guide me to a web on expressionist german painters. Here in peru we do not have much infromation on this cocern apart from our local expressionistic painters. Thanks a lot in advance for any help... Gustavo von Bischoffshausen H. Bibliotecario Biblioteca Manuel Solari Swayne Museo de Arte de Lima __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_00CF_01C3793E.06400CE0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content="text/html; charset=iso-8859-1" http-equiv=Content-Type> <META content="MSHTML 5.00.2614.3500" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Hello feriends of ARLIS:</FONT></DIV> <DIV><FONT face=Arial size=2> <DIV> </DIV></FONT></DIV> <DIV><FONT face=Arial size=2>Sometime ago I sent a message concerning a patron who <FONT face=Arial size=2>wants to find out about a painting she has in her house. Painted mainly in blues and green, it depicts bathers by the sea. Some of you aswered about this before but I think the request was sent in a wrong time (holidays for you in the Northern Hemisphere). Many thanks to those who answered.</FONT> <DIV> <DIV> </DIV> <DIV>I have jpg of the painting if someone wants to see it.</DIV></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>The data is the following:</FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>1. Apparently, it is a german expresionistic painter. </FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>2. The signature reads any of the following, G</FONT><FONT face=Arial size=2>RINANT, GERINANT, CURISSANT, AVINANT</DIV> <DIV> </DIV> <DIV>3. Title: "Obsternte am Bodensee" Berlin - Dahlem 16.4.1923</DIV> <DIV> </DIV> <DIV>This is the only information we have. </DIV> <DIV> </DIV> <DIV>I have checked out the Benezit we have and there is nothing. Perhaps you can guide me to a web on expressionist german painters. Here in peru we do not have much infromation on this cocern apart from our local expressionistic painters. </DIV> <DIV> </DIV> <DIV>Thanks a lot in advance for any help...</DIV> <DIV> </DIV> <DIV>Gustavo von Bischoffshausen H.<BR>Bibliotecario<BR>Biblioteca Manuel Solari Swayne<BR>Museo de Arte de Lima</DIV></FONT></FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_00CF_01C3793E.06400CE0-- ========================================================================Date: Sat, 13 Sep 2003 12:03:46 -0500 Reply-To: Biblioteca <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Biblioteca <[log in to unmask]> Subject: Expresionistic painting galleries MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_009E_01C379EF.15DAA0A0" This is a multi-part message in MIME format. ------=_NextPart_000_009E_01C379EF.15DAA0A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello ARLIS subscribers: Concerning my anterior request on a german expressionistic paintig, I would like to know if there are any comercial galleries specialized in expressionism in Germany to whom I could write. Thanks a lot in advance. Gustavo von Bischoffshausen H. Bibliotecario Biblioteca Manuel Solari Swayne Museo de Arte de Lima __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_009E_01C379EF.15DAA0A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content="text/html; charset=iso-8859-1" http-equiv=Content-Type> <META content="MSHTML 5.00.2614.3500" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Hello ARLIS subscribers:</FONT></DIV> <DIV><FONT face=Arial size=2> <DIV> </DIV></FONT></DIV> <DIV><FONT face=Arial size=2>Concerning my anterior request on a german expressionistic paintig, I would like to know if there are any comercial galleries specialized in expressionism in Germany to whom I could write.</FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>Thanks a lot in advance.</FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>Gustavo von Bischoffshausen H.<BR>Bibliotecario<BR>Biblioteca Manuel Solari Swayne<BR>Museo de Arte de Lima</FONT></DIV> <DIV> </DIV><FONT face=Arial size=2><FONT face=Arial size=2> <DIV> </DIV></FONT></FONT></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_009E_01C379EF.15DAA0A0-- ========================================================================Date: Mon, 15 Sep 2003 10:35:31 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Pamela J. Eyerdam" <[log in to unmask]> Subject: "Antiques Road Show " comes to Cleveland on Monday, September 15 MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT TONIGHT !! -- Monday Sept 15th Colleagues: According to Cleveland State University's "University Library News," the Antiques Road Show is coming to Cleveland! In fact, the popular PBS series will inaugurate its new season on Monday, September 15 with a show featuring postcard images from the Walter C. Leedy Junior's postcard collection, which is housed at the Cleveland State University Library. The Cleveland Antiques Road Show will air on PBS (WVIZ Channel 25) on September 15, September 22, and September 29 at 8:00 p.m. Check local listings for other PBS stations in Ohio. "Walter Leedy began his comprehensive collection of Cleveland postcards, now numbering nearly 8,000 in earnest in 1989." To view this amazing archive featuring images of bridges, canals, rivers, restaurants, and even 26 images of the old Municipal Stadium, go to: http://clevelandmemory.org/postcards/ __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 11:38:39 -0500 Reply-To: Alba Fernandez <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Alba Fernandez <[log in to unmask]> Subject: ARLIS/Midstates-Midwest Art Catalogers Discussion Group (MACDG) meeting Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Dear ARLIS/Midstates and MACDG members, I am happy to announce that the ARLIS/Midstates Chapter and MACDG fall meetings will take place on Friday, October 17. Our host is Judy Dyki, Library Director of the Cranbrook Academy of Art in Bloomfield Hills, MI. We have planned a very interesting day at Cranbrook complete with a lecture, luncheon, and tour options. Please see below for more event and travel information. The registration form can be found below or at the ARLIS/Midstates website: http://php.indiana.edu/~edowell/midstates/meetings.html . Please make sure to register by October 13th. We hope to see everyone soon! Alba Fernandez Chair ARLIS/Midstates ARLIS-MIDSTATES/ MIDWEST ART CATALOGERS DICSUSSION GROUP FALL MEETING Friday October 17, 2003 LOCATION Cranbrook Academy of Art Library, 39221 Woodward Avenue, Bloomfield Hills, MI. HOST Judy Dyki, Library Director, Cranbrook Academy of Art Library, (248) 645-3364 or [log in to unmask] MIDSTATES CONTACT Alba Fernandez, Indianapolis Museum of Art, (317) 920-2647 or [log in to unmask] MACDG CONTACT Nathaniel Feis, The Art Institute of Chicago, (312) 443-3526 or [log in to unmask] SCHEDULE OF EVENTS 8:45 am -9:45 am - Registration & Coffee (library) 9:45 am -11:00 am - Presentation by Mark Coir, Director, Cranbrook Archives (deSalle Auditorium) 11:00 am - 11:15 am - Break 11:15 am -12:15 pm - ARLIS/Midstates meeting (library) 12:15 pm - 1:15 pm - Lunch (library) 1:30 pm - 2:30 pm - Tour of the Saarinen House or Cranbrook House 2:45 pm -4:45 pm - Midwest Catalogers Discussion Group Meeting (library) Lodging and Travel Information Hotels close to Cranbrook: Radisson Kingsley Hotel & Suites 39475 Woodward Avenue Bloomfield Hills, MI 48304 248-644-1400 (1.4 miles) Marriott at Centerpointe 3600 Centerpointe Parkway Pontiac, MI 48341 248-253-9800 (2.88 miles) Townsend Hotel 100 Townsend Birmingham, MI 48009 248-642-7900 (2.9 miles) Holiday Inn Express 34952 Woodward Avenue Birmingham, MI 48009 248-646-7300 (2.87 miles) If you are flying: Book a flight into Detroit Metropolitan airport (DTW) The airport is about 30 miles from Cranbrook (driving time approx. 40 minutes) Car rental at the airport is the preferred option since shuttle service to Bloomfield Hills is non-existent. Taxi cab or Metro Car Service are the other options to get from the airport to your hotel. For driving directions to Cranbrook, go to http://www.cranbrook.edu/community/map.html Use the parking lot for the Cranbrook Art Museum-- the library is directly across from the museum. ARLIS-Midstates/ MACDG Fall Meeting Registration Form October 17, 2003 Name _________________________________________________________________ I am: ___ARLIS/Midstates member ___MACDG member ____member of another ARLIS chapter ____non-member ____student Please check: ____Yes, I will attend the meeting $12.00 ARLIS $15.00 non-members $8.00 students ____Yes, I need a bag lunch $8.00 Total $_____ Choice of tour (please check one): ____Cranbrook House ____Saarinen House Choice for bag lunch (check one): ___ Tomato & Mozzarella Baguette (Fresh Mozzarella, Roma Tomatoes, Basil and Balsamic Vinagrette on a Baguette) ___ Roasted Chicken Baguette (Tender Herb Marinated Chicken Breast, Sun-dried Tomatoes and Mixed Greens with a Pesto Mayonnaise on a Baguette) ___ Southwest Beef Wrap (Chili marinated Roast Beef, Pepperjack Cheese, and Romaine with Jalapeno Sour Cream rolled in a Lavash) All options include fruit salad, fresh baked cookie, and chips. An assortment of beverages will be provided. Please make all checks payable to ARLIS/Midstates Chapter and send it with the registration form to Alba Fernandez, Chair ARLIS/Midstates, Stout Reference Library, 4000 Michigan Rd., Indianapolis, IN 46208. Participant s who only wish to attend the MACDG meeting but not the lecture, lunch, or tours do not need to pay a registration fee. Registration forms must be received by October 13th in order to receive bag lunch. .................................... Alba Fernández, Assistant Art Reference Librarian Indianapolis Museum of Art 4000 Michigan Road Indianapolis, IN 46208-3326 Phone 317.920.2647 Fax 317.931.1978 [log in to unmask] www.ima-art.org .................................... __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 11:05:50 -0700 Reply-To: "Pierce, Andrew" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Pierce, Andrew" <[log in to unmask]> Subject: Duplicate Periodicals Available MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The Library of the San Francisco Museum of Modern Art has serial issues to offer. Please send requests for issues to David Scarpelli at: mailto:[log in to unmask] Please note: do **not** use the reply button in your e-mail application, and do **not** send requests to me, but to address listed above. When requesting items, please provide your shipping address written exactly as you would like packages addressed. SFMOMA requires reimbursement of shipping costs over $10.00 Thank you, Andrew Pierce Library Technical Services & Systems Coordinator San Francisco Museum of Modern Art Library 151 Third Street San Francisco, CA 94103-3159 voice: (415)-357-4119 fax: (415)-357-4038 e-mail: [log in to unmask] ****************DUPLICATES************************** American Art Directory 49th edition, 1982 American Art (Smithsonian American Art Museum) Fall 2002, Vol 16, No 3 American Art Review December 1999, Vol XI, No. 6 American Photo v.III no.6, November/December 1992 Annandale v.131 no.1, Winter 1991-1992 Antik & Dekor Issue 55/1999 Antiques, The Magazine v. CXL no.3, September 1991 Architectural Digest December 2002, Vol 59, No 12 February 2003, Vol 60, No 2 April 2003, Vol 60, No 4 Architectural Record February 2002, Vol 190, No 2 L'Architecture d'Aujourd'hui September/October 2002, No 342 Art & Collection 2002, No 114 Art and Film Notes (University of California, Berkeley Art Museum and Pacific Film Archive) v. XXXVI no.4, July/August 2002 (2 copies) v. XXXVI no.5, September/October 2002 (2 copies) v. XXXVI no.6, November/December 2002 (3 copies) v. XXVII no.1, January/February 2003 (3 copies) v. XXVII no 2, March/April 2003 (2 copies) v. XXVII, no 3, May/June 2003 v. XXVII, no 4, July/August 2003 v. XXVII, no 5. September/October 2003 ArtIdaho v.8, 2003 Art in America December 2001, Vol 89, No 12 January 2002, Vol 90, No 1 November 2002, Vol 90, No 11 December 2002, Vol 90, No 12 January 2003, Vol 91, No 1 February 2003, Vol 91, No 2 (2 copies) April 2003, Vol 91, No 4 ArtInvestor 2001, No 2 The Art Institute of Chicago Museum Studies Vol 1, No 2 Art International August-September 1981, Vol XXIV, No 9-10 Art Journal v.53 no.1, Spring 1994 Art Monthly (Australia) May 2002, No 149 ARTnews February 2000, Vol 99, No 2 October 2002, Vol 101, No 9 February 2003, Vol 102, No 2 The Art Newspaper August 2002, Vol XIII, No 127 September 2002, Vol XIII, No 128 October 2002, Vol XIII, No 129 November 2002, Vol XIII, No 130 (2 copies) December 2002, Vol XIII, No 131 January 2003, Vol XIII, No 132 February 2003, Vol XIII, No 133 (2 copies) (incorrectly printed as Vol IX, No 133) March 2003, Vol XIII, No 134 (4 copies) April 2003, Vol XIII, No 135 (2 copies) May 2003, Vol XIII, No 136 (2 copies) Guide to Art Auctions The Year in Review (June 2001-June 2002) Issue 1 Art on paper January-February 1999, Vol 3., No 3 March-April 1999, Vol 3, no 4 December 2002, Vol 7, No 3 January-February 2003, Vol 7, No 4 (2 copies) May-June 2003, Vol 7, No 7 Art Papers September/October 2001, Vol 25, No 5 March/April 2003, Vol 27, No 2 Art/text August-October 1999, No 66. Artbyte September/October 2001, Vol 4, No 2 (2 copies) Arte November 2002, No 351 Artforum September 2001, Vol XL, No 2 October 2001, Vol XL, No 2 November 2001, Vol XL, No 3 December 2001, Vol XL, No 4 May 2003, Vol XLI, No 9 Summer 2003, Vol XLI, No 10 Artist Magazine (Yi shu jia) No.323, April 2002 No.324, May 2002 Arts Monthly June 2002, Vol 14, No 1 AsianWeek October 31 - November 6, 2002, Vol 24, No 11 November 14-20, 2002, Vol 24, No 13 November 28-December 4, 2002, Vol 24, No 15 Atlantic Monthly June 2003, Vol 291, No 5 AtlAntica No. 32, Spring 2002 Aviso May 2002 Belser Kunst Quartal No. 2, April-June 2002 (3 copies) No. 3, July-September 2002 (3 copies) Bilder Nov 5-28 1998, No 146 March 4 - April 2, 2003, No 184 Belser kunst quartal January 2003, No 1 Bomb Spring 2003, No 83 Summer 2003, No 84 B&W February 2002, No 17 October 2001, No 15 Black & White Photography April 2003, No 20 Boise Journal Spring 2003, Vol 5 California Home & Design January 2002, Vol 8, No 1 February 2002, Vol 8, No 2 March 2002, Vol 8, No 3 August 2002, Vol 8, No 8 September 2002, Vol 8, No 9 December 2002, Vol 8, No 12 - Special Annual Edition (2 copies) February 2003, Vol 9, No 2 June 2003, Vol 9, No 6 July 2003, Vol 9, No 7 California Homes Summer 2000, Vol 4, No 3 September/October 2002, Vol 6 No 5 (2 copies) November/December 2002, Vol 6 No 6 January/February 2003, Vol 7, No 1 The California Printmaker (Journal of the California Society of Printmakers) 2002 Camera Obscura No.43, 2000 Camerawork Spring/Summer 1997, Vol 24, No 1 Fall/Winter 1997, Vol 24, No 2 Spring/Summer 2002, Vol 29, No 1 (2 copies) Spring/Summer 2003, Vol 30, No 1 Canadian Art v.16 no.4, Winter 1999 Cartier Art Magazine 2003, No 5 CCAC News Winter 2001/2002, Vol 10, No 2 Fall/Winter 2002, Vol 11, No 1 (3 copies) Spring 2003, Vol 11, No 2 (2 copies) Christie's Magazine June/July/August 1992 September 1998 October 1998 January/February 1999 November 2001 Cimaise First Trimester 2003, No 273 Summer 2003, No 275 Common Ground Summer 2002, Issue 112 Connaissance des Arts January 2001, No 579 February 2001, no 580 Conservation (GCI Newsletter) Vol 9, No 2, 1994 v.17 no. 2, 2002 (2 copies) Vol 18, No 2, 2003 (3 Copies) Contact Sheet No 93 November 1-December 31, 2002, No 119 (3 copies) No 121, (5 copies) Contemporary June/July/August 2002 The Contemporary Fall 1986, Vol 3, No 4 Summer 1988, Vol 5, No 3 Crafts January/February 2003, No. 180 Dallas Museum of Art Bulletin Fall 1983 Spring 1984 Fall 1984 Dazed & Confused September 2001, No 81 October 2001, No 82 November 2001, No 83 December 2001, No 84 December 2002, No 96 Décor December 2000, Vol 120, No 13 Departures No.74, November/December 2001 Design December 1972, No 288 Design Quarterly 1980, No 113-114 Domus No.850, July 2002 No.851, September 2002 DoubleTake Summer 1995, No 1 Fall 1996, No 6 Fall 1998, No 14 Spring 2001, No 24 Fall 2001, No 4 Dwell April 2002, Vol 2, No 4 June 2002, Vol 2, No 5 The East Bay Monthly v.32 no.5, February 2002 v.32 no.6, March 2002 v.32 no.7, April 2002 The Economist v.318 no.7689, January 12-18, 1991 v.334 no.7902, February 18-24, 1995 Exploratorium Quarterly Spring 1989, Vol 13, No 1 Fall 1989, Vol 13, No 3 Spring 1991, Vol 15, No 1 Summer 1991, Vol 15, No 2 Winter 1991, Vol 15, No 4 Spring 1992, Vol 16, No 1 Exposure 2000, Volume 33, 1/2 Flash Art October-November 2001, Vol 34, No 230 Jan-Feb 2003, Vol 36, No 228 Flaunt October 2002, No 38 The Forum v.II no.2 Frieze January/February 2003, No 72 Gentry August 2002, Vol 10, No 8 January 2003, Vol 11, No 1 June 2003, Vol 11, No 6 July 2003, Vol 11, No 7 Grand Street Spring 2002, Vol 18, No 2 Harvard Business Review v.79 no.10, November 2001 History Line Summer 1994 House Beautiful Tribute to Frank Lloyd Wright and the Solomon R. 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October 2001 November 2002 February 2003 In the Loupe June 2003, Vol 27, No 3 Interior Design January 1982, Vol 53, No 1 August 1982, Vol 53, No 8 October 1982, Vol 53, No 10 November 1982, Vol 53, No 11 December 1982, Vol 53, No 12 April 1983, Vol 54, No 4 July 2003, Vol 74, No 9 Interiors April 1979, Vol CXXXVIII, No 9 July 1979, Vol CXXXVIII, No 12 August 1979, Vol CXXXIX, No 1 September 1979, Vol CXXXIX, No 2 December 1991, Vol CL, No 17 International Center for Photography 1991 Annual Report International Review of African American Art Vol 18, No 4 Interni No.487, January-February 1999 Island Thought Summer 1997, Vol 1, No 1 Jewelry Magazine July 2000, No 3 October/November 2000, No 5 Journal of Decorative and Propaganda Arts No 24 Juxtapoz May/Jun 2001, #32 Nov/Dec 2001, #35 Kunsthandwerk January/February 2003 Metropolis October 2002 December 2002 LIMN Issue 5, 2000 La Lucha Solidaria Fall 1994 Look June 2002 Luna Córnea No.17, January-April 1999 No.21/22, 2001 Metropolitan Home January/February 2001, Vol XXXIII, No 1 Metropolitan Museum of Art Annual Report 1991-1992 Metropolitan Museum of Art Bulletin Fall 1995 1998/1999 Spring 1999 Winter 2001 Summer 2002 Spring 2003 Winter 2003 Metropolis March 2002 Modern Painters Winter 2002 Modernism Summer 2002, Vol 5, No 2 MoMA May/June 2000 July/August 2000 October 2000 MoMA Members Quarterly Fall 1990 MoMA (The Museum of Modern Art New York) - Annual Report 1989-1990 1990-1991 1992-1993 1993-1994 The Montreal Museum of Fine Arts Annual Report 2001-2002 Mosaic v.35 no.3 September 2002 Mother Jones v.24 Issue 2, April 1999 v.24 Issue 6, November/December 1999 v.25 Issue 2, March/April 2000 Museum News September/October 2003, Vol 82, No 5 Museum of California May/June 1985 Winter 1997, Vol 21, No 1 Spring 1997, Vol 21, No 2 Summer 1997, Vol 21, No 3 Winter 1998, Vol 22, No 1 Spring 1998, Vol 22, No 2 Summer 1998, Vol 22, No 3 Fall 1998, Vol 22, No 4 Museum of Photographic Arts Spring 1984, No 3 The Nation v.253 no.18, November 25, 1991 v.256 no.10, March 15, 1993 v.256 no.12, March 29, 1993 v.256 no.13, April 5, 1993 v.256 no.15, April 19, 1993 v.256 no.18, May 10, 1993 v.256 no.19, May 17, 1993 v.256 no.20, May 24, 1993 v.256 no.21, May 31, 1993 v.256 no.23, June 14, 1993 v.256 no.24, June 21, 1993 v.257 no.1, July 5, 1933 v.257 no.2, July 12, 1993 v.257 no.3, July 19, 1993 v.257 no.4, July 26/August 2, 1993 v.257 no.5, August 9/16 1993 v.257 no.6, August 23/30 1993 v.257 no.7, September 6/13, 1993 v.257 no.12, October 18, 1993 v.257 no.13, October 25, 1993 Nest Fall 2003, No 22 New Art Examiner July-August 2001, Vol 28, No 10 Nicaragua Monitor No.44, December 1994-January 1995 No.45, February 1995 No.46, March 1995 Nonviolent Activist v.11 no.2, March-April 1994 Novum January 2003 February 2003 March 2003 April 2003 May 2003 June 2003 nu: v.III no.6/01 NY Arts February 2001 ,v.6 no.2 October 2001, Vol 6, No 10 November 2001, Vol 6, No 11 (2 copies) December 2001, Vol 6, No 12 February 2002, v.7 no.2, (2 copies) June 2002, Vol 7, No 6 July/August 2002, Vol 7, No 7 (2 copies) October 2002, Vol 7, No 10 February 2003, Vol 8, No 2 (3 copies) March 2003, Vol 8, No 3 (4 copies) April 2003, Vol 8, No 4 Old House Journal November/December 2002, v.30 no.6 January/February 2003, Vol 31, No 1 Opus No.102, Autumn 1986 Overview Winter 2003, (3 copies) Paris Photo July-August 2002, No 20/21 June-July-August 2003, No 26 Photo Art International February/March 2003, Issue 32 Photo Metro 1999, Vol 17, Issue 153 1999, Vol 17, Issue 155 1999, Vol 17, Issue 156 2000, Vol 18, Issue 158 2000, Vol 18, Issue 159 (2 copies) 2001, Vol 18, Issue 162 Photo Review v.23 no.4, Fall 2000 Photograph September/October 2003 Photographie Ouverte June-July-August 2003, No 127 Photography in New York July/August 2002, Vol 14, No 6 July/August 2003, Vol 15, No 6 Photoworks November 2001, No 1 Plazm27 2002? Point d'ironie June 2002 No 26 June 2002 No 27 (2 copies) Print Quarterly December 2002, Vol 19, No 4 Program (Member's Magazine of the Amon Carter Museum) March-August 2003 Progressive Architecture February 1987, No 2 April 1987, No 4 June 1987, No 6 Rampike Vol 12, No 2 Rassegna di Studi e di Notizie 2002, Vol XXVI, Anno XXIX Res November/December 2002, Vol 5, No 6 Re:view/Friends of Photography May 1985, Vol 8, No 5 August 1985, Vol 8, No 8 September 1985, Vol 8, No 9 October 1985, Vol 8, No 10 October 1986, Vol 9, No 10 April 1987, Vol 10, No 4 June 1987, Vol 10, No 6 August 1987, Vol 10, No 8 September 1987, Vol 10, No 9 November 1987, Vol 10, No 11 December 1987, Vol 10, No 12 January 1988, Vol 11, No 1 San Francisco May 2002 July 2002 August 2002 September 2002 November 2002 March 2003 April 2003 June 2003 July 2003 Schmuck Magazin March 2000, No 1 May 2000, No 2 August/September 2000, No 4 December/January 2000, No 6 Schmuckstucke Jewels 2001 Sculpture October 2001, Vol 20, No 8 January/February 2003, Vol 22, No 1 (2 copies) March 2003, Vol 22, No 2 April 2003, Vol 22, No 3 May 2003, Vol 22, No 4 June 2003, Vol 22, No 5 July/August 2003, Vol 22, No 6 7x7 November 2002 December 2002 February 03 Shots December 2001, No 74 Smithsonian July 2003, Vol 34, No 4 August 2003, Vol 34, No 5 September 2003, Vol 34, No 6 Source Winter 2002, Issue 33 Spectra Autumn 1985, Vol 12, No 2 Student Forum November 1978 Surface No 22 No 34 No 42 No 43 Tate Report 2000-2002 Tema Celeste March/April 2002, No 90 Thesis v.3 no.1, Spring 1989 Town & Country December 2001 January 2002 (2 copies) March 2002 April 2002 May 2002 June 2002 July 2002 August 2002 September 2002 October 2002 November 2002 December 2002 March 2003 April 2003 May 2003 June 2003 July 2003 Trans No. 9/10, 2001 Triptych April/May 1984 April/May 1990 September/October 1990 January/February/March 1992 April/May/June 1992 July/August/September 1992 October/November/December 1992 January/February/March 1993 April/May/June 1993 July/August/September 1993 October/November/December 1993 January/February/March 1994 April/May/June 1994 July/August/September 1994 October/November/December 1994 April/May 1995 June/July/August 1995 September/October 1995 November/December 1995 Vanity Fair September 2003, No 517 Veranda September-October 2002 Vision On 2002 catalogue W v.30 Issue 12, December 2001 v.31 Issue 2, February 2002 v.31 Issue 4, April 2002 v.31 Issue 5, May 2002 v.31 Issue 8, August 2002 v.31 Issue 10, October 2002 v 31, Issue 11, November 2002 v 31, Issue 12, December 2002 v 32, Issue 7, July 2003 v 32, Issue 8, August 2003 v 32, Issue 9, September 2003 Wired 9.06 June 2001 9.08 August 2001 910 October 2001 9.12 December 2001 10.01 January 2002 10.02 February 2002 10.04 April 2002 10.05 May 2002 10.06 June 2002 10.07 July 2002 10.08 August 2002 10.09 September 2002 10.10 October 2002 Z Magazine v.4 no.1, January 1991 v.8 no.1, January 1995 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 11:20:59 -0700 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Diana Cooper <[log in to unmask]> Subject: missing journal issue sought MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear all We never received the following journal issue and wonder if anyone has an issue they could spare Apollo. v.153,no.467, January 2001. Please let us know if you have a solution. Thanks *************************************************************** ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Diana E.M. Cooper 604-822-3943 Fine Arts Reference Librarian Fine Arts Library University of British Columbia 1956 Main Mall [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 10:29:36 -0700 Reply-To: "Curry, Alexis" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Curry, Alexis" <[log in to unmask]> Subject: Art Business News available MIME-Version: 1.0 Content-Type: text/plain The LACMA Research Library has issues of Art Business News (1985-1996) available for the cost of postage. ****************************************** Alexis Curry, Librarian (Cataloging) Los Angeles County Museum of Art, Research Library Web: http://www.lacma.org/ Email: [log in to unmask] **************************************************************** __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 14:53:17 -0400 Reply-To: Ruth Thomas <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Ruth Thomas <[log in to unmask]> Subject: Ellsworth Kelly exhibitions In-Reply-To: <[log in to unmask]> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII We are trying to buy two exhibition catalogs. We have an order with Worldwide. A graduate student writing an EK dissertation is eager to have them. But I see no records for them in Worldcat. Has anyone succeeded in acquiring them and, if so, from whom? Ellsworth Kelly: Matrix, Matthew Marks Gallery, 523 West 24 Street and 522 West 22nd Street, and Ellsworth Kelly: Self-Portrait Drawings 1944-1992 at Matthew Marks Gallery, 529 West 21 Street, through June 28, 212-243-0200 Thanks, Ruth Ruth S. Thomas Archaeology, Art, Art History, Classics Bibliographer Mugar Memorial Library Boston University 771 Commonwealth Ave. Boston, MA 02215 (617)353-3714 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 15:35:44 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Marilyn Berger <[log in to unmask]> Subject: missing issues MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Dear colleagues My library needs the following issues for binding: ART IN AMERICA v.90:no.8 (2002 August) LANDSCAPE ARCHITECTURE v. 92:3; V.93:3; v.93:4 (2002 March; 2003March; 2003 April) If anyone can supply these we'd be very grateful. Marilyn Marilyn Berger Head Librarian Blackader-Lauterman Library [log in to unmask] Voice: (514) 398-4742 Fax: (514) 398-6695 Library Home Page:http://www.mcgill.ca/blackader __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 15:44:49 EDT Reply-To: "Laura K. Graveline" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Laura K. Graveline" <[log in to unmask]> Subject: Old printed indexes. MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Hello all - I was wondering how many folks have kept their print indexes, such BHA, Art Index, ABM, etc., especially if they have discontinued their print subscription, and now rely on an online subscription? Does anyone now of any specific advantages/disadvantages to discarding the print indexes? Thanks in advance, Laura ~~~~~~~~~~~~~~ Laura Graveline Hinman Box 6025 Sherman Art Library Dartmouth College Hanover, NH 03755 603-646-3831 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 17:37:31 EDT Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Kate Cooper <[log in to unmask]> Subject: Duplicate periodicals MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_63.2238d2bf.2c978b1b_boundary" --part1_63.2238d2bf.2c978b1b_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit We have the following issues available. Please reimburse postage over $5.00. American Artist March - December 1999 November 1992 Communication Arts 262 Jan/Feb 1996 267 Sep/Oct 1996 ID Mar/April 2000 October 2000 April 2001 May 2001 June 2001 October 2001 February 2002 Print May/June & Sep/October 1989 Jan/Feb; Mar/April; May/June 1990 May/June 1991 Kate Cooper Maryland College of Art & Design 10500 Georgia Avenue Silver Spring MD 20902 301-649-4454 fax: 301-649-2940 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_63.2238d2bf.2c978b1b_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable <HTML><FONT FACE=arial,helvetica><FONT SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">We have the following issues available. Please reimburse postage over $5.00.<BR> <BR> American Artist March - December 1999<BR> November 1992<BR> <BR> Communication Arts 262 Jan/Feb 1996<BR> 267 Sep/Oct 1996<BR> <BR> ID Mar/April 2000<BR> October 2000<BR> April 2001<BR> May 2001<BR> June 2001<BR> October 2001<BR> February 2002<BR> <BR> Print May/June & Sep/October 1989<BR> Jan/Feb; Mar/April; May/June 1990<BR> May/June 1991<BR> <BR> <BR> </FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SERIF" FACE="Book Antiqua" LANG="0">Kate Cooper<BR> Maryland College of Art & Design<BR> 10500 Georgia Avenue<BR> Silver Spring MD 20902<BR> 301-649-4454<BR> fax: 301-649-2940</FONT></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_63.2238d2bf.2c978b1b_boundary-- ========================================================================Date: Mon, 15 Sep 2003 19:54:10 -0700 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Al Chan <[log in to unmask]> Subject: Apologies, plain text MCN announcement Comments: To: [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], Marla Misunas <[log in to unmask]> MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII With apologies for my ignorance and thanks to all of you who restrained yourselves instead of pointing it out, here is the plain text version of yesterday's post: Register for the Museum Computer Network's Annual Meeting in Las Vegas Register on-line today via secure server, and save money! Direct link to hotel reservations also available: http://www.mcn.edu/Mcn2003/index.html -------------------------------------------------------------- Museum Computer Network November 5 - 8 It is our pleasure to invite you to attend the 31st annual meeting of the Museum Computer Network! . MCN2003: Balancing Museum Technology and Transformation takes place in Las Vegas, Nevada from November 5 through the 8th. Workshops, Sessions and More Register online at www.mcn.edu to participate in four days of workshops, sessions and free-form discussions delving into every aspect of cultural heritage information management. Whether you're trying to develop an Intellectual Property policy for your institution, learn about the latest imaging technology from industry leaders, or explore the possibilities of building integrated library/museum/archival systems, this is the place to be. The MCN meeting is where museum technologists go to get the information they need and build the bridges they want to other professionals in the cultural heritage arena. Learn about the new technologies available and then see them in our tightly-focused Exhibition Hall. Balancing Museum Technology and Transformation As a challenging economic year for all, especially those of us in the museum and cultural heritage sector draws to a close, we want you to join us in looking ahead to a brighter future. In keeping with our theme we've asked our contributors to look at how the technology we're busy implementing is changing the way we work, how our institutions are being transformed by those technologies and how that transformation can be managed. We're offering a program that is both diverse and comprehensive. Go Off the Wall and Online, too We know travel budgets are tight so we've teamed up with the Northeast Document Conservation Center (NEDCC) to offer something special: MCN 2003 is immediately preceded by the NEDCC's Off the Wall and Online workshop. If you'e planning to attend the NEDCC workshop, you can get MCN member rates for the MCN meeting. Register Online You can learn all about the program and more on the MCN website, including information on sessions, presenters, workshops, travel and lodging. And for the first time, you can register for the MCN meeting online using our secure form. Don't delay! Early registration ends soon -- browse over to www.mcn.edu and register today! Marla Misunas Collections Information Manager Collections Information and Access San Francisco Museum of Modern Art 415 357-4186 voice 415 947-1186 fax http://www.sfmoma.org Board Member, Museum Computer Network Conference Chair, Las Vegas, 2003 http://www.mcn.edu __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 16 Sep 2003 09:32:22 -0400 Reply-To: "Patricia Lynagh (by way of \"Kerri A. Scannell\" <[log in to unmask]>)" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Patricia Lynagh (by way of \"Kerri A. Scannell\" <[log in to unmask]>)" <[log in to unmask]> Subject: Fwd: Message from Kodak Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Some of you may have already received the attached ... but for those who haven't ... a bit of news concerning slide projectors and accessories. Pat Lynagh Reference Librarian AA/PG Library Smithsonian Institution PO Box 37012 VB 2100, MRC 975 Washington, DC 20012-7012 (202) 275-1915 FAX (202) 275-1929 ----------------------------- /\ /\ o o == X = >>> "Trudy V. Hansen" <[log in to unmask]> 09/13/03 11:25AM >>> Dear friends, I am copying a message from Eastman Kodak that you may wish to share with other museum and/or academic colleagues if you haven't already. Best, Trudy Hansen Greenwich, New Jersey This was forwarded from the listserv of the National Conference of State Historic Preservation Officers on September 10, 2003: July 14, 2003 Kodak Pre-discloses Plans To Discontinue Slide Projectors and Accessories in 2004 Eastman Kodak Company has confirmed plans to discontinue the manufacture and sales of slide projection products and accessories in June of 2004. This early disclosure is being made to key user groups in order to allow time for adoption of a replacement technology or purchase of backup slide projector products. The KODAK products included in this event are CAROUSEL, EKTAGRAPHIC, EKTALITE and EKTAPRO slide projectors and all KODAK Slide Projector accessories. The current plan is to cease manufacturing in June 2004. Kodak anticipates that small quantities of new Carousel, Ektagraphic, Ektalite and Ektapro slide projectors will be available through the end of 2004. In addition, the Kodak distributor, Comm-Tec, in Germany plans to sell Ektapro projectors and accessories beyond 2004. Kodak will offer service and support for slide projectors until 2011. Slide projectors continue to be used in many government applications due to a proven track record of cost-effective, reliable, high-quality image projection. Combining the seven years of service and support with a long history of trouble-free operation, means that slide projectors will continue to enjoy many years of productive use. Investigating and installing replacement technologies can be a challenging and costly effort with a long implementation timeline. So, many may wish to purchase backup units for currently installed slide projectors while making the transition. Upcoming government budgeting activities make it prudent to pre-disclose now in order to allow ample time to include slide projector demand in the government budgeting plans for 2004. Making Kodak aware of your future requirements will insure that there is enough products on hand before production ends. You can do this by contacting Glenn Prince, Kodak Account Manager, Government Markets (678) 339-0723, [log in to unmask] . Thank You, Glenn R. Prince Eastman Kodak CompanyHave a peaceful, joyous day. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 15 Sep 2003 18:06:47 -0700 Reply-To: Janice Woo <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Janice Woo <[log in to unmask]> Subject: librarian opening at CCA - SF Mime-Version: 1.0 (Apple Message framework v552) Content-Type: text/plain; charset=US-ASCII; format=flowed Content-Transfer-Encoding: 7bit CALIFORNIA COLLEGE OF THE ARTS (formerly California College of Arts and Crafts) seeks a DESIGN LIBRARIAN AND CURATOR for its San Francisco campus (FTE .80) POSITION SUMMARY: The Design Librarian serves the information needs of students and faculty in the college's design programs, in particular fashion design, graphic design, and illustration. The appointee is also Curator of the Joseph Sinel collection and will manage the papers of other designers in the college's special collections. In addition to program responsibilities, CCA librarians coordinate and supervise work in functional areas such as technical services, visual resource management, archives management, reference and referral services, instructional services, or technology and systems. The assigned areas may vary and are correlated with professional expertise and institutional need. RESPONSIBILITIES INCLUDE: * Acts as liaison and advocate for program areas; communicates with faculty and students; identifies information needs. * Collection development for all formats, including slides; managing or performing the creation of catalog and database records for the materials selected; developing access tools and promoting use of information resources; providing research and reference assistance; developing instructional programs and materials; other activities as needed. * Physical maintenance of the Joseph Sinel collection; preparation of the collection for public use, publication, or exhibition; organizing and processing the papers and collections of other designers. * Coordination of functional area(s) to be determined, based on appointee's expertise and institutional need. MINIMUM QUALIFICATIONS: Previous work experience in a library, preferably academic. MLS or equivalent, or advanced degree in a relevant subject area. Knowledgeable about design field, contemporary trends, and sources of documentation. Experience working with information retrieval systems such as databases and OPACs; Filemaker and interactive web authoring experience highly desirable. Desirable, but not necessary, visual resources or archives expertise; familiarity with record structure and file formatting standards. Requires excellent written and oral communication skills; good time management skills, advanced organizational ability; public service orientation. SALARY: Commensurate with education and experience, includes a comprehensive benefits package. APPLICATION INSTRUCTIONS: Applicants are invited to submit a letter of interest, resume and the names and telephone numbers of three professional references to: California College of the Arts Human Resources (Job #1581) 5212 Broadway Oakland, CA 94618-1487 fax (510) 594-3681 [log in to unmask] Screening begins immediately and will continue until the position is filled. California College of the Arts is an equal opportunity employer and welcomes applications from individuals who will contribute to its diversity. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 16 Sep 2003 09:56:48 -0400 Reply-To: Jack Robertson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jack Robertson <[log in to unmask]> Subject: Weekly News Digest, Sept 15 (USA, UK) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable -----Original Message----- From: H-Museum (Marra) [mailto:[log in to unmask]] Sent: Monday, September 15, 2003 2:39 PM To: [log in to unmask] Subject: NEWS: Weekly News Digest (USA, UK) [Editor's note: The following articles are published in American and British newspapers and magazines. The WEEKLY NEWS DIGEST service is made available by the editorial staff of H-Museum <[log in to unmask]>.] WEEKLY NEWS DIGEST September 8 - September 13, 2003 -- September 8 ++ American newspapers / magazines Web Site Goes Online to Find Nazi-Looted Art An organization for American museums is initiating a central registry of art objects on Monday, created to help speed the return to their rightful owners of paintings, drawings and sculpture seized during the Nazi era (New York Times) http://www.nytimes.com/2003/09/08/arts/08PORT.html Sept. 11 Exhibit at Police Museum Salutes Some of New York's Finest While city officials, relatives of victims of the Sept. 11 terrorist attacks and others continue debating how best to honor the dead at ground zero, a low-key museum on the other side of Lower Manhattan already has completed a memorial to its family (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-na-nypd8sep08,2,5502956.s tory?coll=cl-art ++ British newspapers / magazines Last orders for pub's museum piece menagerie A last-ditch campaign has been launched to save the six-legged kitten and the two-faced piglet, the bridesmaid cats and the layabout rats, not to mention lion, polar bear and giraffe, all part of Mr Potter's Museum of Curiosities (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1037455,00.htm Site to find art stolen by Nazis A website has been set up to help US museums check whether their collections include art stolen by the Nazis (BBC News) http://news.bbc.co.uk/2/hi/entertainment/3089384.stm -- September 9 ++ American newspapers / magazines Planning a Museum to Tell Iraq's Story Long before he returned here in April, Kanan Makiya dreamed of building a museum that would catalog Saddam Hussein's atrocities for all Iraqis to see (New York Times) http://www.nytimes.com/2003/09/09/international/middleeast/09MUSE.html Director to Leave Art Institute of Chicago When James N. Wood, director and president of the Art Institute here, bought a sleek new kayak a few weeks ago, friends assumed he was simply indulging a longtime passion and might spend a few more autumn weekends on Lake Michigan (New York Times) http://www.nytimes.com/2003/09/09/arts/design/09CHIC.html 205-Year-Old Violin Is Missing From Museum A 205-year-old violin is missing from Mission San Antonio de Padua's museum (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-me-sbriefs09.6sep09,2,214 5703.story?coll=cl-art Web aids hunt for stolen art A new Web site designed to help museums determine whether their collections include art stolen by the Nazis went online Monday, with 66 institutions - including New York's Metropolitan Museum of Art and Chicago's Art Institute - providing details of their collections to the central registry (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-et-quick9.3sep09,2,391054 7.story?coll=cl-art ++ British newspapers / magazines Hirst's bid for a £1.5m donation Hoxton learned the price of Charity yesterday: its main square closed for four days while the White Cube gallery installed Damien Hirst's giant sculpture (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1038379,00.html -- September 10 ++ American newspapers / magazines Tea and Amnesty Recover Thousands of Antiquities for Iraq Through a far-reaching international investigation built on traditional detective work, raw luck and the consumption by investigators of vast amounts of tea, more than 3,400 items looted from the national antiquities museum in Baghdad have been recovered, the head of the inquiry said today (New York Times) http://www.nytimes.com/2003/09/10/international/middleeast/10CND-ART.html Designing Dance as Art Installation In her new work, "insideout," the choreographer Sasha Waltz forces viewers to make choices, and in choosing, they must miss something. The audience strolls through the dance as if through a museum, some chatting or drinking water (New York Times) http://www.nytimes.com/2003/09/10/arts/dance/10WALT.html Architect's original model of WTC becomes museum exhibit (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/news/archive/2003/09/10/nati onal1151EDT0609.DTL Museum exhibit tells of Jewish children who hid from Nazis (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/news/archive/2003/09/10/nati onal1614EDT0752.DTL Museum on Saddam's atrocities to be built, but who will tell the story? Long before he returned here in April, Kanan Makiya dreamed of building a museum that would catalogue Saddam Hussein's atrocities for all Iraqis to see (International Herald Tribune) http://www.iht.com/ihtsearch.php?id=109427&owner=(NYT)&date=20030911120613 ++ British newspapers / magazines Writer suffers for art Michael Frayn stood for his portrait, he explained yesterday, and found it remarkably tiring (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1038822,00.html Antiquities returned to Iraq museum More than 3,000 artefacts from Iraq's national museum have been recovered after being looted, a US team has said (BBC News) http://news.bbc.co.uk/2/hi/entertainment/3098324.stm -- September 11 ++ American newspapers / magazines Rethinking a Hartford Museum With a Grand Past If the narrative of a city can be found in the life of its cultural institutions, then Hartford's story is that of the Wadsworth Atheneum, America's oldest public art museum (New York Times) http://www.nytimes.com/2003/09/11/nyregion/11PROF.html One Vision: A Hill of Green at Ground Zero (New York Times) http://www.nytimes.com/2003/09/11/arts/design/11KELL.htm An American Life in Mixed Media Romare Bearden was born in segregated Charlotte, N.C., in 1911 and lived through both the Harlem Renaissance and the modern civil rights movement, creating collages of black life so stunning that he earned a reputation as a major 20th-century American artist (New York Times) http://www.nytimes.com/2003/09/11/arts/design/11BEAR.html Ideas struggling to take shape Despite its flaws, a MOCA show offers a taste of Frank Gehry's work beyond Disney Hall (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-wk-ouroussoff11sep11,2,24 68936.htmlstory?coll=cl-art An eyewitness to tragedy Photographer Stan Honda's work illustrates the human impact of world events (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-wk-museums11sep11,2,69103 53.story?coll=cl-art ++ British newspapers / magazines Billionaire in court fight over 'fake' Pharaoh An impulse buy has proved costly for the reputation of France's leading art collector (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1039688,00.html -- September 12 ++ American newspapers / magazines A Passion for Blue and White America's love affair with Chinese blue-and-white porcelain has always been passionate, but there have been few serious collectors in recent years. One great exception is F. Gordon Morrill, a Cleveland-born, Harvard-trained architect who spent most of his life in Florence, Italy, with Elizabeth Hunter Morrill, his Radcliffe sweetheart. A Georgia belle, Mrs. Morrill was also an accomplished musician (New York Times) http://www.nytimes.com/2003/09/12/arts/design/12ANTI.html Monument to Survival Casts Its Resolve in Sto With one curving, granite-clad stroke, the Museum of Jewish Heritage - A Living Memorial to the Holocaust has enlarged by almost fourfold its home on the Hudson River waterfront at Battery Park City. The museum's Robert M. Morgenthau Wing, which will open next week, is the first significant physical expression of the cultural rebirth of Lower Manhattan since the attack on New York. And it may change the character of the institution itself by integrating it more into the downtown community (New York Times) http://www.nytimes.com/2003/09/12/arts/design/12DUNL.html A New Friend for Mr. Pointy When François Pinault attended the Venice Biennale in June, he made a rather large purchase. Mr. Pinault, the luxury goods magnate who is a passionate collector of contemporary art (as well as the owner of Christie's), bought the heart of Takashi Murakami's whimsical installation, which went up with great fanfare this week at Rockefeller Center (New York Times) http://www.nytimes.com/2003/09/12/arts/design/12INSI.html Wry Faith That's a Bit Slapstick You ought to see the Paul Kos show," friends kept telling me when I was passing through San Francisco a few months ago. I didn't have time, I pleaded. They gave me that look, which implied, "Typical New Yorker." Mr. Kos, whose name will ring too few bells here, is a local hero out there, where he has taught a couple of generations of diverse artists and helped germinate the Bay Area Conceptual movement that pioneered video, performance and installation art in the late 1960's and early 70's (New York Times) http://www.nytimes.com/2003/09/12/arts/design/12KIMM.html A Collector's-Eye Look at North American Indian Art Maybe the best compliment one can give an art exhibition, especially one devoted to historical material, is that it makes you want to look long and close at everything on view and that the installation enhances this process. "The Responsive Eye: Ralph T. Coe and the Collecting of American Indian Art" at the Metropolitan Museum of Art handily meets those goals. It puts on view a glorious promised gift from the collector Ralph T. Coe: more than 200 works, many hovering near masterpiece level, some dating from prehistoric times (New York Times) http://www.nytimes.com/2003/09/12/arts/design/12SMIT.html Controversial Photos Go to San Francisco Museum-goers in San Francisco will get an uncensored look at Alaska wilderness photos that ignited a minor uproar in the nation's capital this spring (New York Times) http://www.nytimes.com/aponline/arts/AP-Alaska-Photos.html A New Dimension Is Added to Fine Art Artist J. Seward Johnson's sculptures are coming to Washington, but that's nothing new. His life-size cast bronze figures of ordinary people doing everyday things have been around for years, from the boy eating a sandwich on the lower level of the Shops at Georgetown Park to the officer standing guard in Friendship Heights. Best known among Johnson's outdoor works is "The Awakening," the aluminum giant at Hains Point that is a popular climbing spot for both locals and tourists (Washington Post) http://www.washingtonpost.com/wp-dyn/articles/A60187-2003Sep11.html Global Art Market Faces Price Crunch The global art market faces a price crunch in the next quarter after liquidity hit a 20-year low, with weakness spreading from the United States to hitherto resilient Europe, the head of a leading art data firm said Thursday (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-fi-art12sep12,2,3297659.s tory?coll=cl-art Century-old tunnel found in S.F. at site of future Jewish Museum Experts to sift through city archives in effort to figure origin of 15-foot-diameter hole (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2003/09/12 /BA261177.DTL ++ British newspapers / magazines Archaeological oversight puts renovation at risk For one of France's best-known artistic treasures, nothing could be too good: state-of-the-art air conditioning, improved natural lighting, easier access and - best of all - a whole new underground floor complete with exhibition space, shops, study facilities and toilets (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1040323,00.html Magazine sorry for Emin allegation One of the summer's more bizarre art world feuds appeared to be approaching an end after this week's edition of the Spectator conceded Tracey Emin had not been sending china Peter Rabbit figurines to one of its writers (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1040510,00.html Laban could dance off with prize The shimmering facade of the Laban dance centre, designed by Herzog and de Meuron, the Swiss architects of Tate Modern, was tipped yesterday to win British architecture's most prestigious award, the RIBA Stirling prize (The Guardian) http://www.guardian.co.uk/arts/news/story/0,11711,1040348,00.html -- September 13 ++ American newspapers / magazines 'Mexico' exhibit's bomb idea protested The whole idea of "Mexico Illuminated" was to bring together artists of Mexican descent to tout the Latino heritage of Reading, Pa., and show how the United States is perceived by its neighbor to the south (Los Angeles Times) http://www.calendarlive.com/galleriesandmuseums/cl-et-10filler13sep13,2,4721 128.story?coll=cl-art Newsom's office of 'resources' Mayoral candidate says S.F. losing out on millions (San Francisco Chronicle) http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2003/09/13 /BA158382.DTL -- September 14 ++ American newspapers / magazines Finding patterns in the past Our critic highlights the must-see shows for fall 2003 (The Art Newspaper) http://www.calendarlive.com/galleriesandmuseums/cl-ca-criticart14sep14,2,257 6942.story?coll=cl-art Grandson of Russian Revolution victim attempts to sue LACMA A French plaintiff says he deserves a percentage of exhibition ticket sales at the Los Angeles County Museum of Art because the works on display were taken from his grandfather after the Russian Revolution (The Art Newspaper) http://www.theartnewspaper.com/news/article.asp?idart=11317 The Rosetta Stone will stay in London, say trustees While the director of Egypt's Supreme Council of Antiquities says, "The artefacts stolen from Egypt must come back" (The Art Newspaper) http://www.theartnewspaper.com/news/article.asp?idart=11313 --- H-MUSEUM H-Net Network for Museums and Museum Studies E -Mail: [log in to unmask] WWW: http://www.h-museum.net __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 16 Sep 2003 09:57:17 -0400 Reply-To: Jack Robertson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jack Robertson <[log in to unmask]> Subject: Weekly News Digest, Sept 15 (Germany, Austria, Switzerland) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable -----Original Message----- From: H-Museum (Marra) [mailto:[log in to unmask]] Sent: Monday, September 15, 2003 2:40 PM To: [log in to unmask] Subject: NEWS: Weekly News Digest (Germany, Austria, Switzerland) [Editor's note: The following articles are published in German, Austrian and Swiss newspapers and magazines. The WEEKLY NEWS DIGEST service is made available by the editorial staff of H-Museum <[log in to unmask]> The Austrian service is kindly supported by Dr. Georg Friebe, Naturschau Dornbirn/Austria.] WEEKLY NEWS DIGESTS September 8 - September 14, 2003 -- September 8 ++ German newspapers / magazines Kunstschätze und -schätzchen auf Schloß Fürstenberg 2. Kunst und Antiquitäten Verkaufsausstellung auf Schloß Fürstenberg/Weser vom 1. bis 5. Oktober (Geschichtsmagazin "Damals") http://warp6.dva.de/sixcms/detail.php?id=150331 "Man wird meinen ursprünglichen Plan erkennen" Daniel Libeskind zeigt sich unbeeindruckt von den Änderungen seines Entwurfs für die Neubebauung von Ground Zero. Der Berliner Star-Architekt sagte bei der Eröffnung einer Ausstellung seiner Arbeiten im Jüdischen Museum, er habe keine Kompromisse gemacht (Der Spiegel) http://www.spiegel.de/kultur/gesellschaft/0,1518,264796,00.html Libeskind will keine Kompromisse bei "Ground Zero" Der Architekt Daniel Libeskind will bei seinem Entwurf für "Ground Zero" und das World Trade Center in New York keine substanziellen Kompromisse machen (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/boulevard/?cnt=299896& Schatzgräber gestehen Unterschlagung der "Himmelsscheibe" Zwei Schatzgräber haben vor Gericht die Unterschlagung der 3600 Jahre alten "Himmelsscheibe von Nebra" gestanden. Auf die archäologische Sensation seien sie 1999 zufällig bei der Suche nach Schätzen gestoßen, erklärten die reumütigen 32 und 39 Jahre alten Männer zum Auftakt des Prozesses vor dem Amtsgericht Naumburg (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/boulevard/?cnt=299878& Gegen die Symbole des Typisierens Zwei Ausstellungen in der Stadt- und Universitätsbibliothek und im Haus Giersch widmen sich dem Verhältnis Theodor W. Adornos zu der Stadt Frankfurt (Frankfurter Rundschau http://www.fr-aktuell.de/uebersicht/alle_dossiers/kultur/adorno_jahr_2003/?c nt=297151& Wie man sich die Haare schneiden lassen kann Der Saisonstart der Frankfurter Galerien - Ein Abenteuerspaziergang zwischen verschiedenen Kunst-Konzepten (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=297156 Monumentale Bescheidenheit Eine Retrospektive im Mauritshuis in Den Haag zeigt neunzehn Gemälde, drei Miniaturen und sechzehn Zeichnungen von Hans Holbein dem Jüngeren. Der 1497 oder 1498 in Augsburg geborene Hofmaler des englischen Königs war einer der Ersten, der echte Menschen aus Fleisch und Blut darstellte (TAZ) http://www.taz.de/pt/2003/09/08/a0178.nf/text Das Streben der Bohème Die Sehnsucht nach dem wilden Mann: Jörg Immendorff stellte sich in Berlin der Öffentlichkeit. Anlass war die Eröffnung seiner Werkschau bei Contemporary Fine Arts (TAZ) http://www.taz.de/pt/2003/09/08/a0172.nf/text Bloß ein antiamerikanischer Karneval schlechter Kunst? The American Effect: Die Schau im Whitney Museum polarisiert Publikum und Kritik (Die Welt) http://www.welt.de/data/2003/09/08/165416.html Phönix aus Schutt und Asche Trotz knapper Kassen: Der Wiederaufbau des Dresdner Schlosses kommt voran (Die Welt) http://www.welt.de/data/2003/09/08/165403.html Galeristen kritisieren "Ausländersteuer" Die Galeristen in Deutschland haben die vom Bundesfinanzministerium geplante Einführung einer "Ausländersteuer" für den Kunsthandel heftig kritisiert (Die Welt) http://www.welt.de/data/2003/09/08/165405.html -- September 9 ++ German newspapers / magazines HFF "Konrad Wolf" ist jetzt "reine" Kunsthochschule Die Umwandlung der ehemaligen Fachhochschulstudiengänge Schnitt und Ton in Kunsthochschulstudiengänge ist vom MWFK genehmigt worden (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68683 Der "Traum von der Stadt am Meer": Ausstellung zu Hafenstädten Hafenstädte aus aller Welt präsentieren sich im Museum für Hamburgische Geschichte. Die Ausstellung "Der Traum von der Stadt am Meer" zeigt zahlreiche Exponate aus der Geschichte und der Gegenwart internationaler Küstenmetropolen (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/boulevard/?cnt=299949& Dreißig Jahre Aerosol Subkultur goes Museum: Street Art im Berliner Künstlerhaus Bethanien (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=298751& Jodelnde Menschen auf Fahrkartenautomaten Der Marburger Kunstverein feiert 50. Geburtstag - mit Preisen und einer Ausstellung in der Halle, an der kaum noch einer was zu Meckern hat (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=298599 Ganze Tage im Zimmer der Aussätzigen Paranoia im Hain: Das Vermächtnis des Dichters und Faschisten Gabriele D'Annunzio in Gardone am Gardasee (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/architektur/?cnt=298743 Bauen in Bildern Das Jüdische Museum in Berlin feiert seinen Architekten Daniel Libeskind mit einer großen Werkschau (Die Welt) http://www.welt.de/data/2003/09/09/165854.html Der Zeichen-Setzer Im Mai zog der Architekt Daniel Libeskind von Berlin nach New York, um das neue World Trade Center zu bauen - mit seinem "Freiheitsturm". Unser Autor hat ihn im Büro besucht (Die Welt) http://www.welt.de/data/2003/09/09/165993.html Baldassare Castiglione Geliebtes Kunstwerk (Die Welt) http://www.welt.de/data/2003/09/09/165861.html Picasso und Beckmann im Schwarzwald Picasso war der Stachel im Fleisch des kantigen Deutschen Max Beckmann, ihn zu überbieten sein Lebensziel (Die Welt) http://www.welt.de/data/2003/09/09/165851.html Reiterstandbild Friedrichs des Großen erneut mit Farbe beschmiert Der "Alte Fritz" kommt nicht zur Ruhe. Nachdem das Reiterstandbild Friedrich des Großen Unter den Linden erst im Mai von Graffiti und Farbschmierereien befreit wurde, haben Unbekannte das Denkmal am Wochenende mit Farbgläsern beworfen und erneut wieder verunstaltet (Die Welt) http://www.welt.de/data/2003/09/09/166137.html ++ Austrian newspapers / magazines Kaisergruft mit neuem Eingang Das moderne Foyer befindet sich kurz vor der Fertigstellung - Eröffnung ist am 15. Oktober (Der Standard) http://derstandard.at/standard.asp?id=1413827 -- September 10 ++ German newspapers / magazines Transparent, logisch, fröhlich, streng Erste große Retrospektive zu Werk und Leben von Egon Eiermann (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68725 Rot, Karotte, Infrarot Balzan-Preise vergeben Die Italo-Schweizer Balzan-Stiftung hat jetzt in Mailand ihre Preisträger des Jahres 2003 bekanntgegeben. Für "seine Arbeiten zur europäischen Geschichte seit 1900" wurde dabei der englische Historiker Eric Hobsbawm ausgezeichnet (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Zäsur auf deutsch Nachtrag zu Burckhardt: Ein Band über Juden in der Renaissance Wer über die Renaissance arbeitet, kann sich auch heute noch nicht um Jacob Burckhardts "Die Cultur der Renaissance in Italien: ein Versuch" (1860) herummogeln. Freilich hat dieses Standardwerk eine Schwäche: Die Juden während der Renaissance werden kaum erwähnt (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Man gestaltet heute gern mit der Luftpumpe Beim Barte von Salvador Dalí: Auf der sechzigsten Internationalen Automobilausstellung in Frankfurt kämpfen die Designer gegen die Verwechselbarkeit ihrer Modelle (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Fuhgeddaboutit! Man hört sie so gern schimpfen: Die New Yorker erledigen ihre Erinnerungsarbeit auf robuste Art Irgendwo in Manhattan sitzen dieser Tage dreizehn tapfere Amerikaner beisammen und wühlen sich durch einen Berg von fünftausendzweihundert Entwürfen. Aus aller Welt sind sie von berühmten Architekten und namenlosen Amateuren für eine Gedenkstätte an Ground Zero eingegangen (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Libeskind-Ausstellung mit "Ground Zero"-Modell eröffnet Eine Ausstellung mit Arbeiten des amerikanischen Star-Architekten Daniel Libeskind ist seit Mittwoch im Jüdischen Museum Berlin zu sehen. Unter den 14 präsentierten Projekten befindet sich der preisgekrönte Entwurf für "Ground Zero" und das World Trade Center-Gelände in New York, das am 11. September 2001 bei einem Terroranschlag zerstört worden war (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/boulevard/?cnt=300933& Götter zu Düngemitteln Buddha in Afghanistan: Erst aus Ehrfurcht ausgespart, dann aus Hass zerstört (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/feuilleton/?cnt=300055& In Utrecht öffnet der Vatikan seine Schatztruhe Dass der Papst einen Teil seiner Schätze auslieh, verdankt Utrecht einem Jubiläum (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/boulevard/?cnt=300733& "Himmelsscheibe von Nebra": Bewährungsstrafe für zwei Schatzgräber Im Prozess um die "Himmelsscheibe von Nebra" hat das Amtsgericht Naumburg am Mittwoch zwei Schatzgräber wegen Unterschlagung und Hehlerei zu Bewährungsstrafen verurteilt (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/boulevard/?cnt=301033& Gero-Codex von der Unesco geschützt Es misst ungefähr 30 mal 23 Zentimeter in der Fläche, besteht aus 176 Blättern, hat einen Versicherungswert von rund 30 Millionen Euro und gilt seit kurzem als unschätzbares Dokument der Kulturgeschichte. Den Gero-Codex (Codex lateinisch für handgeschriebenes Buch), eines von mehr als 4000 Prachthandschriften in der Sammlung der Hessischen Landes- und Hochschulbibliothek Darmstadt, nahm die Unesco jetzt in die Liste der Weltdokumentenerbe auf (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/frankfurt_und_hessen/lokal_rundschau/offen bach_darmstadt/?cnt=300494& Schwarzer Kiesel aus Hawaii Die "Schatzkammer der Natur" im Landesmuseum Darmstadt (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=300084 Kunstwerk! Ricarda Jacobi in Darmstadt "Ausgezeichnet, OK": Gelegentlich gab Oskar Kokoschka der ersten Schülerin an der von ihm vor 50 Jahren begründeten Sommerakademie in Salzburg: "Schule des Sehens", sein Urteil kurzerhand schriftlich. Und zwar immer dann, wenn das Gesehene ihn enthusiastisch stimmte. Seinen Ein-Wort-Kommentar "Kunstwerk" versah er sogar mit einem Ausrufungszeichen. Nachzulesen nun in einer Ausstellung, die das Kunst Archiv Darmstadt Ricarda Jacobi widmet (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=298597 Die Sprache der Körper Mit Ornamenten und Arabesken: Die Filmregisseurin und Fotografin Leni Riefenstahl ist im Alter von 101 Jahren gestorben (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/feuilleton/?cnt=300050 Das Vermächtnis der Kriegerin Die Kunst und die Natur, die Partei und das Leben: Im Alter von 101 Jahren ist Leni Riefenstahl gestorben (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1407/ Falsche Bauern, falsche Soldaten - und was für ein Volk Frieda Grafe über Leni Riefenstahl und die Kunst des Films im Nationalsozialismus (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1408/ Im Schatten der Lichtburg Mustergültig restauriert: die Gartenstadt Atlantic in Wedding (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1427/ Hitlers willige Mitarbeiter Neu-Europa in braun: Bernard Bruneteau mustert die französischen Denkmeister der Kollaboration (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1432/ "Daß Auschwitz sich nicht wiederhole" Adorno und die jüdische Tradition: Zum hundersten Geburtstag des Philosophen Wenn in diesen Tagen in Deutschland und darüber hinaus mit zahlreichen Ausstellungen, Büchern, Filmen, Reden und Symposien an Theodor Ludwig Wiesengrund Adornos einhundertsten Geburtstag erinnert wird, dann ehrt man einen Denker, der zwar kein jüdischer Philosoph stricto senso war, dessen Werk aber tief in der jüdischen Tradition und der jüdischen Geschichte im zwanzigsten Jahrhundert verwurzelt ist (Jüdische Allgemeine) http://www.juedische-allgemeine.de/tools/lese.php?ssl_fehler=index.html&ssl_ index=/kultur/kultur.html&weit=/kultur/kultur-08050.html Zur Zeit geschlossen Wegen Geldmangels: Diasporamuseum macht vorläufig zu Das Diasporamuseum Beth Hatefutsoth in Tel Aviv muß wegen Geldmangels für mindestens drei Monate schließen. Die Betreiber, der Jüdische Weltkongreß, die Sochnut, das Bildungsministerium und die Universität Tel Aviv haben ihren gemeinsamen Zuschuß um fast die Hälfte auf rund zwei Millionen US-Dollar pro Jahr reduziert, die finanziell angeschlagene Stadtverwaltung von Tel Aviv ihren Beitrag sogar um achtzig Prozent. Der Schuldenberg des Museums, derzeit 2,25 Millionen US-Dollar, wächst monatlich um hunderttausend Dollar. Die Hälfte des Personals mußte bereits entlassen werden. "Als die Folgen der Intifada anfingen zu greifen, und der Tourismus zurückging, hat das Museum plötzlich seine finanzielle Lebensader verloren", sagt Museumsdirektor Ranny Finzi (Jüdische Allgemeine) http://www.juedische-allgemeine.de/tools/lese.php?ssl_fehler=index.html&ssl_ index=/israel/israel.html&weit=/israel/israel-08044.html Der Machtverlust der Kunst Der Streit um die geplante RAF-Ausstellung in den Kunst-Werken Berlin beruht auf einer Überschätzung des kritischen Potenzials der Kunst. Denn wo die Kunst sich mit Tod und Terrorismus auseinander setzt, zieht sie sich oft ins Unscharfe zurück(TAZ) http://www.taz.de/pt/2003/09/10/a0159.nf/text Küstenmetropolenschau "Traum von der Stadt am Meer": Ausstellung über Hafenstädte im Museum für Hamburgische Geschichte (TAZ) http://www.taz.de/pt/2003/09/10/a0252.nf/text Tag des offenen Denkmals mit neuem Rekord Am bundesweiten "Tag des offenen Denkmals" können am Wochenende so viele historische Bauwerke wie noch nie besichtigt werden (Die Welt) http://www.welt.de/data/2003/09/10/166313.html RAF-Ausstellung: Gerhart Baum attackiert FDP-Chef Westerwelle Im Streit um die geplante Kunstausstellung "Mythos RAF" zur Geschichte der Rote Armee Fraktion hat der frühere Bundesinnenminister Gerhart Baum (FDP) seinen Parteichef Guido Westerwelle für dessen Ablehnung der Ausstellungspläne kritisiert (Die Welt) http://www.welt.de/data/2003/09/10/166307.html Entscheidung über Stadtschloss-Aufbau naht Lösung mit Einkaufszentrum an historischer Stelle ist vom Tisch - Neue Entwürfe für Potsdams Mitte (Die Welt) http://www.welt.de/data/2003/09/10/166510.html ++ Austrian newspapers / magazines Eine Amerikanerin in Wien Lisa Ruyter übersiedelte von New York nach Wien und eröffnet mit Videos ihre Galerie im Schleifmühlviertel (Der Standard) http://derstandard.at/standard.asp?id=1415778 Das dramatische Potenzial der Quader Helmuth Gsöllpointner zeigt "Temporäre variable Raumobjekte" im MAK (Der Standard) http://derstandard.at/standard.asp?id=1414582 ++ Swiss newspapers / magazines Der Wille zur Schönheit Zum Tod von Leni Riefenstahl Am 8. September ist die deutsche Filmemacherin und Fotografin Leni Riefenstahl 101-jährig in ihrem Heim am Starnbergersee gestorben. Durch ihre Nähe zu den Machthabern des Dritten Reichs kompromittiert, hat sie die politischen Implikationen ihrer Rolle jedoch stets bestritten. Ihre epochalen Propagandafilme, sosehr sie darauf bestanden hatte, werden allerdings nie wertfrei zu würdigen sein (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/10/fe/page-article69GGJ.html Ist Washington das «Neue Rom»? Peter Bender findet Parallelen und Differenzen (Neue Zürcher Zeitung) http://buecher.nzz.ch/books/nzzbooks/0/list/$92IJD$T.html Der Kontrakt des Zeichners Art Spiegelmans Titelblätter für den «New Yorker» (Neue Zürcher Zeitung) http://buecher.nzz.ch/books/nzzbooks/0/list/$92O31$T.html -- September 11 ++ German newspapers / magazines Baumaßnahmen, um das maritime Flair des Mont-Saint-Michel wiederherzustellen Mit mehr als 3,2 Millionen Touristen pro Jahr ist der Mont-Saint-Michel neben Paris der größte französische Touristenmagnet. Doch seit einiger Zeit hat dieser magische Ort ein bisschen von seinem Glanz verloren. Verschiedene Tourismusinfrastrukturen haben sich negativ auf diese einmalige Umwelt ausgewirkt, so dass die Bucht von Mont-Saint-Michel mit der Zeit vom Meer verlassen und langsam vom Land erobert wurde (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68762 "Ein Zustand des Schocks" Der Cartoonist Art Spiegelman sprach mit SPIEGEL ONLINE über seinen Bruch mit dem Intellektuellen-Blatt "New Yorker", das veränderte Gesellschaftsklima in den USA und seinen in Europa veröffentlichten 9/11-Comic "Im Schatten keiner Türme" (Der Spiegel) http://www.spiegel.de/kultur/literatur/0,1518,265185,00.html Ein Platz, ein Denkmal, ein Zentrum? Pünktlich zum 100. Geburtstag des Philosophen Theodor W. Adorno hat die Stadt Frankfurt ihrem berühmten Denker auf dem Adorno-Platz ein Denkmal gesetzt. Der Adorno-Forscher Stefan Müller-Doohm fordert jedoch mehr: Die Einrichtung eines Zentrums soll das Andenken an das unfreiwillige Idol der 68er bewahren (Der Spiegel) http://www.spiegel.de/kultur/gesellschaft/0,1518,265169,00.html Als Schmerzensmann thront dieser Malerkönig über seiner abbildlosen, dornengekrönten Kunst So sieht ein Standardwerk über ein Jahrhundertwerk aus: Franz Meyers Buch zu Barnett Newmans Bilderfolge "The Stations of the Cross" entzieht den formalistischen Interpreten endgültig den Boden Ein grandioses Buch! Sein Autor: Franz Meyer, einer der inspiriertesten Museumsgranden der Moderne. Sein Gegenstand: Das Jahrhundertwerk "The Stations of the Cross" - gemalt vom größten abstrakten Künstler, von Barnett Newman (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Das hätte Fontane überrascht Im restaurierten Schloß Köpenick zähmt die Kühle des Klassizismus das Feuerwerk des Barock (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Logische Eskalation Der Architekt Daniel Libeskind und das von ihm entworfene Jüdische Museum ehren sich mit einer Ausstellung (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/feuilleton/?cnt=300876 Raum ohne Regeln Wohlstandsmüll vor römischem Monument: "Türme Babylons" im Landesmuseum Mainz (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=300900 Kollektiefenwirkung Die Masse und der Einzelne in Chinemascope: Die Münchner Pinakothek der Moderne zeigt das Werk des Fotografen Roland Fischer (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1488/ Grüße vom Führer Jagdszenen: Das Ehrenbuch der Leipziger Messe ist aufgetaucht (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1490/ Neues Gebot Das Wiener Auktionshaus Dorotheum eröffnet eine Filiale (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/muenchnerkultur/red-artikel1542/ Triumph des Willens über das Gewissen Zum Tode der Filmkünstlerin Leni Riefenstahl, die den Nazis ihr Genie geschenkt hat (Die Zeit) http://www.zeit.de/2003/38/Riefenstahl Hitler-Junge, Jahrgang 1926 Hat der Historiker Martin Broszat seine NSDAP-Mitgliedschaft verschwiegen - oder hat er nichts davon gewusst? (Die Zeit) http://www.zeit.de/2003/38/Martin_Broszat ++ Austrian newspapers / magazines "Die Malerei ist eine Erfindung der Blumen" Zum 75. Geburtstag des Malers Arik Brauer: eine große Retrospektive im KunstHaus Wien und eine Einladung zum Karaoke (Der Standard) http://derstandard.at/standard.asp?id=1415444 Spencer Tunicks Aktfotos erregen Portugals Priester Fotograf macht nächste Woche mit "Nude Adrift" in Porto Station - Katholischer Geistlicher: "Alles muss eine Grenze haben" (Der Standard) http://derstandard.at/standard.asp?id=1412793 Von der Vernichtung verschont Noch ein 11. September: Einge neuere Arbeiten von Cornelius Kolig blieben von den Fluten verschont - Zu sehen in Klagenfurt (Der Standard) http://derstandard.at/standard.asp?id=1411538 Ausstellung: Glühende Farbe in Venedig Bilder von Venedig und Stillleben stehen im Mittelpunkt von Eduard Angelis neuester Werkphase (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=376003 Kunstmarkt: Weltweite Krisenstimmung Alarmsignale aus dem internationalen Auktionsgeschäft - doch Österreich ist am wenigsten betroffen (Die Presse) http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=376006 ++ Swiss newspapers / magazines Vom Jugendstil zur Moderne Niederländisches Kunsthandwerk in Den Haag Weitgehend mit Kunsthandwerk aus den eigenen Beständen bestückt ist eine Ausstellung in Den Haags Gemeentemuseum. Sie gibt einen Überblick über die vielgestaltige Entwicklung der angewandten Künste in den Niederlanden zwischen 1880 und 1940 (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/11/fe/page-article90K4J.html Intellektuelle in der Geschichte Drei französische Neupublikationen (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/11/fe/page-article90YLF.html -- September 12 ++ German newspapers / magazines Reale und Virtuelle Welt im Dialog - 2000 Jahre Keramik an der Saar Die internationale Modell-Ausstellung macht virtuelle interaktive 3D-Skulpturen für die Öffentlichkeit erfahrbar. In einem Workshop erläutern Computergrafiker allen Interessierten die Digitalisierungstechnik. Neben dem Virtuellen Museum im Computer zeigen die Saarbrücker Experten jedoch auch eine reale Keramiksammlung der letzten 2000 Jahre mit Funden aus der Saarregion aus keltischer und römischer Zeit (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68849 Reale und symbolische Räume: Internationale Tagung des Frankreich-Zentrums der TU Berlin Salonnières, Prinzessinnen und Künstlerinnen als Vermittlerinnen von Kultur - Internationale Tagung des Frankreich-Zentrums der TU Berlin (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68870 Bildwissenschaft zwischen Reflexion und Anwendung Vom 24. bis 28. September 2003 findet an der Otto-von-Guericke-Universität Magdeburg die internationale Fachkonferenz "Bildwissenschaft zwischen Reflexion und Anwendung" statt. Die Veranstalter wollen mit dieser Tagung bekannte Bildforscher unterschiedlicher Disziplinen in repräsentativer Weise zusammen führen, um so einen ersten Schritt zur Institutionalisierung einer allgemeinen Bildwissenschaft zu leisten. Etwa 150 Experten werden aus Deutschland, Großbritannien, Kanada und den Niederlanden erwartet (IDW) http://idw-online.de/public/zeige_pm.html?pmid=68889 Vertiefte Unverblümtheit Albrecht Dürer in einer großen Ausstellung in der wiedereröffneten Albertina in Wien (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=301728 Auch er träumt von Ozeanien Unter die Naturhistorische Sammlung des Museums Wiesbaden mischen sich derzeit Arbeiten von Berend Hoekstra (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=301769 Die Seele des Holzes Skulpturen von Rudolf Wachter - die Hypo-Kunsthalle in München zeigt eine großartige Retrospektive (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1674/ Das unbekannte Wesen Zum großen Treffen der Designer in Hannover (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1675/ Müll ist der Spiegel Code Déco - die digitale Kunst bei der Ars Electronica in Linz (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1676/ Cranach mit Vierbussikuss Das Wiener Auktionshaus Dorotheum eröffnet seine Münchner Dependance (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/muenchen/red-artikel1753/ Reise in fremde Seelenwelten Eine Ausstellung im Rosenheimer Lokschuppen eröffnet Zugang zur so genannten Outsider Art (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/bayern/red-artikel1779/ Den Faden aufgenommen Bezirk Schwaben ebnet Textilmuseum Augsburg den Weg (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/bayern/red-artikel1788/ Ich, ich, ich und ich Radikaler als jede Psychoanalyse: Analog + Digital, Video Foto ist die erste umfassende Werkschau von Peter Campus. Mit ihr huldigt die Kunsthalle dem großen Selbst-Entsteller (TAZ) http://www.taz.de/pt/2003/09/12/a0349.nf/text Verstehen heißt nicht verharmlosen Was hinter dem Streit um den verstorbenen Zeithistoriker Martin Broszat und seine Mitgliedschaft in der NSDAP steckt (Die Welt) http://www.welt.de/data/2003/09/12/167131.html Der Menschenmacher Ron Mueck lehrt uns das Leben - Seine erste Einzelausstellung ist jetzt im Hamburger Bahnhof in Berlin zu sehen (Die Welt) http://www.welt.de/data/2003/09/12/167120.html Flotter Strich: Wilhelm II. als Maler Schiffe versenken ließ er als kaiserlicher Kriegsherr, Schiffe malen blieb ein Lieblingshobby von Deutschlands letztem Kaiser Wilhelm II. (1859-1941), nachdem er den Ersten Weltkrieg und seine Krone verloren hatte (Die Welt) http://www.welt.de/data/2003/09/12/167129.html ++ Austrian newspapers / magazines Die prinzipiell verbalisierte Kunstfreundlichkeit" Rechtsanwalt Michael Pilz im derStandard.at-Interview über die im Staatsgrundgesetz festgehaltene "Freiheit der Kunst" (Der Standard) http://derstandard.at/standard.asp?id=1416077 Die Blätter fallen, der Hammer auch Herbstauktionen im Wiener Dorotheum und im Palais Kinsky (Der Standard) http://derstandard.at/standard.asp?id=1417967 Ein Jahrhundert Wiener Werkstätte Zahlreiche Veranstaltungen zum Jubiläum - Bildband zum Werkstättendesign erschienen (Der Standard) http://derstandard.at/standard.asp?id=1417591 Kontrapunkt zur Ars Electronica Keine technologischen Neuerungen oder materialintensive Unterhaltungskunst im Kunstraum Goethestraße (Der Standard) http://derstandard.at/standard.asp?id=1412404 ++ Swiss newspapers / magazines Die Unschuld der Zeichen Marcel Broodthaers in Wien und Köln Den belgischen Konzeptkünstler Marcel Broodthaers packte schon beim Gedanken an die Vermarktung eines Kunstwerkes das Entsetzen. Dieses teilte er mit zahlreichen Künstlerkollegen seiner Zeit. Aber keiner vermochte sich so subtil zu widersetzen wie er. Er wählte das Fiktionalisieren von Zeichen als subversives Mittel - zwei Ausstellungen in Köln und Wien machen derzeit seine Arbeitsweisen deutlich (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/12/fe/page-article90KOY.html Themenschneise Wien Das Historische Museum startet neu (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/12/fe/page-article93AQU.html -- September 13 ++ German newspapers / magazines Artaud hat ein Derwischgesicht Auf Sand und Stroh blühen die Visionen: Jean Dubuffet im Salzburger Rupertinum Wer wie Jean Dubuffet erst mit über vierzig Jahren ein langjähriges Wechselspiel zwischen der Tätigkeit als erfolgreicher Weinhändler und als Maler zugunsten der Kunst beendet, stürzt sich nicht in ein unbekanntes Abenteuer (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Vertreibung aus dem Paradies Nicht nur in Worms wird der Denkmalschutz zum Bettelorden: "Tag des offenen Denkmals" (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Mach die Augen zu und mal mich Das Braunschweiger Herzog-Anton-Ulrich-Museum feiert die Erotik des sechzehnten Jahrhunderts (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Keine Klosterschule Dorotheum nun auch in München Den Namen "Dorotheum" kenne auch in Deutschland fast jeder, sagt Franz von Rassler, "allerdings halten uns manche für ein Museum oder ein katholisches Mädchenpensionat". Dies zu ändern, schickt sich das Wiener Auktionshaus nun an (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Paris ist ein paar Messen wert Nur langweilig dürfen sie nicht sein: Der "Salon du Collectionneur" im Carrousel du Louvre Paris ist nie um eine neue Messe verlegen. Der "Salon du Collectionneur", die jüngste Schöpfung dieser Art, ist aus der Notwendigkeit entstanden, die Räume des Carrousel du Louvre auch in den Jahren ohne "Biennale des Antiquaires" zu belegen (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Magier der Welt "Parcours des Mondes" in Paris Die Pariser Galerien für afrikanische und ozeanische Stammeskunst sowie für präkolumbische und ostasiatische Kunst veranstalten an diesem Wochenende im Stadtviertel Saint-Germain-des-Prés zum zweiten Mal den Rundgang "Kaos - Parcours des Mondes" (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Selig lächelt die Odaliske auf dem Löwenfell Vorschau: Kunstgewerbe, Möbel und Malerei aus Renaissance und Barock auf Schloß Ahlden Stolz balanciert er im üppigen Bandelwerk, der Falkner im höfischen Gewand, auf der rechten Faust den braven Falken - und so präsentieren beide sich auf einem prächtigen Renaissance-Jagdpokal, den der Meister Tobias Kicklinger wohl um 1600 gestaltet hat (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Zarte Spannung: Russen bei Art Focus in Zürich Auch wenn Jawlensky bereits 1896 nach München ging und sich Chagall 1923 in Paris niederließ, blieben beide im Grunde ihrer Seele russische Künstler. Dies zeigt sich in einer Ausstellung der Galerie Art Focus in Zürich mit 65 Werken von 21 russischen Künstlern (Frankfurter Allgemeine Zeitung) http://www.faz.net/ Alles Code Die Ars Electronica in Linz (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/feuilleton/?cnt=302446 Kaninchen mit Geruch Schirn-Chef Max Hollein möchte keine Theateraufführung im Café der Kunsthalle (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kultur_frankfurt/?cnt=30 2460 Lob der Schere Ein Kompendium der gegenwärtigen Design-Avantgarde (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/kunst_und_fotografie/?cn t=302414 Der Bürger und sein Nachbar Befreiung des Menschen zum Eigennutz: Tilman Reitz rekonstruiert die Politik des privaten Weltverhältnisses im 18. und 19. Jahrhundert (Frankfurter Rundschau) http://www.fr-aktuell.de/ressorts/kultur_und_medien/das_politische_buch/?cnt =302417 Das Neue ist das bessere Alte Ein Sammelband untersucht historische Wendeprozesse (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1865/ Das Modell Schneewittchensarg Als der Weltgeist für ein paar Jahre in einem Kloster auf dem Kuhberg wohnte: Eine Ausstellung anlässlich des 50. Gründungsjahres der Hochschule für Gestaltung in Ulm (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/feuilleton/red-artikel1869/ Mahnmale der Abwesenheit Arbeiten von Mark Manders in der Pinakothek der Moderne (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/muenchnerkultur/red-artikel1922/ Ein Dorf ringt um sein Kloster Die Gemeinde Schalkham besitzt ein herausragendes Baudenkmal - doch die Bürger fordern den Abriss (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/bayern/red-artikel1969/ Schlösser der Industriekultur Das Erbe des einstigen "Manchester" Bayerns soll Augsburg neues Profil geben (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/bayern/red-artikel1970/ Ab in die Grube Am Untermain entsteht ein Schaubergwerk (Süddeutsche Zeitung) http://www.sueddeutsche.de/sz/bayern/red-artikel1967/ Bayreuth, wie es singt und verschweigt NS-Verstrickungen: Jörg Skriebeleit und Albrecht Balds Untersuchung "Wieland Wagner und Bodo Lafferentz im Institut für physikalische Forschung" (TAZ) http://www.taz.de/pt/2003/09/13/a0239.nf/text Willkommen in Arkadien Mit Tizians gutem Namen lockt das Braunschweiger Herzog Anton Ulrich Museum zu nackigen Liebesgöttinnen und stets erregten Satyrn (TAZ) http://www.taz.de/pt/2003/09/13/a0057.nf/text Berlin feiert zwei Jahre Jüdisches Museum Mit fast 1,4 Millionen Besuchern seit September 2001 gehört das von Daniel Libeskind entworfene und von Michael Blumenthal geleitete Jüdische Museum in Berlin zu den meistbesuchten Museen in Deutschland (Die Welt) http://www.welt.de/data/2003/09/13/167642.html Handel bei Auktionen zurückhaltend, Privatkäufer dominieren Eine Einschätzung des aktuellen Auktionsmarktes in Deutschland, nachgefragt bei Lempertz (Köln), Neumeister (München) und Nagel (Stuttgart) (Die Welt) http://www.welt.de/data/2003/09/13/167592.html Der lange Weg vom Truthahn zur Tischlampe Poetische Objekte aus Plastemasse zur Freude und zum Gebrauch: Der Kibbuz-Künstler und Designer Tal Gur (Die Welt) http://www.welt.de/data/2003/09/13/167588.html Kunst Messe München trumpft mit Bildern von Egon Schiele auf Die 48. Kunst Messe München (KMM) vom 11. bis 19. Oktober lockt das Publikum heuer mit einem besonderen Schmankerl (Die Welt) http://www.welt.de/data/2003/09/13/167590.html Neue Bilder von Norbert Bisky bei Voss in Düsseldorf Dass die steile Karriere von Norbert Bisky auf künstlerischer Kompetenz, auf malerischer Raffinesse und großem Ideenreichtum beruht, beweist die neue Ausstellung des jungen Malers in der Galerie Rüdiger Voss in Düsseldorf (Die Welt) http://www.welt.de/data/2003/09/13/167589.html Antoine Lavoisier im Ehrensaal des Deutschen Museums Der Begründer der neuzeitlichen Chemie, Antoine Laurent Lavoisier (1743-1794), wurde gestern als erster nichtdeutscher Forscher mit der Aufstellung einer Büste im Ehrensaal des Deutschen Museums in München geehrt (Die Welt) http://www.welt.de/data/2003/09/13/167579.html Täter und Opfer - ein Streit um die Historiker Essay von Hans Mommsen (Die Welt) http://www.welt.de/data/2003/09/13/167741.html ++ Austrian newspapers / magazines Die Daker lernten Latein - und wurden Rumänen Rumäniens Historiker bestehen auf der dreitausendjährigen Kontinuität der Besiedlung ihres Landes - von den Dakern über die Latinisierung durch Rom zu den Rumänen von heute (Der Standard) http://derstandard.at/standard.asp?id=1418484 Die Welt halb auf den Kopf gestellt "The Monumental Watercolours" zeigt die Albertina in ihrer Pfeilerhalle - einen beeindruckenden neuen Zyklus des Deutschen Georg Baselitz - neben der großen Dürer-Ausstellung http://www.diepresse.at/default.asp?channel=k&ressort=ka&id=376531 ++ Swiss newspapers / magazines Nackt und verwundbar Britische Reaktionen auf Kirchner (Neue Zürcher Zeitung) http://www.nzz.ch/2003/09/13/fe/page-article90TOP.html -- September 14 ++ German newspapers / magazines Das Innerste nach außen kehren Die Pinakothek der Moderne widmet ihm eine Retrospektive, Sammler zahlen fünfstellige Summen für seine Fotos. Roland Fischer verwandelt Architektur in Geometrie. (Die Welt am Sonntag) http://www.wams.de/data/2003/09/14/168288.html Lieb und teurer Ostküsten-Romantik: Die Preise für Fotografien der "Boston School" steigen (Die Welt am Sonntag) http://www.wams.de/data/2003/09/14/168289.html "Die Geschichte hinter den Objekten spüren" Einer der renommiertesten Kunstkenner Münchens feiert Jubiläum: Heinrich Graf von Spreti ist seit 25 Jahren bei Sotheby's (Die Welt am Sonntag) http://www.wams.de/data/2003/09/14/167674.html Zum Geburtstag ein Geschenk der Wormland-Stiftung Pinakothek der Moderne (Die Welt am Sonntag) http://www.wams.de/data/2003/09/14/168046.html Köln zeigt Dresdens Schätze August der Starke sammelte Meisterwerke der Malerei. Nun sind 130 von ihnen im Wallraf-Richartz- Museum zu sehen (Die Welt am Sonntag) http://www.wams.de/data/2003/09/14/168186.html ++ Austrian newspapers / magazines 1945 entwendetes Rubens-Gemälde vermutlich in Moskau Verfahren wegen Hehlerei gegen mehrere Schweizer und Russen (Der Standard) http://derstandard.at/standard.asp?id=1419079 Gipsalarm aus dem Steinzelt Unter den Kellergewölben des Semperdepots warten 450 Skulpturen und Reliefs darauf, dass sie zu einer echten Glyptothek werden (Der Standard) http://derstandard.at/standard.asp?id=1418471 Kein Holocaust in Rumänien? Wiesenthal-Zentrum kritisiert Umgang höchster staatlicher Stellen mit der Vergangenheit (Der Standard) http://derstandard.at/standard.asp?id=1418502 --- H-MUSEUM H-Net Network for Museums and Museum Studies E -Mail: [log in to unmask] WWW: http://www.h-museum.net __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 16 Sep 2003 11:51:03 -0400 Reply-To: Yvette Cortes <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Yvette Cortes <[log in to unmask]> Subject: largess Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline The Adam & Sophie Gimbel Design Library of Parsons School of Design has the following title available for the cost of postage: Who's who in American art 2001-2002 Washington, D.C. : American Federation of Arts. Yvette Cortes Reference Librarian Parsons School of Design Gimbel Library 2 W. 13th St., 2nd Floor New York, NY 10011 212-229-5587 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 16 Sep 2003 15:40:32 -0400 Reply-To: Joan Stahl <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Joan Stahl <[log in to unmask]> Subject: color photocopier / printer / scanner MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Dear Colleagues, The University of Maryland Art Library is considering getting a public access color copier / printer / scanner. If you have a public access copier / printer scanner, I am interested in knowing about your experience with its use. Specifically: a. How much do you charge for color copies? b. Do the number of copies that are made by the public recover your leasing cost? c. Does your color copier require special maintenance / care? Have you had technical problems with it? d. Is scanning a popular feature? Do you have a way to recover scanning costs? e. What make / model copier do you have? f. If you are in a university or a college, is a public access color copier available elsewhere in the library system? Please respond directly to me. Thank you for sharing your experiences. -- Joan Stahl Branch Manager Art and Architecture Libraries University of Maryland 2213 Art-Sociology Building College Park, MD 20742 Tel.: (301) 405-9065 Fax: (301) 314-9725 Email: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 16 Sep 2003 16:08:31 -0400 Reply-To: Kelly Fiske <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Kelly Fiske <[log in to unmask]> Subject: Re: Ellsworth Kelly exhibitions Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_26381067==_.ALT" --=====================_26381067==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Responding to Ruth Thomas's query concerning the status of the Ellsworth Kelly catalogues from Matthew Marks Gallery: Both publications are indeed available, though not yet in stock at Worldwide Books. ---------- ELLSWORTH KELLY: SELF PORTRAIT DRAWINGS, 1944-1992. Harry Cooper. Matthew Marks Gallery, New York, 2003. Distributed by D.A.P./Distributed Art Publishers, New York. 120 pp. with 53 col. ills. 23 x 17 cm. ISBN 1-880146-41-X In English. $30.00 Hardcover Worldwide 802693 [bibliographic information supplied by D.A.P. but not yet verified by Worldwide] D.A.P. reports that they just received stock on this item and are now filling backorders. Worldwide expects to have copies very soon. ---------- ELLSWORTH KELLY: MATRIX . Matthew Marks Gallery, New York, 2003. Benjamin Buchloh. 90 pp. with 24 col. ills. 28 x 30 cm. ISBN 1-880146-40-1. Hardcover (slipcased) Matthew Marks Gallery list price: $49.95 [bibliographic information unverified] Unlike many Matthew Marks Gallery publications, the recently published Matrix catalogue will not be distributed by D.A.P./Distributed Art Publishers. Worldwide's order with Matthew Marks Gallery has not yet been filled, but they promise to send the title immediately. Since all of our approval plan selections are made with book in hand, we do not yet know if we will carry this title as part of our regular stock and offer it under our approval plan program. However, we can accept orders for the title whether we choose to list the catalogue or not. The title can also be ordered directly through Matthew Marks Gallery's web site. Kelly Fiske Worldwide Books ---------- >Submitted-By: Ruth Thomas <[log in to unmask]> >Date: Mon, 15 Sep 2003 14:53:17 -0400 >Reply-To: Ruth Thomas <[log in to unmask]> >Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> >From: Ruth Thomas <[log in to unmask]> >Subject: [ARLIS-L] Ellsworth Kelly exhibitions >To: [log in to unmask] > >We are trying to buy two exhibition catalogs. We have an order with >Worldwide. A graduate student writing an EK dissertation is eager to >have them. But I see no records for them in Worldcat. Has anyone >succeeded in acquiring them and, if so, from whom? > >Ellsworth Kelly: Matrix, Matthew Marks Gallery, 523 West 24 Street and 522 >West 22nd Street, and Ellsworth Kelly: Self-Portrait Drawings 1944-1992 at >Matthew Marks Gallery, 529 West 21 Street, through June 28, 212-243-0200 > >Thanks, Ruth > >Ruth S. Thomas >Archaeology, Art, Art History, Classics Bibliographer >Mugar Memorial Library >Boston University >771 Commonwealth Ave. >Boston, MA 02215 >(617)353-3714 > >__________________________________________________________________ >Mail submissions to [log in to unmask] >For information about joining ARLIS/NA see: > http://www.arlisna.org//membership.html >Send administrative matters (file requests, subscription requests, etc) > to [log in to unmask] >ARLIS-L Archives and subscription maintenance: > http://lsv.uky.edu/archives/arlis-l.html >Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] Mr. Kelly M. Fiske, Director Worldwide Books 1001 West Seneca Street Ithaca, NY 14850 USA Phone (607) 272-9200, ext. 16 Fax (607) 272-0239 US & Canadian orders 1-800-473-8146 www.worldwide-artbooks.com __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=====================_26381067==_.ALT Content-Type: text/html; charset="us-ascii" <html> Responding to Ruth Thomas's query concerning the status of the Ellsworth Kelly catalogues from Matthew Marks Gallery: <br> <br> Both publications are indeed available, though not yet in stock at Worldwide Books. <br> <br> <hr> ELLSWORTH KELLY: SELF PORTRAIT DRAWINGS, 1944-1992. Harry Cooper. Matthew Marks Gallery, New York, 2003. Distributed by D.A.P./Distributed Art Publishers, New York. 120 pp. with 53 col. ills. 23 x 17 cm. ISBN 1-880146-41-X In English. $30.00 Hardcover <br> Worldwide 802693 [bibliographic information supplied by D.A.P. but not yet verified by Worldwide]<br> <br> D.A.P. reports that they just received stock on this item and are now filling backorders. Worldwide expects to have copies very soon.<br> <br> <hr> ELLSWORTH KELLY: MATRIX<x-tab> </x-tab>. Matthew Marks Gallery, New York, 2003. Benjamin Buchloh. 90 pp. with 24 col. ills. 28 x 30 cm. ISBN 1-880146-40-1. Hardcover (slipcased)<br> Matthew Marks Gallery list price: $49.95<br> [bibliographic information unverified]<br> <br> Unlike many Matthew Marks Gallery publications, the recently published Matrix catalogue will not be distributed by D.A.P./Distributed Art Publishers. Worldwide's order with Matthew Marks Gallery has not yet been filled, but they promise to send the title immediately. Since all of our approval plan selections are made with book in hand, we do not yet know if we will carry this title as part of our regular stock and offer it under our approval plan program. However, we can accept orders for the title whether we choose to list the catalogue or not. The title can also be ordered directly through Matthew Marks Gallery's web site.<br> <br> Kelly Fiske<br> Worldwide Books<br> <br> <hr> <br> <blockquote type=cite cite>Submitted-By: Ruth Thomas <[log in to unmask]><br> Date: Mon, 15 Sep 2003 14:53:17 -0400<br> Reply-To: Ruth Thomas <[log in to unmask]><br> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]><br> From: Ruth Thomas <[log in to unmask]><br> Subject: [ARLIS-L] Ellsworth Kelly exhibitions<br> To: [log in to unmask]<br> <br> We are trying to buy two exhibition catalogs. We have an order with<br> Worldwide. A graduate student writing an EK dissertation is eager to<br> have them. But I see no records for them in Worldcat. Has anyone<br> succeeded in acquiring them and, if so, from whom?<br> <br> Ellsworth Kelly: Matrix, Matthew Marks Gallery, 523 West 24 Street and 522<br> West 22nd Street, and Ellsworth Kelly: Self-Portrait Drawings 1944-1992 at<br> Matthew Marks Gallery, 529 West 21 Street, through June 28, 212-243-0200<br> <br> Thanks, Ruth<br> <br> Ruth S. Thomas<br> Archaeology, Art, Art History, Classics Bibliographer<br> Mugar Memorial Library<br> Boston University<br> 771 Commonwealth Ave.<br> Boston, MA 02215<br> (617)353-3714<br> <br> __________________________________________________________________<br> Mail submissions to [log in to unmask]<br> For information about joining ARLIS/NA see:<br> <a href="http://www.arlisna.org//membership.html" eudora="autourl">http://www.arlisna.org//membership.html</a><br> Send administrative matters (file requests, subscription requests, etc)<br> to [log in to unmask]<br> ARLIS-L Archives and subscription maintenance:<br> <a href="http://lsv.uky.edu/archives/arlis-l.html" eudora="autourl">http://lsv.uky.edu/archives/arlis-l.html</a><br> Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] </blockquote><br> <div>Mr. Kelly M. Fiske, Director</div> <div>Worldwide Books</div> <div>1001 West Seneca Street</div> <div>Ithaca, NY 14850 USA </div> <br> <div>Phone (607) 272-9200, ext. 16</div> <div>Fax (607) 272-0239</div> <div>US & Canadian orders 1-800-473-8146</div> <br> <div><a href="http://www.worldwide-artbooks.com/" EUDORA=AUTOURL>www.worldwide-artbooks.com</a></div> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=====================_26381067==_.ALT-- ========================================================================Date: Wed, 17 Sep 2003 10:31:06 +0200 Reply-To: Michaela Zonnenshain <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Michaela Zonnenshain <[log in to unmask]> Subject: query-paris MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0005_01C37D06.CD8CAC10" This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C37D06.CD8CAC10 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello, I'm looking for the url of : Paris projet (Atelier Parisien D'Urbanisme). The last issue we have received is : Quartiers Anciens... no. 32-33, 1998 : I wonder if there are new issues. Thanks in advance, michaela Michaela Zonnenshain Architecture and Town Planning Library Technion I.I.T. Haifa 32000, Israel Tel. 972-4-8294010 Fax 972-4-8294617 E-mail [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0005_01C37D06.CD8CAC10 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1106" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial color=#0000ff size=2>Hello,</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2>I'm looking for the url of :</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2>Paris projet (Atelier Parisien D'Urbanisme).</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2>The last issue we have received is :</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2>Quartiers Anciens... no. 32-33, 1998 :</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2>I wonder if there are new issues.</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2>Thanks in advance,</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2>michaela</FONT></DIV> <DIV><FONT face=Arial color=#0000ff size=2></FONT> </DIV> <DIV><FONT face=Arial color=#0000ff size=2>Michaela Zonnenshain<BR>Architecture and Town Planning Library<BR>Technion I.I.T.<BR>Haifa 32000, Israel</FONT></DIV> <DIV><FONT color=#0000ff></FONT> </DIV> <DIV><FONT face=Arial size=2><FONT color=#0000ff>Tel. 972-4-8294010<BR>Fax 972-4-8294617<BR>E-mail </FONT><A href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0005_01C37D06.CD8CAC10-- ========================================================================Date: Wed, 17 Sep 2003 12:59:53 +0200 Reply-To: Michaela Zonnenshain <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Michaela Zonnenshain <[log in to unmask]> Subject: query-International Journal of Public-Private Partnerships MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0009_01C37D1B.96429200" This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C37D1B.96429200 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello, The last issue we received is : Vol.3, No.2, March 2000/01 Does this journal still exist? Bye, michaela Michaela Zonnenshain Architecture and Town Planning Library Technion I.I.T. Haifa 32000, Israel Tel. 972-4-8294010 Fax 972-4-8294617 E-mail [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0009_01C37D1B.96429200 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1106" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Hello,</FONT></DIV> <DIV><FONT face=Arial size=2>The last issue we received is : Vol.3, No.2, March 2000/01</FONT></DIV> <DIV><FONT face=Arial size=2>Does this journal still exist?</FONT></DIV> <DIV><FONT face=Arial size=2>Bye,</FONT></DIV> <DIV><FONT face=Arial size=2> michaela</FONT></DIV> <DIV><FONT face=Arial size=2>Michaela Zonnenshain<BR>Architecture and Town Planning Library<BR>Technion I.I.T.<BR>Haifa 32000, Israel</FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>Tel. 972-4-8294010<BR>Fax 972-4-8294617<BR>E-mail <A href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0009_01C37D1B.96429200-- ========================================================================Date: Wed, 17 Sep 2003 09:04:12 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Pamela J. Eyerdam" <[log in to unmask]> Subject: !!ARLIS/Ohio Valley Fall Meeting - October 3, 2003 Comments: To: [log in to unmask] In-Reply-To: <[log in to unmask]> MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Only 16 more days until the ARLIS/ Ohio Valley meeting in Cincinnati -- Register NOW !! Please join the ARLIS/Ohio Valley chapter for its fall meeting on Friday, October 3, 2003 in Cincinnati. A very interesting and educational program has been planned. Take a behind the scenes tour of the Cincinnati Art Museum Costume Department as they prepare for the upcoming exhibition "A Separate Sphere: Dressmakers in Cincinnati's Golden Age 1877-1922;" and tour Cincinnati's new Lois and Richard Rosenthal Contemporary Arts Center, hailed by the New York Times as "the most important building to be completed since the end of the cold war." Mark your calendar now and please plan to attend this October meeting! Thursday, October 2 6:30 pm meet for dinner at the Riverview Restaurant Located on top of the Radisson Hotel in Covington, Kentucky, provides outstanding panoramic views of the Ohio River and Cincinnati Skyline. Friday, October 3 9:00-9:30 am -- Coffee and Registration 9:30-10:15 am -- Behind the scenes tour of the Cincinnati Art Museum Costume Department as they prepare for the upcoming exhibition "A Separate Sphere: Dressmakers in Cincinnati's Golden Age 1877-1922" 10:15-10:30 am -- Break 10:30-11:15 am -- Demonstration of CONTENTdm digital collection software by Doug Potts of OCLC 11:15-12 noon -- Dr. Linn Dietrich, Miami University, presents a slide lecture "Contemporary Arab and Persian Women Artists" 12 noon - 1:00 pm -- Lunch 1:15 - 1:30 pm Break 1:30-2:30 pm -- ARLIS/OV Business Meeting 2:30-3:00 pm -- Travel to Cincinnati Contemporary Arts Center and park. 3:00-4:00 pm -- Tour of Iraqi architect Zaha Hadid's , Lois and Richard Rosenthal Center for Contemporary Art Packets of information will be sent to all ARLIS/Ohio Valley members. Those outside the Ohio Valley chapter who may wish to attend may call Mona Chapin at 513-639-2976 to request program packets giving complete details and registration forms. We look forward to seeing you in Cincinnati. Mona L. Chapin Head Librarian Cincinnati Art Museum/Art Academy of Cincinnati 953 Eden Park Drive Cincinnati, OH 45202-1557 Tel: 513-639-2976 Fax: 513-721-0129 E-mail: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 17 Sep 2003 11:40:25 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Pamela J. Eyerdam" <[log in to unmask]> Subject: FW: Ashcroft Mocks Librarians and Others Who Oppose Parts of Counterterrorism Law (fwd) Comments: To: [log in to unmask] MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT FYI -- NEWS: Ashcroft Mocks Librarians and Others Who Oppose Parts of Counterterrorism Law By ERIC LICHTBLAU New York Times September 16, 2003 [ Access to the New York Times Website Requires Free Registration ] WASHINGTON, Sept. 15 Attorney General John Ashcroft today accused the country's biggest library association and other critics of fueling "baseless hysteria" about the government's ability to pry into the public's reading habits. In an unusually pointed attack as part of his latest speech in defense of the Bush administration's counterterrorism initiatives, Mr. Ashcroft mocked and condemned the American Library Association and other Justice Department critics for believing that the F.B.I. wants to know "how far you have gotten on the latest Tom Clancy novel." The association, which has argued for months that the government's new antiterrorism powers risk encroaching on the privacy of library users, took some satisfaction from the broadside. "If he's coming after us so specifically, we must be having an impact," said Emily Sheketoff, executive director of the library association's Washington office. --------------------- The full article may be read at the URL above. After digesting this article, one may wish to have a look at some discussion on this topic using the links on this Educational Cyberplayground page that clearly wants to be known as a page about privacy: BACK TO SECURITY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY PRIVACY <http://www.edu-cyberpg.com/Technology/SECURITYprivacy.html> A recent post of mine regarding an organizations research report on privacy issues may also be of interest in this regard: Privacy and Human Rights 2003: An International Survey of Privacy Laws and Developments <http://groups.yahoo.com/group/NetGold/message/269> This bibliography regarding the USA PATRIOT Act and other posts regarding the USA PATRIOT Act may also be of interest: USA PATRIOT Act <http://lawlibrary.ucdavis.edu/LAWLIB/March03/0143.html> The Impacts of the PATRIOT USA Act: From Libraries to Banks <http://www.freelists.org/archives/nethappenings/03-2003/msg00071.html> The PATRIOT USA Act: Some Websites: Some Webliographies from the Open Directory Project and Some Monographic Publications <http://www.freelists.org/archives/nethappenings/03-2003/msg00075.html> [KCUTS] RESOURCES: USA PATRIOT Act Responses <http://kootenaycuts.com/archive/?3324> Sincerely, David Dillard Temple University (215) 204 - 4584 [log in to unmask] <http://groups.yahoo.com/group/NetGold/> <http://www.edu-cyberpg.com/ringleaders/davidd.html> --- To sign off from DIG_REF, send a message to [log in to unmask] with the command SIGNOFF DIG_REF. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 17 Sep 2003 14:21:27 -0400 Reply-To: Lilian Zirpolo <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Lilian Zirpolo <[log in to unmask]> Subject: Aurora, The Journal of the History of Art MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: QUOTED-PRINTABLE Below follows the table of contents for Aurora, Vol. IV to be published in November of this year. This is a thematic issue dealing with female art patronage and collecting. Those interested in subscribing can download the subscription form from our website at http://arthistory.rutgers.edu/aurora Also, we are currently seeking articles for Vol. V, 2004. Please consult our website for submission information. Thank you, Lilian Zirpolo Co-Editor/Publisher Aurora, The Journal of the History of Art\ ---------------------------------------------------------------------------- ----- Aurora, The Journal of the History of Art Volume IV, 2003 Engendering Space: Octavia's Portico in Rome MARGARET WOODHULL Abbess Uta of Regensburg and Patterns of Female Patronage Around 1000 ADAM S. COHEN Euphrosenia of Polacak: Patroness of the Arts in the Polacak Principality of Eastern Europe HALINA R. RUSAK 'Heaven's Particular Instrument': Isabel la Catolica's Public Projects, 1477 - 1504 MARGARET SKOGLUND Isabella's Mother: Aspects of the Art Patronage of Eleonora d'Aragona, Duchess of Ferrara JOSEPH MANCA Petronella de La Court and Agneta Block: Experiencing Collections in Late Seventeenth-Century Amsterdam MELINDA K. VANDER PLOEG FALLON "Je ne suis plus la Reine, je suis moi": Marie-Antoinette at the Salon of 1783 T. LAWRENCE LARKIN The Tactics of Fashion: Jewish Women in Fin-de-Siècle Vienna KIMBERLY A. SMITH Constructing a Matrilineal History of Women Artists in Interwar France PAULA J. BIRNBAUM 'Feminine' Anatomies of Taste and Cultures of Collecting in Early Twentieth Century Britain: Gwendoline and Margaret Davies as Women Art Patrons ANDREW STEPHENSON "A Vital and Integral Part of Society:" Women Patrons of the Arts in the South TANIA JUNE SAMMONS Collecting and the Cultural Politics of Race and Community Survival: Samella Sanders Lewis FERRIS OLIN __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 17 Sep 2003 09:17:15 -0400 Reply-To: Kent Boese <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Kent Boese <[log in to unmask]> Subject: Franco Cacciatore Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline I am looking for information on the Sicilian artist, Franco Cacciatore. All I've been able to find so far is from a NY Times (?) article in our clipping file. The photocopy is not the best, so I'm not entirely sure of the paper or date, which could be 1968 (?). From the article, he burned 50 of his paintings in Syracuse, Sicily. Can anyone verify my citation, or share more biographical information on him with me? Any help would be greatly appreciated. Thanks, Kent Kent C. Boese Arts Cataloger Co-Editor, The Bottom Line: Managing Library Finances Smithsonian Institution Libraries P.O. Box 37012 NHB 30 - MRC 154 Washington, DC 20013-7012 tel. (202) 357-3161 fax. (202) 357-4532 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask][log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_00CF_01C3793E.06400CE0-- ========================================================================Date: Sat, 13 Sep 2003 12:03:46 -0500 Reply-To: Biblioteca <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Biblioteca <[log in to unmask]> Subject: Expresionistic painting galleries MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_009E_01C379EF.15DAA0A0" This is a multi-part message in MIME format. ------=_NextPart_000_009E_01C379EF.15DAA0A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello ARLIS subscribers: Concerning my anterior request on a german expressionistic paintig, I would like to know if there are any comercial galleries specialized in expressionism in Germany to whom I could write. Thanks a lot in advance. Gustavo von Bischoffshausen H. Bibliotecario Biblioteca Manuel Solari Swayne Museo de Arte de Lima __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 17 Sep 2003 13:00:08 -0700 Reply-To: "Trump, Polly" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Trump, Polly" <[log in to unmask]> Subject: The Mountain Ledger Comments: To: "MWList ([log in to unmask])" <[log in to unmask]> Comments: cc: "Promis, Patricia" <[log in to unmask]> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C37D56.4BCF92A0" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C37D56.4BCF92A0 Content-Type: text/plain Apologies for the cross-posting. I am pleased to announce that the Fall/Winter 2003 edition of The Mountain Ledger is now available for your viewing pleasure at <http://www.lib.byu.edu/arlismw> http://www.lib.byu.edu/arlismw. Learn about the fabulous conference in Portland! Read Institution News! Get member gossip! Be shocked and awed to learn that ARLIS/Mountain West has added yet another state (Montana) to our chapter! Enjoy! Polly Trump ------------------------- Polly Trump, MLS Architecture Librarian University of Arizona PO Box 210075 Tucson, AZ 85721-0075 520.621.2049 (voice) 520.621.8700 (fax) ---------------------------- __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37D56.4BCF92A0 Content-Type: text/html <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII"> <TITLE>Message</TITLE> <META content="MSHTML 6.00.2800.1226" name=GENERATOR></HEAD> <BODY style="COLOR: #000000; FONT-FAMILY: " hb_focus_attach="true"> <DIV><STRONG><FONT face="Berlin Sans FB" color=#000080><SPAN classg1355619-17092003>Apologies for the cross-posting.</SPAN></FONT></STRONG></DIV> <DIV><STRONG><FONT face="Berlin Sans FB" color=#000080><SPAN classg1355619-17092003></SPAN></FONT></STRONG> </DIV> <DIV><STRONG><FONT face="Berlin Sans FB" color=#000080><SPAN classg1355619-17092003>I am pleased to announce that the Fall/Winter 2003 edition of The Mountain Ledger is now available for your viewing pleasure at <A href="http://www.lib.byu.edu/arlismw"><B><U><FONT color=#0000ff size=2>http://www.lib.byu.edu/arlismw</B></U></FONT></A>. Learn about the fabulous conference in Portland! Read Institution News! Get member gossip! Be shocked and awed to learn that ARLIS/Mountain West has added yet another state (Montana) to our chapter! Enjoy!</SPAN></FONT></STRONG></DIV> <DIV><STRONG><FONT face="Berlin Sans FB" color=#000080><SPAN classg1355619-17092003></SPAN></FONT></STRONG> </DIV> <DIV><STRONG><FONT face="Berlin Sans FB" color=#000080><SPAN classg1355619-17092003>Polly Trump</SPAN></FONT></STRONG></DIV> <DIV> </DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>-------------------------</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>Polly Trump, MLS</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1><EM>Architecture Librarian</EM></FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>University of Arizona</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>PO Box 210075</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>Tucson, AZ 85721-0075</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1></FONT> </DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>520.621.2049 (voice)</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>520.621.8700 (fax)</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>----------------------------</FONT></DIV> <DIV> </DIV> <P></P></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37D56.4BCF92A0-- ========================================================================Date: Wed, 17 Sep 2003 10:00:57 -0400 Reply-To: "Nachtigall, Lisa" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Nachtigall, Lisa" <[log in to unmask]> Subject: Grove Art Access Comments: cc: "Kuan, Christine" <[log in to unmask]> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C37D24.1E10051B" This is a multi-part message in MIME format. ------_=_NextPart_001_01C37D24.1E10051B Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Greetings, Many of you may have been experiencing occassional access problems with Grove Art Online over the last several days. We are in the process of correcting a problem with our access control system. This problem is only affecting access for institutions with concurrent user licenses. Institutions with unlimited user access should not be experiencing any problems at all. If your institution has a concurrent user license and has been experiencing problems with access to the site, please contact our customer support department at <mailto:[log in to unmask]> [log in to unmask] Apologies to you and your patrons for the difficulties this may be causing. Lisa Lisa Nachtigall Oxford University Press Associate Director, Sales and Marketing Online Products 212-726-6425 www.oxfordonline.com __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37D24.1E10051B Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1"> <TITLE></TITLE> <META content="MSHTML 6.00.2800.1170" name=GENERATOR></HEAD> <BODY> <DIV><FONT face=Arial size=2>Greetings,<BR>Many of you may have been experiencing occassional access problems with Grove Art Online over the last several days. We are in the process of correcting a problem with our access control system. This problem is only affecting access for institutions with concurrent user licenses. Institutions with unlimited user access should not be experiencing any problems at all. If your institution has a concurrent user license and has been experiencing problems with access to the site, please contact our customer support department at<BR></FONT><A href="mailto:[log in to unmask]"><FONT face=Arial size=2>[log in to unmask]</FONT></A><FONT face=Arial size=2>. <BR><BR>Apologies to you and your patrons for the difficulties this may be causing.<BR></FONT></DIV> <DIV><FONT face=Arial size=2>Lisa <BR><BR>Lisa Nachtigall<BR>Oxford University Press<BR>Associate Director, Sales and Marketing<BR>Online Products<BR>212-726-6425<BR>www.oxfordonline.com<BR><BR></DIV></FONT></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37D24.1E10051B-- ========================================================================Date: Wed, 17 Sep 2003 14:36:27 -0400 Reply-To: ARLIS/NA <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: ARLIS/NA <[log in to unmask]> Subject: Catalog Librarian - Clark Art Institute MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Catalog Librarian Clark Art Institute The Clark Art Institute seeks a cataloger to join the Library’s professional staff. The cataloger will be responsible for descriptive and subject cataloging of monographs, serials and special materials in an online mode; will apply cataloging rules to describe the item and assign access points, classification, and content designation; will research reference sources and apply cataloging rules and content designation conventions to establish or modify personal names, corporate names, uniform titles, and series for inclusion in online catalog and LC authority file as an ArtNACO participant; will record and revise bibliographic records, authority records and classification schedules as needed. This entry-level position requires an MLS degree or equivalent combination of education and experience; experience with an integrated library system, preferably Innovative Interfaces Inc.; knowledge of the history of European and American art and visual culture; familiarity with western European languages and commitment to learning and using emerging technologies. Preferred qualifications include a working knowledge of RLIN, the USMARC format, AACR2, and Library of Congress rule interpretations, classification, and subject headings. This position requires excellent communication and interpersonal skills; strong analytic and problem solving skills; ability to work in a team environment; and flexibility in response to changing circumstances. The Clark Art Institute offers a competitive compensation and benefits package. Interested applicants should submit a letter of application, resume, and the names of three references via email to [log in to unmask] or mail to Human Resources, Clark Art Institute, 225 South Street, Williamstown, MA 01267. --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.518 / Virus Database: 316 - Release Date: 9/11/03 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 17 Sep 2003 14:36:27 -0400 Reply-To: ARLIS/NA <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: ARLIS/NA <[log in to unmask]> Subject: Collections Access and Reference Librarian - Clark Art Institute MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Collections Access and Reference Librarian Clark Art Institute The Clark Art Institute seeks a Collection Access and Reference Librarian to join the professional library staff. The successful candidate will be responsible for organizing and supervising the collections access operations, including oversight of internal circulation and stack maintenance programs, development of policies and procedures for public services, and the provision of reference, interlibrary loan and document delivery services and bibliographic instruction for the use of a broad range of tools to a diverse constituency including Clark Fellows, staff, the Williams College/Clark Art Institute Graduate Program in the History of Art, and the general public. In addition, the Collections Access and Reference Librarian will develop instructional and informational content for the library’s web pages and participate in collection development of the reference collection. Supervise one full-time Library Assistant. This position requires an MLS degree with an undergraduate degree in art history (advanced degree preferred); experience (3-5 years) in a similar position; and demonstrated knowledge of the history of art and visual culture, as well as working knowledge of western European languages. The position also requires strong interpersonal communication and leadership skills and the ability to utilize the full range of reference tools in multiple formats that are relevant to advanced research in art history, critical theory, and visual culture. Experience with RLG’s ILL Manager software, Ariel document delivery software, and web software tools preferred. The Clark Art Institute offers a competitive compensation and benefits package. Interested applicants should submit a letter of application, resume, and the names of three references via email to [log in to unmask] or mail to Human Resources, Clark Art Institute, 225 South Street, Williamstown, MA 01267. --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.518 / Virus Database: 316 - Release Date: 9/11/03 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 17 Sep 2003 14:36:27 -0400 Reply-To: ARLIS/NA <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: ARLIS/NA <[log in to unmask]> Subject: Slide Librarian - Clark Art Institute MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Slide Librarian Clark Art Institute The Clark Art Institute seeks a Slide Librarian to join the professional library staff. The Slide Librarian is responsible for the management of a collection of 160,000 slides and a nascent collection of digital images. These collections serve the needs of the Institute’s staff, Clark Fellows, and the Williams College/Clark Art Institute Graduate Program in the History of Art. The Slide Librarian collaborates with the Clark Registrar, the Williams College Museum of Art Registrar, and the Williams College Slide Library in the administration of a shared ARGUS collections management database. The Slide Librarian supplies cataloging and authority records for both analog and digital images, and provides research and reference services. In addition, the Slide Librarian provides leadership and strategic planning for integrating the policies, procedures, and standards for the slide library with those of the library as a whole, and for the utilization of national art and image resources. Supervises one full-time Slide Library Assistant. This position requires either an MLS degree or an MA in Art History, experience working in a slide library, knowledge of the current issues facing the field of visual resources, knowledge of cataloging standards, and an interest in applying new technologies for delivering digital images. Knowledge of the history of European and American art and visual culture and familiarity with western European languages is essential. This position also requires strong interpersonal skills, leadership ability and the managerial skills required to set priorities and balance current slide processes and the need to adopt new technologies. The Clark Art Institute offers a competitive compensation and benefits package. Interested applicants should submit a letter of application, resume, and the names of three references via email to [log in to unmask] or mail to Human Resources, Clark Art Institute, 225 South Street, Williamstown, MA 01267. --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.518 / Virus Database: 316 - Release Date: 9/11/03 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 18 Sep 2003 08:50:59 -0700 Reply-To: Jeanne Brown <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jeanne Brown <[log in to unmask]> Subject: ARLIS/NA Cmte Interests MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Greetings! Do you have an interest in serving on ARLIS/NA Committees in 2004? If so, let me know and I will forward your name to the 2004 chair! ARLIS/NA, reflecting its many functions, has a variety of standing committees. The list can be found at http://www.arlisna.org/Committees.html ARLIS/NA relies heavily on its volunteers. Thanks in advance for your willingness to serve. Jeanne Brown Vice-president/President-elect PS 2004 chairs have not yet been named. ======================================================Jeanne Brown Tel:702-895-4369 Head, Architecture Studies Library Fax:702-895-1975 Box 45-4049, 4505 Maryland Parkway Email:[log in to unmask] University of Nevada, Las Vegas Las Vegas, NV 89154-4049 Home page: http://www.library.unlv.edu/arch/index.html __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 18 Sep 2003 11:39:44 -0400 Reply-To: "Nachtigall, Lisa" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Nachtigall, Lisa" <[log in to unmask]> Subject: Grove Art access MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello, The access problems for Grove Art have now been resolved. If you are still experiencing difficulties with concurrent user access, please contact customer support at [log in to unmask] Apologies for this disruption in service. Lisa Lisa Nachtigall Oxford University Press Associate Director, Sales and Marketing Online Products 212-726-6425 www.oxfordonline.com __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 18 Sep 2003 12:05:48 -0400 Reply-To: "Anne B. Haas" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Anne B. Haas" <[log in to unmask]> Subject: ARLIS New ENgland Chapter Fall Meeting MIME-version: 1.0 Content-type: TEXT/PLAIN; charset=US-ASCII Content-transfer-encoding: 7BIT Hello all, New England ARLIS will he holding it's first fall meeting on Friday, October 17, 2003 at Bowdoin College,in Brunswick, Maine. The meeting will include a welcome coffee, a tour of the Pejebscot Historical Society museum and the Joshua Chamberlain House, lunch, and a tour of the Bowdoin College Museum, and it's new exhibit, entitled "The Disembodied Spirit", with a gallery talk by Alison Ferris, the curator of this long-planned show. The cost is $20, and includes all admission fees and food. Look for the registration form within the next couple of days. You can also contact Susan Lewis, chapter president, Anne Haas, chapter chair-elect, or Susan Myerson, chapter treasurer. Welcome one and all! __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 18 Sep 2003 11:38:34 -0600 Reply-To: Carl Johnson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Carl Johnson <[log in to unmask]> Subject: FW: Requested Information MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C37E0B.AF69061E" This is a multi-part message in MIME format. ------_=_NextPart_001_01C37E0B.AF69061E Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable I would appreciate any information regarding the information below. Please reply off line, directly to my email. Carl Johnson Copyright Licensing Office 3830 Lee Library Brigham Young University Provo, Utah 84097-6845 801 422-3821 Phone 801 422-0463 FAX [log in to unmask] <mailto:[log in to unmask]> ______________________________________________________________________ The location and contact information is needed for the copyright owner of the photograph described below. Photo Description: House of the Bicentary at Herculaneum Publication Info: Published in Pompeii and Herculaneum: The Glory and the Grief by Marcel Brion (photographs by Edwin Smith) Copyright Elek Books Limited 1960 (London) Does Elek Books still exist and is there any information as to the whereabouts of Edwin Smith, or any other current location or contact information. Question: With the copyright date of 1960, is it possible this image is in the public domain (copyright not renewed)? _______________________________________________________________________ __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37E0B.AF69061E Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=Content-Type content="text/html; charset=us-ascii"> <meta name=Generator content="Microsoft Word 10 (filtered)"> <style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} p.MsoPlainText, li.MsoPlainText, div.MsoPlainText {margin:0in; margin-bottom:.0001pt; font-size:10.0pt; font-family:"Courier New";} span.emailstyle17 {font-family:Arial; color:windowtext;} span.EmailStyle19 {font-family:Arial; color:navy;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;} div.Section1 {page:Section1;} --> </style> </head> <body lang=EN-US link=blue vlink=purple> <div class=Section1> <p class=MsoPlainText><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;font-family:"Times New Roman";color:blue'>I would appreciate any information regarding the information below. Please reply off line, directly to my email.</span></font></p> <p class=MsoPlainText><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;font-family:"Times New Roman";color:blue'> </span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'>Carl Johnson</span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'>Copyright Licensing Office</span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'>3830 Lee Library</span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'>Brigham</span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'> </span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'>Young</span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'> </span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'>University</span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'>Provo</span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'>, </span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'>Utah</span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'> </span></font><font size=2 color=blue><span style='font-size:11.0pt;color:blue'>84097-6845</span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'> </span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'>801 422-3821 Phone</span></font></p> <p class=MsoNormal><font size=2 color=blue face="Times New Roman"><span style='font-size:11.0pt;color:blue'>801 422-0463 FAX</span></font></p> <p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size: 12.0pt'><a href="mailto:[log in to unmask]"><font size=2><span style='font-size:11.0pt'>[log in to unmask]</span></font></a></span></font></p> <p class=MsoPlainText><font size=2 face="Courier New"><span style='font-size: 10.0pt'> </span></font></p> <p class=MsoPlainText><font size=2 face="Courier New"><span style='font-size: 10.0pt'>______________________________________________________________________</span></font></p> <p class=MsoPlainText><font size=2 face="Courier New"><span style='font-size: 10.0pt'> </span></font></p> <p class=MsoPlainText><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy'>The location and contact information is needed for the copyright owner of the photograph described below.</span></font></p> <p class=MsoPlainText><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy'> </span></font></p> <p class=MsoPlainText style='margin-left:.5in'><b><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy;font-weight:bold'>Photo Description:</span></font></b><font color=navy><span style='color:navy'> House of the Bicentary at </span></font><font color=navy><span style='color:navy'>Herculaneum</span></font></p> <p class=MsoPlainText style='margin-left:.5in'><b><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy;font-weight:bold'>Publication Info</span></font></b><font color=navy><span style='color:navy'>: Published in <i><span style='font-style:italic'>Pompeii and Herculaneum: The Glory and the Grief </span></i>by Marcel Brion (photographs by Edwin Smith) </span></font></p> <p class=MsoPlainText style='margin-left:1.0in'><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy'>Copyright Elek Books Limited 1960 (</span></font><font color=navy><span style='color:navy'>London</span></font><font color=navy><span style='color:navy'>)</span></font></p> <p class=MsoPlainText><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy'> </span></font></p> <p class=MsoPlainText><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy'>Does Elek Books still exist and is there any information as to the whereabouts of Edwin Smith, or any other current location or contact information.</span></font></p> <p class=MsoPlainText><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy'> </span></font></p> <p class=MsoPlainText><font size=2 color=navy face="Courier New"><span style='font-size:10.0pt;color:navy'>Question: With the copyright date of 1960, is it possible this image is in the public domain (copyright not renewed)?</span></font></p> <p class=MsoPlainText><font size=2 face="Courier New"><span style='font-size: 10.0pt'>_______________________________________________________________________ </span></font></p> <p class=MsoPlainText><font size=2 face="Courier New"><span style='font-size: 10.0pt'> </span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'> </span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'> </span></font></p> <p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size: 12.0pt'> </span></font></p> </div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37E0B.AF69061E-- ========================================================================Date: Thu, 18 Sep 2003 14:20:55 +0000 Reply-To: Rachel Bers <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Rachel Bers <[log in to unmask]> Subject: Printed Matter, Inc. Seeks Cataloging Interns Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3146739655_969315_MIME_Part" > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3146739655_969315_MIME_Part Content-type: text/plain; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Cataloging Internship at Printed Matter, Inc. Printed Matter, Inc., seeks part-time volunteer cataloging interns. This is an excellent opportunity to work directly with contemporary artists¹ books, hone your cataloging skills and contribute to a web-based catalog documenting current and historical artists¹ books and publications. Using an in-house style guide based on MARC standards, interns will work with a supervisor to input bibliographic information, short descriptive texts, and scanned images into the database. The database is accessible to the public on Printed Matter¹s web site and currently contains records for over 15,000 titles from over 3,500 artists. Qualifications: Candidates should be detail-oriented, with an interest in contemporary art and artists¹ publications. Cataloging experience preferred, but not necessary. Strong writing skills a must. Ideal candidates should be working towards a degree in library / information science. Internship to begin immediately. One to two days a week, preferably Mondays. Send cover letter, resume and writing sample to : Rachel Bers, Printed Matter, 535 West 22nd St., New York, NY 10011 Email: [log in to unmask] Fax: (212) 925-0464 Please call (212) 925-0325 with any questions Printed Matter, Inc. is a 501 (c) (3) non-profit organization. Our mission is to foster the appreciation, dissemination, and understanding of publications made by artists. Printed Matter is supported in part by grants from the National Endowment for the Arts, the New York State Council on the Arts, the New York City Department of Cultural Affairs, New York Arts Recovery Fund, The Altria Group, Inc., Art for Art¹s Sake, Milton & Sally Avery Arts Foundation, The Cowles Charitable Trust, Fifth Floor Foundation, The Horace W. Goldsmith Foundation, Elizabeth Firestone Graham Foundation, Heyday Foundation, The New York Community Trust, LEF Foundation, The Andy Warhol Foundation for the Visual Arts, Women¹s Studio Workshop, and private foundations and individuals worldwide. Printed Matter, Inc. is not affiliated with, nor a division of, any other non-profit organization. -- Rachel Bers www.printedmatter.org Printed Matter, Inc. 535 West 22nd Street New York, NY 10011 212 925 0325 tel 212 925 0464 fax [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --MS_Mac_OE_3146739655_969315_MIME_Part Content-type: text/html; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable <HTML> <HEAD> <TITLE>Printed Matter, Inc. Seeks Cataloging Interns</TITLE> </HEAD> <BODY> <FONT FACE="Times"><B>Cataloging Internship at Printed Matter, Inc</B>.<BR> <BR> Printed Matter, Inc., seeks part-time volunteer cataloging interns. This is an excellent opportunity to work directly with contemporary artists¹ books, hone your cataloging skills and contribute to a web-based catalog documenting current and historical artists¹ books and publications. </FONT><FONT SIZE="5"><FONT FACE="Arial"> </FONT></FONT><FONT FACE="Times">Using an in-house style guide based on MARC standards, interns will work with a supervisor to input bibliographic information, short descriptive texts, and scanned images into the database. The database is accessible to the public on Printed Matter¹s web site and currently contains records for over 15,000 titles from over 3,500 artists.<BR> <BR> Qualifications: Candidates should be detail-oriented, with an interest in contemporary art and artists¹ publications. Cataloging experience preferred, but not necessary. Strong writing skills a must. Ideal candidates should be working towards a degree in library / information science.<BR> <BR> Internship to begin immediately. One to two days a week, preferably Mondays.<BR> <BR> Send cover letter, resume and writing sample to :<BR> Rachel Bers, Printed Matter, 535 West 22nd St., New York, NY 10011 <BR> Email: <U>[log in to unmask]</U> Fax: (212) 925-0464<BR> <BR> Please call (212) 925-0325 with any questions<BR> <BR> Printed Matter, Inc. is a 501 (c) (3) non-profit organization. Our mission is to foster the appreciation, dissemination, and understanding of publications made by artists. <BR> <BR> Printed Matter is supported in part by grants from the National Endowment for the Arts, the New York State Council on the Arts, the New York City Department of Cultural Affairs, New York Arts Recovery Fund, The Altria Group, Inc., Art for Art¹s Sake, Milton & Sally Avery Arts Foundation, The Cowles Charitable Trust, Fifth Floor Foundation, The Horace W. Goldsmith Foundation, Elizabeth Firestone Graham Foundation, Heyday Foundation, The New York Community Trust, LEF Foundation, The Andy Warhol Foundation for the Visual Arts, Women¹s Studio Workshop, and private foundations and individuals worldwide.<BR> <BR> Printed Matter, Inc. is not affiliated with, nor a division of, any other non-profit organization.<BR> </FONT><BR> -- <BR> <FONT SIZE="2"><FONT FACE="Arial">Rachel Bers<BR> <BR> www.printedmatter.org<BR> <BR> Printed Matter, Inc.<BR> 535 West 22nd Street<BR> New York, NY 10011<BR> <BR> 212 925 0325 tel<BR> 212 925 0464 fax<BR> <BR> <FONT COLOR="#0000FF"><U>[log in to unmask]<BR> </U></FONT><BR> </FONT></FONT><BR> </BODY> </HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --MS_Mac_OE_3146739655_969315_MIME_Part-- ========================================================================Date: Thu, 18 Sep 2003 15:20:36 -0400 Reply-To: "Ball, Heather" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Ball, Heather" <[log in to unmask]> Subject: art cataloging info MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C37E19.F0537C0A" This is a multi-part message in MIME format. ------_=_NextPart_001_01C37E19.F0537C0A Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Hi All: We have two catalogers who are new to art cataloging. Is there a listserv separate from ARLIS-L for art catalogers? I know we get LC subject heading updates, but I'm not sure they would be interested in the other messages sent to the list. Thanks in advance, Heather Heather Ball Art and Architecture Librarian Virginia Tech 302 Cowgill Hall Blacksburg, VA 24062-9001 ph 540.231.9272 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37E19.F0537C0A Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable <html xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:st1="urn:schemas-microsoft-com:office:smarttags" xmlns="http://www.w3.org/TR/REC-html40"> <head> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=us-ascii"> <meta name=ProgId content=Word.Document> <meta name=Generator content="Microsoft Word 10"> <meta name=Originator content="Microsoft Word 10"> <link rel=File-List href="cid:[log in to unmask]"> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PostalCode"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="State"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="City"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="place"/> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:DoNotRelyOnCSS/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:SpellingState>Clean</w:SpellingState> <w:GrammarState>Clean</w:GrammarState> <w:DocumentKind>DocumentEmail</w:DocumentKind> <w:EnvelopeVis/> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if !mso]> <style> st1\:*{behavior:url(#default#ieooui) } </style> <![endif]--> <style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:Arial; mso-fareast-font-family:"Times New Roman"; color:#333333; font-weight:bold; mso-bidi-font-weight:normal;} a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline; text-underline:single;} span.EmailStyle17 {mso-style-type:personal-compose; mso-style-noshow:yes; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; font-family:Arial; mso-ascii-font-family:Arial; mso-hansi-font-family:Arial; mso-bidi-font-family:Arial; color:windowtext;} span.GramE {mso-style-name:""; mso-gram-e:yes;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} </style> <![endif]--> </head> <body lang=EN-US link=blue vlink=purple style='tab-interval:.5in'> <div class=Section1> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color=black face=Arial><span style='font-size:10.0pt; color:windowtext;font-weight:normal'>Hi All:<span style='mso-spacerun:yes'> </span>We have two catalogers who are new to art cataloging.<span style='mso-spacerun:yes'> </span>Is there a listserv separate from ARLIS-L for art catalogers?<span style='mso-spacerun:yes'> </span>I know we get LC subject heading updates, but I’m not sure they would be interested in the other messages sent to the list.<o:p></o:p></span></font></b></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color=black face=Arial><span style='font-size:10.0pt; color:windowtext;font-weight:normal'><o:p> </o:p></span></font></b></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color=black face=Arial><span style='font-size:10.0pt; color:windowtext;font-weight:normal'>Thanks in advance,<o:p></o:p></span></font></b></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color=black face=Arial><span style='font-size:10.0pt; color:windowtext;font-weight:normal'>Heather<o:p></o:p></span></font></b></p> <p class=MsoNormal><b style='mso-bidi-font-weight:normal'><font size=2 color=black face=Arial><span style='font-size:10.0pt;color:windowtext'><o:p> </o:p></span></font></b></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color="#333333" face=Arial><span style='font-size:10.0pt; font-weight:normal;mso-no-proof:yes'>Heather Ball<o:p></o:p></span></font></b></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color="#333333" face=Arial><span style='font-size:10.0pt; font-weight:normal;mso-no-proof:yes'>Art and Architecture Librarian<o:p></o:p></span></font></b></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color="#333333" face=Arial><span style='font-size:10.0pt; font-weight:normal;mso-no-proof:yes'>Virginia Tech<o:p></o:p></span></font></b></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color="#333333" face=Arial><span style='font-size:10.0pt; font-weight:normal;mso-no-proof:yes'>302 Cowgill Hall<o:p></o:p></span></font></b></p> <p class=MsoNormal><st1:place><st1:City><b style='mso-ansi-font-weight:normal; mso-bidi-font-weight:normal'><font size=2 color="#333333" face=Arial><span style='font-size:10.0pt;font-weight:normal;mso-no-proof:yes'>Blacksburg</span></font></b></st1:City><span style='font-weight:normal;mso-no-proof:yes'>, </span><st1:State><span style='font-weight:normal;mso-no-proof:yes'>VA</span></st1:State><span style='font-weight:normal;mso-no-proof:yes'> </span><st1:PostalCode><span style='font-weight:normal;mso-no-proof:yes'>24062-9001</span></st1:PostalCode></st1:place><span style='font-weight:normal;mso-no-proof:yes'><o:p></o:p></span></p> <p class=MsoNormal><b style='mso-ansi-font-weight:normal;mso-bidi-font-weight: normal'><font size=2 color="#333333" face=Arial><span style='font-size:10.0pt; font-weight:normal;mso-no-proof:yes'>ph 540.231.9272</span></font></b><span style='font-weight:normal'><o:p></o:p></span></p> <p class=MsoNormal><b style='mso-bidi-font-weight:normal'><font size=2 color="#333333" face=Arial><span style='font-size:10.0pt'><o:p> </o:p></span></font></b></p> </div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C37E19.F0537C0A-- ========================================================================Date: Thu, 18 Sep 2003 17:28:05 -0400 Reply-To: Gladys G Markoff-Sotomayor <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Gladys G Markoff-Sotomayor <[log in to unmask]> Subject: Re: art cataloging info Comments: To: "Ball, Heather" <[log in to unmask]> In-Reply-To: <[log in to unmask]> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Heather: Your cataloguers should contact Sherman Clarke for guidance. Sherman is an outstanding professional who is also a born teacher. His contributions to the art of cataloguing and the cataloguing of art are recognized internationally. Sherman being a modest person, does not talk about his accomplishments. Aside of his responsibilities at NYU, just a couple of things: he coordinates the Art NACO Funnel, he is the heart of the Cataloguers discussion group in NYC, etc, etc Gladys Markoff-Sotomayor Columbia University Libraries [log in to unmask] 212-854-4881//854-7564 102 Butler Library 535 West 114th Street New York, NY 10027 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 18 Sep 2003 14:55:45 -0700 Reply-To: "Lemon, Cathie" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Lemon, Cathie" <[log in to unmask]> Subject: Periodicals for binding MIME-Version: 1.0 Content-Type: text/plain The following issues are needed for binding. If you have extra copies, we would appreciate your sending them our way. We are happy to pay for postage. Art in America November 2001 November 2002 Flash Art #224 May - June 2002 #226 September - October 2002 #227 November - December Please send responses to Genni Houlihan (Librarian, Phoenix Art Museum) [log in to unmask] Thank you. Cathie Lemon Slide Curator Phoenix Art Museum 1625 North Central Avenue Phoenix AZ 85004 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 18 Sep 2003 16:07:30 -0700 Reply-To: Lynda Bunting <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Lynda Bunting <[log in to unmask]> Subject: survey MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Hello - ~~ apologies for cross-postings ~~ We are conducting two research projects on museum cataloging practice of Intermedia and Time Based Art (TBA). We are interested in organizations with items in their permanent collections of digital art, video/film installations, performance objects/relics, and/or archival papers of artists who created Intermedia or TBA. If your institution collects this type of material, and especially if you are the one to provide for its care and maintenance, we would like you to answer a two page emailed survey with questions pertaining to your collection and description of these materials. Participation is of course voluntary, you will have the right to withdraw your participation at any time, and the information will be used only in aggregate unless special permission has been obtained to identify individuals or organizations by name. If you are interested in answering the survey, please contact Lynda Bunting at [log in to unmask] or Carina MacLeod at [log in to unmask] Thank you, Lynda Bunting Lynda Bunting, Librarian The Museum of Contemporary Art 250 S. Grand Ave. Los Angeles, CA 90012 213-621-1792 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 18 Sep 2003 22:13:40 -0400 Reply-To: Jessica Callender <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jessica Callender <[log in to unmask]> Subject: Technology Grant News - Fall 2003 issue Comments: To: [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask] MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_004C_01C37E32.1DA4A5A0" This is a multi-part message in MIME format. ------=_NextPart_000_004C_01C37E32.1DA4A5A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable [ Please excuse cross-posting. Kindly post if you think this is appropriate for your members.] ____________________________________________ Technology Grant News - Fall 2003 Issue "Technology Grant News has granted your wish for a source that covers technology grants in one place," American Library Association's American Libraries ____________________________________________ The Fall 2003 edition of Technology Grant News gives you a jump on new grants open this Fall and Winter with advance time to make your application. Featured in this issue are grants, awards, and competitions for technology and the arts, workforce development, and program, teacher professional development and curriculum development grants at the college and university and K-12 levels. Non profit organizations, towns & cities, libraries & museums, and schools & universities are eligible to apply. For information on subscriptions and obtaining the Fall 2003 issue, Contact: http://www.technologygrantnews.com [log in to unmask] In this issue, For Colleges & Universities: $50,000 Grants from National Endowment for Financial Education Digital Government Information Technology Workforce Trusted Computing Computer Vision and others... For Nonprofits: American Association of University Women Seed Money Grants for K-20 Gender Equity in Technology Programs CyberLearning Matching Grant Program Charles Stewart Mott Technology Learning Grants The Jim Mullen Foundation Free Computers for People with Disabilities $25,000 Exemplary Media & Technology Use Awards RealNetworks Helix Digital Media Grants and others. For K-12 Schools: $25,000 Christopher Columbus Foundation Science-Technology Competition Inspiration Software Educator Visual Learning & Technology Scholarships Macromedia Philanthropic K-12 Schoolwide Site License National Foundation for the Improvement of Education Grants Grosvenor Grants to Study & Teach Geography & Geographic Information Systems (GIS) Pre-K-12 Inquiry-based Science Teaching Grants Oracle Corporation's ThinkQuest Competitions $10,000 ExploraVision Technology Solution Awards and others. For Libraries & Museums: Web Junction Awards Free Gates Foundation Security Tool for Libraries Gate Foundation 2004 Access to Learning Award IMLS 21st Century Librarian Recruitment Grants Medical Library Association Information Sciences Grants and others. For Towns & Cities: Emergency Safety Equipment Grants for Towns in Minnesota United Parcel Service Accessible America Awards Plus the Latest Free Resources: Gender & Science Digital Library International Digital Children's Library NOVA Library Materials Free Websites for Churches and Faith-Based Organizations Free Cash with Phones 4 Charity Used Cell Phone Non Profit Program Template for Non Profit Technology Policies from University of Wisconsin Curriculum & Website on technology and media activities for youth-based programs CRM Software Licenses for Non Profit Organizations Non Profit Open Source List Management Provider Adobe Software from Adobe Software Donation Program Free Cash-for-Cartridges Drive Program Free Computer Monitors Free Microsoft Operating System Licenses Learning Materials, Lesson Plans, Software: From the Education, Outreach & Training Partnership For K-20 Schools The Partnership for Learning. .and others And Articles by: Ellen Wright, Creating Educational Foundations to Get Your School Grants ThinkQuest, Successful Journeys Result from Oracle's Funding for the ThinkQuest Program. ____________________________ All grants and awards have obtainable application dates within the next 3-4 months, or the programs are open-ended and ongoing with no specific deadlines. For more information on Technology Grant News, Fall 2003, Vol . 5, Number 4. 12-pages, published 4 times a year, ISSN 1534-5785 and technology grants, grants indexed-by-type and articles, see: http://www.technologygrantnews.com Other Technology Grant News publications include: Directory of Current, Open & Ongoing Technology Grants, Second Edition, 50 pages. Supplement of Corporate Technology Funders, Second Edition, 24 pages. Guide to Free Technology Resources, 35 pages. (212) 741-8101 Published by Technology Grant News, a service of Partnerships for Community Inc., "Technology Grant News has granted your wish for a source that covers technology grants in one place," American Library Association's American Libraries. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_004C_01C37E32.1DA4A5A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1170" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">[ Please excuse cross-posting. Kindly post if you think this is appropriate for your members.]<BR><BR>____________________________________________<BR><BR> Technology Grant News - Fall 2003 Issue<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">“<EM>Technology Grant News</EM> has granted your wish for a source that covers technology grants in one place,”<SPAN style="mso-spacerun: yes"> </SPAN>American Library Association’s <EM>American Libraries<o:p></o:p></EM></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><BR>____________________________________________<BR><BR><B>The Fall 2003 edition</B> of Technology Grant News gives you a jump on new grants open this Fall and Winter with advance time to make your application. Featured in this issue are grants, awards, and competitions for technology and the arts, workforce development, and program, <SPAN style="mso-spacerun: yes"> </SPAN>teacher professional development and curriculum development grants at the college and university and K-12 levels. Non profit organizations, towns & cities, libraries & museums, and schools & universities are eligible to apply. For information on subscriptions and obtaining the Fall 2003 issue, Contact:<BR><A href="http://www.technologygrantnews.com">http://www.technologygrantnews.com</A><BR><A href="mailto:[log in to unmask]">[log in to unmask]</A><BR><BR></SPAN><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">In this issue, <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Colleges & Universities:<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>$50,000 Grants from National Endowment for Financial Education<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Digital Government<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Information Technology Workforce<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Trusted Computing<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Computer Vision<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="mso-spacerun: yes"> </SPAN></SPAN><SPAN style="FONT-FAMILY: Arial">and others... <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Nonprofits</SPAN><SPAN style="FONT-FAMILY: Arial">:<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>American Association of University Women Seed Money Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>for K-20 Gender Equity in<SPAN style="mso-spacerun: yes"> </SPAN>Technology Programs<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="LAYOUT-GRID-MODE: line; mso-bidi-font-weight: bold">CyberLearning Matching Grant Program</SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Charles Stewart Mott Technology Learning Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>The Jim Mullen Foundation Free Computers for People with Disabilities<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>$25,000 Exemplary Media & Technology Use Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>RealNetworks Helix Digital Media Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>and others…<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For K-12 Schools:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="LAYOUT-GRID-MODE: line">$25,000 Christopher Columbus Foundation Science-Technology Competition<o:p></o:p></SPAN></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Inspiration Software Educator Visual Learning & Technology Scholarships<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt 0.25in; TEXT-INDENT: -0.25in"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Macromedia Philanthropic K-12 Schoolwide Site License<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt 0.25in; TEXT-INDENT: -0.25in"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="COLOR: black">National Foundation for the Improvement of Education Grants<o:p></o:p></SPAN></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Grosvenor Grants to Study & Teach<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Geography & Geographic Information Systems (GIS)<BR><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="LAYOUT-GRID-MODE: line">Pre-K-12 Inquiry-based Science Teaching Grants<o:p></o:p></SPAN></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Oracle Corporation’s ThinkQuest Competitions<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>$10,000 ExploraVision Technology Solution Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>and others… <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Libraries & Museums:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Web Junction Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Free Gates Foundation Security Tool for Libraries<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Gate Foundation 2004 Access to Learning Award<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>IMLS 21<SUP>st</SUP> Century Librarian Recruitment Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Medical Library Association Information Sciences Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>and others…<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Towns & Cities:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Emergency Safety Equipment Grants for Towns in Minnesota<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>United Parcel Service Accessible America Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <H1 style="MARGIN: 0in 0in 0pt"><SPAN><FONT size=3>Plus the Latest Free Resources:<o:p></o:p></FONT></SPAN></H1> <H1 style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Gender & Science Digital Library<o:p></o:p></SPAN></H1> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> <STRONG> </STRONG></SPAN><STRONG>International Digital Children’s Library<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>NOVA Library Materials<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Websites for Churches and Faith-Based Organizations<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Cash with Phones 4 Charity Used Cell Phone Non Profit Program<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Template for Non Profit Technology Policies from University of Wisconsin<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Curriculum & Website on technology and media activities for youth-based programs<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>CRM Software Licenses for Non Profit Organizations <o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Non Profit Open Source List Management Provider<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Adobe Software from Adobe Software Donation Program<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><STRONG><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Free </SPAN><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'">Cash-for-Cartridges Drive Program<o:p></o:p></SPAN></STRONG></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Computer Monitors<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Microsoft Operating System Licenses<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Learning Materials, Lesson Plans, Software:<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>From the Education, Outreach & Training Partnership For K-20 Schools<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>The Partnership for Learning… …and others<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG> <o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG> <o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">And Articles by:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Ellen Wright, Creating Educational Foundations to Get Your School Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">ThinkQuest, Successful Journeys Result from Oracle’s Funding for the ThinkQuest Program.<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">____________________________<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">All grants and awards have obtainable application dates within the next 3-4 months, or the programs are open-ended and ongoing with no specific deadlines. <BR><BR>For more information on Technology Grant News, Fall 2003, Vol . 5, Number 4. 12-pages, published 4 times a year, ISSN 1534-5785 and technology grants, grants indexed-by-type and articles, see: <A href="http://www.technologygrantnews.com">http://www.technologygrantnews.com</A><BR> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><B><SPAN style="FONT-FAMILY: Arial">Other Technology Grant News publications include:<o:p></o:p></SPAN></B></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Directory of Current, Open & Ongoing Technology Grants, Second Edition, 50 pages.<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Supplement of Corporate Technology Funders, Second Edition, 24 pages.<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Guide to Free Technology Resources, 35 pages.<BR> (212) 741-8101 <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Published by Technology Grant News, a service of Partnerships for Community Inc.,<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN><EM>“Technology Grant News</EM> has granted your wish for a source that covers technology grants in one place,”<SPAN style="mso-spacerun: yes"> </SPAN>American Library Association’s <EM>American Libraries.</EM></SPAN></SPAN></o:p></SPAN></P></DIV></FONT></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_004C_01C37E32.1DA4A5A0-- ========================================================================Date: Thu, 18 Sep 2003 22:17:24 -0400 Reply-To: Jessica Callender <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jessica Callender <[log in to unmask]> Subject: Technology Grant News - Fall 2003 Comments: To: [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask] Comments: cc: [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask] MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_005E_01C37E32.A2DA83C0" This is a multi-part message in MIME format. ------=_NextPart_000_005E_01C37E32.A2DA83C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable [ Please excuse cross-posting. Kindly post if you think this is appropriate for your members.] ____________________________________________ Technology Grant News - Fall 2003 Issue "Technology Grant News has granted your wish for a source that covers technology grants in one place," American Library Association's American Libraries ____________________________________________ The Fall 2003 edition of Technology Grant News gives you a jump on new grants open this Fall and Winter with advance time to make your application. Featured in this issue are grants, awards, and competitions for technology and the arts, workforce development, and program, teacher professional development and curriculum development grants at the college and university and K-12 levels. Non profit organizations, towns & cities, libraries & museums, and schools & universities are eligible to apply. For information on subscriptions and obtaining the Fall 2003 issue, Contact: http://www.technologygrantnews.com [log in to unmask] In this issue, For Colleges & Universities: $50,000 Grants from National Endowment for Financial Education Digital Government Information Technology Workforce Trusted Computing Computer Vision and others... For Nonprofits: American Association of University Women Seed Money Grants for K-20 Gender Equity in Technology Programs CyberLearning Matching Grant Program Charles Stewart Mott Technology Learning Grants The Jim Mullen Foundation Free Computers for People with Disabilities $25,000 Exemplary Media & Technology Use Awards RealNetworks Helix Digital Media Grants and others. For K-12 Schools: $25,000 Christopher Columbus Foundation Science-Technology Competition Inspiration Software Educator Visual Learning & Technology Scholarships Macromedia Philanthropic K-12 Schoolwide Site License National Foundation for the Improvement of Education Grants Grosvenor Grants to Study & Teach Geography & Geographic Information Systems (GIS) Pre-K-12 Inquiry-based Science Teaching Grants Oracle Corporation's ThinkQuest Competitions $10,000 ExploraVision Technology Solution Awards and others. For Libraries & Museums: Web Junction Awards Free Gates Foundation Security Tool for Libraries Gate Foundation 2004 Access to Learning Award IMLS 21st Century Librarian Recruitment Grants Medical Library Association Information Sciences Grants and others. For Towns & Cities: Emergency Safety Equipment Grants for Towns in Minnesota United Parcel Service Accessible America Awards Plus the Latest Free Resources: Gender & Science Digital Library International Digital Children's Library NOVA Library Materials Free Websites for Churches and Faith-Based Organizations Free Cash with Phones 4 Charity Used Cell Phone Non Profit Program Template for Non Profit Technology Policies from University of Wisconsin Curriculum & Website on technology and media activities for youth-based programs CRM Software Licenses for Non Profit Organizations Non Profit Open Source List Management Provider Adobe Software from Adobe Software Donation Program Free Cash-for-Cartridges Drive Program Free Computer Monitors Free Microsoft Operating System Licenses Learning Materials, Lesson Plans, Software: From the Education, Outreach & Training Partnership For K-20 Schools The Partnership for Learning. .and others And Articles by: Ellen Wright, Creating Educational Foundations to Get Your School Grants ThinkQuest, Successful Journeys Result from Oracle's Funding for the ThinkQuest Program. ____________________________ All grants and awards have obtainable application dates within the next 3-4 months, or the programs are open-ended and ongoing with no specific deadlines. For more information on Technology Grant News, Fall 2003, Vol . 5, Number 4. 12-pages, published 4 times a year, ISSN 1534-5785 and technology grants, grants indexed-by-type and articles, see: http://www.technologygrantnews.com Other Technology Grant News publications include: Directory of Current, Open & Ongoing Technology Grants, Second Edition, 50 pages. Supplement of Corporate Technology Funders, Second Edition, 24 pages. Guide to Free Technology Resources, 35 pages. (212) 741-8101 Published by Technology Grant News, a service of Partnerships for Community Inc., "Technology Grant News has granted your wish for a source that covers technology grants in one place," American Library Association's American Libraries. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_005E_01C37E32.A2DA83C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1170" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2><FONT face=Arial size=2> <DIV><FONT face=Arial size=2><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">[ Please excuse cross-posting. Kindly post if you think this is appropriate for your members.]<BR><BR>____________________________________________<BR><BR> Technology Grant News - Fall 2003 Issue<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">“<EM>Technology Grant News</EM> has granted your wish for a source that covers technology grants in one place,”<SPAN style="mso-spacerun: yes"> </SPAN>American Library Association’s <EM>American Libraries<o:p></o:p></EM></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><BR>____________________________________________<BR><BR><B>The Fall 2003 edition</B> of Technology Grant News gives you a jump on new grants open this Fall and Winter with advance time to make your application. Featured in this issue are grants, awards, and competitions for technology and the arts, workforce development, and program, <SPAN style="mso-spacerun: yes"> </SPAN>teacher professional development and curriculum development grants at the college and university and K-12 levels. Non profit organizations, towns & cities, libraries & museums, and schools & universities are eligible to apply. For information on subscriptions and obtaining the Fall 2003 issue, Contact:<BR><A href="http://www.technologygrantnews.com">http://www.technologygrantnews.com</A><BR><A href="mailto:[log in to unmask]">[log in to unmask]</A><BR><BR></SPAN><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">In this issue, <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Colleges & Universities:<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>$50,000 Grants from National Endowment for Financial Education<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Digital Government<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Information Technology Workforce<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Trusted Computing<o:p></o:p></SPAN></P> <P style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 11.5pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Computer Vision<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="mso-spacerun: yes"> </SPAN></SPAN><SPAN style="FONT-FAMILY: Arial">and others... <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Nonprofits</SPAN><SPAN style="FONT-FAMILY: Arial">:<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>American Association of University Women Seed Money Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>for K-20 Gender Equity in<SPAN style="mso-spacerun: yes"> </SPAN>Technology Programs<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="LAYOUT-GRID-MODE: line; mso-bidi-font-weight: bold">CyberLearning Matching Grant Program</SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Charles Stewart Mott Technology Learning Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>The Jim Mullen Foundation Free Computers for People with Disabilities<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>$25,000 Exemplary Media & Technology Use Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>RealNetworks Helix Digital Media Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>and others…<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For K-12 Schools:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="LAYOUT-GRID-MODE: line">$25,000 Christopher Columbus Foundation Science-Technology Competition<o:p></o:p></SPAN></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Inspiration Software Educator Visual Learning & Technology Scholarships<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt 0.25in; TEXT-INDENT: -0.25in"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Macromedia Philanthropic K-12 Schoolwide Site License<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt 0.25in; TEXT-INDENT: -0.25in"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="COLOR: black">National Foundation for the Improvement of Education Grants<o:p></o:p></SPAN></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Grosvenor Grants to Study & Teach<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Geography & Geographic Information Systems (GIS)<BR><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="LAYOUT-GRID-MODE: line">Pre-K-12 Inquiry-based Science Teaching Grants<o:p></o:p></SPAN></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>Oracle Corporation’s ThinkQuest Competitions<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><SPAN style="mso-spacerun: yes"> </SPAN>$10,000 ExploraVision Technology Solution Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>and others… <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Libraries & Museums:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Web Junction Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Free Gates Foundation Security Tool for Libraries<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Gate Foundation 2004 Access to Learning Award<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>IMLS 21<SUP>st</SUP> Century Librarian Recruitment Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Medical Library Association Information Sciences Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>and others…<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">For Towns & Cities:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Emergency Safety Equipment Grants for Towns in Minnesota<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>United Parcel Service Accessible America Awards<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <H1 style="MARGIN: 0in 0in 0pt"><SPAN><FONT size=3>Plus the Latest Free Resources:<o:p></o:p></FONT></SPAN></H1> <H1 style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Gender & Science Digital Library<o:p></o:p></SPAN></H1> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> <STRONG> </STRONG></SPAN><STRONG>International Digital Children’s Library<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>NOVA Library Materials<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Websites for Churches and Faith-Based Organizations<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Cash with Phones 4 Charity Used Cell Phone Non Profit Program<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Template for Non Profit Technology Policies from University of Wisconsin<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Curriculum & Website on technology and media activities for youth-based programs<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>CRM Software Licenses for Non Profit Organizations <o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Non Profit Open Source List Management Provider<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Adobe Software from Adobe Software Donation Program<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><STRONG><SPAN style="FONT-FAMILY: Arial"><SPAN style="mso-spacerun: yes"> </SPAN>Free </SPAN><SPAN style="LAYOUT-GRID-MODE: line; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'">Cash-for-Cartridges Drive Program<o:p></o:p></SPAN></STRONG></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Computer Monitors<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Free Microsoft Operating System Licenses<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>Learning Materials, Lesson Plans, Software:<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>From the Education, Outreach & Training Partnership For K-20 Schools<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="LAYOUT-GRID-MODE: line; COLOR: black; FONT-FAMILY: Arial; mso-bidi-font-family: 'Times New Roman'"><STRONG><SPAN style="mso-spacerun: yes"> </SPAN>The Partnership for Learning… …and others<o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG> <o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"><STRONG> <o:p></o:p></STRONG></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 11pt; FONT-FAMILY: Arial; mso-bidi-font-size: 10.0pt">And Articles by:<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Ellen Wright, Creating Educational Foundations to Get Your School Grants<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">ThinkQuest, Successful Journeys Result from Oracle’s Funding for the ThinkQuest Program.<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">____________________________<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">All grants and awards have obtainable application dates within the next 3-4 months, or the programs are open-ended and ongoing with no specific deadlines. <BR><BR>For more information on Technology Grant News, Fall 2003, Vol . 5, Number 4. 12-pages, published 4 times a year, ISSN 1534-5785 and technology grants, grants indexed-by-type and articles, see: <A href="http://www.technologygrantnews.com">http://www.technologygrantnews.com</A><BR> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><B><SPAN style="FONT-FAMILY: Arial">Other Technology Grant News publications include:<o:p></o:p></SPAN></B></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Directory of Current, Open & Ongoing Technology Grants, Second Edition, 50 pages.<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Supplement of Corporate Technology Funders, Second Edition, 24 pages.<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Guide to Free Technology Resources, 35 pages.<BR> (212) 741-8101 <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial">Published by Technology Grant News, a service of Partnerships for Community Inc.,<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN><EM>“Technology Grant News</EM> has granted your wish for a source that covers technology grants in one place,”<SPAN style="mso-spacerun: yes"> </SPAN>American Library Association’s <EM>American Libraries.</EM></SPAN></SPAN></o:p></SPAN></P></DIV></FONT></DIV></FONT></FONT></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_005E_01C37E32.A2DA83C0-- ========================================================================Date: Fri, 19 Sep 2003 10:44:50 -0400 Reply-To: Amy Schofield <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Amy Schofield <[log in to unmask]> Subject: largess Comments: To: [log in to unmask] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline The Adam & Sophie Gimbel Design Library of Parsons School of Design has the following titles available for the cost of postage: The Art Museum in America. Pach, Walter. Pantheon, New York, 1948. The College Blue Book: Degrees Offered by College and Subject. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Narrative Descriptions. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Occupational Education. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Scholarships, Fellowships, Grants, and Loans. Simon & Schuster, New York, 1995, 25th ed. The College Blue Book: Tabular Data. Simon & Schuster, New York, 1995, 25th ed. Directory of Research Grants. Oryx, Phoenix, AZ, 2000. Electronic Job Search Almanac: 1999. Sampson, Heidi E, ed. Adams Media, Holbrook, MA, 1998. The Foundation Directory. Jacobs, David G., ed. Foundation Center, New York, 2000. The Foundation Grants Index. MacLean, Rebecca, ed. Foundation Center, New York, 1999. Graduate Programs in the Humanities, Arts & Social Sciences. Peterson's, Stamford, Connecticut, 2001, book 2. Grant Finder (Science): The Complete Guide to Postgraduate Funding Worldwide. St. Martin's, New York, 2000. The Grants Register. Hackwood, Sara, ed. St. Martin's, New York, 2000, 18th ed. Kuwait Urbanization: Documentation Analysis Critique. Shiber, Saba G. National Directory of Arts Internships. Christensen, Warren, ed. NNAP, Los Angeles, 2000, 8th ed. National Guide to Funding In Arts & Culture. Foundation Center, New York, 1994, 3rd ed. Standard Directory of Advertising Agencies: The Agency Red Book, July. LexisNexis, New Providence, NJ, 2002. Standard Directory of Advertisers: Business Classifications. LexisNexis, New Providence, NJ, 2002, vol. 1. Standard Directory of Advertisers: Indexes. LexisNexis, New Providence, NJ, 2002, vol. 2. Standard Directory of Advertisers: Supplement, July. LexisNexis, New Providence, NJ, 2002. Standard Directory of Advertising Agencies: Supplement, October. LexisNexis, New Providence, NJ, 2002. The Yale Daily News Guide to Internships. Kaplan, New York, 1998. Amy Schofield Reference Librarian Adam and Sophie Gimbel Library Parsons School of Design 212-229-5587 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 19 Sep 2003 09:44:46 -0700 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: [log in to unmask] Subject: Artbibliographies Modern MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="=_alternative 005BFB5988256DA6_=" This is a multipart message in MIME format. --=_alternative 005BFB5988256DA6_Content-Type: text/plain; charset="us-ascii" Does anyone know who's publishing this now, online and/or in paper? I thought it was ABC-CLIO but there's nothing about it on their web site. Edith L. Crowe Acting Head, Reference & Academic Services Art & Humanities Librarian San Jose State University Library http://www.sjlibrary.org (408) 808-2037 Corresponding Secretary of the Mythopoeic Society http://www.mythsoc.org __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=_alternative 005BFB5988256DA6_Content-Type: text/html; charset="us-ascii" <br><font size=2 face="sans-serif">Does anyone know who's publishing this now, online and/or in paper? I thought it was ABC-CLIO but there's nothing about it on their web site.</font> <br> <br><font size=2 face="sans-serif">Edith L. Crowe<br> Acting Head, Reference & Academic Services<br> Art & Humanities Librarian<br> San Jose State University Library<br> http://www.sjlibrary.org<br> (408) 808-2037<br> <br> Corresponding Secretary of the Mythopoeic Society<br> http://www.mythsoc.org</font> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=_alternative 005BFB5988256DA6_=-- ========================================================================Date: Fri, 19 Sep 2003 13:22:03 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Anne Haas <[log in to unmask]> Organization: bowdoin Subject: New England Chapter Fall meeting REGISTRATION FORM MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_RPns0wmdno3TyW0XCfJDDQ)" --Boundary_(ID_RPns0wmdno3TyW0XCfJDDQ) Content-type: text/plain; charset=us-ascii; format=flowed Content-transfer-encoding: 7BIT What: ARLIS/New England Fall meeting When: Friday , October 17, 2003, 9:30- 3:30 or so Where: Bowdoin College, AND Pejebscot Historical Society/ Joshua Chamberlain House, Brunswick, Maine 9:30 -- Welcome coffee 10:15 -- Tour of Pejebscot Historical Society, and the exhibition of art and posters that depict Joshua Chamberlain,and of the separate Joshua Chamberlain House (Chamberlain was the Civil War Hero of the Battle of Little Round Top, the president of Bowdoin College, and the Governor of the State of Maine) 12:15 -- Lunch and business meeting, Moulton Union(menu is set, there will be choices for vegetarians) 2:00 -- Tour of the Bowdoin College Museum of Art, and the new exhibition entitled "The Disembodied Spirit" which has been curated by Alison Ferris, who will give a talk on this long-planned exhibition. 3:30 -- For-the-road snack and tour of the Art Library, Visual Arts Center(next to museum) Directions to Bowdoin are available on the college's webpage, as are maps of the campus. Please go to http://www.bowdoin.edu/visitors/. Here you will also find lists of local accomodations, and I encourage you to enjoy coastal Maine in October--it will still be beautiful, as our peak foliage is later than the inland areas. Parking info will follow-we will have temp. parking permits for attendees. Please register ASAP..we need a head count for the coffee, the Pejebscot, and lunch!! Hope to see you..even if you are not a New England Chapter member, you are welcome to join us. REGISTER TODAY--- don't put it off... ************************************************************************************** Name__________________________________________________ Institution_______________________________________________ email____________________________________________________ Please enclose a check for $20 made out to ARLIS/New England and send to : Susan Myerson, ARLIS/NE treasurer Harvard University Fine Arts Library Fogg Museum 25 Prescott St Cambridge, MA 02138 email: [log in to unmask] if you have questions contact [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_RPns0wmdno3TyW0XCfJDDQ) Content-type: text/html; charset=us-ascii Content-transfer-encoding: 7BIT <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> <html> <head> <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1"> <title></title> </head> <body> <br> What: ARLIS/New England Fall meeting<br> When: Friday , October 17, 2003, 9:30- 3:30 or so<br> Where: Bowdoin College, AND Pejebscot Historical Society/ Joshua Chamberlain House, Brunswick, Maine<br> <br> 9:30 -- Welcome coffee<br> <br> 10:15 -- Tour of Pejebscot Historical Society, and the exhibition of art and posters that depict Joshua Chamberlain,and of the separate Joshua Chamberlain House (Chamberlain was the Civil War Hero of the Battle of Little Round Top, the president of Bowdoin College, and the Governor of the State of Maine) <br> <br> 12:15 -- Lunch and business meeting, Moulton Union(menu is set, there will be choices for vegetarians)<br> <br> 2:00 -- Tour of the Bowdoin College Museum of Art, and the new exhibition entitled "The Disembodied Spirit" which has been curated by Alison Ferris, who will give a talk on this long-planned exhibition.<br> <br> 3:30 -- For-the-road snack and tour of the Art Library, Visual Arts Center(next to museum)<br> <br> <br> Directions to Bowdoin are available on the college's webpage, as are maps of the campus. Please go to <b><a class="moz-txt-link-freetext" href="http://www.bowdoin.edu/visitors/">http://www.bowdoin.edu/visitors/</a></b>. Here you will also find lists of local accomodations, and I encourage you to enjoy coastal Maine in October--it will still be beautiful, as our peak foliage is later than the inland areas. Parking info will follow-we will have temp. parking permits for attendees.<br> <br> Please register ASAP..we need a head count for the coffee, the Pejebscot, and lunch!! Hope to see you..even if you are not a New England Chapter member, you are welcome to join us. REGISTER TODAY--- don't put it off...<br> <br> <br> **************************************************************************************<br> <br> Name__________________________________________________<br> <br> Institution_______________________________________________<br> <br> email____________________________________________________<br> <br> Please enclose a check for $20 made out to ARLIS/New England and send to :<br> <br> Susan Myerson, ARLIS/NE treasurer<br> Harvard University Fine Arts Library<br> Fogg Museum<br> 25 Prescott St<br> Cambridge, MA 02138<br> <br> email: <a class="moz-txt-link-abbreviated" href="mailto:[log in to unmask]">[log in to unmask]</a><br> <br> if you have questions contact <a class="moz-txt-link-abbreviated" href="mailto:[log in to unmask]">[log in to unmask]</a><br> <br> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_RPns0wmdno3TyW0XCfJDDQ)-- ========================================================================Date: Fri, 19 Sep 2003 13:34:43 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Carol Terry <[log in to unmask]> Organization: RISD Subject: Re: Artbibliographies Modern Comments: To: [log in to unmask] MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit It's being carried by Cambridge Scientific Abstracts, CSA, who has also acquired Design & Applied Arts Index. Carol Terry RISD Library __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 19 Sep 2003 13:08:41 -0700 Reply-To: Deborah Koshinsky <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Deborah Koshinsky <[log in to unmask]> Subject: Ciudad Abierta, Ritoque, Chile: exhibition and lectures MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_mFjvcxoCNTIxpn1X32BXfg)" This is a multi-part message in MIME format. --Boundary_(ID_mFjvcxoCNTIxpn1X32BXfg) Content-type: text/plain; charset="iso-8859-1" Content-transfer-encoding: quoted-printable Greetings: An announcement of possible interest. Regards, Deborah Deborah Husted Koshinsky Head, Architecture and Environmental Design Library Arizona State University E: [log in to unmask] W: http://www.asu.edu/lib/arch/ ___________________________________________________________ The College of Architecture and Environmental Design at Arizona State University is pleased to announce the following exhibition and lectures: exhibition ciudad abierta, ritoque, chile photographs by anthony hamboussi september 25 to october 14, 2003 caed gallery of design south architecture building arizona state university tempe, arizona a traveling exhibition sponsored by storefront for art and architecture, with the generous support of the w.p.carey foundation and susan & peter kessler. in the 1950s, a group of artists, architects, poets, and engineers from the faculty of the school of architecture at the universidad católica de chile in valparaiso, conceived a city with no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure. they called this project ciudad abierta (open city). envisioned as a laboratory, those that since reside and work there, permanently or temporarily, have set in motion a new, alternative community. ciudad abierta is one of the most radical experiments in latin america that has merged architectural pedagogy, urban development and landscape. the site unfolds over the immense expanse of dunes, ravines and plateaus on 700 acres facing the pacific ocean, where the students practice their own learning guided experiences, through formal and material experimental language emerged from poetic, purely aesthetic derives and unique developing of theoretical means, as well as craftsmanship and interdisciplinary collaboration, formulating an alternative educational model. it is a significant product of the grandeur and inordinacy of the american landscape and a contribution to the south american architectural identity, expressive of its mysterious relation with the spiritual dimension of nature. the photographs by anthony hamboussi focus on that dialog between the built and the natural environment it occupies and transforms. the exhibition contains 27 color photographs selected from an on-going documentation project that the photographer has been engaged in for the past two year (www.hamboussi.com). anthony hamboussi (born. brooklyn, 1969) is a new york-based photographer. his work has been exhibited both in the usa and abroad. he is the recipient of 2003 independent project grant from the new york state council on the arts, for a photographic study of new york city's newtown creek. other projects include the documentation of the evolving industrial and urban landscape in new york city and detroit. his work has appeared in the new york times magazine, wired, big, metropolis, soma, american photo and interior design, among other publications. opening lectures ann pendleton-jullian (mit prof.), alejandro aravena (chile-gsd prof.) friday september 26, aed 60 6:30 pm. north architecture building, reception to follow ann pendleton-jullian, associate head of the department of architecture, massachusetts institute of technology (mit), cambridge, author of a critical research on ciudad abierta: the road that is not a road: the open city, ritoque, chile (mit press, 1996). alejandro aravena, professor universidad católica de chile, santiago, is currently visiting adjunct professor of architecture at harvard university, cambridge. aravena is also a young talented practicing architect, his presentation will include his recent built projects for the chile university in santiago. College of Architecture and Environmental Design School of Architecture Arizona State University PO Box 871605 Tempe, AZ 85287-1605 With the support of ASU Center for Latin American Studies ______________________________________________________________________________ __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_mFjvcxoCNTIxpn1X32BXfg) Content-type: text/html; charset="iso-8859-1" Content-transfer-encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1"> <META content="MSHTML 5.50.4930.1700" name=GENERATOR></HEAD> <BODY> <DIV><FONT size=2>Greetings:</FONT></DIV> <DIV> <P><FONT size=2>An announcement of possible interest.</FONT></P> <P><SPAN class=971375018-19092003><FONT size=2>Regards,</FONT></SPAN></P> <P><SPAN class=971375018-19092003><FONT size=2>Deborah</FONT></SPAN></P><SPAN class=971375018-19092003> <P><FONT size=2><B><FONT color=#000080>Deborah Husted Koshinsky</FONT></B> <BR><B><FONT color=#000080>Head,</FONT></B> <BR><B><FONT color=#000080>Architecture and Environmental Design Library</FONT></B> <BR><B><FONT color=#000080>Arizona State University</FONT></B> </FONT></P> <P><FONT size=2><B><FONT color=#000080>E: [log in to unmask]</FONT></B> </FONT></P> <P><FONT size=2><B><FONT color=#000080>W:</FONT> <FONT color=#333399><A target=_blank href="http://www.asu.edu/lib/arch/">http://www.asu.edu/lib/arch/</A></FONT></B> </FONT></P> <P><SPAN class=971375018-19092003><FONT size=2><STRONG>___________________________________________________________</STRONG></FONT></SPAN></P></SPAN> <P><FONT size=2></FONT> </P> <P><FONT size=2>The College of Architecture and Environmental Design at Arizona State University<SPAN class=971375018-19092003> <SPAN class=178282120-19092003><FONT color=#0000ff> </FONT></SPAN></SPAN></FONT></P> <P><SPAN class=971375018-19092003><FONT size=2><SPAN class=178282120-19092003> </SPAN>is pleased to announce<SPAN class=178282120-19092003><FONT color=#0000ff> <FONT color=#000000>the following exhibition and lectures:</FONT></FONT></SPAN></FONT></SPAN></P> <P><SPAN class=971375018-19092003><FONT size=2><SPAN class=178282120-19092003> </SPAN></FONT></SPAN></P> <P> </P> <P><B><FONT size=2>exhibition</FONT></P> <P><FONT size=2>ciudad abierta, ritoque, chile</FONT></P> <P><FONT size=2>photographs by anthony hamboussi</FONT></P> <P><FONT size=2></FONT> </P></B> <P><FONT size=2>september 25 to october 14, 2003</FONT></P> <P><FONT size=2>caed gallery of design</FONT></P> <P><FONT size=2>south architecture building</FONT></P> <P><SPAN class=971375018-19092003><FONT size=2>arizona state university</FONT></SPAN></P> <P><SPAN class=971375018-19092003><FONT size=2>tempe, arizona</FONT></SPAN></P> <P><SPAN class=971375018-19092003><FONT size=2></FONT></SPAN> </P> <P><FONT size=2>a traveling exhibition sponsored by storefront for art and architecture, with the generous support of the </FONT><FONT size=2>w.p.carey foundation and susan & peter kessler.</FONT></P> <P><FONT size=2>in the 1950s, a group of artists, architects, poets, and engineers from the faculty of the school of architecture at the universidad católica de chile in valparaiso, conceived a city with no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure. they called this project ciudad abierta (open city). envisioned as a laboratory, those that since reside and work there, permanently or temporarily, have set in motion a new, alternative community.</FONT></P> <P><FONT size=2>ciudad <FONT face=Arial>a</FONT>bierta is one of the most radical experiments in latin america that has merged architectural pedagogy, urban development and landscape. the site unfolds over the immense expanse of dunes, ravines and plateaus on 700 acres facing the pacific ocean, where the students practice their own learning guided experiences, through formal and material experimental language emerged from poetic, purely aesthetic derives and unique developing of theoretical means, as well as craftsmanship and interdisciplinary collaboration, formulating an alternative educational model. it is a significant product of the grandeur and inordinacy of the american landscape and a contribution to the south american architectural identity, expressive of its mysterious relation with the spiritual dimension of nature.</FONT></P> <P><FONT size=2>the photographs by anthony hamboussi focus on that dialog between the built and the natural environment it occupies and transforms. the exhibition contains 27 color photographs selected from an on-going documentation project that the photographer has been engaged in for the past two year (www.hamboussi.com). anthony hamboussi (born. brooklyn, 1969) is a new york-based photographer. his work has been exhibited both in the usa and abroad. he is the recipient of 2003 independent project grant from the new york state council on the arts, for a photographic study of new york city's newtown creek. other projects include the documentation of the evolving industrial and urban landscape in new york city and detroit. his work has appeared in the new york times magazine, wired, big, metropolis, soma, american photo and interior design, among other publications.</FONT></P><B> <P><FONT size=2>opening lectures</FONT></P> <P><FONT size=2>ann pendleton-jullian (mit prof.), alejandro aravena (chile-gsd prof.)</FONT></P></B> <P><FONT size=2>friday september 26, </FONT></P> <P><FONT size=2>aed 60</FONT></P> <P><FONT size=2>6:30 pm.</FONT></P> <P><FONT size=2>north architecture building, reception to follow</FONT></P> <P><FONT size=2>ann pendleton-jullian, associate head of the department of architecture, massachusetts institute of technology (mit), cambridge, author of a critical research on ciudad abierta: the road that is not a road: the open city, ritoque, chile (mit press, 1996).</FONT></P> <P><FONT size=2>alejandro aravena, professor universidad católica de chile, santiago, is currently visiting adjunct professor of architecture at harvard university, cambridge. aravena is also a young talented practicing architect, his presentation will include his recent built projects for the chile university in santiago.</FONT></P> <P><FONT size=2>College of Architecture<SPAN class=178282120-19092003><FONT color=#0000ff> </FONT></SPAN>and Environmental Design</FONT></P> <P><FONT size=2>School of Architecture<SPAN class=178282120-19092003><FONT color=#0000ff> </FONT></SPAN></FONT></P> <P><FONT size=2><SPAN class=178282120-19092003>Arizona State University </SPAN></FONT></P> <P><FONT size=2>PO Box 871605</FONT></P> <P><FONT size=2>Tempe, AZ 85287-1605</FONT></P> <P><FONT size=2></FONT> </P> <P><FONT size=2>With the support of </FONT></P> <P><FONT size=2>ASU Center for Latin </FONT></P> <P><FONT size=2>American Studies</FONT></P><FONT size=2> <P>______________________________________________________________________________</P> <P><FONT color=#0000ff></FONT> </P></FONT><FONT face=Arial size=3> <P><STRONG></STRONG> </P></FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_mFjvcxoCNTIxpn1X32BXfg)-- ========================================================================Date: Fri, 19 Sep 2003 16:55:33 -0400 Reply-To: Norine Duncan <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Norine Duncan <[log in to unmask]> Subject: Re: Artbibliographies Modern In-Reply-To: <OFA2FFD31C.50478164-ON88256DA6.005BD751-88256DA6.005BFBEA@ sjsu.edu> Mime-Version: 1.0 Content-Type: text/html; charset="us-ascii" <html> Edith,<br> It's now available online from Cambridge Scientific Abstracts:<br> <a href="http://www.csa.com/csa/factsheets/artbm.shtml" eudora="autourl">http://www.csa.com/csa/factsheets/artbm.</a><a href="http://www.csa.com/csa/factsheets/artbm.shtml" eudora="autourl">shtml<br> </a>(and it's a lot more expensive!)<br> <br> I couldn't find it from the main CSA web page, but used<br> Google to get to the url above.<br> <br> Norine Duncan<br> Brown University<br> <br> At 09:44 AM 9/19/03 -0700, you wrote:<br> <br> <blockquote type=cite cite><font size=2>Does anyone know who's publishing this now, online and/or in paper? I thought it was ABC-CLIO but there's nothing about it on their web site.</font> <br> <br> <font size=2>Edith L. Crowe<br> Acting Head, Reference & Academic Services<br> Art & Humanities Librarian<br> San Jose State University Library<br> <a href="http://www.sjlibrary.org/" eudora="autourl">http://www.sjlibrary.org</a><br> (408) 808-2037<br> </font></blockquote><br> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Sat, 20 Sep 2003 13:32:13 -0400 Reply-To: J & S Warren <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: J & S Warren <[log in to unmask]> Subject: MCN Conference MIME-Version: 1.0 Content-Type: text/plain; charset=windows-1252; format=flowed Content-Transfer-Encoding: 7bit This announcement is being sent to several lists. Please excuse any duplication. Susanne Warren Museum Computer Network November 5 - 8 It is our pleasure to invite you to attend the 31st annual meeting of the Museum Computer Network. MCN2003: Balancing Museum Technology and Transformation takes place in Las Vegas, Nevada from November 5 through the 8th. Workshops, Sessions and More Register online at www.mcn.edu to participate in four days of workshops, sessions and free-form discussions delving into every aspect of cultural heritage information management. Whether you re trying to develop an Intellectual Property policy for your institution, learn about the latest imaging technology from industry leaders, or explore the possibilities of building integrated library/museum/archival systems, this is the place to be. The MCN meeting is where museum technologists go to get the information they need and build the bridges they want to other professionals in the cultural heritage arena. Learn about the new technologies available and then see them in our tightly-focused Exhibition Hall. Balancing Museum Technology and Transformation As a challenging economic year for all, especially those of us in the museum and cultural heritage sector draws to a close, we want you to join us in looking ahead to a brighter future. In keeping with our theme we ve asked our contributors to look at how the technology we re busy implementing is changing the way we work, how our institutions are being transformed by those technologies and how that transformation can be managed. We re offering a program that is both diverse and comprehensive. Go Off the Wall and Online, too We know travel budgets are tight so we ve teamed up with the Northeast Document Conservation Center (NEDCC) to offer something special: MCN 2003 is immediately preceded by the NEDCC s Off the Wall and Online workshop. If you re planning to attend the NEDCC workshop, you can get MCN member rates for the MCN meeting. Register Online You can learn all about the program and more on the MCN website, including information on sessions, presenters, workshops, travel and lodging. And for the first time, you can register for the MCN meeting online using our secure form. Don t delay Early registration ends September 15th -- browse over to www.mcn.edu and register today! __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Sun, 21 Sep 2003 12:03:40 +0100 Reply-To: tony campbell <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: tony campbell <[log in to unmask]> Subject: Harley Fellowships call Comments: To: "*CAAH (Malavin)" <[log in to unmask]>, *Archives <[log in to unmask]>, *Ancien-L <[log in to unmask]>, *18th Century <[log in to unmask]> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit [Please excuse duplication for wide posting. Conversely, please pass on to others who might be interested] **************************************** The J.B. Harley Research Fellowships in the History of Cartography **************************************** The closing date for applications is NOVEMBER 1st. Please apply to the undersigned for details, indicating *where* you saw this announcement. The Harley Fellowships - the only one of their kind in Europe - provide support of up to four weeks (normally at GBP 250 per week) for those, from any discipline, doing the equivalent of post-graduate level work in the historical map collections of the London area. For details of past applications and awards, and comments from previous Fellows see: http://www.maphistory.info/harley.html Tony Campbell Hon. Secretary J.B. Harley Fellowships ***************************************** [log in to unmask] 76 Ockendon Road London N1 3NW UK Phone: 020 7359 6477 International: +44 20 7359 6477 Web site: http://www.maphistory.info/harley.html [NB. New URL August 2003] ****************************************** __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 22 Sep 2003 13:27:00 +0200 Reply-To: Michaela Zonnenshain <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Michaela Zonnenshain <[log in to unmask]> Subject: query-citation MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0005_01C3810D.342CB910" This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C3810D.342CB910 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello, Looking for the exact citation: Jacobs, Ellen The privacy behaviour of preschool children : mechanisms and functions in the day-care environmet. pp. 119-133. I found in Eric a title which seems close but not identical. Thanks in advance, Michaela Zonnenshain Architecture and Town Planning Library Technion I.I.T. Haifa 32000, Israel Tel. 972-4-8294010 Fax 972-4-8294617 E-mail [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0005_01C3810D.342CB910 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1106" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Hello,</FONT></DIV> <DIV><FONT face=Arial size=2>Looking for the exact citation:</FONT></DIV> <DIV><FONT face=Arial size=2>Jacobs, Ellen</FONT></DIV> <DIV><FONT face=Arial size=2>The privacy behaviour of preschool children : mechanisms and functions in the day-care environmet. pp. 119-133.</FONT></DIV> <DIV><FONT face=Arial size=2>I found in Eric a title which seems close but not identical.</FONT></DIV> <DIV><FONT face=Arial size=2>Thanks in advance,</FONT></DIV> <DIV><FONT face=Arial size=2>Michaela Zonnenshain<BR>Architecture and Town Planning Library<BR>Technion I.I.T.<BR>Haifa 32000, Israel</FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>Tel. 972-4-8294010<BR>Fax 972-4-8294617<BR>E-mail <A href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0005_01C3810D.342CB910-- ========================================================================Date: Mon, 22 Sep 2003 11:52:04 +0100 Reply-To: tony campbell <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: tony campbell <[log in to unmask]> Subject: Forthcoming talk on Parisian georamas Comments: To: "*CAAH (Malavin)" <[log in to unmask]> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 8bit Dear Listowner The second talk in this forthcoming series (at least) may be of interest to your subscribers ************************* 'MAPS AND SOCIETY' The Warburg Institute Thirteenth Series: 2003-2004 ************************* Lectures in the history of cartography convened by Catherine Delano Smith (Institute of Historical Research) and Tony Campbell (formerly Map Library, British Library). Meetings are held on selected Thursdays at the Warburg Institute, School of Advanced Study, University of London,Woburn Square, London WC1H OAB at 5.00 pm. Admission is free. Meetings are followed by refreshments. All are most welcome. Enquiries: +44 (0) 20 8346 5112 (Dr Delano Smith) or < [log in to unmask] >. 2003 October 30. Dr Tom de Wesselow (King's College, Cambridge) 'Turning like the world': Henry III's 1239 mappamundi and the Winchester Round Table. November 13. Jean-Marc Besse (Chargé de recherche, Centre National de la Recherche Scientifique, Paris) 'Embrasser la terre d'un seul coup d'oeil': The First Parisian Georamas. November 27. Matthew Champion (Independent Landscape Archaeologist and Heritage Consultant, U.K.) William Cuningham's Cosmographical Glasse (1558/9) and its Influence on Sixteenth-Century English Urban Cartography. 2004 January 22. Professor James Raven (Department of History, University of Essex) Mapping the London Book Trades: St Paul's Churchyard, Paternoster Row and Fleet Street in the Eighteenth Century. ------------------------------------------- Meeting sponsored by the Hakluyt Society: February 12. Professor Felipe Fernández-Armesto (Professorial Fellow, Department of History, Queen Mary, University of London) Maps and Exploration Revisited: Problems in European Cartography in the Sixteenth Century. ------------------------------------------- March 18. Christopher Fleet (National Library of Scotland, Edinburgh) Analysing Image Colour and Content to Infer Map Authorship: A Case Study of the Blaeu Atlas of Scotland and its Sources. April 22. Dr Stephanie Coane (Warburg Institute, University of London) Maps as Illustrations in Printed European Exploration Accounts in the Late Eighteenth Century. May 27. Dr Scott Westrem (City University of New York) Calculation, Delineation, Depiction, Inscription: the Practicalities of Medieval Mapmaking. -------------------------------------------------------------- This programme has been made possible through the generous sponsorship of The International Map Collectors' Society, Jonathan Potter of Jonathan Potter Ltd., and Laurence Worms of Ash Rare Books, and is supported by Imago Mundi. DISPLAYS for each lecture, at the Royal Geographical Society, are arranged by Francis Herbert, Hon FRGS. Note that the Society's Library and Map Room will be closed until Spring 2004, although both the Picture Library and Archives remain open by appointment. See<http://www.rgs.org> - 'Collections'; 'Unlocking the Archives Project'. -------------------------------------------------------------- Please note that the web version of the programme is at a new URL < http://www.maphistory.info/warburgprog.html > [the 'Map History' site has moved]. That URL can be bookmarked, as it will always contain the current programme. For a comprehensive list of talks and meetings in the history of cartography, see John Docktor's 'Calendar' < http://home.earthlink.net/~docktor/index.htm > -------------------------------------------------------------- Tony Campbell <[log in to unmask]> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 22 Sep 2003 12:56:33 -0400 Reply-To: "Donovan, Judy" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Donovan, Judy" <[log in to unmask]> Subject: Slide sets for interior design texts? MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C3812A.7A194C96" This is a multi-part message in MIME format. ------_=_NextPart_001_01C3812A.7A194C96 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Does anyone know if there are slide sets available to accompany some of the standard interior design textbooks (such as Pile's Interior Design or History of Interior Design)? Barring that, can you point me to a good slide source to find interior design slides? Thanks in advance. Judy Donovan Library Director Delaware College of Art and Design 600 N. Market Street Wilmington, DE 19801-3007 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C3812A.7A194C96 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable <html xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:st1="urn:schemas-microsoft-com:office:smarttags" xmlns="http://www.w3.org/TR/REC-html40"> <head> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=us-ascii"> <meta name=ProgId content=Word.Document> <meta name=Generator content="Microsoft Word 10"> <meta name=Originator content="Microsoft Word 10"> <link rel=File-List href="cid:[log in to unmask]"> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PostalCode"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="State"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="City"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="Street"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceType"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceName"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PersonName"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="address"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="place"/> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:DoNotRelyOnCSS/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:SpellingState>Clean</w:SpellingState> <w:GrammarState>Clean</w:GrammarState> <w:DocumentKind>DocumentEmail</w:DocumentKind> <w:EnvelopeVis/> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if !mso]> <style> st1\:*{behavior:url(#default#ieooui) } </style> <![endif]--> <style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:Arial; mso-fareast-font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline; text-underline:single;} span.EmailStyle17 {mso-style-type:personal-compose; mso-style-noshow:yes; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; font-family:Arial; mso-ascii-font-family:Arial; mso-hansi-font-family:Arial; mso-bidi-font-family:Arial; color:windowtext;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} </style> <![endif]--> </head> <body lang=EN-US link=blue vlink=purple style='tab-interval:.5in'> <div class=Section1> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'>Does anyone know if there are slide sets available to accompany some of the standard interior design textbooks (such as Pile’s Interior Design or History of Interior Design)?<o:p></o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'><o:p> </o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'>Barring that, can you point me to a good slide source to find interior design slides?<o:p></o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'><o:p> </o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'>Thanks in advance.<o:p></o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'><o:p> </o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'><o:p> </o:p></span></font></p> <p class=MsoNormal><st1:PersonName><font size=2 face=Arial><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>Judy Donovan</span></font></st1:PersonName><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'><o:p></o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'>Library Director<o:p></o:p></span></font></p> <p class=MsoNormal><st1:place><st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>Delaware</span></font></st1:PlaceName><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'> </span></font><st1:PlaceType><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>College</span></font></st1:PlaceType></st1:place><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'> of Art and Design<o:p></o:p></span></font></p> <p class=MsoNormal><st1:Street><st1:address><font size=2 face=Arial><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>600 N. Market Street</span></font></st1:address></st1:Street><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'><o:p></o:p></span></font></p> <p class=MsoNormal><st1:place><st1:City><font size=2 face=Arial><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>Wilmington</span></font></st1:City><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>, </span></font><st1:State><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>DE</span></font></st1:State><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'> </span></font><st1:PostalCode><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'>19801-3007</span></font></st1:PostalCode></st1:place><font size=2><span style='font-size:10.0pt;mso-bidi-font-family:Arial'><o:p></o:p></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; mso-bidi-font-family:Arial'>[log in to unmask]<o:p></o:p></span></font></p> </div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C3812A.7A194C96-- ========================================================================Date: Mon, 22 Sep 2003 12:19:50 -0600 Reply-To: Lucie Stylianopoulos <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Lucie Stylianopoulos <[log in to unmask]> Subject: Re: Ciudad Abierta, Ritoque, Chile: exhibition and lectures Comments: To: Deborah Koshinsky <[log in to unmask]> In-Reply-To: <[log in to unmask]> Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="============_-1147867704==_ma============" --============_-1147867704==_ma===========Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" Content-Transfer-Encoding: quoted-printable Deborah, Is there any kind of catalogue for this for those of us so far away? thanks, Lucie Lucie Wall Stylianopoulos Collections/User Education Coordinator Librarian for Art, Classical Archaeology, and Architectural History Fiske Kimball Fine Arts Library University of Virginia Bayly Drive Box 400131 Charlottesville, VA 22904-4131 [log in to unmask] tele.434-924-6604 fax.434-982-2678 At 1:08 PM -0700 9/19/03, Deborah Koshinsky wrote: >Greetings: > >An announcement of possible interest. > >Regards, > >Deborah > >Deborah Husted Koshinsky >Head, >Architecture and Environmental Design Library >Arizona State University > >E: [log in to unmask] > >W: <http://www.asu.edu/lib/arch/>http://www.asu.edu/lib/arch/ > >___________________________________________________________ > > > >The College of Architecture and Environmental Design at Arizona >State University > > is pleased to announce the following exhibition and lectures: > > > > > >exhibition > >ciudad abierta, ritoque, chile > >photographs by anthony hamboussi > > > >september 25 to october 14, 2003 > >caed gallery of design > >south architecture building > >arizona state university > >tempe, arizona > > > >a traveling exhibition sponsored by storefront for art and >architecture, with the generous support of the w.p.carey foundation >and susan & peter kessler. > >in the 1950s, a group of artists, architects, poets, and engineers >from the faculty of the school of architecture at the universidad >católica de chile in valparaiso, conceived a city with no master >plan, no imposed ordering devices, and no hierarchical networks of >infrastructure. they called this project ciudad abierta (open city). >envisioned as a laboratory, those that since reside and work there, >permanently or temporarily, have set in motion a new, alternative >community. > >ciudad abierta is one of the most radical experiments in latin >america that has merged architectural pedagogy, urban development >and landscape. the site unfolds over the immense expanse of dunes, >ravines and plateaus on 700 acres facing the pacific ocean, where >the students practice their own learning guided experiences, through >formal and material experimental language emerged from poetic, >purely aesthetic derives and unique developing of theoretical means, >as well as craftsmanship and interdisciplinary collaboration, >formulating an alternative educational model. it is a significant >product of the grandeur and inordinacy of the american landscape and >a contribution to the south american architectural identity, >expressive of its mysterious relation with the spiritual dimension >of nature. > >the photographs by anthony hamboussi focus on that dialog between >the built and the natural environment it occupies and transforms. >the exhibition contains 27 color photographs selected from an >on-going documentation project that the photographer has been >engaged in for the past two year (www.hamboussi.com). anthony >hamboussi (born. brooklyn, 1969) is a new york-based photographer. >his work has been exhibited both in the usa and abroad. he is the >recipient of 2003 independent project grant from the new york state >council on the arts, for a photographic study of new york city's >newtown creek. other projects include the documentation of the >evolving industrial and urban landscape in new york city and >detroit. his work has appeared in the new york times magazine, >wired, big, metropolis, soma, american photo and interior design, >among other publications. > >opening lectures > >ann pendleton-jullian (mit prof.), alejandro aravena (chile-gsd prof.) > >friday september 26, > >aed 60 > >6:30 pm. > >north architecture building, reception to follow > >ann pendleton-jullian, associate head of the department of >architecture, massachusetts institute of technology (mit), >cambridge, author of a critical research on ciudad abierta: the road >that is not a road: the open city, ritoque, chile (mit press, 1996). > >alejandro aravena, professor universidad católica de chile, >santiago, is currently visiting adjunct professor of architecture at >harvard university, cambridge. aravena is also a young talented >practicing architect, his presentation will include his recent built >projects for the chile university in santiago. > >College of Architecture and Environmental Design > >School of Architecture > >Arizona State University > >PO Box 871605 > >Tempe, AZ 85287-1605 > > > >With the support of > >ASU Center for Latin > >American Studies > >______________________________________________________________________________ > > > > > >__________________________________________________________________ >Mail submissions to [log in to unmask] For information about >joining ARLIS/NA see: http://www.arlisna.org//membership.html Send >administrative matters (file requests, subscription requests, etc) >to [log in to unmask] ARLIS-L Archives and subscription >maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may >be addressed to list owner (Kerri Scannell) at: [log in to unmask] -- Lucie Wall Stylianopoulos Collections/User Education Coordinator Librarian for Art, Classical Archaeology, and Architectural History Fiske Kimball Fine Arts Library University of Virginia Bayly Drive Box 400131 Charlottesville, VA 22904-4131 [log in to unmask] tele.434-924-6604 fax.434-982-2678 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147867704==_ma===========Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!doctype html public "-//W3C//DTD W3 HTML//EN"> <html><head><style type="text/css"><!-- blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 } --></style><title>Re: [ARLIS-L] Ciudad Abierta, Ritoque, Chile: exhibiti</title></head><body> <div>Deborah,</div> <div><br></div> <div>Is there any kind of catalogue for this for those of us so far away?</div> <div><br></div> <div>thanks,</div> <div><br></div> <div>Lucie</div> <div><br></div> <div>Lucie Wall Stylianopoulos</div> <div>Collections/User Education Coordinator<br> Librarian for Art, Classical Archaeology,<br> and Architectural History<br> Fiske Kimball Fine Arts Library<br> University of Virginia<br> Bayly Drive Box 400131<br> Charlottesville, VA 22904-4131</div> <div><br></div> <div>[log in to unmask] tele.434-924-6604 fax.434-982-2678</div> <div><br></div> <div><br></div> <div>At 1:08 PM -0700 9/19/03, Deborah Koshinsky wrote:</div> <blockquote type="cite" cite><font size="-1">Greetings:</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">An announcement of possible interest.</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">Regards,</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">Deborah</font><br> </blockquote> <blockquote type="cite" cite><font size="-1" color="#000080"><b>Deborah Husted Koshinsky</b></font><font size="-1"><br> <font color="#000080"><b>Head,</b></font><br> <font color="#000080"><b>Architecture and Environmental Design Library</b></font><br> <font color="#000080"><b>Arizona State University</b></font></font><br> </blockquote> <blockquote type="cite" cite><font size="-1" color="#000080"><b>E: [log in to unmask]</b></font><br> </blockquote> <blockquote type="cite" cite><font size="-1" color="#000080"><b>W:</b></font> <a href="http://www.asu.edu/lib/arch/"><font size="-1" color="#333399"><b>http://www.asu.edu/lib/arch/</b></font></a><br> </blockquote> <blockquote type="cite" cite><font size="-1"><b >___________________________________________________________</b></font ><br> </blockquote> <blockquote type="cite" cite> <br> </blockquote> <blockquote type="cite" cite><font size="-1">The College of Architecture and Environmental Design at Arizona State University <font color="#0000FF"> </font></font><br> </blockquote> <blockquote type="cite" cite><font size="-1"> is pleased to announce<font color="#0000FF"> </font><font color="#000000">the following exhibition and lectures:</font></font><br> </blockquote> <blockquote type="cite" cite><font size="-1"> </font><br> </blockquote> <blockquote type="cite" cite> <br> </blockquote> <blockquote type="cite" cite><font size="-1"><b>exhibition</b></font><br> <b></b></blockquote> <blockquote type="cite" cite><font size="-1"><b>ciudad abierta, ritoque, chile</b></font><br> <b></b></blockquote> <blockquote type="cite" cite><font size="-1"><b>photographs by anthony hamboussi</b></font><br> <b></b></blockquote> <blockquote type="cite" cite><b> </b><br> <b></b></blockquote> <blockquote type="cite" cite><font size="-1">september 25 to october 14, 2003</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">caed gallery of design</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">south architecture building</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">arizona state university</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">tempe, arizona</font><br> </blockquote> <blockquote type="cite" cite> <br> </blockquote> <blockquote type="cite" cite><font size="-1">a traveling exhibition sponsored by storefront for art and architecture, with the generous support of the w.p.carey foundation and susan & peter kessler.</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">in the 1950s, a group of artists, architects, poets, and engineers from the faculty of the school of architecture at the universidad católica de chile in valparaiso, conceived a city with no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure. they called this project ciudad abierta (open city). envisioned as a laboratory, those that since reside and work there, permanently or temporarily, have set in motion a new, alternative community.</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">ciudad<font face="Arial"> a</font>bierta is one of the most radical experiments in latin america that has merged architectural pedagogy, urban development and landscape. the site unfolds over the immense expanse of dunes, ravines and plateaus on 700 acres facing the pacific ocean, where the students practice their own learning guided experiences, through formal and material experimental language emerged from poetic, purely aesthetic derives and unique developing of theoretical means, as well as craftsmanship and interdisciplinary collaboration, formulating an alternative educational model. it is a significant product of the grandeur and inordinacy of the american landscape and a contribution to the south american architectural identity, expressive of its mysterious relation with the spiritual dimension of nature.</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">the photographs by anthony hamboussi focus on that dialog between the built and the natural environment it occupies and transforms. the exhibition contains 27 color photographs selected from an on-going documentation project that the photographer has been engaged in for the past two year (www.hamboussi.com). anthony hamboussi (born. brooklyn, 1969) is a new york-based photographer. his work has been exhibited both in the usa and abroad. he is the recipient of 2003 independent project grant from the new york state council on the arts, for a photographic study of new york city's newtown creek. other projects include the documentation of the evolving industrial and urban landscape in new york city and detroit. his work has appeared in the new york times magazine, wired, big, metropolis, soma, american photo and interior design, among other publications.</font><br> </blockquote> <blockquote type="cite" cite><font size="-1"><b>opening lectures</b></font><br> <b></b></blockquote> <blockquote type="cite" cite><font size="-1"><b>ann pendleton-jullian (mit prof.), alejandro aravena (chile-gsd prof.)</b></font><br> <b></b></blockquote> <blockquote type="cite" cite><font size="-1">friday september 26,</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">aed 60</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">6:30 pm.</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">north architecture building, reception to follow</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">ann pendleton-jullian, associate head of the department of architecture, massachusetts institute of technology (mit), cambridge, author of a critical research on ciudad abierta: the road that is not a road: the open city, ritoque, chile (mit press, 1996).</font></blockquote> <blockquote type="cite" cite><br></blockquote> <blockquote type="cite" cite><font size="-1">alejandro aravena, professor universidad católica de chile, santiago, is currently visiting adjunct professor of architecture at harvard university, cambridge. aravena is also a young talented practicing architect, his presentation will include his recent built projects for the chile university in santiago.</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">College of Architecture<font color="#0000FF"> </font> and Environmental Design</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">School of Architecture<font color="#0000FF"> </font></font><br> </blockquote> <blockquote type="cite" cite><font size="-1">Arizona State University </font><br> </blockquote> <blockquote type="cite" cite><font size="-1">PO Box 871605</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">Tempe, AZ 85287-1605</font><br> </blockquote> <blockquote type="cite" cite> <br> </blockquote> <blockquote type="cite" cite><font size="-1">With the support of</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">ASU Center for Latin</font><br> </blockquote> <blockquote type="cite" cite><font size="-1">American Studies</font><br> </blockquote> <blockquote type="cite" cite><font size="-1" >____________________________________________________________________<span ></span>__________</font><br> <font size="-1"></font></blockquote> <blockquote type="cite" cite><font size="-1"> </font><br> <font size="-1"></font></blockquote> <blockquote type="cite" cite><font face="Arial"> </font><br> <font face="Arial"></font></blockquote> <blockquote type="cite" cite >__________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]</blockquote> <div><br></div> <div>-- <br> Lucie Wall Stylianopoulos<br> Collections/User Education Coordinator<br> Librarian for Art, Classical Archaeology,<br> and Architectural History<br> Fiske Kimball Fine Arts Library<br> University of Virginia<br> Bayly Drive Box 400131<br> Charlottesville, VA 22904-4131<br> <br> [log in to unmask] tele.434-924-6604 fax.434-982-2678</div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147867704==_ma============-- ========================================================================Date: Mon, 22 Sep 2003 15:37:42 -0400 Reply-To: "Stephen (Steve) Majure" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Stephen (Steve) Majure" <[log in to unmask]> Subject: avail: Interior Design, Interiors, Burlington Magazine Comments: To: [log in to unmask] MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Content-disposition: inline ************************************************************* PLEASE do not hit reply button, e-mail Kim directly: [log in to unmask] ************************************************************* The Jen Library has the following items available to other institutions for the price of postage reimbursement (stamps preferred). These items will be available through Wednesday, Oct. 1, 2003. Posted to ARLIS-L & BACKSERV, please forgive any duplication. Interior Design: 33:4 Apr 1962 35:3 Mar 1964 45:9 Sep 1974 46:3 Mar 1975 42:5-7 May-Jul 1971(home-bound) Interiors: 131:1-5 Aug-Dec 1971 (home-bound) The Burlington Magazine: 1973 115: 844 (Jul), 846 (Sep) 1974 116: 851 (Feb), 854 (May), 855 (June), 858 (Sep), 859 (Oct) 1977 119: 887 (Feb) Kim McGraw Jen Library, Serials Assistant Savannah College of Art & Design 201 E. Broughton Street Savannah, GA 31401 912-525-4729 (P) 912-525-4715 (F) e-mail: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 22 Sep 2003 15:03:30 -0500 Reply-To: Leigh Gates <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Leigh Gates <[log in to unmask]> Subject: Museum Computer Network Conference Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="============_-1147861483==_ma============" --============_-1147861483==_ma===========Content-Type: text/plain; charset="us-ascii" ; format="flowed" Posted for MCN. Pardon any duplication. ******************************************************************************************************************************* Digital Photography Themes at MCN 2003 Join us for the Museum Computer Network's 2003 conference in Las Vegas, Nevada where as part of our conference theme "Balancing Museum Technology and Transformation" we look at the role of digital imaging in a variety of contexts. See our complete program at <http://www.mcn.edu/mcn2003/index.html>www.mcn.edu/mcn2003/index.html and register online! Wednesday, November 5 and Saturday, November 8: <http://www.mcn.edu/Mcn2003/index.html>Strategies for Digitization, Parts 1 and 2. A workshop by Alan Newman, Executive Director, Department of Imaging, Art Institute of Chicago. Museums are increasingly using digital imaging as a companion to and a replacement for conventional analog photography. The uses of digital images include multimedia and web publishing, pre-press lithography, reference in collection management, conservation documentation and desktop video. This workshop will explore the strategies of digitization for museums applications and present the various tools for image capture and quality evaluation as well as how to capitalize on in-house resources. A technical overview will be an important part of the workshop, yet substantial time will be devoted to workflow issues and return on investment. Directed at photographers, department heads, managers, educators, administrators, deputy directors or any museum professional wishing to take advantage of the digital environment. Learn when and how to phase out analog photography where necessary while still supporting it where appropriate. Wednesday, November 5<http://www.mcn.edu/Mcn2003/confmain/index.html>: Digital Video. A workshop by Michael Borthwick, of Michael Borthwick Consulting Pty, Melbourne, Australia. Whether producing video, or incorporating the moving image into their collections, museums must negotiate what can seem a mysterious landscape of hardware, software, standards and storage systems. This workshop will demystify video as a medium by orienting participants within this landscape. It will examine delivery via DVD, kiosks and the web and explore the requirements for basic PC and Macintosh editing systems that will enable museums (and even their visitors) to produce content for these platforms. Thursday, November 6: <http://www.mcn.edu/Mcn2003/confmain/index.html>Museums and Digital Cameras: A Dialog with Industry. A panel session moderated by Everett Ellin, Strategist/Consultant for Business and Museums. Panelists include: David Gilblom President Alternative Vision Corporation (Los Altos, CA) James Pohlman Director of Operations, Digital Cameras Eastman Kodak Company (Rochester, NY) Howard Goldstein Vice President Center for Digital Imaging (New York, NY) Michael Brugnoni Digital Imaging Support Specialist Cleveland Museum of Art (Cleveland, OH) Jane Sledge Information and Technology Manager National Museum of the American Indian (Washington, DC) Daniel Stowell Director of the Papers of Abraham Lincoln Lincoln Presidential Library (Springfield, IL) Museums are a small but important and rapidly growing market segment for high quality digital cameras capable of accurately and efficiently capturing the images of many types of art objects. However, the museum community has typically not been effective in communicating their special needs with camera developers. As a result, museum camera needs are left to be met by the products designed and optimized for other market segments and consumers. This session brings together camera manufacturers and developers, digital imaging experts, and museum photographers to explore the problems with current digital cameras, the prospects and potential for new digital photography technology (e.g. Foveon chip, special lenses, new means of profiling, etc.), potential synergies with other market niches, and the difficulties manufacturers encounter when trying to accommodate museums' needs. This session will also report on the special "Dialog with a Manufacturer" meeting sponsored by MCN and held last June at the Cleveland Museum of Art, which focused on the potential for developing a special Foveon camera for the museum market. and helped establish the framework for this session. MCN hopes that this will be the first in a series of "Dialogs with Industry" which will help the museum community work with software and hardware industries to explore and meet museum needs. Saturday, November 8: Collections on the Move: Building an Image Database with Extensis Portfolio. A presentation by Daniel Rothbart, Smithsonian National Museum of the American Indian The Smithsonian National Museum of the American Indian is currently moving some 800,000 Native American objects from a crowded warehouse in the Bronx, New York, to a state of the art storage facility in Suitland, Maryland. As the Assistant Move Coordinator - Imaging my primary duty is to manage a team of six staff members who image each of the objects in the museums collection in a studio environment before they travel. Thus far we have imaged two terabytes of high-resolution TIF and JPEG files that are used in the proprietary NMAI Registration Information Tracking System (RITS) database. When I joined the move project I also inherited over 1,500 digital images that document this historic project from 1999 to the present. The images document moving massive objects such as Haida totem poles, Native American watercraft, and dwellings, but also record the daily registration, conservation, imaging, and packing of the George Gustav Heye collection of Native American Art. Because most of the staff members engaged in the move process will leave the museum for other employment after the move is complete, there is an urgent need to organize these images and associate them with specific information and memories that only current move employees can provide. I decided to create a database of the images with Extensis Portfolio Server. This application enables us to associate the images with metadata to give them a meaningful, accurate context for future use by researchers. The NMAI has not yet adopted a comprehensive image management database system, but Portfolio Server allows us to export tab delimited files with each of the meta data fields, so that the information can be imported into any future database. With the blessing of the NMAI IT Department, we installed the program on a node of the museum network in Washington D.C. from which it can be used by multiple users in both the Bronx and Suitland locations. We developed a system for managing the database and delegating access and publishing privileges. We also developed a two-tiered backup regimen that includes both tape and exported tab delimited files. Thus far the project has proved very successful. It was recently adopted by the Move Conservation Department to organize its images of conservation treatments, and the NMAI Repatriation, Photo Services, and Archives Departments have all expressed interest in the program. -- *********************************** Leigh Gates, Slide Librarian MacLean Visual Resources Center, Ryerson Library The Art Institute of Chicago 37 S. Wabash, Chicago IL 60603 [log in to unmask] tel: 312/899-1223 fax: 312/263-0141 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147861483==_ma===========Content-Type: text/html; charset="us-ascii" <!doctype html public "-//W3C//DTD W3 HTML//EN"> <html><head><style type="text/css"><!-- blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 } --></style><title>Museum Computer Network Conference</title></head><body> <div>Posted for MCN<font face="Arial"><b>.</b></font> Pardon any duplication.</div> <div><font face="Arial"><b >********************************************************************<span ></span>***********************************************************</b ></font></div> <div><font face="Arial"><b>Digital Photography Themes at MCN 2003</b></font></div> <div><font face="Arial">Join us for the Museum Computer Network's 2003 conference in Las Vegas, Nevada where as part of our conference theme "<i>Balancing Museum Technology and Transformation</i>" we look at the role of digital imaging in a variety of contexts. See our complete program at</font> <a href="http://www.mcn.edu/mcn2003/index.html"><font face="Arial" color="#0000FF"><u>www.mcn.edu/mcn2003/index.html</u></font></a><font face="Arial"> and register online!</font></div> <div><br></div> <div><font face="Arial"><b>Wednesday, November 5 and Saturday, November 8:</b></font> <a href="http://www.mcn.edu/Mcn2003/index.html"><font face="Arial" color="#0000FF"><u><b>Strategies for Digitization, Parts 1 and 2</b></u></font></a><font face="Arial"><b>.</b> A workshop by Alan Newman, Executive Director, Department of Imaging, Art Institute of Chicago.</font></div> <div><br></div> <div><font face="Arial">Museums are increasingly using digital imaging as a companion to and a replacement for conventional analog photography. The uses of digital images include multimedia and web publishing, pre-press lithography, reference in collection management, conservation documentation and desktop video.</font></div> <div><br></div> <div><br></div> <div><font face="Arial">This workshop will explore the strategies of digitization for museums applications and present the various tools for image capture and quality evaluation as well as how to capitalize on in-house resources.</font></div> <div><br></div> <div><br></div> <div><font face="Arial">A technical overview will be an important part of the workshop, yet substantial time will be devoted to workflow issues and return on investment. Directed at photographers, department heads, managers, educators, administrators, deputy directors or any museum professional wishing to take advantage of the digital environment. Learn when and how to phase out analog photography where necessary while still supporting it where appropriate.</font></div> <div><br></div> <div><font face="Arial"><b>Wednesday, November 5</b></font><a href="http://www.mcn.edu/Mcn2003/confmain/index.html"><font face="Arial" color="#0000FF"><u><b>: Digital Video</b></u></font></a><font face="Arial"><b>.</b></font> <font face="Arial"> A workshop by Michael Borthwick, of Michael Borthwick Consulting Pty, Melbourne, Australia.</font></div> <div><br></div> <div><font face="Arial">Whether producing video, or incorporating the moving image into their collections, museums must negotiate what can seem a mysterious landscape of hardware, software, standards and storage systems. This workshop will demystify video as a medium by orienting participants within this landscape. It will examine delivery via DVD, kiosks and the web and explore the requirements for basic PC and Macintosh editing systems that will enable museums (and even their visitors) to produce content for these platforms<i>.</i></font></div> <div><br></div> <div><font face="Arial"><b>Thursday, November 6:</b></font> <a href="http://www.mcn.edu/Mcn2003/confmain/index.html"><font face="Arial" color="#0000FF"><u><b>Museums and Digital Cameras: A Dialog with Industry</b></u></font></a><font face="Arial"><b>.</b> A panel session moderated by Everett Ellin, Strategist/Consultant for Business and Museums.</font></div> <div><br></div> <div><font face="Arial">Panelists include:</font></div> <div><font face="Arial"><b>David Gilblom</b></font></div> <div><font face="Arial">President</font></div> <div><font face="Arial">Alternative Vision Corporation (Los Altos, CA)</font></div> <div><br></div> <div><font face="Arial"><b>James Pohlman</b></font></div> <div><font face="Arial">Director of Operations, Digital Cameras</font></div> <div><font face="Arial">Eastman Kodak Company (Rochester, NY)</font></div> <div><br></div> <div><font face="Arial"><b>Howard Goldstein</b></font></div> <div><font face="Arial">Vice President</font></div> <div><font face="Arial">Center for Digital Imaging (New York, NY)</font></div> <div><br></div> <div><font face="Arial"><b>Michael Brugnoni</b></font></div> <div><font face="Arial">Digital Imaging Support Specialist</font></div> <div><font face="Arial">Cleveland Museum of Art (Cleveland, OH)</font></div> <div><br></div> <div><font face="Arial"><b>Jane Sledge</b></font></div> <div><font face="Arial">Information and Technology Manager</font></div> <div><font face="Arial">National Museum of the American Indian (Washington, DC)</font></div> <div><br></div> <div><font face="Arial"><b>Daniel Stowell</b></font></div> <div><font face="Arial">Director of the Papers of Abraham Lincoln</font></div> <div><font face="Arial">Lincoln Presidential Library (Springfield, IL)</font></div> <div><br></div> <div><font face="Arial" size="-1">Museums are a small but important and rapidly growing market segment for high quality digital cameras capable of accurately and efficiently capturing the images of many types of art objects. However, the museum community has typically not been effective in communicating their special needs with camera developers. As a result, museum camera needs are left to be met by the products designed and optimized for other market segments and consumers. This session brings together camera manufacturers and developers, digital imaging experts, and museum photographers to explore the problems with current digital cameras, the prospects and potential for new digital photography technology (e.g. Foveon chip, special lenses, new means of profiling, etc.), potential synergies with other market niches, and the difficulties manufacturers encounter when trying to accommodate museums' needs. This session will also report on the special "Dialog with a Manufacturer" meeting sponsored by MCN and held last June at the Cleveland Museum of Art, which focused on the potential for developing a special Foveon camera for the museum market. and helped establish the framework for this session. MCN hopes that this will be the first in a series of "Dialogs with Industry" which will help the museum community work with software and hardware industries to explore and meet museum needs.</font></div> <div><br></div> <div><font face="Arial"><b>Saturday, November 8: Collections on the Move: Building an Image Database with Extensis Portfolio.</b> A presentation by Daniel Rothbart, Smithsonian National Museum of the American Indian</font></div> <div><br></div> <div><font face="Arial">The Smithsonian National Museum of the American Indian is currently moving some 800,000 Native American objects from a crowded warehouse in the Bronx, New York, to a state of the art storage facility in Suitland, Maryland. As the Assistant Move Coordinator - Imaging my primary duty is to manage a team of six staff members who image each of the objects in the museums collection in a studio environment before they travel. Thus far we have imaged two terabytes of high-resolution TIF and JPEG files that are used in the proprietary NMAI Registration Information Tracking System (RITS) database. When I joined the move project I also inherited over 1,500 digital images that document this historic project from 1999 to the present. The images document moving massive objects such as Haida totem poles, Native American watercraft, and dwellings, but also record the daily registration, conservation, imaging, and packing of the George Gustav Heye collection of Native American Art. Because most of the staff members engaged in the move process will leave the museum for other employment after the move is complete, there is an urgent need to organize these images and associate them with specific information and memories that only current move employees can provide.</font></div> <div><br></div> <div><font face="Arial">I decided to create a database of the images with Extensis Portfolio Server. This application enables us to associate the images with metadata to give them a meaningful, accurate context for future use by researchers. The NMAI has not yet adopted a comprehensive image management database system, but Portfolio Server allows us to export tab delimited files with each of the meta data fields, so that the information can be imported into any future database. With the blessing of the NMAI IT Department, we installed the program on a node of the museum network in Washington D.C. from which it can be used by multiple users in both the Bronx and Suitland locations. We developed a system for managing the database and delegating access and publishing privileges. We also developed a two-tiered backup regimen that includes both tape and exported tab delimited files. Thus far the project has proved very successful. It was recently adopted by the Move Conservation Department to organize its images of conservation treatments, and the NMAI Repatriation, Photo Services, and Archives Departments have all expressed interest in the program.</font></div> <x-sigsep><pre>-- </pre></x-sigsep> <div >*********************************** <span ></span > <span ></span > <span ></span> <br > Leigh Gates, Slide Librarian<br> MacLean Visual Resources Center, Ryerson Library<br> The Art Institute of Chicago<br> 37 S. Wabash, Chicago IL 60603<br> [log in to unmask]<br> tel: 312/899-1223 fax: 312/263-0141</div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147861483==_ma============-- ========================================================================Date: Mon, 22 Sep 2003 12:50:38 -0700 Reply-To: "Trump, Polly" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Trump, Polly" <[log in to unmask]> Subject: Research Awards Deadline Reminder MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C38142.CC1EC8A0" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C38142.CC1EC8A0 Content-Type: text/plain Hello Everyone, Eric Schwab, my co-chair, and I would like to remind you that the deadline of October 3, 2003 to apply for a research award is fast approaching. This is a great opportunity to get your work recognized, so please take advantage of it. For more guidelines and applications see, http://www.arlisna.org/index__953.html <http://www.arlisna.org/index__953.html> and scroll down to Research Awards. Feel free to contact me if you have any questions. Polly Trump Co-Chair Research Awards Committee ------------------------- Polly Trump, MLS Architecture Librarian University of Arizona PO Box 210075 Tucson, AZ 85721-0075 520.621.2049 (voice) 520.621.8700 (fax) ---------------------------- __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C38142.CC1EC8A0 Content-Type: text/html <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII"> <TITLE>Message</TITLE> <META content="MSHTML 6.00.2800.1226" name=GENERATOR></HEAD> <BODY style="COLOR: #000000; FONT-FAMILY: " hb_focus_attach="true"> <DIV><SPAN class7154519-22092003><FONT face="Berlin Sans FB" color=#000080><STRONG>Hello Everyone,</STRONG></FONT></SPAN></DIV> <DIV><SPAN class7154519-22092003><STRONG><FONT face="Berlin Sans FB" color=#000080></FONT></STRONG></SPAN> </DIV> <DIV><SPAN class7154519-22092003><STRONG><FONT face="Berlin Sans FB" color=#000080>Eric Schwab, my co-chair, and I would like to remind you that the deadline of October 3, 2003 to apply for a research award is fast approaching. This is a great opportunity to get your work recognized, so please take advantage of it. For more guidelines and applications see, <A href="http://www.arlisna.org/index__953.html">http://www.arlisna.org/index__953.html</A> and scroll down to Research Awards. Feel free to contact me if you have any questions.</FONT></STRONG></SPAN></DIV> <DIV><SPAN class7154519-22092003><STRONG><FONT face="Berlin Sans FB" color=#000080></FONT></STRONG></SPAN> </DIV> <DIV><SPAN class7154519-22092003><STRONG><FONT face="Berlin Sans FB" color=#000080>Polly Trump</FONT></STRONG></SPAN></DIV> <DIV><SPAN class7154519-22092003><STRONG><FONT face="Berlin Sans FB" color=#000080>Co-Chair</FONT></STRONG></SPAN></DIV> <DIV><SPAN class7154519-22092003><STRONG><FONT face="Berlin Sans FB" color=#000080>Research Awards Committee</FONT></STRONG></SPAN></DIV> <DIV> </DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>-------------------------</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>Polly Trump, MLS</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1><EM>Architecture Librarian</EM></FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>University of Arizona</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>PO Box 210075</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>Tucson, AZ 85721-0075</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1></FONT> </DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>520.621.2049 (voice)</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>520.621.8700 (fax)</FONT></DIV> <DIV dir=ltr align=left><FONT face="Berlin Sans FB" color=#000080 size=1>----------------------------</FONT></DIV> <DIV> </DIV> <P></P></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C38142.CC1EC8A0-- ========================================================================Date: Mon, 22 Sep 2003 17:12:37 -0400 Reply-To: "Stephen (Steve) Majure" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Stephen (Steve) Majure" <[log in to unmask]> Subject: need: Film Comment (one issue) Comments: To: [log in to unmask] MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Content-disposition: inline Hi everyone, Beggar Steve here... We are in dire need of: Film Comment, vol.38, no.1, Jan/Feb 2002 The publisher doesn't have any in stock, back issue dealers don't have it, it's not on eBay...If you have a duplicate or discard, we will gladly reimburse THREE TIMES the postage amount with stamps or a check. Many, many thanks in advance!!! Steve Majure Jen Library Savannah College of Art and Design PO Box 3146 Savannah, GA 31402-3146 p (912) 525-4702 f (912) 525-4715 e [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 23 Sep 2003 14:29:01 +0200 Reply-To: Michaela Zonnenshain <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Michaela Zonnenshain <[log in to unmask]> Subject: query-book on memories from a small town in South Africa MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0005_01C381DF.08257AF0" This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C381DF.08257AF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi, I was asked about the exact citation of the book : Woolf, Glenda People like us Feldheim Have any idea? Thanks in advance, michaela Michaela Zonnenshain Architecture and Town Planning Library Technion I.I.T. Haifa 32000, Israel Tel. 972-4-8294010 Fax 972-4-8294617 E-mail [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0005_01C381DF.08257AF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1106" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Hi,</FONT></DIV> <DIV><FONT face=Arial size=2>I was asked about the exact citation of the book :</FONT></DIV> <DIV><FONT face=Arial size=2>Woolf, Glenda</FONT></DIV> <DIV><FONT face=Arial size=2>People like us</FONT></DIV> <DIV><FONT face=Arial size=2>Feldheim</FONT></DIV> <DIV><FONT face=Arial size=2>Have any idea?</FONT></DIV> <DIV><FONT face=Arial size=2>Thanks in advance,</FONT></DIV> <DIV><FONT face=Arial size=2>michaela</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Michaela Zonnenshain<BR>Architecture and Town Planning Library<BR>Technion I.I.T.<BR>Haifa 32000, Israel</FONT></DIV> <DIV> </DIV> <DIV><FONT face=Arial size=2>Tel. 972-4-8294010<BR>Fax 972-4-8294617<BR>E-mail <A href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0005_01C381DF.08257AF0-- ========================================================================Date: Tue, 23 Sep 2003 09:00:16 -0500 Reply-To: Leigh Gates <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Leigh Gates <[log in to unmask]> Subject: Fwd: NYTimes.com Article: Where Did Dewey File Those Law Books? Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" This is hilarious! >Where Did Dewey File Those Law Books? > >September 23, 2003 > By MICHAEL LUO > > > > > > >Who knew that someone owned the Dewey Decimal System? > >Apparently not the owners of the Library Hotel, nestled in >the shadow of the New York Public Library. Now the boutique >hotel, which numbers its guest rooms and stocks them with >books according to Melvil Dewey's century-old library >classification system, is being sued for using it. > >"The Dewey Decimal System is a product, a trademark, a >brand name," said Joseph R. Dreitler, a lawyer for the >Online Computer Library Center, a nonprofit library >cooperative that filed the suit last week in Federal >District Court in Ohio. "The idea here isn't to put the >Library Hotel out of business. The idea is to protect Dewey >and the Dewey Decimal System trademark." > >The hotel opened three years ago at Madison Avenue and 41st >Street. From its imitation card catalog in the lobby to its >stately second-floor reading room, it is designed as a >siren for book lovers. Each floor is devoted to one of the >10 main categories of knowledge in the Dewey system: Social >Sciences, Languages, Math and Science, Technology, the >Arts, Literature, History and Geography, General Knowledge, >Philosophy and Religion. > >Hotel guests can request a specific floor or themed room, >furnished with the corresponding books. History buffs might >consider the ninth floor, with Biography (900.006) or Asian >History (900.004). A technology aficionado might give >Computers (600.005) a try. > >The most popular rooms, by far? Erotic Literature (800.001) >and Love (1100.006). Room and suite prices on the hotel's >Web site range from $295 to $770 per night. > >Hotel officials said yesterday that the owner, Henry >Kallan, could not be reached in Prague, where he is opening >a new music-themed hotel, the Aria. But the hotel's general >manager, Craig Spitzer, issued a written statement saying >that the Dewey Decimal theme was Mr. Kallan's "original >idea," based on its proximity to the public library. > >"We are not a library lending books, but rather we have >created a unique hotel experience for book lovers to >enjoy," Mr. Spitzer said. "We do not believe that our >guests or other consumers are confused into thinking the >Library Hotel's hospitality services and the O.C.L.C.'s >information services come from the same source." > >The Online Computer Library Center is seeking damages of >three times the profits the hotel has made since it opened. > > >Dewey, a librarian, invented the Dewey Decimal >Classification in 1874 and devoted his life to spreading >it. Over time, it became the most widely employed >cataloging system in the world, used today in 95 percent of >public libraries in the United States. > >Before its emergence, libraries would dedicate space on >their shelves for books according to their own systems. >Adding new volumes, categories and subcategories was often >unwieldy, and because no two libraries used the same >system, the method of finding books differed from one >library to the next. > >Dewey copyrighted his system early on and set up a company, >Forest Press, to sell it, although he often donated his >system to needy libraries. > >He never intended to get rich with his system, said Dr. >Wayne Wiegand, a professor of library and information >studies at Florida State University and the author of a >Dewey biography. Dewey's goal, instead, was to educate the >masses. > >Dr. Wiegand said many smaller libraries, including prison >libraries, use the system today without paying. > >In 1988, the Online Computer Library Center, a group >created to help libraries share resources and costs, bought >Forest Press and the Dewey Decimal System trademark. >Periodically, the group, based in Dublin, Ohio, issues >updates to the system and sells them to libraries at $375 >for a full printed update. More than 200,000 libraries in >135 countries are licensed to use the system. > >Officials at the library center said they discovered the >hotel on the Internet soon after it opened. After writing >two letters to Mr. Kallan, in 2000 and 2001, but getting no >response, the group sent him a certified letter in October, >said Mr. Dreitler, the organization's lawyer. > >He said Mr. Kallan finally responded with a phone call, >refusing to give the group credit or stop using the Dewey >system in his marketing. "He basically said, `Go away,' " >Mr. Dreitler said. > >Theresa Conley runs a small public library in Lyme, Conn., >and stayed at the hotel last month, in Ancient Languages >(400.006). After hearing about the lawsuit from another >librarian, she dashed off an angry e-mail message to the >library center, scolding the group. > >"It's a place that celebrates books and reading," she said >in a telephone interview. > >"I think that's something that needs to be encouraged and >commended, and not discouraged by this frivolous, silly >lawsuit." > >http://www.nytimes.com/2003/09/23/nyregion/23DEWE.html?ex65325432&ei=1&en>6b0baad05544b6 > > >--------------------------------- > >Get Home Delivery of The New York Times Newspaper. Imagine >reading The New York Times any time & anywhere you like! >Leisurely catch up on events & expand your horizons. Enjoy >now for 50% off Home Delivery! Click here: > >http://www.nytimes.com/ads/nytcirc/index.html > > > >HOW TO ADVERTISE >--------------------------------- >For information on advertising in e-mail newsletters >or other creative advertising opportunities with The >New York Times on the Web, please contact >[log in to unmask] or visit our online media >kit at http://www.nytimes.com/adinfo > >For general information about NYTimes.com, write to >[log in to unmask] > >Copyright 2003 The New York Times Company > -- *********************************** Leigh Gates, Slide Librarian MacLean Visual Resources Center, Ryerson Library The Art Institute of Chicago 37 S. Wabash, Chicago IL 60603 [log in to unmask] tel: 312/899-1223 fax: 312/263-0141 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 23 Sep 2003 10:37:46 -0400 Reply-To: Alita Vogel <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Alita Vogel <[log in to unmask]> Subject: Re: Fwd: NYTimes.com Article: Where Did Dewey File Those Law Books? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable WOW, Theresa Conley, as someone who "runs" a library (notice the article didn't say she was a librarian) should know that a trademark lawsuit is not frivolous. I can't believe she let herself be quoted as saying that. Yeah, I think the Library Hotel is a great idea too, but the hotel owner should have worked with OCLC instead of telling them to shove off. -----Original Message----- From: Leigh Gates [mailto:[log in to unmask]] Sent: Tuesday, September 23, 2003 10:00 AM To: [log in to unmask] Subject: [ARLIS-L] Fwd: NYTimes.com Article: Where Did Dewey File Those Law Books? This is hilarious! >Where Did Dewey File Those Law Books? > >September 23, 2003 > By MICHAEL LUO > > > > > > >Who knew that someone owned the Dewey Decimal System? > >Apparently not the owners of the Library Hotel, nestled in >the shadow of the New York Public Library. Now the boutique >hotel, which numbers its guest rooms and stocks them with >books according to Melvil Dewey's century-old library >classification system, is being sued for using it. > >"The Dewey Decimal System is a product, a trademark, a >brand name," said Joseph R. Dreitler, a lawyer for the >Online Computer Library Center, a nonprofit library >cooperative that filed the suit last week in Federal >District Court in Ohio. "The idea here isn't to put the >Library Hotel out of business. The idea is to protect Dewey >and the Dewey Decimal System trademark." > >The hotel opened three years ago at Madison Avenue and 41st >Street. From its imitation card catalog in the lobby to its >stately second-floor reading room, it is designed as a >siren for book lovers. Each floor is devoted to one of the >10 main categories of knowledge in the Dewey system: Social >Sciences, Languages, Math and Science, Technology, the >Arts, Literature, History and Geography, General Knowledge, >Philosophy and Religion. > >Hotel guests can request a specific floor or themed room, >furnished with the corresponding books. History buffs might >consider the ninth floor, with Biography (900.006) or Asian >History (900.004). A technology aficionado might give >Computers (600.005) a try. > >The most popular rooms, by far? Erotic Literature (800.001) >and Love (1100.006). Room and suite prices on the hotel's >Web site range from $295 to $770 per night. > >Hotel officials said yesterday that the owner, Henry >Kallan, could not be reached in Prague, where he is opening >a new music-themed hotel, the Aria. But the hotel's general >manager, Craig Spitzer, issued a written statement saying >that the Dewey Decimal theme was Mr. Kallan's "original >idea," based on its proximity to the public library. > >"We are not a library lending books, but rather we have >created a unique hotel experience for book lovers to >enjoy," Mr. Spitzer said. "We do not believe that our >guests or other consumers are confused into thinking the >Library Hotel's hospitality services and the O.C.L.C.'s >information services come from the same source." > >The Online Computer Library Center is seeking damages of >three times the profits the hotel has made since it opened. > > >Dewey, a librarian, invented the Dewey Decimal >Classification in 1874 and devoted his life to spreading >it. Over time, it became the most widely employed >cataloging system in the world, used today in 95 percent of >public libraries in the United States. > >Before its emergence, libraries would dedicate space on >their shelves for books according to their own systems. >Adding new volumes, categories and subcategories was often >unwieldy, and because no two libraries used the same >system, the method of finding books differed from one >library to the next. > >Dewey copyrighted his system early on and set up a company, >Forest Press, to sell it, although he often donated his >system to needy libraries. > >He never intended to get rich with his system, said Dr. >Wayne Wiegand, a professor of library and information >studies at Florida State University and the author of a >Dewey biography. Dewey's goal, instead, was to educate the >masses. > >Dr. Wiegand said many smaller libraries, including prison >libraries, use the system today without paying. > >In 1988, the Online Computer Library Center, a group >created to help libraries share resources and costs, bought >Forest Press and the Dewey Decimal System trademark. >Periodically, the group, based in Dublin, Ohio, issues >updates to the system and sells them to libraries at $375 >for a full printed update. More than 200,000 libraries in >135 countries are licensed to use the system. > >Officials at the library center said they discovered the >hotel on the Internet soon after it opened. After writing >two letters to Mr. Kallan, in 2000 and 2001, but getting no >response, the group sent him a certified letter in October, >said Mr. Dreitler, the organization's lawyer. > >He said Mr. Kallan finally responded with a phone call, >refusing to give the group credit or stop using the Dewey >system in his marketing. "He basically said, `Go away,' " >Mr. Dreitler said. > >Theresa Conley runs a small public library in Lyme, Conn., >and stayed at the hotel last month, in Ancient Languages >(400.006). After hearing about the lawsuit from another >librarian, she dashed off an angry e-mail message to the >library center, scolding the group. > >"It's a place that celebrates books and reading," she said >in a telephone interview. > >"I think that's something that needs to be encouraged and >commended, and not discouraged by this frivolous, silly >lawsuit." > >http://www.nytimes.com/2003/09/23/nyregion/23DEWE.html?ex=1065325432&ei=1&en=3e6b0baad05544b6 > > >--------------------------------- > >Get Home Delivery of The New York Times Newspaper. Imagine >reading The New York Times any time & anywhere you like! >Leisurely catch up on events & expand your horizons. Enjoy >now for 50% off Home Delivery! Click here: > >http://www.nytimes.com/ads/nytcirc/index.html > > > >HOW TO ADVERTISE >--------------------------------- >For information on advertising in e-mail newsletters >or other creative advertising opportunities with The >New York Times on the Web, please contact >[log in to unmask] or visit our online media >kit at http://www.nytimes.com/adinfo > >For general information about NYTimes.com, write to >[log in to unmask] > >Copyright 2003 The New York Times Company > -- *********************************** Leigh Gates, Slide Librarian MacLean Visual Resources Center, Ryerson Library The Art Institute of Chicago 37 S. Wabash, Chicago IL 60603 [log in to unmask] tel: 312/899-1223 fax: 312/263-0141 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 23 Sep 2003 11:02:52 -0500 Reply-To: Jacqueline Tygart <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jacqueline Tygart <[log in to unmask]> Subject: Re: Fwd: NYTimes.com Article: Where Did Dewey File Thos e Law Books? MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" With all due respect, I'm not sure I agree that all trademark suits are not frivolous. They may be very real and very costly, but I believe they can still be petty and frivolous. And yes, the hotel owner should have had the savvy to work with OCLC to reach an agreement, if only to avoid litigation. All that said, I'm still embarrassed for OCLC, and I _am_ a librarian. We have Ashcroft making us out to be hysterical idiots in the press, and IMHO, OCLC proving him right. I only wish I could afford to stay at the Library Hotel on my next visit to NYC - on the 7th floor no doubt. I wonder if they give librarians special rates? Probably not after this lawsuit, huh? Jacqueline Tygart, Art and Architecture Librarian (whose views are her own and not those of Drury University) Drury University, F. W. Olin Library Springfield, MO 65802 -----Original Message----- From: Alita Vogel [mailto:[log in to unmask]] Sent: Tuesday, September 23, 2003 9:38 AM To: [log in to unmask] Subject: Re: [ARLIS-L] Fwd: NYTimes.com Article: Where Did Dewey File Those Law Books? WOW, Theresa Conley, as someone who "runs" a library (notice the article didn't say she was a librarian) should know that a trademark lawsuit is not frivolous. I can't believe she let herself be quoted as saying that. Yeah, I think the Library Hotel is a great idea too, but the hotel owner should have worked with OCLC instead of telling them to shove off. -----Original Message----- From: Leigh Gates [mailto:[log in to unmask]] Sent: Tuesday, September 23, 2003 10:00 AM To: [log in to unmask] Subject: [ARLIS-L] Fwd: NYTimes.com Article: Where Did Dewey File Those Law Books? This is hilarious! >Where Did Dewey File Those Law Books? > >September 23, 2003 > By MICHAEL LUO > > > > > > >Who knew that someone owned the Dewey Decimal System? > >Apparently not the owners of the Library Hotel, nestled in >the shadow of the New York Public Library. Now the boutique >hotel, which numbers its guest rooms and stocks them with >books according to Melvil Dewey's century-old library >classification system, is being sued for using it. > >"The Dewey Decimal System is a product, a trademark, a >brand name," said Joseph R. Dreitler, a lawyer for the >Online Computer Library Center, a nonprofit library >cooperative that filed the suit last week in Federal >District Court in Ohio. "The idea here isn't to put the >Library Hotel out of business. The idea is to protect Dewey >and the Dewey Decimal System trademark." > >The hotel opened three years ago at Madison Avenue and 41st >Street. From its imitation card catalog in the lobby to its >stately second-floor reading room, it is designed as a >siren for book lovers. Each floor is devoted to one of the >10 main categories of knowledge in the Dewey system: Social >Sciences, Languages, Math and Science, Technology, the >Arts, Literature, History and Geography, General Knowledge, >Philosophy and Religion. > >Hotel guests can request a specific floor or themed room, >furnished with the corresponding books. History buffs might >consider the ninth floor, with Biography (900.006) or Asian >History (900.004). A technology aficionado might give >Computers (600.005) a try. > >The most popular rooms, by far? Erotic Literature (800.001) >and Love (1100.006). Room and suite prices on the hotel's >Web site range from $295 to $770 per night. > >Hotel officials said yesterday that the owner, Henry >Kallan, could not be reached in Prague, where he is opening >a new music-themed hotel, the Aria. But the hotel's general >manager, Craig Spitzer, issued a written statement saying >that the Dewey Decimal theme was Mr. Kallan's "original >idea," based on its proximity to the public library. > >"We are not a library lending books, but rather we have >created a unique hotel experience for book lovers to >enjoy," Mr. Spitzer said. "We do not believe that our >guests or other consumers are confused into thinking the >Library Hotel's hospitality services and the O.C.L.C.'s >information services come from the same source." > >The Online Computer Library Center is seeking damages of >three times the profits the hotel has made since it opened. > > >Dewey, a librarian, invented the Dewey Decimal >Classification in 1874 and devoted his life to spreading >it. Over time, it became the most widely employed >cataloging system in the world, used today in 95 percent of >public libraries in the United States. > >Before its emergence, libraries would dedicate space on >their shelves for books according to their own systems. >Adding new volumes, categories and subcategories was often >unwieldy, and because no two libraries used the same >system, the method of finding books differed from one >library to the next. > >Dewey copyrighted his system early on and set up a company, >Forest Press, to sell it, although he often donated his >system to needy libraries. > >He never intended to get rich with his system, said Dr. >Wayne Wiegand, a professor of library and information >studies at Florida State University and the author of a >Dewey biography. Dewey's goal, instead, was to educate the >masses. > >Dr. Wiegand said many smaller libraries, including prison >libraries, use the system today without paying. > >In 1988, the Online Computer Library Center, a group >created to help libraries share resources and costs, bought >Forest Press and the Dewey Decimal System trademark. >Periodically, the group, based in Dublin, Ohio, issues >updates to the system and sells them to libraries at $375 >for a full printed update. More than 200,000 libraries in >135 countries are licensed to use the system. > >Officials at the library center said they discovered the >hotel on the Internet soon after it opened. After writing >two letters to Mr. Kallan, in 2000 and 2001, but getting no >response, the group sent him a certified letter in October, >said Mr. Dreitler, the organization's lawyer. > >He said Mr. Kallan finally responded with a phone call, >refusing to give the group credit or stop using the Dewey >system in his marketing. "He basically said, `Go away,' " >Mr. Dreitler said. > >Theresa Conley runs a small public library in Lyme, Conn., >and stayed at the hotel last month, in Ancient Languages >(400.006). After hearing about the lawsuit from another >librarian, she dashed off an angry e-mail message to the >library center, scolding the group. > >"It's a place that celebrates books and reading," she said >in a telephone interview. > >"I think that's something that needs to be encouraged and >commended, and not discouraged by this frivolous, silly >lawsuit." > >http://www.nytimes.com/2003/09/23/nyregion/23DEWE.html?ex65325432&ei=1&e n>6b0baad05544b6 > > >--------------------------------- > >Get Home Delivery of The New York Times Newspaper. Imagine >reading The New York Times any time & anywhere you like! >Leisurely catch up on events & expand your horizons. Enjoy >now for 50% off Home Delivery! Click here: > >http://www.nytimes.com/ads/nytcirc/index.html > > > >HOW TO ADVERTISE >--------------------------------- >For information on advertising in e-mail newsletters >or other creative advertising opportunities with The >New York Times on the Web, please contact >[log in to unmask] or visit our online media >kit at http://www.nytimes.com/adinfo > >For general information about NYTimes.com, write to >[log in to unmask] > >Copyright 2003 The New York Times Company > -- *********************************** Leigh Gates, Slide Librarian MacLean Visual Resources Center, Ryerson Library The Art Institute of Chicago 37 S. Wabash, Chicago IL 60603 [log in to unmask] tel: 312/899-1223 fax: 312/263-0141 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 23 Sep 2003 12:23:01 -0400 Reply-To: "Klos, Sheila" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Klos, Sheila" <[log in to unmask]> Subject: trademark infringement is no joke MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C381EE.F595468A" This is a multi-part message in MIME format. ------_=_NextPart_001_01C381EE.F595468A Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable This item from LJ Academic Newswire of 9-223-03 explains why OCLC felt forced to file suit to protect its trademark. Essentially, if they did nothing it could lead to greater difficulties down the road. Sometimes what sounds silly isn't really so silly at all. I'm sure that OCLC would rather spend its money in some other way, particularly when its member librarians are in a flutter about what seems a waste of cash and they find themselves forced to defend their legal action to those of us unfamiliar with trademark law. OCLC: HOTEL FORCED IT TO SUE TO PROTECT TRADEMARK If you think it's absurd for the Online Computer Library Center (OCLC) to sue the Library Hotel over its use of the Dewey Decimal System, lawyers for OCLC agree. Absurd, but unfortunately necessary. For three years, Joseph Dreitler, an attorney with the firm of Jones Day, representing OCLC, said OCLC attempted to get the Library Hotel to simply sign some form of agreement acknowledging that the hotel's use of the Dewey Decimal System was granted by permission of OCLC. For the first two years they heard nothing, said Dreitler. Last year, however, The Library Hotel's owner, Henry Kallan finally responded. "He basically told OCLC to get lost," Dreitler told the LJ Academic Newswire. "All OCLC needed was a piece of paper they could put in their file," he added. Dreitler says the OCLC has no objection to the hotel's use of the Dewey Decimal system, and was never seeking payment. But in trademark law, he said, trademarks must be vigorously defended or otherwise lost: "If a company that owns the rights to a trademark allows that trademark to be used in such a way that it is no longer associated with their product, it is abandoned. This is not something OCLC wanted to do, but they had to do it to protect their trademark rights from such large-scale use. They were pushed against a wall." Dreitler stressed that it was never the intention of OCLC to seek a slice of the hotel's profits nor prevent the hotel from using its clever theme. Now that lawyers are involved, he said it was not his place to comment on what settlement his client seeks. But he reiterates that OCLC is open to settling, and remains at a loss to explain why the hotel never dealt with OCLC before the lawsuit was filed. "This could've and should've been resolved without getting me involved," he said. The Library Hotel has denied any wrongdoing and could not confirm whether Kallan refused to cooperate with OCLC requests. In a statement, hotel General Manager Craig Spitzer said that Kallan was traveling in Europe but would be happy to address reporters upon his return. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C381EE.F595468A Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN"> <HTML> <HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=ISO-8859-1"> <META NAME="Generator" CONTENT="MS Exchange Server version 6.0.5762.3"> <TITLE>trademark infringement is no joke</TITLE> </HEAD> <BODY> <!-- Converted from text/rtf format --> <P><FONT SIZE=2 FACE="Arial">This item from LJ Academic Newswire of 9-223-03 explains why OCLC felt forced to file suit to protect its trademark. Essentially, if they did nothing it could lead to greater difficulties down the road. Sometimes what sounds silly isn't really so silly at all. I'm sure that OCLC would rather spend its money in some other way, particularly when its member librarians are in a flutter about what seems a waste of cash and they find themselves forced to defend their legal action to those of us unfamiliar with trademark law.</FONT></P> <P><FONT SIZE=2 FACE="Arial">OCLC: HOTEL FORCED IT TO SUE TO PROTECT TRADEMARK</FONT> <BR><FONT SIZE=2 FACE="Arial">If you think it's absurd for the Online Computer Library</FONT> <BR><FONT SIZE=2 FACE="Arial">Center (OCLC) to sue the Library Hotel over its use of the</FONT> <BR><FONT SIZE=2 FACE="Arial">Dewey Decimal System, lawyers for OCLC agree. Absurd, but</FONT> <BR><FONT SIZE=2 FACE="Arial">unfortunately necessary. For three years, Joseph Dreitler,</FONT> <BR><FONT SIZE=2 FACE="Arial">an attorney with the firm of Jones Day, representing OCLC,</FONT> <BR><FONT SIZE=2 FACE="Arial">said OCLC attempted to get the Library Hotel to simply sign</FONT> <BR><FONT SIZE=2 FACE="Arial">some form of agreement acknowledging that the hotel's use</FONT> <BR><FONT SIZE=2 FACE="Arial">of the Dewey Decimal System was granted by permission of</FONT> <BR><FONT SIZE=2 FACE="Arial">OCLC. For the first two years they heard nothing, said</FONT> <BR><FONT SIZE=2 FACE="Arial">Dreitler. Last year, however, The Library Hotel's owner,</FONT> <BR><FONT SIZE=2 FACE="Arial">Henry Kallan finally responded. "He basically told OCLC to</FONT> <BR><FONT SIZE=2 FACE="Arial">get lost," Dreitler told the LJ Academic Newswire. "All</FONT> <BR><FONT SIZE=2 FACE="Arial">OCLC needed was a piece of paper they could put in their</FONT> <BR><FONT SIZE=2 FACE="Arial">file," he added. Dreitler says the OCLC has no objection to</FONT> <BR><FONT SIZE=2 FACE="Arial">the hotel's use of the Dewey Decimal system, and was never</FONT> <BR><FONT SIZE=2 FACE="Arial">seeking payment. But in trademark law, he said, trademarks</FONT> <BR><FONT SIZE=2 FACE="Arial">must be vigorously defended or otherwise lost: "If a</FONT> <BR><FONT SIZE=2 FACE="Arial">company that owns the rights to a trademark allows that</FONT> <BR><FONT SIZE=2 FACE="Arial">trademark to be used in such a way that it is no longer</FONT> <BR><FONT SIZE=2 FACE="Arial">associated with their product, it is abandoned. This is not</FONT> <BR><FONT SIZE=2 FACE="Arial">something OCLC wanted to do, but they had to do it to</FONT> <BR><FONT SIZE=2 FACE="Arial">protect their trademark rights from such large-scale use.</FONT> <BR><FONT SIZE=2 FACE="Arial">They were pushed against a wall."</FONT> </P> <P><FONT SIZE=2 FACE="Arial">Dreitler stressed that it was never the intention of OCLC</FONT> <BR><FONT SIZE=2 FACE="Arial">to seek a slice of the hotel's profits nor prevent the</FONT> <BR><FONT SIZE=2 FACE="Arial">hotel from using its clever theme. Now that lawyers are</FONT> <BR><FONT SIZE=2 FACE="Arial">involved, he said it was not his place to comment on what</FONT> <BR><FONT SIZE=2 FACE="Arial">settlement his client seeks. But he reiterates that OCLC is</FONT> <BR><FONT SIZE=2 FACE="Arial">open to settling, and remains at a loss to explain why the</FONT> <BR><FONT SIZE=2 FACE="Arial">hotel never dealt with OCLC before the lawsuit was</FONT> <BR><FONT SIZE=2 FACE="Arial">filed. "This could've and should've been resolved without</FONT> <BR><FONT SIZE=2 FACE="Arial">getting me involved," he said. The Library Hotel has denied</FONT> <BR><FONT SIZE=2 FACE="Arial">any wrongdoing and could not confirm whether Kallan refused</FONT> <BR><FONT SIZE=2 FACE="Arial">to cooperate with OCLC requests. In a statement, hotel</FONT> <BR><FONT SIZE=2 FACE="Arial">General Manager Craig Spitzer said that Kallan was</FONT> <BR><FONT SIZE=2 FACE="Arial">traveling in Europe but would be happy to address reporters</FONT> <BR><FONT SIZE=2 FACE="Arial">upon his return.</FONT> </P> </BODY> </HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C381EE.F595468A-- ========================================================================Date: Tue, 23 Sep 2003 10:39:05 -0600 Reply-To: "Riedel, Thomas" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Riedel, Thomas" <[log in to unmask]> Subject: Re: trademark infringement is no joke MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C381F1.34083380" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C381F1.34083380 Content-Type: text/plain I find it interesting that this discussion of trademark infringement is being bolstered by copied and pasted full-text articles--most likely in violation of licensing/copyright agreements. Tom Riedel _______________ Tom Riedel Distance Services Librarian Regis University D-20 3333 Regis Blvd Denver, CO 80221-1099 303.458.4261 fax: 303.964.5497 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C381F1.34083380 Content-Type: text/html <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII"> <TITLE>Message</TITLE> <META content="MSHTML 6.00.2800.1170" name=GENERATOR></HEAD> <BODY> <DIV><SPAN class61003616-23092003><FONT face=Arial color=#0000ff size=2>I find it interesting that this discussion of trademark infringement is being bolstered by copied and pasted full-text articles--most likely in violation of licensing/copyright agreements.</FONT></SPAN></DIV> <DIV><SPAN class61003616-23092003><FONT face=Arial color=#0000ff size=2></FONT></SPAN> </DIV> <DIV><SPAN class61003616-23092003><FONT face=Arial color=#0000ff size=2>Tom Riedel</FONT></SPAN></DIV> <DIV><SPAN class61003616-23092003> <DIV align=left><FONT face=Arial size=2>_______________</FONT></DIV> <DIV align=left><FONT face=Arial size=2>Tom Riedel</FONT></DIV> <DIV align=left><FONT face=Arial size=2>Distance Services Librarian</FONT></DIV> <DIV align=left><FONT face=Arial size=2>Regis University D-20</FONT></DIV> <DIV align=left><FONT face=Arial size=2>3333 Regis Blvd</FONT></DIV> <DIV align=left><FONT face=Arial size=2>Denver, CO 80221-1099</FONT></DIV> <DIV align=left><FONT face=Arial size=2>303.458.4261</FONT></DIV> <DIV align=left><FONT face=Arial size=2>fax: 303.964.5497</FONT></DIV> <DIV align=left><FONT face=Arial size=2></FONT> </DIV></SPAN></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C381F1.34083380-- ========================================================================Date: Tue, 23 Sep 2003 22:45:01 -0000 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: [log in to unmask] Subject: Re: auction catalogs availability We have a couple or three thousand auction catalogs we want to get rid of; we are not collecting in this area. Most of them have not been cataloged or processed in any way. Most of them were a donation from an individual, so some have notations, writing inside, etc. Most are Sotheby's or Christies; the dates range from late 70's, most of the 80's, and into 1993-1995. The topics are all over the board, but heaviest in painting, prints, drawings, old masters, etc. The catalogs most everyone already has. If anyone is interested, please let me know off list and we'll talk. Roland. Roland C. Hansen Head of Access Services and Planning Columbia College Chicago Library 624 S. Michigan Ave Chicago IL 60605 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 08:17:24 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Pamela J. Eyerdam" <[log in to unmask]> Subject: ARLIS/Ohio Valley Fall Meeting - October 3, 2003 Comments: To: [log in to unmask], [log in to unmask] MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Only 9 more days until ARLIS/Ohio Valley meeting -- there is still time to register !! Please join the ARLIS/Ohio Valley chapter for its fall meeting on Friday, October 3, 2003 in Cincinnati. A very interesting and educational program has been planned. Take a behind the scenes tour of the Cincinnati Art Museum Costume Department as they prepare for the upcoming exhibition "A Separate Sphere: Dressmakers in Cincinnati's Golden Age 1877-1922;" and tour Cincinnati's new Lois and Richard Rosenthal Contemporary Arts Center, hailed by the New York Times as "the most important building to be completed since the end of the cold war." Mark your calendar now and please plan to attend this October meeting! Thursday, October 2 6:30 pm meet for dinner at the Riverview Restaurant Located on top of the Radisson Hotel in Covington, Kentucky, provides outstanding panoramic views of the Ohio River and Cincinnati Skyline. Friday, October 3 9:00-9:30 am -- Coffee and Registration 9:30-10:15 am -- Behind the scenes tour of the Cincinnati Art Museum Costume Department as they prepare for the upcoming exhibition "A Separate Sphere: Dressmakers in Cincinnati's Golden Age 1877-1922" 10:15-10:30 am -- Break 10:30-11:15 am -- Demonstration of CONTENTdm digital collection software by Doug Potts of OCLC 11:15-12 noon -- Dr. Linn Dietrich, Miami University, presents a slide lecture "Contemporary Arab and Persian Women Artists" 12 noon - 1:00 pm -- Lunch 1:15 - 1:30 pm Break 1:30-2:30 pm -- ARLIS/OV Business Meeting 2:30-3:00 pm -- Travel to Cincinnati Contemporary Arts Center and park. 3:00-4:00 pm -- Tour of Iraqi architect Zaha Hadid's , Lois and Richard Rosenthal Center for Contemporary Art Packets of information will be sent to all ARLIS/Ohio Valley members. Those outside the Ohio Valley chapter who may wish to attend may call Mona Chapin at 513-639-2976 to request program packets giving complete details and registration forms. We look forward to seeing you in Cincinnati. Mona L. Chapin Head Librarian Cincinnati Art Museum/Art Academy of Cincinnati 953 Eden Park Drive Cincinnati, OH 45202-1557 Tel: 513-639-2976 Fax: 513-721-0129 E-mail: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 10:27:38 -0400 Reply-To: "Madder, Elizabeth" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Madder, Elizabeth" <[log in to unmask]> Subject: request for info on inventory of Emmanuel Leutze's Washington Crossing the Delaware Comments: To: [log in to unmask] MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C382A8.016ED850" This is a multi-part message in MIME format. ------_=_NextPart_001_01C382A8.016ED850 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable I am trying to locate an inventory of versions of Emmanuel Leutze's Washington Crossing the Delaware compiled by Daniel C. Lewis. I believe it may have been published in Magazine Antiques in the 1970s. Can anyone help? Elizabeth Madder Managing Editor, ARTbibliographies Modern CSA, 4640 Kingsgate, Cascade Way, Oxford Business Park South, Oxford OX4 2ST, UK tel: 00441865336256 fax: 00441865336258 www.csa.com <http://www.csa.com/> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C382A8.016ED850 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD><TITLE>Message</TITLE> <META http-equiv=Content-Type content="text/html; charset=us-ascii"> <META content="MSHTML 6.00.2800.1226" name=GENERATOR></HEAD> <BODY> <DIV><FONT face=Helvetica color=#000080 size=2><SPAN class=767192014-24092003>I am trying to locate an inventory of versions of Emmanuel Leutze's Washington Crossing the Delaware compiled by Daniel C. Lewis. I believe it may have been published in Magazine Antiques in the 1970s. Can anyone help?</SPAN></FONT></DIV> <DIV><FONT face=Helvetica color=#000080 size=2></FONT> </DIV> <DIV align=left><FONT face=Arial color=#000080 size=2>Elizabeth Madder</FONT></DIV> <DIV align=left><FONT face=Arial color=#000080 size=2>Managing Editor, ARTbibliographies Modern</FONT></DIV> <DIV align=left><FONT face=Arial color=#000080 size=2>CSA, 4640 Kingsgate, Cascade Way,</FONT></DIV> <DIV align=left><FONT face=Arial color=#000080 size=2>Oxford Business Park South, Oxford OX4 2ST, UK</FONT></DIV> <DIV align=left><FONT face=Arial color=#000080 size=2>tel: 00441865336256 fax: 00441865336258 </FONT><A href="http://www.csa.com/"><FONT face=Arial color=#000080 size=2>www.csa.com</FONT></A></DIV> <DIV align=left><FONT face=Arial color=#000080 size=2></FONT> </DIV> <DIV> </DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C382A8.016ED850-- ========================================================================Date: Wed, 24 Sep 2003 11:24:13 -0400 Reply-To: Miranda Haddock <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Miranda Haddock <[log in to unmask]> Subject: Zaha Hadid Slides Comments: To: [log in to unmask] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline Dear Colleagues, Does anyone know of a vendor who distributes slides of Zaha Hadid's architecture? Thank you, Miranda Howard Haddock Associate Professor Visual Resources Librarian Western Michigan University 1903 W. Michigan Ave. Kalamazoo, MI 49008 (269) 387-4113 fax: (269) 387-4114 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 12:29:51 -0400 Reply-To: "Ball, Heather" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Ball, Heather" <[log in to unmask]> Subject: DEADLINE is approaching: 2003-2004 ARLIS/NA Internship Award - please share this info Comments: To: [log in to unmask] MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C382B9.144586F1" This is a multi-part message in MIME format. ------_=_NextPart_001_01C382B9.144586F1 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable The deadline for applications is approaching fast! OCTOBER 3RD, 2003. Award The Art Libraries Society of North America is now accepting applications for its annual Internship Award. The ARLIS/NA Internship Program provides financial support for students preparing for a career in art librarianship or visual resource curatorship. This award will grant $1,000.00 to support a period of internship in an art library or visual resources collection. Who May Apply Students currently enrolled in, or having completed within the last 12 months, a graduate program in library science, art history, studio art or museum studies may apply for the award. Internship Description Once an award recipient has been selected, he or she will select an institution to act as host for the internship. This institution must be approved by the ARLIS/NA Professional Development Committee. ARLIS/NA is not responsible for matching candidates with a host institution, but may assist in the process. This Internship Award will be granted for the 2003-2004 academic year. The intern will work on-site a minimum of 10 hours per week to complete a total of at least 150 hours. The intern, the internship supervisor, and the student's academic advisor (if applicable) will complete evaluations of the internship experience. The ARLIS/NA Internship Award will provide a stipend up to $1000.00 to the intern. Half of the award will be granted prior to the internship, with the remainder granted upon completion of the internship and receipt of a letter signed by the Internship supervisor and intern stating the 150 hours have been completed to the Chair of the Professional Development Committee. The award recipient will also receive a one year membership in ARLIS/NA at the student level. How to Apply To apply for the award, please submit a 1) a resume, 2) a scan/photocopy/fax of your most recent transcript issued by your university, 3) an essay of 250 words or less addressing your professional goals, expectations of the internship experience, and any skills or experience you have that might benefit an art or visual resources library, and 4) the names of two professional or scholastic references with addresses, telephone numbers, and email addresses. Application materials in electronic form are preferred and should be submitted to all of the members of the Professional Development Committee listed at the end of this notice. Host Institutions Institutions interested in hosting an ARLIS/NA Internship Award recipient should contact Heather Ball <mailto:[log in to unmask]> (mailing address is listed below). The ARLIS/NA Internship Roster is also available for listing internship opportunities in art & design libraries and visual resources collections: http://www.lib.vt.edu/info/ARLIS/internshiproster.html Internship Award Schedule of Deadlines for 2003-2004 October 3 2003 - Deadline for submission of applications to Professional Development Committee November 7 2003 - Professional Development Committee selects award recipient for the 2002-2003 academic year Only one ARLIS/NA Internship is awarded per year. The Intern will choose to initiate their internship in the Spring, Summer or Fall of the year in which they are presented the award. December 19 2003 - Deadline for selection of host library by the intern for a Spring 2004 internship April 15 2004 - Deadline for selection of host library by the intern for a Summer 2004 internship May 1 2004 - Deadline for selection of host library by the intern for a Fall 2004 internship The internship must begin within 30 days of the official beginning of the selected academic session of the participant's home institution or by written agreement between the selected intern and the ARLIS/NA Professional Development Committee, whichever comes first and must be completed within one academic semester. Deadline for submission of evaluation forms and documents by intern and host library will be within 30 days of the completion of the internship. Additional Information For additional information please contact any of the following members of the ARLIS/NA Professional Development Committee: Jacqueline H. Allen Director of Libraries and Imaging Services Dallas Museum of Art 1717 N. Harwood Dallas, TX 75201 (214) 922-1276 [log in to unmask] <mailto:[log in to unmask]> Heather Ball, Chairperson Art and Architecture Librarian Art and Architecture Library Cowgill Hall Virginia Polytechnical Institute & State University Blacksburg, VA 24061 (540) 231-9272 [log in to unmask] Tom Reed Caswell Assistant University Librarian Architecture and Fine Arts Library PO Box 117017 University of Florida Libraries Gainesville, FL 32611-7017 (352) 392-0222 [log in to unmask] <mailto:[log in to unmask]> Carol H. Graney, ARLIS/NA Board Liaison Director of University Libraries University of the Arts University Libraries 320 S. Broad Street Philadelphia, PA 19102 (215) 717-6281 [log in to unmask] Sara Harrington Art Librarian Rutgers University 71 Hamilton St. New Brunswick, NJ 08901-1248 (732) 932-7739 [log in to unmask] V. Heidi Hass Head of the Reference Collection Pierpont Morgan Library 29 E. 36th Street New York, NY 10016 (212)590-0381 [log in to unmask] <mailto:[log in to unmask]> Henry Pisciotta Arts and Architecture Librarian University Libraries Pennsylvania State University University Park, PA 16802 814-865-6778 814-863-7502 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C382B9.144586F1 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable <html xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:st1="urn:schemas-microsoft-com:office:smarttags" xmlns="http://www.w3.org/TR/REC-html40"> <head> <meta http-equiv=Content-Type content="text/html; charset=us-ascii"> <meta name=ProgId content=Word.Document> <meta name=Generator content="Microsoft Word 10"> <meta name=Originator content="Microsoft Word 10"> <link rel=File-List href="cid:[log in to unmask]"> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="Street"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceType"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PlaceName"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PostalCode"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="State"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="City"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PersonName"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="address"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="date"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="place"/> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:DoNotRelyOnCSS/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>110</w:Zoom> <w:SpellingState>Clean</w:SpellingState> <w:GrammarState>Clean</w:GrammarState> <w:DocumentKind>DocumentEmail</w:DocumentKind> <w:EnvelopeVis/> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if !mso]> <style> st1\:*{behavior:url(#default#ieooui) } </style> <![endif]--> <style> <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:Arial; mso-fareast-font-family:"Times New Roman"; color:black;} a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline; text-underline:single;} p {mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman"; color:black;} span.EmailStyle18 {mso-style-type:personal; mso-style-noshow:yes; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; font-family:Arial; mso-ascii-font-family:Arial; mso-hansi-font-family:Arial; mso-bidi-font-family:Arial; color:windowtext;} span.EmailStyle19 {mso-style-type:personal-reply; mso-style-noshow:yes; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; font-family:Arial; mso-ascii-font-family:Arial; mso-hansi-font-family:Arial; mso-bidi-font-family:Arial; color:navy;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} </style> <![endif]--> </head> <body lang=EN-US link=blue vlink=purple style='tab-interval:.5in'> <div class=Section1> <p class=MsoNormal><font size=2 color=black face=Arial><span style='font-size: 10.0pt;color:windowtext'>The deadline for applications is approaching fast! </span></font><st1:date Month="10" Day="3" Year="2003"><u><font color=black><span style='color:windowtext'>OCTOBER 3<sup>RD</sup>, 2003</span></font></u></st1:date><font color=black><span style='color:windowtext'>.<span style='mso-spacerun:yes'> </span><o:p></o:p></span></font></p> <p><b><font size=4 color="#003366" face=Arial><span style='font-size:13.5pt; font-family:Arial;color:#003366;font-weight:bold'>Award</span></font></b><br> <font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>The Art Libraries Society of North America is now accepting applications for its annual <b style='mso-bidi-font-weight:normal'><span style='font-weight:bold; mso-bidi-font-weight:normal'>Internship Award</span></b>. The </span></font><st1:PersonName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>ARLIS/NA</span></font></st1:PersonName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> Internship Program provides financial support for students preparing for a career in art librarianship or visual resource curatorship. This award will grant <b style='mso-bidi-font-weight:normal'><span style='font-weight:bold;mso-bidi-font-weight: normal'>$1,000.00</span></b> to support a period of internship in an art library or visual resources collection. </span></font><o:p></o:p></p> <p><b><font size=2 color="#003366" face=Arial><span style='font-size:10.0pt; font-family:Arial;color:#003366;font-weight:bold'>Who May Apply</span></font></b><br> <font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Students currently enrolled in, or having completed within the last 12 months, a graduate program in library science, art history, studio art or museum studies may apply for the award.</span></font><o:p></o:p></p> <p><b><font size=2 color="#003366" face=Arial><span style='font-size:10.0pt; font-family:Arial;color:#003366;font-weight:bold'>Internship Description<br> </span></font></b><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>Once an award recipient has been selected, he or she will select an institution to act as host for the internship. This institution must be approved by the ARLIS/NA Professional Development Committee. ARLIS/NA is not responsible for matching candidates with a host institution, but may assist in the process.</span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>This Internship Award will be granted for the 2003-2004 academic year. The intern will work on-site a minimum of 10 hours per week to complete a total of at least 150 hours.</span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>The intern, the internship supervisor, and the student's academic advisor (if applicable) will complete evaluations of the internship experience.</span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>The ARLIS/NA Internship Award will provide a stipend up to $1000.00 to the intern. Half of the award will be granted prior to the internship, with the remainder granted upon completion of the internship and receipt of a letter signed by the Internship supervisor and intern stating the 150 hours have been completed to the Chair of the Professional Development Committee. The award recipient will also receive a one year membership in ARLIS/NA at the student level.</span></font><o:p></o:p></p> <p><b><font size=2 color="#003366" face=Arial><span style='font-size:10.0pt; font-family:Arial;color:#003366;font-weight:bold'>How to Apply<br> </span></font></b><font size=2 color=black face=Arial><span style='font-size: 10.0pt;font-family:Arial;color:windowtext'>To apply for the award, please submit a 1) a resume, 2) a scan/photocopy/fax of your most recent transcript issued by your university,</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> 3) an essay of 250 words or less addressing your professional goals, expectations of the internship experience, and any skills or experience you have that might benefit an art or visual resources library, and 4) the names of two professional or scholastic references with addresses, telephone numbers, and email addresses. Application materials in electronic form are preferred and should be submitted to all of the members of the Professional Development Committee listed at the end of this notice.</span></font><o:p></o:p></p> <p><b><font size=2 color="#003366" face=Arial><span style='font-size:10.0pt; font-family:Arial;color:#003366;font-weight:bold'>Host Institutions<br> </span></font></b><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>Institutions interested in hosting an ARLIS/NA Internship Award recipient should contact <a href="mailto:[log in to unmask]">Heather Ball</a> (mailing address is listed below). The ARLIS/NA Internship Roster is also available for listing internship opportunities in art & design libraries and visual resources collections: <a href="http://www.lib.vt.edu/info/ARLIS/internshiproster.html">http://www.lib.vt.edu/info/ARLIS/internshiproster.html</a></span></font><o:p></o:p></p> <p><b><font size=2 color="#003366" face=Arial><span style='font-size:10.0pt; font-family:Arial;color:#003366;font-weight:bold'>Internship Award Schedule of Deadlines for 2003-2004</span></font></b><o:p></o:p></p> <p><st1:date Month="10" Day="3" Year="2003"><b><font size=2 color="#cc0000" face=Arial><span style='font-size:10.0pt;font-family:Arial;color:#CC0000; font-weight:bold'>October 3 2003</span></font></b></st1:date><b><font size=2 color="#cc0000" face=Arial><span style='font-size:10.0pt;font-family:Arial; color:#CC0000;font-weight:bold'> </span></font></b><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>- Deadline for submission of applications to Professional Development Committee <br> <br> </span></font><st1:date Month="11" Day="7" Year="2003"><b><font size=2 color="#cc0000" face=Arial><span style='font-size:10.0pt;font-family:Arial; color:#CC0000;font-weight:bold'>November 7 2003</span></font></b></st1:date><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> - Professional Development Committee selects award recipient for the 2002-2003 academic year</span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>Only one ARLIS/NA Internship is awarded per year. The Intern will choose to initiate their internship in the Spring, Summer or Fall of the year in which they are presented the award.</span></font><o:p></o:p></p> <p><st1:date Month="12" Day="19" Year="2003"><b><font size=2 color="#cc0000" face=Arial><span style='font-size:10.0pt;font-family:Arial;color:#CC0000; font-weight:bold'>December 19 2003</span></font></b></st1:date><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> - Deadline for selection of host library by the intern for a <b><span style='font-weight:bold'>Spring 2004</span></b> internship</span></font><o:p></o:p></p> <p><st1:date Month="4" Day="15" Year="2004"><b><font size=2 color="#cc0000" face=Arial><span style='font-size:10.0pt;font-family:Arial;color:#CC0000; font-weight:bold'>April 15 2004</span></font></b></st1:date><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> - Deadline for selection of host library by the intern for a <b><span style='font-weight:bold'>Summer 2004</span></b> internship</span></font><o:p></o:p></p> <p><st1:date Month="5" Day="1" Year="2004"><b><font size=2 color="#cc0000" face=Arial><span style='font-size:10.0pt;font-family:Arial;color:#CC0000; font-weight:bold'>May 1 2004</span></font></b></st1:date><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> - Deadline for selection of host library by the intern for a <b><span style='font-weight:bold'>Fall 2004 </span></b>internship</span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>The internship must begin within 30 days of the official beginning of the selected academic session of the participant's home institution or by written agreement between the selected intern and the ARLIS/NA Professional Development Committee, whichever comes first and must be completed within one academic semester.</span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>Deadline for submission of evaluation forms and documents by intern and host library will be within 30 days of the completion of the internship.</span></font><o:p></o:p></p> <p><b><font size=2 color="#003366" face=Arial><span style='font-size:10.0pt; font-family:Arial;color:#003366;font-weight:bold'>Additional Information<br> </span></font></b><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>For additional information please contact any of the following members of the ARLIS/NA Professional Development Committee:</span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>Jacqueline H. Allen <br> Director of Libraries and Imaging Services <br> Dallas Museum of Art <br> 1717 N. </span></font><st1:place><st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Harwood <br> Dallas</span></font></st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>, </span></font><st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>TX</span></font></st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PostalCode><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>75201</span></font></st1:PostalCode></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> <br> (214) 922-1276 <br> <a href="mailto:[log in to unmask]">[log in to unmask] </a></span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>Heather Ball, Chairperson<br> Art and Architecture Librarian <br> Art and Architecture Library <br> Cowgill Hall <br> Virginia Polytechnical Institute & State University <br> Blacksburg, VA 24061 <br> (540) 231-9272 <br> <a href="mailto:[log in to unmask]">[log in to unmask]</a></span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>Tom Reed Caswell<br> </span></font><st1:place><st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Assistant</span></font></st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PlaceType><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>University</span></font></st1:PlaceType></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> Librarian<br> Architecture and Fine Arts Library<br> </span></font><st1:address><st1:Street><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>PO Box</span></font></st1:Street><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> 117017</span></font></st1:address><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><br> </span></font><st1:place><st1:PlaceType><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>University</span></font></st1:PlaceType><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> of </span></font><st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Florida</span></font></st1:PlaceName></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> Libraries<br> </span></font><st1:place><st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Gainesville</span></font></st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>, </span></font><st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>FL</span></font></st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PostalCode><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>32611-7017</span></font></st1:PostalCode></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><br> (352) 392-0222<br> <a href="mailto:[log in to unmask]">[log in to unmask]</a> </span></font><o:p></o:p></p> <p class=MsoNormal><font size=2 color=black face=Arial><span style='font-size: 10.0pt'>Carol H. Graney, ARLIS/NA Board Liaison <br> Director of University Libraries<br> University of the Arts<br> University Libraries<br> </span></font><st1:Street><st1:address>320 S. Broad Street</st1:address></st1:Street><br> <st1:place><st1:City>Philadelphia</st1:City>, <st1:State>PA</st1:State> <st1:PostalCode>19102</st1:PostalCode></st1:place><br> (215) 717-6281 <br> <a href="mailto:[log in to unmask]">[log in to unmask]</a><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>Sara Harrington<br> Art Librarian<br> </span></font><st1:place><st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Rutgers</span></font></st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PlaceType><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>University</span></font></st1:PlaceType></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><br> </span></font><st1:Street><st1:address><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>71 Hamilton St</span></font></st1:address></st1:Street><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>.<br> </span></font><st1:place><st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>New Brunswick</span></font></st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>, </span></font><st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>NJ</span></font></st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PostalCode><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>08901-1248</span></font></st1:PostalCode></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><br> (732) 932-7739<br> <a href="mailto:[log in to unmask]">[log in to unmask]</a></span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>V. Heidi Hass <br> Head of the Reference Collection <br> Pierpont Morgan Library <br> 29 E. </span></font><st1:address><st1:Street><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>36th Street</span></font></st1:Street><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> <br> </span></font><st1:City><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>New York</span></font></st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>, </span></font><st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>NY</span></font></st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PostalCode><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>10016</span></font></st1:PostalCode></st1:address><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> <br> (212)590-0381 <br> <a href="mailto:[log in to unmask]">[log in to unmask] </a></span></font><o:p></o:p></p> <p><font size=2 color=black face=Arial><span style='font-size:10.0pt; font-family:Arial'>Henry Pisciotta<br> Arts and Architecture Librarian<br> University Libraries<br> </span></font><st1:place><st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Pennsylvania</span></font></st1:PlaceName><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PlaceType><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>State</span></font></st1:PlaceType><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PlaceType><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>University</span></font></st1:PlaceType></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><br> </span></font><st1:place><st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>University Park</span></font></st1:City><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>, </span></font><st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>PA</span></font></st1:State><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><st1:PostalCode><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>16802</span></font></st1:PostalCode></st1:place><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><br> 814-865-6778<br> 814-863-7502<br> <a href="mailto:[log in to unmask]">[log in to unmask]</a></span></font><o:p></o:p></p> <p class=MsoNormal><font size=2 color=black face=Arial><span style='font-size: 10.0pt'><o:p> </o:p></span></font></p> </div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C382B9.144586F1-- ========================================================================Date: Wed, 24 Sep 2003 12:50:07 -0400 Reply-To: Marlene Gordon <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Marlene Gordon <[log in to unmask]> Organization: University of Michigan - Dearborn Subject: Computers and the History of Art Conference Comments: To: [log in to unmask], [log in to unmask] MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit The following message is posted to several list servers. Please forgive any duplicate messages that you receive. ----------------------------------- CHArt Nineteenth Annual Conference CONVERGENT PRACTICES New Approaches to Art and Visual Culture Birkbeck, University of London, 43 Gordon Square, London, WC1H 0PD Thursday 6 - Friday 7 November 2003 - PROGRAMME - The focus of the CHArt 2003 Annual Conference is on the effects of emerging technologies and hybrid media on art and visual culture, particularly where these developments have fostered and encouraged new practice. The conference will discuss the ways in which new media has helped to redefine museum or gallery identity, led artists to develop new forms of practice and challenged educators. -- KEYNOTE ADDRESS - Sandy Nairne, Director, National Portrait Gallery THURSDAY 6 NOVEMBER SESSION ONE: NEW MEDIA/HISTORIES PERFORMING HISTORIES: VISITORS AS CHARACTERS IN INTERACTIVE EXHIBITION MEDIA Malcolm Ferris, University of Hertfordshire, UK FROM SCULPTURAL CONSCIOUSNESS TO THE DIGITAL SUBLIME: UNDERSTANDING THE SYSTEM AESTHETIC James Coupe, Thames Valley University, UK Celina Jeffery, Savannah College of Art and Design, USA. FROM WORK TO TEXT: THE DISSEMINATION AND DISTRIBUTION OF HYBRID AND PROCESS-BASED PRACTICE Helen Sloan, Southern Collaborative Arts Network, UK Paul Smith, boredomresearch, UK CYBERNETICS, CYBERNATION AND CYBORGIFICATION IN JOHN MCHALE'S TELEMATHS OF THE 1950S Jennifer Way, University of North Texas, USA -------- LUNCH - WITH DEMONSTRATIONS -------- SESSION TWO: HERITAGE/MUSEUMS SCIENCE AND CULTURE: AN INTERACTIVE COMMUNITY Ann Borda, Alpay Beler, Science Museum, UK CAREERING ALONG THE HERITAGE HIGHWAY Veronica Davis Perkins, Middlesex University, UK USING THE INTERNET TO FIND LOOTED ART: SUCCESS OR FAILURE? Shauna Isaac, London, UK DISPLAYING CHALLENGING WORKS OF ART USING DIGITAL TECHNOLOGY Tessa Meijer, Tate Britain, London, UK -------- FRIDAY 7 NOVEMBER SESSION THREE: REPRESENTATIONS NEWS FROM NOW WHERE?: THE DIGITAL SPACES OF TELEVISION Stephen Boyd Davis, Middlesex University, UK DIMENSIONS OF INFORMATION: LOCATION-SPECIFIC INFORMATION AND PUBLIC PUBLIC AUTHORING IN THE MUSEUM Giles Lane, London School of Economics, London, UK./Proboscis, UK Rachel Murphy, Rudegirl Designs, UK VIRTUAL WEEGEE: ARCHITECTURAL AND LOCAL HISTORY THROUGH AN INTERACTIVE 3D MODEL Marja-Leena Ikkala, Certes, Computer Arts Centre at Espoo, Finland ARCHITECTURAL-MULTIDIMENSIONAL SPACES: DIGITAL EXPLORATION OF THE UNBUILT Daniela Sirbu, University of Lethbridge, Canada -------- LUNCH - WITH DEMONSTRATIONS - CHART ANNUAL GENERAL MEETING -------- SESSION FOUR: EDUCATION THE IMPACT OF COMPUTER APPLICATIONS ON ART AND CULTURE IN GHANA: CASE STUDY AT THE COLLEGE OF ART, KUMASI McBoafo Foli Annku Western University College Tarkwa, Ghana West Africa NEW MEDIA: ITS AESTHETIC AND REPRESENTATION Irina Costache, California State University Channel Islands, Camarillo, USA VISUALISING ART HISTORY Katja Kwastek, Ludwig-Maximilians-Universität München, Germany VIRTUAL REALITY IN HERITAGE AND EDUCATION: ISSUES AND CHALLENGES Maria Roussou, Greece ------- DEMONSTRATIONS The Virtual Pilgrimage: Canterbury and Saint-Denis -an interdisciplinary online approach to two churches at the intersection of medieval culture. by Miranda Howard Haddock, Western Michigan University, USA INFONOISE: Interactive installation and its representation. by Gordana Novakovic, London, UK Digitising John Ruskin's teaching collection at the Ashmolean Museum by Rupert Shepherd, The Ruskin Project, UK fineart.ac.uk: Celebrating the history and achievement of UK fine art education. by Polly Christie, The Visual Arts Data Service, UK ------- BOOKING The booking form is available online on www.chart.ac.uk. Bookings made before 15 October 2003 will be entitled to a discount. Conference Fees (pounds sterling) - include coffee/tea breaks and lunch. TWO DAYS ONE DAY CHArt Member: £90 (£70 before 15 Oct 2003) £50 (£40 before 15 Oct 2003) Non-member: £120 (£100 before 15 Oct 2003) £70 (£60 before 15 Oct 2003) CHArt Student £60 (£40 before 15 Oct 2003) £30 (£20 before 15 Member Oct 2003) Student: £70 (£50 before 15 Oct 2003) £35 (£25 before 15 Non-member Oct 2003) Send bookings to: CHArt, School of History of Art, Film and Visual Media, Birkbeck College, 43 Gordon Square, London WC1H 0PD. [log in to unmask], Fax +44 0207 631 6107. -- Marlene E. Gordon Visual Resources and Music Collections CHArt Committee University of Michigan-Dearborn 313-593-5463 313-593-1902 (fax) [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 13:39:52 -0400 Reply-To: Claudia Covert <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Claudia Covert <[log in to unmask]> Subject: Question about museum budgets Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline I am looking for resources to find budget info for American museums in particular the level and percentage of federal support museums receive. I have pointed the patron in the direction of IRS 990 forms and annual reports. Any other suggestions? Thank you! Claudia Claudia Covert Library Director Corcoran Library 1705 H Street NW Washington, DC 20006-3903 Telephone 202-822-1484 Fax 202-822-1486 [log in to unmask] http://www.corcoran.edu/library __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 16:08:07 -0400 Reply-To: Sandra Rothenberg <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Sandra Rothenberg <[log in to unmask]> Subject: Question re: digital collections MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_5TMjaYRjYrdbPSrQvH6GiQ)" This is a multi-part message in MIME format. --Boundary_(ID_5TMjaYRjYrdbPSrQvH6GiQ) Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Hello, Does anyone know of any grants to digitize a slide collection numbered at 30,000-50,000 slides? I was inquiring for a professor who thinks that a grant for $5,000 would be a good start. Many thanks in advance for your help, Sandra Rothenberg ARLIS/NE __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_5TMjaYRjYrdbPSrQvH6GiQ) Content-type: text/html; charset=iso-8859-1 Content-transfer-encoding: 7BIT <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1170" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Hello,</FONT></DIV> <DIV><FONT face=Arial size=2> Does anyone know of any grants to digitize a slide collection numbered at 30,000-50,000 slides? I was inquiring for a professor who thinks that a grant for $5,000 would be a good start.</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Many thanks in advance for your help,</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Sandra Rothenberg</FONT></DIV> <DIV><FONT face=Arial size=2>ARLIS/NE</FONT></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_5TMjaYRjYrdbPSrQvH6GiQ)-- ========================================================================Date: Wed, 24 Sep 2003 15:11:07 -0400 Reply-To: Oak Knoll Books <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Oak Knoll Books <[log in to unmask]> Subject: Listservs about Book Arts Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=====================_34618846==.ALT" --=====================_34618846==.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Oak Knoll is pleased to announce the inclusion of a link to Art Libraries Society Discussion List on our redesigned and expanded web site. We have compiled a list of more than 40 Listservs that are of special interest to people involved with books and allied subjects. These Listservs deal with all aspects of book making, book collecting, libraries, the book arts and paper arts. In some instances several lists deal with the same subject. The list of Listservs can be found on the Oak Knoll web site in the "Bibliophile Resources" section on the "About Us" pull down menu. The link to the homepage is: <http://www.oakknoll.com/>. The new web site also contains Subject Specialty pages devoted to specific topics and on these pages you can find digitized selections from books about the topic and links to other resources on the internet. Of special interest to ARLIS-L users might be the specialties Book Design, Book Illustration or Fine Press Books. The links to these specialties are on our home page and throughout the site. Sincerely, John Laird Director of Marketing Oak Knoll Books 310 Delaware Street New Castle, DE 19720 USA Phone: 302-328-7232 Fax: 302-328-7274 E-mail: [log in to unmask] Web: <http://www.oakknoll.com/> Come visit us at the 10th annual Oak Knoll Fest celebration and see the largest fine-press book exhibition in North America!<<http://www.oakknoll.com/fest/home.html>>. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=====================_34618846==.ALT Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable X-MIME-Autoconverted: from 8bit to quoted-printable by charger.oldcity.dca.net id h8OK02Q31519 <html> <body> <font face="Times New Roman, Times">Oak Knoll is pleased to announce the inclusion of a link to Art Libraries Society Discussion List on our redesigned and expanded web site. We have compiled a list of more than 40 Listservs that are of special interest to people involved with books and allied subjects. These Listservs deal with all aspects of book making, book collecting, libraries, the book arts and paper arts. In some instances several lists deal with the same subject. The list of Listservs can be found on the Oak Knoll web site in the “Bibliophile Resources” section on the “About Us” pull down menu. The link to the homepage is: <<a href="http://www.oakknoll.com/" eudora="autourl">http://www.oakknoll.com/</a>>.<br><br> The new web site also contains Subject Specialty pages devoted to specific topics and on these pages you can find digitized selections from books about the topic and links to other resources on the internet. Of special interest to ARLIS-L users might be the specialties Book Design, Book Illustration or Fine Press Books. The links to these specialties are on our home page and throughout the site.<br><br> Sincerely, <br> John Laird <br> Director of Marketing <br> Oak Knoll Books <br> 310 Delaware Street <br> New Castle, DE 19720 USA <br> Phone: 302-328-7232 <br> Fax: 302-328-7274 <br> E-mail: [log in to unmask] <br> Web: <<a href="http://www.oakknoll.com/" eudora="autourl">http://www.oakknoll.com/</a>> <br><br> Come visit us at the 10th annual Oak Knoll Fest celebration and see the largest fine-press book exhibition in North America!<<<a href="http://www.oakknoll.com/fest/home.html" eudora="autourl">http://www.oakknoll.com/fest/home.html</a>>>. <br><br> <br> </font></body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=====================_34618846==.ALT-- ========================================================================Date: Wed, 24 Sep 2003 14:33:52 -0600 Reply-To: Eumie Imm-Stroukoff <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Eumie Imm-Stroukoff <[log in to unmask]> Subject: ARLIS/NA Executive Board Slate of Candidates and Call for Nominations MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ARLIS/NA Executive Board Slate of Candidates and Call for Nominations In accordance with Article IX of the ARLIS/NA bylaws, the Nominating Committee is pleased to present the following slate of candidates for Executive Board offices to be filled in 2004: Vice-President/President Elect: Margaret Webster Treasurer: Lynda White Canadian Regional Representative: Jonathan Franklin Western Regional Representative: Peggy Keeran The candidates' biographical information and photos are available on the ARLIS/NA Web site at: http://www.arlisna.org/candidates.html CALL FOR NOMINATIONS As set forth in Art. IX Sect. 4, nominations for these offices may also be entered by petition of at least 10 members eligible to vote. Each nomination must be accompanied by documentation consisting of statement of acceptance, a portrait photograph (or surrogate - jpg or gif file preferred), a brief biography, and résumé outlining professional accomplishments (Word format). Supporting documentation must be received by the Chair of the Nominating Committee at the address provided below no later than October 24, 2003, 30 calendar days from the date of this annoucement. If the committee receives no additional nominations by the deadline, the slate will be considered elected by acclamation. Please send nominations and supporting documentation to: Eumie Imm-Stroukoff, Chair 2003 Nominating Committee, ARLIS/NA Georgia O'Keeffe Museum 217 Johnson St. Santa Fe, New Mexico 87501 USA __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 16:15:22 -0400 Reply-To: Judy Dyki <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Judy Dyki <[log in to unmask]> Subject: ART DOCUMENTATION: Call for Papers Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Disposition: inline ARLIS/NA members will be receiving their copies of the Fall 2003 issue of ART DOCUMENTATION soon. ART DOC editors are already seeking articles for the 2004 issues and would like to hear from all authors who might have written, or plan to write, articles of broad relevance to our profession. At this point, for the Spring 2004 issue, we are particularly interested in papers that only need fine tuning or editing for publication. Articles with appropriate illustrations and photographs are welcome. In particular, we are seeking papers concerning the destruction of library holdings/cultural artifacts in Iraq. A summary of the issues and perspectives as posted on ARLIS-L would be particularly welcome, but other angles on the topic are also encouraged. Please send papers for the Spring issue no later than October 15, 2003 (MS Word attachments, please). For the Fall 2004 issue, send us your ideas and abstracts for articles about projects on which you are working, professional issues which are of particular interest to you, research which you are undertaking, or other papers which you feel would be of interest to the profession. ART DOCUMENTATION Contributor Guidelines may be found at: http://www.arlisna.org/adguid.html We look forward to hearing from you with your great articles and ideas! Kathy Zimon ([log in to unmask]) Judy Dyki ([log in to unmask]) Co-Editors, ART DOCUMENTATION ARLIS/NA ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Judy Dyki Library Director Cranbrook Academy of Art Library 39221 Woodward Avenue, Box 801 Bloomfield Hills, MI 48303-0801 248-645-3364 phone 248-645-3464 fax [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 15:23:28 -0600 Reply-To: Eumie Imm-Stroukoff <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Eumie Imm-Stroukoff <[log in to unmask]> Subject: Re: ARLIS/NA Executive Board Slate of Candidates and Call for Nominations MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear Colleagues (and with many apologies to our Canadian members): Please note that the position to be filled is Canadian Representative, not Canadian Regional Representative. This change will also be reflected in the announcement on the web site. Best wishes, Eumie Imm-Stroukoff, Chair 2003 Nominating Committee, ARLIS/NA Georgia O'Keeffe Museum 217 Johnson St. Santa Fe, New Mexico 87501 USA -----Original Message----- From: ART LIBRARIES SOCIETY DISCUSSION LIST [mailto:[log in to unmask]]On Behalf Of Eumie Imm-Stroukoff Sent: Wednesday, September 24, 2003 2:34 PM To: [log in to unmask] Subject: [ARLIS-L] ARLIS/NA Executive Board Slate of Candidates and Call for Nominations ARLIS/NA Executive Board Slate of Candidates and Call for Nominations In accordance with Article IX of the ARLIS/NA bylaws, the Nominating Committee is pleased to present the following slate of candidates for Executive Board offices to be filled in 2004: Vice-President/President Elect: Margaret Webster Treasurer: Lynda White Canadian Regional Representative: Jonathan Franklin Western Regional Representative: Peggy Keeran The candidates' biographical information and photos are available on the ARLIS/NA Web site at: http://www.arlisna.org/candidates.html CALL FOR NOMINATIONS As set forth in Art. IX Sect. 4, nominations for these offices may also be entered by petition of at least 10 members eligible to vote. Each nomination must be accompanied by documentation consisting of statement of acceptance, a portrait photograph (or surrogate - jpg or gif file preferred), a brief biography, and résumé outlining professional accomplishments (Word format). Supporting documentation must be received by the Chair of the Nominating Committee at the address provided below no later than October 24, 2003, 30 calendar days from the date of this annoucement. If the committee receives no additional nominations by the deadline, the slate will be considered elected by acclamation. Please send nominations and supporting documentation to: Eumie Imm-Stroukoff, Chair 2003 Nominating Committee, ARLIS/NA Georgia O'Keeffe Museum 217 Johnson St. Santa Fe, New Mexico 87501 USA __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Wed, 24 Sep 2003 17:58:25 EDT Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Kate Cooper <[log in to unmask]> Subject: Avail. Art in America issues MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_1a1.1a862f64.2ca36d81_boundary" --part1_1a1.1a862f64.2ca36d81_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The following issues of Art in America are available to... Please reimburse for postage over $5.00. 1978 May/June; Sep/Oct; Nov/Dec. 1979 Jan/Feb; Mar/Apr; May/June; July/Aug; Sep; Oct; Nov; Dec. 1980 Jan; Feb; Mar; Apr; May; Summer: Sep: Oct; Nov; Dec 1981 Jan; Feb; Mar; Apr; May; Summer: Sep: Oct; Nov; Dec 1982 Jan; Feb; Mar; Apr; May; Sep; Dec 1984 Summer 1987 July; Aug 1989 Jan 1991 Apr; Sep 2002 August Kate Cooper Maryland College of Art & Design 10500 Georgia Avenue Silver Spring MD 20902 301-649-4454 fax: 301-649-2940 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_1a1.1a862f64.2ca36d81_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable <HTML><FONT FACE=arial,helvetica><FONT SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"> The following issues of Art in America are available to... Please reimburse for postage over $5.00.<BR> <BR> 1978<BR> May/June; Sep/Oct; Nov/Dec.<BR> <BR> 1979<BR> Jan/Feb; Mar/Apr; May/June; July/Aug; Sep; Oct; Nov; Dec.<BR> <BR> 1980<BR> Jan; Feb; Mar; Apr; May; Summer: Sep: Oct; Nov; Dec<BR> <BR> 1981<BR> Jan; Feb; Mar; Apr; May; Summer: Sep: Oct; Nov; Dec<BR> <BR> 1982<BR> Jan; Feb; Mar; Apr; May; Sep; Dec<BR> <BR> 1984<BR> Summer<BR> <BR> 1987<BR> July; Aug<BR> <BR> 1989<BR> Jan<BR> <BR> 1991<BR> Apr; Sep<BR> <BR> 2002<BR> August<BR> <BR> <BR> </FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SERIF" FACE="Book Antiqua" LANG="0">Kate Cooper<BR> Maryland College of Art & Design<BR> 10500 Georgia Avenue<BR> Silver Spring MD 20902<BR> 301-649-4454<BR> fax: 301-649-2940</FONT></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_1a1.1a862f64.2ca36d81_boundary-- ========================================================================Date: Wed, 24 Sep 2003 16:48:23 -0500 Reply-To: elhard <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: elhard <[log in to unmask]> Subject: Academic Library Division news Mime-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: 7bit Hello, Academic Library Division members. It is time for us to submit Division news to ARLIS/NA Update. In particular, I think it would be beneficial to continue the discussion started at our last Division meeting, regarding the challenges posed by the current financial climate. I'm interested in hearing more about the specific ramifications of the financial constraints and cutbacks you might be facing--and also about the creative coping mechanisms you're employing. I would very much appreciate receiving brief emails containing your anecdotes and insights by a week from Tuesday (October 7). Thank you in advance for your contributions. --K.C. P.S. I'm also eager to receive your ideas for future column themes. Ms. K.C. Elhard Humanities Cataloger University Library University of Illinois at Urbana-Champaign 220 Main Library, MC-522 1408 W. Gregory Dr. Urbana, IL 61801 (217)265-6242 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 25 Sep 2003 10:50:00 -0400 Reply-To: Sarah McCleskey <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Sarah McCleskey <[log in to unmask]> Subject: ARLIS/Southeast and ARLIS/Texas-Mexico Regional Conference Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Dear ARLIS/NA members and friends: The Southeast and Texas-Mexico Chapters are pleased to invite you to a Regional Conference in New Orleans, Louisiana, to be held from November 13th through November 16th, 2003. While we stay at the Hampton Inn in the historic Garden District, we will visit the Historic New Orleans Collection, take a tour of the Garden District and several homes, visit fascinating research collections at Tulane University, view a blockbuster exhibit of Egyptian art, visit the newly opened Ogden Museum of Southern Art, and tour St. Louis cemetery #1 with a guide from the Save Our Cemeteries organization. A special highlight will be a New Orleans style dinner hosted by Carl Penny of Xavier University at his home. Conference sessions will focus on collection assessment and auction houses and the auction process. For the registration form and preliminary schedule information, visit the ARLIS/SE website at www.arlis-se.org. Conference attendees must make hotel reservations by October 11 to receive the conference rate of $99 per night for a king, or $109 per night for 2 double beds or king with sofa bed. The Hampton Inn is located on St. Charles Avenue and may be reached at 504.899.9990. Jon Evans, President of the Texas-Mexico Chapter, and I hope that many ARLIS/NA members and friends will participate in this exciting regional event. Sincerely, Sarah E. McCleskey Vice-President/President-Elect ARLIS/SE Chapter 112 Lee Hall Clemson University Clemson, SC 29634-0501 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 25 Sep 2003 11:22:20 -0400 Reply-To: Poma-Swank AnnaMaria <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Poma-Swank AnnaMaria <[log in to unmask]> Subject: nycdg meeting Comments: cc: [log in to unmask] MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable To all the wonderful people who are interested in the NYCDG meeting on October 10, 2003. I would appreciate it very much if you could forward to me suggestions for the meeting agenda. I would like to post the final list of topics to be discussed before the end of next week. thanks Annamaria Poma Swank ==================================================================== Annamaria Poma-Swank, Ph.D. Associate Museum Librarian The Cloisters Library & Archives The Metropolitan Museum of Art Fort Tryon Park New York, NY 10040-1171 (212) 396-5367 fax: (212) 795-3640 [log in to unmask] Associate Visiting Professor, SILS, Pratt Institute, NY, NY __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Thu, 25 Sep 2003 11:22:29 -0500 Reply-To: "Diane M. Zorich" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Diane M. Zorich" <[log in to unmask]> Subject: Feedback requested: VRA's Cataloguing Cultural Objects: A Guide to Describing Cultural Objects and their Images Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="============_-1147615544==_ma============" --============_-1147615544==_ma===========Content-Type: text/plain; charset="us-ascii" ; format="flowed" The Visual Resources Association is pleased to announce that select chapters of the VRA-sponsored project, "Cataloguing Cultural Objects: A Guide to Describing Cultural Objects and their Images, " known as CCO, is now available on the Web at http://www.vraweb.org/CCOweb/index.html. Based on the core data elements found in the VRA Core 3.0 and the CDWA structures, CCO provides guidelines for selecting, ordering, and formatting data used to populate catalog records. CCO is designed to promote good descriptive cataloging, shared documentation, and enhanced end-user access. The new web site includes information about the CCO project, a table of contents, and four chapters (Object Naming, Maker Information, Class, and View Description) from the "How to Catalog" section of the guide. The CCO editors (Murtha Baca, Patricia Harpring, Linda McRae, Ann Whiteside, and myself) are hard at work preparing the remaining CCO content for the web site by the end of the year. Although most of the remaining content is written, it will not be released until it has been reviewed by the Editors and the CCO Advisory Committee (See http://www.vraweb.org/CCOweb/credits.htm for a list of advisory committee members.) In addition to sharing our work, the purpose of the web site is to solicit feedback from you, the cataloguing community, before the CCO guide is published as a print publication. Ann Whiteside, Chair of the VRA Data Standards Committee, is the main contact for the Project and feedback. You can e-mail her via the Feedback link on the home page of the site. Please note that the web content has not had a full copy edit, but we wanted to get these guidelines to the community so that the cataloguing practitioners can start testing their applicability. As you can imagine, CCO is the culmination of years of theory and practice from the community. The project team has strived to recommend the best of that practice. We are looking forward to getting your feedback on this important project. Elisa Lanzi President, Visual Resources Association [log in to unmask] http://www.vraweb.org __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147615544==_ma===========Content-Type: text/html; charset="us-ascii" <!doctype html public "-//W3C//DTD W3 HTML//EN"> <html><head><style type="text/css"><!-- blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 } --></style><title>Feedback requested: VRA's Cataloguing Cultural Objects: A</title></head><body> <div><font color="#000000">The Visual Resources Association is pleased to announce that select chapters of the VRA-sponsored project, "Cataloguing Cultural Objects: A Guide to Describing Cultural Objects and their Images, " known as CCO, is now available on the Web at http://www.vraweb.org/CCOweb/index.html.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">Based on the core data elements found in the VRA Core 3.0 and the CDWA structures, CCO provides guidelines for selecting, ordering, and formatting data used to populate catalog records. CCO is designed to promote good descriptive cataloging, shared documentation, and enhanced end-user access.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">The new web site includes information about the CCO project, a table of contents, and four chapters (Object Naming, Maker Information, Class, and View Description) from the "How to Catalog" section of the guide. The CCO editors (Murtha Baca, Patricia Harpring, Linda McRae, Ann Whiteside, and myself) are hard at work preparing the remaining CCO content for the web site by the end of the year. Although most of the remaining content is written, it will not be released until it has been reviewed by the Editors and the CCO Advisory Committee (See http://www.vraweb.org/CCOweb/credits.htm for a list of advisory committee members.)</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000"><b>In addition to sharing our work, the purpose of the web site is to solicit feedback</b> from you, the cataloguing community, before the CCO guide is published as a print publication. Ann Whiteside, Chair of the VRA Data Standards Committee, is the main contact for the Project and feedback. You can e-mail her via the Feedback link on the home page of the site.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">Please note that the web content has not had a full copy edit, but we wanted to get these guidelines to the community so that the cataloguing practitioners can start testing their applicability. As you can imagine, CCO is the culmination of years of theory and practice from the community. The project team has strived to recommend the best of that practice. We are looking forward to getting your feedback on this important project.</font></div> <div><font color="#000000"><br></font></div> <div><font color="#000000">Elisa Lanzi</font></div> <div><font color="#000000">President, Visual Resources Association</font></div> <div><font color="#000000">[log in to unmask]</font></div> <div><font color="#000000">http://www.vraweb.org</font></div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147615544==_ma============-- ========================================================================Date: Fri, 26 Sep 2003 09:42:14 EDT Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Sura Levine <[log in to unmask]> Subject: Table of contents of new number of Nineteenth-Century Art Worldwide Comments: To: [log in to unmask] Comments: cc: [log in to unmask], [log in to unmask], [log in to unmask], [log in to unmask] MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_a9.48995771.2ca59c36_boundary" --part1_a9.48995771.2ca59c36_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Dear Colleagues, Apologies for cross-postings. The Association of Historians of Nineteenth-Century Art is proud to announce that the new issue of Nineteenth-Century Art Worldwide is now available online. Please bookmark the page so you will have easy access to it (http://19thc-artworldwide.org). Please see below for the table of contents. I would like to repeat our suggestion that you add a link to the Journal on your institution's library web page. This way, you, students, and other interested parties will be able to find the Journal more easily in the future. The Journal remains available without password. <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/gamb.html">Paul Gauguin's Genesis of a Picture: A Painter's Manifesto and Self-Analysisby Dario Gamboni</A> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/gamb.html">Paul Gauguin's Genesis of a Picture: A Painter's Manifesto and Self-Analysisby Dario Gamboni</A> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/lang.html">The "Atheism" of Jesus in Russian Art: Representations of Christ by Ivan Nikolevich Kramskoy, Vasily Polenov, and Nikolai Gheby Walther K. Lang</A> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/pier.html">"A New Formula for High Art": The Genesis and Reception of Marcello's Pythia</A> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/pier.html">by Caterina Pierre</A> <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/haup_1.html">Carolus-Duran, 1837-1917</A> Reviewed by William Hauptman <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/haup_2.html">Constable to Delacroix: British Art and the French Romantics</A> Reviewed by William Hauptman <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/snay.html">Drawn Toward the Avant-Garde: Nineteenth- and Twentieth-Century French Drawings from the Royal Museum of Fine Arts, Copenhagen</A> Reviewed by Cheryl K. Snay <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/hold.html">J.W. Waterhouse by Peter Trippi</A> Reviewed by Kristi Holden <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/esne.html">Menzel's Realism: Art and Embodiment in Nineteenth-Century Berlin by Michael Fried</A> Reviewed by Rachel Esner <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/jans.html">Nineteenth-Century European Art by Petra ten-Doesschate Chu</A> Reviewed by Anthony Janson <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/obri.html">Picturing Children: Constructions of Childhood Between Rousseau and Freud, ed. Marilyn R. Brown</A> Reviewed by David O'Brien <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/fowl.html">Rookwood and the Industry of Art: Women, Culture and Commerce, 1880-1913 by Nancy Owen</A> Reviewed by Elizabeth Fowler <A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/scha.html">Zola, historien et poète de la modernité</A> Reviewed by Isabelle Schaffner Yours sincerely, Sura Levine Promotions Manager, NCAW Associate Professor of Art History Hampshire College Amherst, MA 01002 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_a9.48995771.2ca59c36_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable <HTML><FONT FACE=arial,helvetica><FONT SIZE=3 FAMILY="SERIF" FACE="Book Antiqua" LANG="0">Dear Colleagues,<BR> <BR> Apologies for cross-postings. <BR> <BR> The Association of Historians of Nineteenth-Century Art is proud to announce that the new issue of Nineteenth-Century Art Worldwide is now available online. Please bookmark the page so you will have easy access to it (http://19thc-artworldwide.org). Please see below for the table of contents.<BR> <BR> I would like to repeat our suggestion that you add a link to the Journal on your institution's library web page. This way, you, students, and other interested parties will be able to find the Journal more easily in the future. The Journal remains available without password.<BR> <BR> </FONT><FONT COLOR="#0000ff" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/gamb.html">Paul Gauguin's <I>Genesis of a Picture</I>: A Painter's Manifesto and Self-Analysisby Dario Gamboni</A><BR> <BR> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/gamb.html">Paul Gauguin's <I>Genesis of a Picture</I>: A Painter's Manifesto and Self-Analysisby Dario Gamboni</A> <BR> <BR> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/lang.html">The "Atheism" of Jesus in Russian Art: Representations of Christ by Ivan Nikolevich Kramskoy, Vasily Polenov, and Nikolai Gheby Walther K. Lang</A> <BR> <BR> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/pier.html">"A New Formula for High Art": The Genesis and Reception of Marcello's <I>Pythia</A></I></I><BR> <A HREF="http://www.19thc-artworldwide.org/autumn_03/articles/pier.html">by Caterina Pierre</A><BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/haup_1.html">Carolus-Duran, 1837-1917</A></I></I><BR> Reviewed by William Hauptman <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/haup_2.html">Constable to Delacroix: British Art and the French Romantics</A></I></I><BR> Reviewed by William Hauptman <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/snay.html">Drawn Toward the Avant-Garde: Nineteenth- and Twentieth-Century French Drawings from the Royal Museum of Fine Arts, Copenhagen</A></I></I><BR> Reviewed by Cheryl K. Snay <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/hold.html">J.W. Waterhouse</I> by Peter Trippi</A><BR> Reviewed by Kristi Holden <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/esne.html">Menzel's Realism: Art and Embodiment in Nineteenth-Century Berlin</I> by Michael Fried</A><BR> Reviewed by Rachel Esner <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/jans.html">Nineteenth-Century European Art</I> by Petra ten-Doesschate Chu</A><BR> Reviewed by Anthony Janson <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/obri.html">Picturing Children: Constructions of Childhood Between Rousseau and Freud</I>, ed. Marilyn R. Brown</A><BR> Reviewed by David O'Brien <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/fowl.html">Rookwood and the Industry of Art: Women, Culture and Commerce, 1880-1913</I> by Nancy Owen</A><BR> Reviewed by Elizabeth Fowler <BR> <BR> <I><A HREF="http://www.19thc-artworldwide.org/autumn_03/reviews/scha.html">Zola, historien et poète de la modernité</A></I></I><BR> Reviewed by Isabelle Schaffner <BR> <BR> Yours sincerely,<BR> Sura Levine<BR> Promotions Manager, NCAW<BR> Associate Professor of Art History<BR> Hampshire College<BR> Amherst, MA 01002<BR> <BR> <BR> <BR> <BR> <BR> <BR> <BR> <BR> <BR> <BR> </FONT></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --part1_a9.48995771.2ca59c36_boundary-- ========================================================================Date: Fri, 26 Sep 2003 12:54:12 -0400 Reply-To: Jack Robertson <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Jack Robertson <[log in to unmask]> Subject: H-MUSEUM Monthly Conference Digest (October 2003) MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable -----Original Message----- From: H-Museum (Marra) [mailto:[log in to unmask]] Sent: Thursday, September 25, 2003 3:43 PM To: [log in to unmask] Subject: CONF: H-MUSEUM Monthly Conference Digest (October 2003) H-MUSEUM publishes conferences on museological topics and on the culture of commemoration and remembrance. Almost any type of announcement on this topics is acceptable for the calendar of conferences. The H-MUSEUM calendar of conferences is available at: http://www2.h-net.msu.edu~museum/calendar.html ---------------------------------------------------------------------------- H-MUSEUM Monthly Conference Digest (October 2003) September 28 - October 1 Kunst - Kommunikation - Macht Sechster Österreichischer Zeitgeschichtetag University of Salzbuirg (Austria) http://www.zeitgeschichtetag.at/ September 29 - October 4 Oberflächenreinigung - Material und Methoden / Surface Cleaning - Material and Methods International Meeting of the Verband der Restauratoren (VDR) Stiftung museum kunst palast, Düsseldorf (Germany) http://www.restauratoren.de/aktuell.html September 30 - October 3 Archive im gesellschaftlichen Reformprozess 74. Deutschen Archivtag Chemnitz (Germany) http://www.archivtag.de/index.html September 30 -October 5 New Frontiers in Preservation The Denver National Preservation Conference 2003 Denver, CO (USA) http://www.nthpconference.org/ October 1-3 Images and perception of towns / Bild und Wahrnehmung der Stadt Annual Meeting of the Österreichischer Arbeitskreis für Stadtgeschichtsforschung Archives, Vienna (Austria) http://www.magwien.gv.at/ma08/stadtbild.htm October 1-3 Religious book culture in Europe and Hungary from the end of the 15th century to the late 18th century International conference and book exhibition Scientific Collections of Calvinist College, Sárospatak (Hungary) http://www.gradatio.hu/nagykonyvtar/conference/ October 1-5 ART FORUM BERLIN 2003 The International Fair for Contemporary Art Exhibition Grounds, Berlin (Germany) http://www.art-forum-berlin.com/ October 2-5 Workshop zur Geschichte der Konzentrationslager Zeitgeschichtemuseum Ebensee (Austria) http://www.ebensee.org/ October 5-8 Ethnografie Europäischer Modernen: Ort - Arbeit - Körper 34. Kongress der Deutschen Gesellschaft für Volkskunde Humboldt University, Berlin (Germany) http://www2.rz.hu-berlin.de/ethno/dgv2003/ October 6-7 Arts and Humanities in the Digital Space: Towards Web based Culture and Science / Kunst und Geisteswissenschaften im digitalen Raum: Auf dem Weg in eine Internet-Kultur und -Wissenschaft Museum der Moderne Rupertinum, Salzburg (Austria) http://eculture.salzburgresearch.at/index_e.html October 6-8 Innovations in Digital Asset Management Fraunhofer IPSI, Darmstadt (Germany) http://www.collate.de/workshop.html October 7 Great Tours! Creating Thematic Tours and Training Guides for Historic Sites Mountain-Plains Museums Association Workshop Golden, CO (USA) http://www.mountplainsmuseums.org/ October 7-8 Mediensammlungen in Deutschland im internationalen Vergleich. Bestände und Zugänge Haus der Geschichte der Bundesrepublik Deutschland, Bonn (Germany) http://www.netzwerk-mediatheken.de/html/termine/symp.html October 7-11 Mountain-Plains Museums Association Annual Conference 2003 Golden, CO (USA) http://www.mountplainsmuseums.org/ October 8-10 Die Kunst der Mode Neues Palais, Potsdam (Germany) http://www.uni-potsdam.de/u/ikm/KunstderMode_Prog.pdf October 8-10 Facing and Solving Challenges of Historic House Museums: Examples and Models Fourth Annual Conference of DEMHIST, ICOM's International Committee for Historic House Museums Lenzburg Castle, Lenzburg (Switzerland) http://www.icom-suisse.ch/DEMHIST-Program.pdf October 13-15 Monitoring for Preventive Conservation Workshop in Sydney (Australia) Registration deadline: October 12, 2003 http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=h-museum&month=0307&we ek=a&msg=xY6EacqgDB8K47yBGsJBIg&user=&pw= October 13-16 Habiter le patrimoine: Sens, vécu, imaginaire Summer University Université d'Angers, Saumur (France) http://www.univ-angers.fr/images/documents/esthua/program_univ_ete.pdf October 14-15 Musiques et patrimoines colloque Musée de Grenoble, Grenoble (France) http://www.ffcb.org/info/coll2003.php October 16-18 Sammeln und Sammlungen in der Schweiz im 18. Jahrhundert University of Basel (Switzerland) http://www.unibas.ch/sgeaj/fr/index.html October 16-19 1903-2003. The Österreichische Galerie Belvedere Celebrates One Hundred Years Haus der Industrie and Upper Belvedere, Vienna (Austria) http://www.belvedere.at/ausstellungen/programm.pdf October 16-22 SEPIA Workshop on management of photographic collections Amsterdam, The Netherlands http://www.knaw.nl/ecpa/sepia/ October 17 Ninth Annual Art History Graduate Symposium Graduate Center of the City University of New York, NY (USA) http://web.gc.cuny.edu/dept/arthi/ October 17-18 Die Zukunft gestalten. Kunst- und Museumsbibliotheken in Zeiten knapper Kassen Residenzschloss Dresden (Germany) http://www.akmb.de/web/html/fortbildung/herbst2003.html October 17-19 Urbane Strategien. Kunst für neue Stadtgebiete Bauzentrum/Alte Kongresshalle, Munich (Germany) http://www.kunstprojekte-riem.de/deutsch/projekte/tagung/index.html October 17-19 Midwest Popular Culture Association Annual Meeting 2003 Marriott Minneapolis City Center, Minneapolis, MN (USA) http://www3.niu.edu/mpca/ October 1 Restaurierung und Konservierung Oberösterreichischer Museumstag 2003 Bad Hall (Austria) http://www.ooemuseumsverbund.at/htdocs/ooemv.htm October 18-21 Word of God, Art of Man -- The Qur'an and its Creative Expressions The Ismaili Centre, South Kensington (UK) http://www.iis.ac.uk/quranconference/ October 18-23 Europe under Dictatorship: Economic Control and Law Albufeira, Algarve (Portugal) http://www.europa-der-diktatur.de/ http://www.europa-der-diktatur.de/termine/termine.php October 22-24 Lewis and Clark: Tools for Planning, Partnerships, and Opportunities 16th Annual Washington Heritage Conference Richland, WA (USA) http://www.wshs.org/lewisandclark/lc-conference.htm October 23-25 Science(s) et Culture(s): La Construction des savoirs 56th Annual Conference of the Institut d'histoire de l'Amérique française McGill University, Montreal (Canada) http://www.arts.mcgill.ca/programs/qs/ihaf2003 October 23-26 Neue Staaten - Neue Bilder? Visuelle Kultur im Dienst staatlicher Selbstdarstellung in Zentral- und Osteuropa seit 1918 Polnisches Institut, Leipzig (Germany) http://www.uni-leipzig.de/gwzo/konferen/Programm/neubild.htm October 23-26 Rethinking Space and Time across Science, Literature, and the Arts 17th annual conference of the Society for Literature and Science (SLS) Austin, TX (USA) http://english.ttu.edu/sls/ October 23-25 Celtic Representations University of Colorado, Boulder, CO (USA) http://www.colorado.edu/ArtsSciences/british/cfpceltic.htm October 24-25 Material Ireland / Virtual Ireland American Conference for Irish Studies, Mid-Atlantic Regional University of Maryland, College Park, MD (USA) http://www.mith2.umd.edu/misc/acis2003/ October 24-26 Women's History Conference National Collaborative for Women's History Sites (NCWHS) Annual Meeting 2003 National Capital Regional Office of the National Park Service, Washington, DC (USA) http://ncwhs.oah.org/ann_mtg_oct_03.htm October 27-29 Abenteuer Kommunikation 5. Symposion Museumspädagogik in Technikmuseen Museum für Kommunikation, Berne (Switzerland) http://www.dada.at/gems/museum/SymposionMfKAusschreibung.pdf October 30 - November 1 Cultural Memory in France: Margins and Centers Florida State University, Tallahasse, FL (USA) http://www.fsu.edu/%7Eicffs/mem_program.html October 30 - November 2 Die nationalsozialistische Rassen- und Vernichtungspolitik - Formen künstlerischer Erinnerung in Osteuropa Ruprecht-Karls-University, Heidelberg (Germany) http://www.uni-heidelberg.de/institute/fak9/slav/Projekt1.html October 30 - November 2 Creating identities: Funeral monuments and public memorials in Europe Museum for Sepulchral Culture, Kassel (Germany) http://www.rodrun.de/creating-identities/ October 31 Een kindermuseum over de oorlog? / A new children museum about war? Herinneringscentrum Kamp Westerbork (The Netherlands) http://www.kindermonument.nl/artikelen/agenda/20031031-kampwesterbork.htm --- H-MUSEUM H-Net Network for Museums and Museum Studies E -Mail: [log in to unmask] WWW: http://www.h-museum.net __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 26 Sep 2003 09:10:54 -0700 Reply-To: eric chavkin & alison pinsler <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: eric chavkin & alison pinsler <[log in to unmask]> Subject: ARCHITECTS MONOGRAPHS MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Greetings All, Our ISP has been down so I haven't been able to send the rest of the monographs, so here they are. Ciao, Alison Decq & Cornette > BPO Les Editions du Demi-circle 1990 softcover tall folio 2-907737-27X Odile Decq & Benoit Cornette Architectures. Looks into the ultra high-tech Banque Populaire De L'Ouest aka BPO. Nice b/w photo documentation by Georges Fessy. $25 Diener > The House and the City Birkhauser 1995 softcover 92 pp 0-8176-5223-x Eight substantial European urban infill housing projects that demonstrate what can be done with difficult sites. $54.95 Diener > Diener & Diener Projects 1978-1990 Rizzoli 1991 softcover 08478-13554 Dubosc & Landowski Environmental Architecture Arcaedizioni 1998 softcover folio 88-7838-034-2 French firm with many colorful examples of metal exteriors. .$35 Dudler > Max Dudler 1996 Mann Veralg cloth 80 pp 3-7861-1797-7 Three projects include an urban mnemonic topology: an industrial building, a business complex, and a residential/office building. Dudok > Willem Marinus Dudok, A Dutch Modernist Greenwood Press 1996 cloth 0-313-29425-9 Library reference bio-bibliography with b/w photos. $90 Duiker > A Space of Their Own 1996 softcover 90-6450-288-9 Restoration of circular servant quarters at Zonnestraal Sanatorium $22 Dwan > Gunnar Dwan 010 cloth 90-6450-217-X Dutch architect with a mixed palette of traditional, indigenous, imported and postmodern motifs. $35 Eames > The Work of Charles and Ray Eames: A Legacy of Innovation Abrams 1997 folio cloth 0-8109-1799-8 Book in tandem with Eames exhibit. 205 pp. w/index.243 illustrations $50 Eichler: Modernism Rebuilds the American Dream Gibbs Smith 2002 cloth 1586851845 Paul Adamson. Best book on pioneering developer of modern housing. $50 Eisenman > Peter Eisenman's House VI The client's response Whitney softcover 0-823023451 Eisenman project undergoes a formal deconstruction to demonstrate his theories. $24.95 Ekelund > Hilding Ekelund 1995 cloth 951-9229-95-7 Central figure in Finnish architecture for six decades bridging classicism to late interpretations of modernism. He believes that the task of architecture is to create a built environment that supports opportunities for people of all walks of life. $120 Ellwood > California Modern: The Architecture of Craig Ellwood PAP 2002 cloth 1-56898-303-4. Scathing reappraisal of Southern California modernist best known for his glass and steel residences. $50 Ehrlich > Steve Ehrlich Architects Images cloth 1864701021 Residental designs by prominent California architect $45 Eschauzier > F.A. Eschauzier 010 2000 cloth 90-6450-359-1 $40 Esleben > Paul Schneider von Esleben Hatje 1996 3-7757-0658-5 Important post-war German organic-modernist working within a broad range of building projects, including airports and housing $125 Esquillan > Nicholas Esquillan Picard softcover 2-7084-0436-9 $55 Farrell > Terry Farrell Academy Editions 1993 cloth 1-85490-125-7 High profile British architect $80 Fischer > Theodor Fischer Architekt und Stadtebauer 1862-1938 Ernst & Sohn 1988 cloth 348pp 3-455-02085-x Winfried Nerdinger. German Arts and Crafts rendered beautifully in brick, wood and stone. German text. $95 Fischer von Erlach > Johann Fischer von Erlach Birkhauser softcover 3-7643-5575-1 Important South German Baroque architect $38.95 Fisher > Frederick Fisher, Architect Rizzoli 1995 cloth 0847818640 Los Angeles based protégé of Frank Gehry with art-crowd following. $45 Foderer > Foderer Architecture -Sculpture 2-84105-014-9 Artfully done concrete architecture forms in cubist massing. Excellent BW photos. French text. Foster Catalogue 2001 Prestel softcover. 3-7913-2401-2 General survey of works. Crease in spine. $35 Frey > Albert Frey, Architecture PAP softcover 1- 56898-206-4 Swiss born modernist who put down roots in Palm Springs $35 Frey > In Search of Living Architecture Hennessy & Ingalls 1999 softcover 0-940512-18-1 Albert Frey. Spiral bound facsimile of Albert Frey classic. 1/1000 $55 Frey > Albert Frey Houses 1+2 PAP cloth 1-56898-190-2 Two Palm Springs residences by transplanted Swiss modernist $20 Frueler > Karl Frueler Architecture for the Church Japan 1948 -1968 Lars Muller 1992 softcover 3-906700-60X Fabrizio Brentini. From 1948 to 1968 the Swiss priest and architect Karl Frueler planned and built well over a hundred Catholic churches, chapels and monasteries in Japan. Frueler mixes Corbusier style with Japanese temple architecture $65 Friese > Paul Friese Norma 1991 softcover 2-909283-02-X Hugues Fiblec. Turn of the century French Industrial architect. Sanatoriums, Factories, Power plants. French text $100 Fujie > Kazuko Fujie Eyes for Scenery Toto 1997 softcover 4-88706-155-2 Unusual Japanese modernist. $27 Furness > Frank Furness PAP softcover 1-56898-094-9 G Thomas. Philadelphia Victorian era architect who influenced Robert Venturi $45 Fuksas > Massimiliano Fuksas Editions du regard 1997 cloth 2-84105-014-9 Francis Rambert. Includes his Europark work. French text. $125 Fuksas > Fuksas Architetto 1988 Gangemi Editore softcover 140pp Introduction by Paolo Portoghesi. Two decades of Massimiliano Fuksas - A personality whose means of expression is architecture. $30 Gabetti e Isola Opere di architettura Electa 1996 cloth w/ silpcase 8843552635 Andrea Guerra; Manuela Morresi Intro by Francseco Dal Co. Mostly housing from the 60's & 70s. Italian text $145 Garnier > Charles Garnier: Paris Opera House MIT 1991 cloth 0-262-13275-3 Mead, Christopher. Garnier's major work and a Paris icon $75 Gaudi editorial escudo de Oro nd paperback booklet 84378 1633 5 In English. Typical Barcelona tourist booklet style guide to the architecture of Gaudi with color photos $5 Gehry > Frank O Gehry Individual Imagiation and Cultural Conservatism Academy Editions softcover 1-85490-408-6 ed Charles Jencks essays by Robert Maxwell, Jeffery Kipnis $30 Gehry > California Aerospace Museum Phaidon 1994 softcover folio 0-7148-2780-0 James Steele. Architecture in Detail. Photos and architectural line presentation drawings. $30 Gehry > Iron: Erecting the Walt Disney Concert Hall Balcony Press 2002 cloth 1-890449-15-6 Documentary b/w photography by Gil Garcetti of the ironworkers erecting Disney Hall. $39.95 Gehry > Frank O. Gehry - Herman Miller Les Editions du Demi-Cercle 1990 softcover folio 2907757164 Documents Herman Miller Regional Facility in California by architect Frank Gehry, with landscape by Peter Walker & Martha Schwartz. An essay "in praise of sheet metal" $40 Geller > Beach Houses Andrew Geller Princeton Architectural Press 2003 cloth 1-56898-321-2 Alistair Gorgon. Circa 60's beachfront modernism. Cute, cheap idiosyncratic vacation beach houses on the east coast. Bottom Cover edge scraped $35 Gill > Irving Gill, Architect San Diego Historical Society 1993 softcover 140pp 0-918740-16-9 Bruce Kamerling. First book on San Diego architect Irving Gill. $50 Giselbrecht > Ernst Giselbrecht Architektur Interventionen 1993 softcover 18 page folio sized brochure on Ernst Giselbrecht's earliest work up to 1993. Slightest corner bump. Fine $20 Gold >Michael Gold Architect Drawings 1975-1982 Architectural Assocication 1982 softcover booklet 0904503178 48page Exhibition catalogue from 1982.His crossed swords Gateway to Mecca project is post-modern Islam $15 Goodwin > E.W.Goodwin Aesthic Movement Architect and Designer Yale 1999 cloth 0300-08008-5 Edited by Susan Soros. Definitive work on a neglected precursor to English art nouveau. $75 Gowen > Style and Configuration James Gowen Academy Editions softcover 1-85490-297-0 James Gowen was partner with James Stirling early on $25 Gregotti > Vittorio Gregotti and Associates Rizzoli 1997 cloth 0-847819515 Joseph Rykwert. Complete works of Italy's most prestigious firm. $65 Grimshaw > Nicholas Grimshaw & Partners Halle 3, Messe Franfurt am Main Axel Menges 2002 cloth 3-930698-41-2 Volker Fischer. Waltraud Krase photography. The High-tech Hall 3 of the Frankfurt Fair and Exhibition Center is one of Europe's largest exhibition halls. $49 Hardy Holzman Pfeiffer Associates Buildings and Projects 1967 - 1992 Rizzoli 1992 cloth 0-8478-1480-7 Michael Sorkin editor. Good examples of large scale Post-modern approach $50 Harwell > Hamilton Harris Harwell Texas 1991 cloth 0-292-73043-8 Lisa Germany. From California to Texas, A reassessment of HH Harwell is now being as a critical regionalist. Foreword by Kenneth Frampton, Intro by Bruno Zevi. $100 Hasegawa > Itsuko Hasegawa Birkhauser 1997 softcover 3764356057 Most up to date monograph on Hasegawa's work, with extensive coverage of her Museum of Fruit in Yamashina. $45 Heikkinen > Heikkinen + Komonen Monacelli 2000. Softcover 1-58093-020-4. Post-Aalto Finnish minimalists Mikko Heikkinen & Markku Komonen have 30 years of practice and this is the first monograph of their work. $40 Herron > Ron Herron Notebooks Buildings in Japan Artemis 1993 softcover 1-874056-90-0 Post Archigram work commissioned in 1990. $29 Hertzberger > Herman Hertzberger Projects 1990-1995 010 1995 softcover 90 6450 231 5 Recent public work by the founding architect of the Dutch Structuralist school. $30 Herzog & De Meuron > Natural History Lars Muller 2002 cloth. 3-907078-85-3 Survey of work and words presented as a 'natural history' textbook. $60 Herzog & De Meuron Editions Wiese 1989 softcover 2 0909158 19 6 . Catalog from 1988 Basel exhibit. Interviews essays. French text. $54.95 Hild & Kaltwasser GG 1998 softcover 84-252-1755-5 First compilation of Munich firm's work $25 Hoffman > Josef Hoffman: The Architectural Work Princeton Architectural Press 1985 cloth 0-691-06572-1 Eduard Sekler. Beautiful and best monograph - catalog of Hoffman's architecture. $225 Hoing > Honig Architeken: Strukturen HM Nelte 1997 softcover 3-9803466-9-2 As structure becomes transparent man too will realize that he, too, exists as a structure, as part of the greater whole. $30 Holabird & Root > Chicago Architecture Holabird & Root 1880-1992 Birkhauser 1992 cloth 3-7643-2787-1 edition Werner Blaser. Overview of the firm that designed many of Chicago's early steel frame brick clad commercial buildings. $45 Holzbauer > Wilhelm Holzbauer Buildings and Projects Edition Axel Menges 1995 cloth 3-930698-13-7 Excellent coverage of this Viennese based architect's 40 year long career. With engaging, insightful interviews. $82 Hoogstad > Jan Hoogstad 0.10 Publishers 1998 softcover 9064502188 Large scale government work in the Brutalist tradition. $44.50 Hopkins > The Work of Michael Hopkins and Partners Phaidon 1993 cloth 0-7148-2782-7 Colin Davies with essays by Patrick Hodgkinson and Kenneth Frampton. A superior survey of firms hi-tech work. $70 Howard > Coy Howard: Enough About Me Arizona State University 1995 softcover 32 page exhibit catalog with essay by Howard, a California artist architect. Mostly color photos and details of Palevsky residence and some of the Ashley residence in Chino. Hard to find. $50 HPP (Hentrich-Petschnigg Partner) Building and Projects 1988 - 1998 Rizzoli 1998 0847820491 Major monograph on one of Europe's largest firms instrumental in the rebuilding of Germany's infrastructure after WW2. $60 Iacucci > Paola Iacucci: Three houses and other buildings Gangemi Editore 88-7448-233-7 Milano architect once with the Atrio Testaccio now interested in bridging expression with architectural language. $30 Ingenhoven Overdiek und Partner Architekten Verlag H.M. Nelte 1996 softcover 3-9803466-5-x Innovative technology and an environmentally responsive approach define this firm influenced by Frei Otto. $34 Isozaki > Arata Isozaki Architecture 1960-1990 Rizzoli1991 softcover 0-8478-1319-3. Lavishly illustrated and comprehensive examination of Isozaki 's career to coincide with an exhibit of his work at MOCA , Los Angeles. $50 Isozaki > Arata Isozaki: Four Decades of Architecture Universe 1998 softcover 0789302306 Pocket sized survey $25.00 Ito >Toyo Ito: Works, Projects, Writings Electa 2002 cloth 1-904313019 Major monograph on a Japanese master architect, chronicling all the important work of his thirty year career, including the acclaimed Sendai Mediatheque. $70 Jahn > Helmut Jahn Paris Art Center 1987 Ante Glibota. Biggest, most complete book on Jahn with hundreds of sketches drawings and more $200 Jahn > Helmut Jahn Design of a new Architecture Karl Kramer 1886 cloth 3-7828-1115-1 Joachim Andreas Joedicke. Survey/bio of works at the time when Jahn was the new wunderkind. $35 Janseljn > Han Janseljn Architecture & Mimesis 1989-1992 De Zwaluw 1993 cloth 90-9005864-8 Sculptural architectural ironies that symbolize the paradoxical nature of contemporary architecture and art. $30 Juvarro > Flippo Juvarro Architetto Delle Capitali da Torino a Madrid 1714 -1736 Fabbri Editori 1995 softcover 88-450-6022-5. Authoritative text on the work of this Spanish baroque architect. Italian text $90 Jefferson > University of Virginia: Charlottesville, 1817-1826 Thomas Jefferson Phaidon 1994 Pictorial Cover 0714827525Brawne, Michael Prototype for many a college campus. $29.95 Jennings > Jim Jennings Wm Stout 1998 hardcover 1-9651144-4-9 $30 Johnson > Ralph Johnson of Perkins & Will : Buildings and Projects Rizzoli 1995 softcover 0-8478-1863-2 $40 Jones > A. Quincy Jones Phaidon 2002 cloth 0-714840742 Cory Buckner Excellent study on California modernist best known for residential work. $59.95 Kleihues > Josef Paul Kleihues - Themes and Projects Birkhauser 1996 ISBN 3764353872 German architect best known in the US for his MCA in Chicago. Most complete coverage in English. $65 Judd > Stacy Judd Capra Press 1993 softcover 0884963519 Maya - Aztec inspired designs from this relatively unknown Southern California architect. $30 Kada > Klaus Kada Springer-Verlag 2001 cloth 3-211-83070-7 Major monograph on this Graz based architect whose work is similar to that of fellow Austrian Gunter Domeng. $80 Kahn > Ely Jacques Kahn New York Architect Acanthus Press 1995 cloth 0-926-494-04-x The quintessential Art Deco architect of apartments. Reprint of 1933 edition. $25 Kahn > Louis I. Kahn : In the Realm of Architecture Rizzoli 1991 Oversized softcover 0847813304 David Brownlee, David De Long, introduction by Vincent Scully. Profusely illustrated in color and b/w. 448 pp small chip and light edge wear to dust jacket $50 Kahn > Louis Kahn, Itinerari Officina Edizioni 1996 softcover w light rub to edge and crease to back cover Well illustrated and detailed analysis of Louis Kahn's architecture. Italian text. $30 Kahn > Louis Kahn: Light and Space Whitney 1994 cloth 0-8230-2773-2 Urs Buttiker. BW photography with an emphasis on light and shadow play. 184 pp Fully illustrated with plans & drawings. $50 Kahn > The Paintings and Sketches of Louis I. Kahn Rizzoli 1991 cloth 0-8478-1381-9 Lavishly illustrated Catalogue Raisonne accompanied by a brief description and analysis. Kahn > Louis Kahn Architecture ADA EITA 1975 cloth. Many photographs by Futagawa. Mostly Japanese text $50 Kahn > National Capital of Bangladesh, Dhaka, Bangladesh, 1962-83 GA 72 A.D.A. Edita 1994 softcover folio 4-87140-072-7 Edited and photographed by Yukio Futagawa. Text by Kazi Ashraf. $30 Kappe > Themes and Variations: Houses by Raymond Kappe Images cloth 1-8647000-7-8 Michael Webb. Residential designs by influential California modernist and educator. Kappe is the founder of the architecture school SCI-ARC $50 Kesling Modern Structures: Popularizing Modern Living in Southern California 1934-1962 Balcony Press 2002 softcover 189044913X Patrick Pascal. Only study on streamline moderne architect $24.95 Kirkeby > Per Kirkeby the Art of Building Aristo 1996 softcover 87-985103-4-7 Lars Morell. Brick is used extensively for artistic sculptural purpose. $65 Kikutake > Kiyonori Kikutake From Tradition to Utopia Arcaedizioni 1997 softcover folio 8-87838-021-0 Career survey of influential Metabolist founder. $39.99 Kleffel Kohnholdt Gundermann: Topics and Positions Birkhauser 1995 cloth 0-817651586 Hamburg architects working with order and disruption $55 Kieckens > Christian Kieckens The Place and the Building DeSingel 1998 softcover 90-75591-06-3 $67 Kleihues > Josef Paul Kleihues Themes and Projects Birkhauser 1996 cloth 08176587-2 Architect best known for Chicago MCA discusses work and theory $65 Koolhaus > Rem Koolhaus: talks with students softcover 1-885232-02-0 Casual conversations from the new Dutch master. $14.95 Koolhaus > S, M, L, XL Monacelli 1994 This ambitious book is like a novel about architecture. It combines a critical selection of the remarkable design work produced during the past twenty years by the firm Office for Metropolitan Architecture, and its acclaimed founder, Rem Koolhaas, with essays, manifestos, diaries, travelogues and the work of other architects. Generously illustrated with some 1,250 images, 350 in color. $75 Koninck > L.H. De Koninck Architecte editions de archive d' architecture softcover Moderne Dutch functionalist from the 30s. $80 Krebs > Karsten Krebs Architektur, Innenarchitektur, Design Birkhauser 1997 cloth 3-7643-57320 Collage methods for designing commercial interiors, furniture. German text. $29.95 Kucker > Wilhelm Kucker Deutsche Bank Essen Wasmuth 1998 softcover 3803001773 $35 Kurokawa > Kisho Kurokawa: Le Metabolisme 1960-1975 Centre Georges Pompidou 1997 softcover 285850975 Catalog for the Pompidou exhibition. The most complete visual reference of Kurokawa's Metabolist period. Text in French. $40 Kurokawa > Kisho Kurokawa Arcaedizione 8-87838-017-2 New work from Japanese architect best known for his hi-tech Metabolist period $30 Kurokawa > Kisho Kurokawa Le Moniteur 1995 softcover 2-281-19086-2. Eleven finished works and three projects from between 1986 and 1994. includes two thesis "From the Age of the Machine Principle to the Age of Life Principle" and " Abstract Symbolism" $80 Kurokawa > Kisho Kurokawa 1978-1989 cloth Hard to find. Three Museums in detail including Hiroshima City Museum of Contemporary Art and Nagoya City Museum of Modern Art plus works between 1978-1989 $65 Lamela > Lamela urbanistica y arquitecture realizationes y proyectos 1954 -1992 Xarait 1993 softcover 84-85434-40-4 Collected works by one of Spain's most representative and influential architecture firms $54.50 Lapidus > Too Much is Never Enough Rizzoli 1996 cloth 0-8478-1978-7 . Autobiography of Morris Lapidus. His influence of boomerang modernist shapes can be seen in the work of Rem Koolhaus, Phillipe Stark and Zaha Hadid. $45 Larsen > Architekt Henning Larsen Gyldendal 1996 cloth 87-00-233378-1 Nils-Ole Lund. Danish modernist $150 Lassen > Arkitekten Mogens Lassen Arkitektens Forlag 1998 cloth 87-7407 089 4. Lisbet Balslev Jorgensen. Biography and documentof career of Danish modernist . Danish text. $89.50 Lauritzen > Vilhelm Lauritzen A Modern Architect Bergiafonden Aristo 1994 cloth 87-985103-1-2. Huge retrospective with three important articles on this Danish architect (1894-1984). $250 Lautner > The Architecture of John Launtner Universe 1999 softcover 0789308681 Alan Hess. Good survey on John Lautner. $29.95 Ledoux > La Saline Royale D'Arc et Senans Foundation Claude-Nicholas Ledoux 1988 folio softcover. 2-905840-05-6 Photo documentation on the Royal Salt House. French text $20 Leonwohlhage Buildings and Projects 1987-1997 Birkhauser 1999 softcover 3-7643-5604-9 Hamburg based firm focusing on housing and urban infill. $45 Libera > Adalberto Libera Opera Completa Electa 1996 cloth w/ slipcase The career of an early and important Italian modernist $145 Libeskind > Daniel Libeskind - Museum Ohne Ausgang: Das Felix-Nussbaum Haus Des Kulturgeschichtlichen Museums Osnabruck Wasmuth 2000 cloth 3803001811 Thorsten Rodiek. Literally cutting edge work. $45.00 Libeskind > Daniel Libeskind The Space of Encounter Universe 2000 softcover 0789304961 Survey of work $35 Libeskind > Daniel Libeskind Countersign Rizzoli 1992 cloth 0-8478-1478 5 Lots of deconstructivist drawings and documentation of several selected projects including Micromegas, Berlin City Edge. Unoriginal Signs. $50 Lin > Maya Lin Public / Private softcover 1-881390-05-5. Catalog of work. Wexner Center exhibit. $25 Loos > Villa Muller PAP softcover 1-56898-123-6 Close study of Adolph Loos designed residence. Loos wrote Ornament and Crime. $19.95 Llinas > Josep Llinas Whitney 1997 cloth 0-8230-2563-2 Seventeen projects by one of Spain's best architects. $37.50 Lutyens > Edwin Lutyens Rizzoli 1979 softcover 0-8478-0235-3 Academy Editions Architectural Monographs 6. Dubbed the last traditionalist, this survey focuses on Lutyens British estate manor houses. Rubbed spine and cover. HTF $75. Mackintosh > Charles Rennie Mackintosh The Architectural Papers MIT cloth 0-262-18142-8 ed Pamela Robertson. Six lectures by Mackintosh and diary of his trip to Italy. $35 Mackler > Christoph Mackler GG 1995 softcover 84-252-1630-3. Mackler worked with OM Ungers and Gottfried Bohm before stating his own firm. In 1979 he won the Schinkel Prize in Berlin. Monograph covers work between 1984 and 1994 $29 Mansart > Francois Mansart Le genie de l'architecture Gallimard 1998 softcover 2-07-011592-5 Rare study on 17c French architect. The Mansart roof is named after him. $150 Mateo > Josef Mateo Ideas and Buildings, 1992-1995 Birkhauser 1996 cloth 3764355956 Introduction by Kurt Forster $35 Maybeck> Bernard Maybeck H&E softcover 0912158999 Survey of California Maybeck is best known for work in Berkeley. $29.95 MBM > Real Space The Architecture of Martorell, Bohigas, Mackay, Puigdomenech Wasmuth Axel Menges1993 cloth 3-8030-2803-5 Philip Drew. For more than four decades the Barcelona architects of MBM have been a fixture of Catalan culture. $89 Meem > John Gaw Meem Southwestern Architect softcover 08263-1127-4 Bainbridge Bunting. John Gaw Meem is the father of the Southwest style $25 Meme > Megeve 1925 -1950 Architectures de Henry Jacques Le Meme Editions Norma 1999 cloth 2-909283-453. Chic chateaus and chalets. Elegant work. $70 Meier > Richard Meier Architect Rizzoli softcover 416 pp 700 illustrations 0-8478-0497-6 Complete work through mid 80's. Cover design by Vigneli. $60 Meier > Richard Meier Stadtdhaus Ulm Axel Menges 1994 cloth 3-930698-09-9 Manfred Sack Photography Klaus Kinold. The Stadthaus fills in the vast Munsterplatz fronting the Ulm Gothic Church. $49 Michelucci > Giovanni Michelucci un viaggio lungo un secolo. Desegin de architettura. Alinea 1988 cloth ndj 302 pp Bio and survey of architect best known for the famous Terminal Station in Florence $75 Minzer > Mizner's Florida American Resort Architecture MIT 1984 softcover Donald Curl 0262-53068-6 Spanish revival design in Florida $17.50 Miralles > El Croquis 100-101 Enric Miralles / Benedetta Tagliabue 1996-2000 El Croquis 2000 softcover folio $61.50 Miralles > El Croquis 30+49/50 Miralles / Pinos 1983 -1990 & Miralles 1990 -1994 El Croquis 1994 cloth $80 Moore > Charles Moore Buildings and Projects 1949-1986 Rizzoli softcover 0-8478-0759-2 $40 Morphosis: The Crawford House Rizzoli 1998 softcover 0-84782082-3 A detailed visual study $35.00 Moss > Eric Owen Moss vol 3 Rizzoli 2002 cloth 0-87782260-5. Latest work from Culver City from this enigmatic architect, now dean of SCI-ARC $75 Myerscough-Walker > Raymond Myerscough-Walker Architect and Perspectivist Architecture Association 1984 48 pg booklet 0-904503-47-X Exhibition catalog of architecture drawings from the 30's as well as some theater design and film sketches. $11 Neumann > Balthasar Neumann Abteikirche Neresheim Wasmuth 1993 cloth 3-8030-2706 Christian Norberg-Schulz. Color photography Peter Walser. The baroque abbey church in Neresheim is Neumann's last major work. $40 Nouvel > Jean Nouvel Emmanuel Catlani et Associes Artemis / ICA 1992 softcover 1-8740556-01-3 French architect. Published on occasion of Nouvel exhibit $35 Nouvel > Jean Nouvel four projects Artemis 1992 softcover 1-874056-40-4 gilles De Bure $30 Nouvel > L'Inist Dans L'oeuvre de Jean Nouvel Les Fessy Editions du Demi-Cerde 1992 Cloth 2-907757-36-9 Olivier Boissiere & Georges. Scarce. French text. $100 Nouvel > Jean Nouvel The Elements of Architecture Universe 1998 softcover 0789302268 Survey of French architect. Used with sticker on back, previous. owners mark. $12 Ostberg > Stockholm Town Hall Byggforlaget 1992 cloth 91-7988-051-7 Elias Cornell. Extensive photographic documentation and drawings of architect Ragnar Ostberg's landmark. $85 Oud > J.J.P. Oud Bauten und Projeckte 1906 bis 1963 1984 Florian Kupferberg 1984 3-7937-0087-6 cloth. Gunther Stamm. Career survey includes Oud's later and less known work. $53 Oud > J.J.P. Oud's Shell Building design and reception NAI Uitgevers 1995 softcover 168 pp 90-72469-73-9 This is a study of the design and reaction to Oud's 1942 classical styled office building which was harshly criticized at the time. $42.95 Papoulias > Christos Papoulias: Hypertopos Reine Cantz 1998 softcover 3-89322- 3509 Two powerful projects -The Erichthonian Museum of the Acropolis in Athens and Urban Rooms in Ljubjana - examine the relationship of art to the city and the site. Essays by Kenneth Frampton, Yehuda Safran $21 Patkau > Patkau selected projects 1983-1993 3rd edition Tuns Press softcover 0-929112-28-8 Canadian architectural firm $22 Peichel > Gustav Peichel Wasmuth 1993 cloth 3-8050-2813-2 German architect whose works fuse an industrial aesthetic with environmental concerns. Best known for the popular Kunst Museum in Bonn. $58 Peichel> Gustav Piechel Hatje 1994 cloth 3775702172 Published on the opening of the Kunst-und Ausslellungshalle der Bundersrepblik Deutshland in Bonn $79 Peichel> Gustav Piechel Birkhauser 1996 softcover 3-7643-5351-1 Collection of new designs from the 90's for Berlin, Munich, Hanover, Vienna and Treist. $45 Perrault > Dominique Perrault Birkhauser 1995 softcover 3-7643-5543-3 Survey of Pritzker prize winning architect $40 Perrault > Dominique Perrault Hotel Industriel Les Editions du Demi-Cercle 1990 softcover 2-907757-31-8 A new type? An 'industrial hotel' to house various urban activites. BW photography Georges Fessy; Essay by Perrault "Architecture is not an Exclusion" $25 Petruccioli > Sergio Petruccioli Fotogrammi di architture 1972-1992 Gangemi Editore 1993 softcover 88-7448-471-2 Into by Luigi Comencini. Architecture is the building of space between emotion and reason. $40 Piranesi > Piranesi as Architect and Designer Yale 1993 cloth 0-300-05382-7 John Wilton-Ely A wide range of sketches and drawings with essays on his design influence. $45 Poelzig > Hans Poelzig: Architect - Painter - Designer Wasmuth 1995 softcover 3-8030-3063-3 Catalog of expressionist sketches, drawings and paintings. $45 Poelzig > Hans Poelzig Die Plane und Zeichnungen aus dem ehemalign Verkehrs- und Baumuseum in Berlin Ernst & Sohn 1989 cloth 3-433-02091-4 An excellent collection of plans and pencil drawings up to the mid 30's $72 Porro > Richardo Porro & Renaud de la Noue Architectes College Elsa Triloet Les Editions du Demi-Cercle 1990 softcover 2-907757-33-4 A new school in Saint-Denis that is a romantic update to expressionist architecture - in the architects preface "to bring back a thrill". 26 page folio. BW photos by Anne Favret & Patrick Manez $25 Portoghesi > Paolo Portoghesi diagonal paperback 88-8263-010-2 selected projects from Italian post modernist $30 Portzamparc > Christian de Portzamparc Scènes d'Atelier Centre Georges Pompidou 1996 softcover 2-85850-829-1. Catalog from important French architect theorist. French text. $38 Predock > Antoine Predock Academy Editions 1997 softcover 0471977721 AD Monograph no. 49. Survey of Predocks authentic architecture. $54.95 Predock > Antoine Predock, Houses Rizzoli 2000 cloth 0-8478-2259-1 Twelve houses by the best-known contemporary southwest architect $50 Pugin > Pugin Yale 1994 cloth 310 pp 0-300-06012-2 .Paul Atterbury Clive Wainwright. A big book on Pugin and the Gothic revival inn general to accompany the 1994 Pugin exhibit. $50 Quigley > Rob Wellington Quigley Buildings + Projects Rizzoli 1996 softcover 0847819469 San Diego based architect with a modernist interpretation of regionalism. $40 Quist > Architect Wim Quist beelden aan zee museum NAI 1998 cloth 90-5662-097-5 $50 Quist > Wim Quist, Projects 1992-2000 010 2000 906450377X Dutch modernist best known for his numerous museum designs. $47.50 Rapp > Christian Rapp 010 1997 cloth Typological permutations from the winner of the Rotterdam-Maaskal Prize for architecture. $24 Rasmussen > Steen Eiler Rasmussen Architect Town-Planner Author School of Architecture in Aarhus, Denmark 1988 soft cover 87-88656-144 Catalog of exhibition Includes Rasmussen essay, drawings, sketches, photography $30 Reitveld > Jan Reitveld 010 1990 cloth 90-6450-089-4 Floor plans and elevations of Reitveld's postwar buildings. $34 Richardson > HH Richardson Complete Architectural Works MIT 1996 softcover 0-262-65015-0 Definitive guide to the works of Richardson $49.95 Richardson > HH Richardson and the Small Public Library in America MIT cloth 0-262-02416-0 Riggs > Lutah Maria Riggs A Woman in Architecture 1921-1980 Capra 1992 softcover 6-88496-352-7 David Gebhard. Compelling study of the life and work of the woman architect who helped shape the California Style in the 30' s $20 Riva > Umberto Riva GG 1993 softcover 84-252-1597-8 Pierluigi Nicolin. Milano architect, Umberto Riva, is reguarded to be the direct heir to Carlo Scarpa and Franco Albini. $29 Rizzoli > A.G. Rizzoli Architect of Magnificent Visions Abrams 1997 cloth Visionary Draughtsman $35 Rogers > Richard Rogers: Complete Works Vol 1 Phaidon 1999 cloth 0-7148-3746-6. Comprehensive and big. $95 Rogers > Richard Rogers Partnership Works and Projects Monacelli 1995 softcover 1-885254-32-6 English translation of Italian text. $50 Rogers > Nine Projects Japan Richard Rogers Partnership Blueprint Extra 03 1991 softcover folio 071 486 7491 Drawings, photos sketches for nine projects including K-One Corporation and Mitsubishi $32 Ruusuviori > Aarno Ruusuviori: Structure is the Key to Beauty 951-9229-75-2 Famous Finnish architect (1925-1992) Saarinen > Eero Saarinen The Architecture of Multiplicity PAP 2003 cloth $60 Antonio Roman. Latest monograph on the work of Saarinen. 1-56898-340-9 $60 Safdie > The Harvard Jerusalem Studio MIT 1986 cloth 0-262192470 Urban Designs for the Holy City $39.95 Saitowitz > Stanley Saitowitz PAP 1996 cloth 1-885232-03-9 This won the American Institute of Graphic Arts award for book design and was included in the 1998 Leipzig and Frankfurt Book Design Exhibitions. $24 Salter > 4 + 1 Peter Salter Building Projects Black Dog softcover 1-9010-3336-8 Color sketches to photographs of four Japanese projects and one proposal $30 Samyn > Phillipe Samyn: Architecture and Engineering 1990-2000 Birkhauser 1999 softcover 3764360674 Cutting edge technological architecture incorporating tensile structures, membranes and intelligent glazing systems. $49.95 Sarfati > Alain Sarfati, un architect en trois dimensions Editions du Layeur cloth 2-911-468-12-0 French text. $85 Sartoga & Grenon Monacelli softcover 1-885254-51-2 New in warps $40 Savioli > Leonardo Savioli grafico e architetto Cento Di 1982 softcover 88-7038-064-5 Exhibition catalog of works. Savioli continues Corbubsier's machines for living aesthic $40 Sawade > Jurgen Sawade Bauten und Projekete 1970 -1995 Gebr Mann 1997 cloth 3-7861-1952-X. Excellent and straight forward presentation (site plans, line drawings, b/w doc photography) of large scale works by Berlin architect known for restoration of Mendelsohn's Universum Theatre. German text. Scare $118 Scarpa > Carlo Scarpa Architektur Hatje 1986 softcover 3-7757-0214-8 Well illustrated and detailed survey. German text. $39 Schelling > Erich Schelling Architekt 1904-1986 Aries Verlag 1994 cloth 3-920041-42-9 Elegant and comprehensive presentation of this Karlsruhe based modernist. $82 Schindler > R.M. Schindler Phaidon 2001 cloth 07148-3914-0 Judith Sheine $59.95 Schindler > Rizzoli cloth 08478-0921-8 Lite wear on cover. Really had to find this one. $100 Schindler > The Architecture of R.M. Schindler MOCA / Abrams 2001 cloth 08109-4223-2 Elizabeth Smith. A Big book on Schindler from MOCA exhibit. $65 Schivo > Jean Marie Schivo Arcaedizione 1995 softcover folio 166pp 8878380124. Italian architect with a flair for neo-futurism. $30 Schmid > Die Hauser des Dieter Schmid Karl Kramer Verlag 1994 cloth 3-7828-1609-9 Rainer Weller. Houses of Dieter Schmid. Crazy biomorphic houses both grotesque and wonderful. German text. $45 Schultes > Axel Schultes Kunstmuseum Bonn Ernst & Sohn 1994 softcover 3-433-02425-1 Bonn Art Museum designed by Berlin based activist architect $60 Scharoun > Hans Scharoun Artemis 1993 softcover 176pp 1-874056-80-3 Overview of life and work. Scharoun was architect of Berlin Philharmonic. $29.95 Schweizer >Otto Ernst Schweizer 1890-1965 Bauten und Projekt Edition Axel Menges1996 Immo Boyken. First survey of German architect whose early work included stadiums. German text. $87 Scolari > Massino Scolari: Watercolors and Drawings 1965-1980 Centro Di 1981 softcover 3-930698-01-3. Enigmatic drawings by the exponent of visionary rationalism. $31 Sert Arquitecto en Neuva York Actar 1997 softcover 84-89698-30-9 163 pages b/w and color illustrations $35 Shurmann entwurfe und bauten Wasmuth 1997 cloth 3-9-8030-0173 Big book on over 30 years of modern planning design by the team of Margot and Joachim Shurmann. German text. $105 Simounet > Roland Simounet D'Une architecture Monteur Juste 1997 softcover. 2-281-19095-1. Works from 1951-1996. Mostly housing then later civic works. French text. $57 Siren > J.S. Siren Architect 1889-1961 Museum of Finnish Architecture 1989 softcover 951-9229-58-2 Finnish classicism by the 'architect laureate' of Finland. Some wear on spine $75.00 Siza > Alvaro Siza City Sketches Birkhauser 1994 cloth 0-8176-2820-7 Siza's inner thoughts sketched and captured in journal form. Delightful insights from a Portuguese master. Forward by Norman Foster $125 Smet > Henk de Smet & Paul Vermeulen deSingel 1996 90-75591-03-9 $43.50 Snozzi > Luigi Snozzi Birkhauser softcover 3-7643-5439-9 Leading Ticino modernist. $29.95 Soane > Sir John Soane cloth 0-8109-3827-8 The architect as collector, the house as museum. An inventory, in photos and drawings, of the Soane residence. $30 Soeters > Sjoerd Soeters Architect 010 1996 cloth. 90-6450-219-6 Hans Ibelings. Photography Wout Berger. Eclectic Dutch modernist with a no-rules freedom-loving approach to design. $47 Soler > Francis Soler Recits d' Architecture IFA 1995 softcover. 2-85-893-261-1 Odile Fillion. Survey with many full page renderings. $65 Soriano > Raphael Soriano Phaidon 2002 cloth 0714840637 Wolfgang Wagener. Insightful study on influential early California steel and glass modernist 59.95 Speer > Albert Speer and Partner Birkhauser 1997 softcover 3-7643-5265-5 Large scale international work in Arabia, Africa. $45 Stam-Besse > Lotte Stam-Besse 1903-1988 HEF 1993 softcover 90-6906-014-0 Well traveled Dutch planner with roots in classic modernism. Works in Dessau, Brno, Moscow, Charkov, Amsterdam and Rotterdam $50 Stamberg Aferiat Architecture Rizzoli 1997 softcover 0-8478-2011-4 160 illus.100 in color. Young design partners Peter Stamberg and Paul Aferiat combine modernist architecture with vibrant primary hues, sensuous materials, sculptural walls, and classic modern furniture. First monograph presents 20 buildings and projects with commentary. New in wraps $35 Steidle > Otto Steidle Structures for Living Artemis 1994 softcover 1-874056-82-X Steidle's urban development schemes, recent projects and important early work. $45 Sue > Louis Sue Architectures Mardaga 2-87009-243-1 Domestic architect whose stylistic innovations led to Art Deco $35 Sullivan > Louis Sullivan Cresent cloth. 051705292x Oversized contemporary color photographs of Sullivan's output. $25 Suzuki > Edward Suzuki Edition Axel Menges 1996 cloth 3-930698-04-8 Japanese architect whose work revolves around a series of dualities or oppositions. The only monograph in English on this interesting Japanese mannerist. $89 Szyskowitz & Kowalski 1973-1995 Wasmuth 1994 cloth 3-8030-2802-7 Andrea Gleiniger. Leading exponents of the Graz school of design, this volume catalogs their highly formal designs in glass, steel and stone. $93 Tanner > Constructed Reality Tanner Leddy Maytum Stacy Architects William Stout 1998 Architectural Monographs 1 softcover 150pp 0-9651144-5-7 San Francisco firm that looks to construction as the essence of architecture. "Architects who build. make moments of order". $35 Tenge > Kenzo Tenge 1946-1996 cloth in slipcase 88-435-5523-5 Japans most important post-war architect $150 Tesar > Heinz Tesar, Springer 1996 cloth ISBN 32182742 The most complete volume of the Austrian architect who combines anamorphic form with Loosian space planning. Includes his important Celtic Museum and Klosterneuburg Church projects. $55 Tschumi > La Villette 1971-1995: Histories de Projects Somogy Editions D' Art 1999 softcover 285 pp 2-85056-368-4 ed Alain Orlandi. A compilation of drawings, photos essays and diagrams on La Villette: Paris' new park for the 21th Century. French text $65 Travaglini > Federico Travaglini, il restauro tra 'abbellimento' e ripristino Electa Napoli 1996 softcover 88-435-5577-4. Renata Picone. Good detail on the restoration of Italy's churches. With period photographs. Italian text $70 Ungers > O.M. Ungers Architekt Gerd Hatje cloth 3-7757-0516-3 $50 Ungers > Hamburger Kunsthalle Galerie der Gegenwart Hatje 1997 softcover 3-7757-0659-3 Designed by O.M. Ungers. Documentation of the gallery and it's significant contemporary art collection. German text $29 Utzon > Houses in Fredensburg cloth 3-433-02762-1 Pritzker prize winning Danish architect $50 Utzon > Jorn Utzon Church at Bagsvaerd, Denmark GA 61 1981 softcover folio. Utzon is the most recent winner of prestigious Pritzker Prize. Text by Christian Norberg-Schulz, photography by Yukio Futagawa. $25 Uytenhaak > Rudy Uytenhaak architect cloth 90-6450-241-2 Dutch architect Vacchini > Transformation - Livio Vacchini Birkhauser 1994 cloth 0-8176-2987-4 Werner Blaser. Classic modernist circa 60-70s era, who believes in universal aesthic value independent of history, ideology or content. Beautiful BW photography. $98 Valerio > Joe Valerio: Valerio Dewalt Train Architecture Rizzoli 1999 softcover 0-8478-2171-4 Chicago based designer of high-profile commercial projects in the Midwest. $35 Valode & Pistre Editions du Regard 1998 2841050025 Marc Auge. French text $225 Van Berkel > MOVE (3 vol pbk's in slipcase) examines the architect's new role in an environment of technological, public and economic change. $58 Van Berkel > Un Studio: Un Fold NAI 2002 softcover 9-056622617 The redefinition of organizational structures is the common thread running through van Berkel and associates unique approach. $40 Van der Lann > Dom Hans van der Lann Modern Primitive Architectura and Natura Press 1994 softcover 260pp 90-71570-40-1 First full length study of Van der Lann's design theory with photographs of his masterpiece, the abbey of St. Benedictusberg at Vaals. $44 Van Egerat > Erick Van Egerat - EAA Birkhauser 1999 376435391 Compiles all the Dutch architect's post-Mecanoo work and includes the ING bank project in Budapest. Dutch text. $68 Vandenhove > Le Ballor 010 1996 hardcover 90-6450284-6 Well received integration of additions highlight the restoration of this late 17c orphanage. $35 Vasconi > Claude Vasconi Editions Du Regard 1995 2841050351 editor Gilles De Bure. Steel and glass modernist Vasconi co-designed the Forum des Halles in Paris. French text. $225 Viguier > Jean-Paul Viguier Editions Du Regard 1998 2841051013 Regis Debray. Many important large-scale projects in France. French text. $225 Vinoly > Rafael Vinoly PAP cloth 1-56898-373-5 J. Ockman. Career survey of Important Argentina architect $85 Westfourth > Westfourth Architecture: New York Calls Bucharest Arcaedizioni 1996 softcover 8-87838-018-0 . Architect Vladimir Arsene splits his commercial design between Romania and New York. Profusely illustrated folio. $29.95 Winking > Bernhard Winking, Architecture & the City Birkhauser 1999 cloth 3764359277 Sensitive urban planning and housing by Berlin-based modernist influential in the re-urbanization of the former East Berlin. $60 Wright > Frank Lloyd Wright Companion University of Chicago Press 1993 Cloth 0226-77624-7 William Storrer wrote this big reference book, heavy companion to Wright $100 Wright > Frank Lloyd Wright--The Lost Years, 1910-1922: A Study of Influence University of Chicago Press 1993 cloth 0226-01366-9 Anthony Alofsin lays out the facts about Wright's lost decade when he left America. $50 Wright > Frank Lloyd Wright's Fallingwater PAP 2000 cloth Ezra Stoller BW photography. 1-56898-203-8 $19.95 Wright > Frank Lloyd Wright's Glass Designs Pomegranate Communications 2003 cloth booklet 0-87654-468-5 Wright at a Glance Series. Carla Lind $9.95 Wright > Frank Lloyd Wright's Life and Homes Pomegranate Communications 2003 cloth booklet 1-56640996-9 Wright at a Glance Series. Carla Lind $9.95 Wright > Frank Lloyd Wright's Lost Buildings Pomegranate Communications 2003 cloth booklet 1-56640999-3 Wright at a Glance Series. Carla Lind $9.95 Wright > Lloyd Wright Hennessy & Ingels softcover 0-940512-10-6 Survey on the son of a famous architect. $24.50 Zweifel > Jakob Zweifel Arhitekt Schweizer Moderne der zweiten Generation Lars Muller 1996 oblong cloth 3-906700-40-2. Comprehensive documentation of Swiss modernist $60 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 26 Sep 2003 13:32:54 -0400 Reply-To: Poma-Swank AnnaMaria <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Poma-Swank AnnaMaria <[log in to unmask]> Subject: workshops MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable To the conference planning committee for the 2004 ARLIS/NA annual meeting. I would like to have more details on the workshop called "They Never Covered This In Library > School: Basic and Advanced Tools for Research In the Western Middle Ages" As a medievalist and head of a Medieval library I might be able to help, thanks, Annamaria Poma Swank ======================================= Annamaria Poma-Swank, Ph.D. Associate Museum Librarian The Cloisters Library & Archives The Metropolitan Museum of Art Fort Tryon Park New York, NY 10040-1171 (212) 396-5367 fax: (212) 795-3640 [log in to unmask] Associate Visiting Professor, SILS, Pratt Institute, NY, NY Visiting professor, Medieval and Renaissance Department, NYU, NY, NY __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Fri, 26 Sep 2003 15:00:19 -0400 Reply-To: Hildegard Lindschinger <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Hildegard Lindschinger <[log in to unmask]> Subject: ARLIS-Ontario Fall Meeting Oct.17 Toronto: Art Deco Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=__Part7C223AD3.0__=" This is a MIME message. If you are reading this text, you may want to consider changing to a mail reader or gateway that understands how to properly handle MIME multipart messages. --=__Part7C223AD3.0__Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Hello all, ARLIS-Ontarians are looking forward to an exciting Art-Deco themed Fall Meeting in Toronto, on October 17, to which we wish to invite our colleagues in other chapters of ARLIS and CARLIS. First, we immerse ourselves in the ambiance and spirit of the Arts and Letters Club ("hang-out" of the Group of Seven painters) 14 Elm St. (just west of Yonge St.) for our business meeting and lunch. http://home.interlog.com/~artslets/history.html Next, a rare opportunity to see The Carlu (the former Eaton Auditorium, on the 7th floor of College Park) 444 Yonge St., 7th Floor (corner of Yonge & College). Designed by French architect Jacques Carlu in 1929, the restoration completed early this year makes this one of the finest examples of the Art Moderne style anywhere. The elegant dining rooms and excellent acoustics made this an attractive venue for many prestigious events in its hey-day, and now does again. Please visit this site: http://www.thecarlu.com/. Next, at the Royal Ontario Museum we enjoy a guided tour of the fabulous Art Deco, 1910-1939 Exhibition organized by the Victoria and Albert Museum in London. When you read the description at http://www.rom.on.ca/ you will hardly be able to wait to see this... COST: $30 all inclusive (payable on 17th October) RSVP: ASAP!! Please contact Daniel Payne ([log in to unmask]) if you plan on attending We do need to start finalizing attendance/menus for this, so we encourage all to RSVP as soon as possible. We feel the the prospect of seeing the A & L and receiving lunch there, the Carlu (not usually opened to the public), and a guided tour of the ROM's new exhibit will prove well worth the fee, and encourage people to commit to this event. We are most excited by this and hope to see many of you on the 17th. for the ARLIS-Ontario Board, Hildegard Lindschinger, Chair Hildegard Lindschinger Slide Curator Wilfrid Laurier University Library, Waterloo, Ontario N2L 3C5 Tel: 519-884-0710, x3444 * Email: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=__Part7C223AD3.0__Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Content-Description: HTML <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 6.00.2800.1226" name=GENERATOR></HEAD> <BODY style="MARGIN: 4px 4px 1px; FONT: 10pt Tahoma"> <DIV><SPAN class2240819-25092003><FONT face=Arial size=2>Hello all,</FONT></SPAN></DIV> <DIV><SPAN class2240819-25092003><FONT face=Arial size=2>ARLIS-Ontarians are looking forward to an exciting Art-Deco themed Fall Meeting in Toronto, on October 17, to which we wish to invite our colleagues in other chapters of ARLIS and CARLIS.</FONT></SPAN></DIV> <DIV><SPAN class2240819-25092003><FONT face=Arial></FONT></SPAN> </DIV> <DIV><SPAN class2240819-25092003><FONT face=Arial>First, we immerse ourselves in the ambiance and spirit of the <STRONG>Arts and Letters Club (</STRONG>"hang-out" of the Group of Seven painters) <SPAN class2240819-25092003>14 Elm St. (just west of Yonge St.)</SPAN> for our business meeting and lunch. </FONT></SPAN><SPAN class2240819-25092003><FONT face=Arial> <A href="http://home.interlog.com/~artslets/history.html">http://home.interlog.com/~artslets/history.html</A></FONT></SPAN></DIV> <DIV><SPAN class2240819-25092003><FONT face=Arial></FONT></SPAN> </DIV> <DIV><SPAN class2240819-25092003> <DIV> <DIV><FONT face=Arial><FONT size=2><SPAN class2240819-25092003>Next, a rare opportunity to see <STRONG>The Carlu</STRONG></SPAN></FONT><FONT size=2><SPAN class2240819-25092003> (the former Eaton Auditorium, on the 7th floor of College Park) 444 Yonge St., 7th Floor (corner of Yonge & College). Designed by French architect Jacques Carlu in 1929, the restoration completed early this year makes this one of the finest examples of the Art Moderne style anywhere. The elegant dining rooms and excellent acoustics made this an attractive venue for many prestigious events in its hey-day, and now does again. Please visit this site: <A href="http://www.thecarlu.com/">http://www.thecarlu.com/</A>. </SPAN></FONT></FONT></DIV> <DIV><FONT face=Arial><FONT size=2><SPAN class2240819-25092003></SPAN></FONT></FONT> </DIV> <DIV><FONT face=Arial><FONT size=2><SPAN class2240819-25092003>Next, at the <STRONG>Royal Ontario Museum</STRONG></SPAN></FONT></FONT><FONT face=Arial><FONT size=2><SPAN class2240819-25092003> we enjoy a <STRONG>guided tour</STRONG> of the fabulous <STRONG>Art Deco, 1910-1939 Exhibition</STRONG> organized by the Victoria and Albert Museum in London. When you read the description at</SPAN></FONT></FONT><FONT face=Arial><FONT size=2><SPAN class2240819-25092003> </SPAN></FONT><FONT size=2><SPAN class2240819-25092003> <A href="http://www.rom.on.ca/">http://www.rom.on.ca/</A> you will hardly be able to wait to see this...</SPAN></FONT></FONT></SPAN></DIV></DIV></DIV> <BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px"> <BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px"> <DIV><FONT size=2><SPAN class2240819-25092003><FONT face=Arial><STRONG><FONT face=BinnerD>COST</FONT>:</STRONG> <STRONG> $30</STRONG> all inclusive (payable on 17th October) </FONT></SPAN></FONT></DIV> <DIV><FONT size=2><SPAN class2240819-25092003><STRONG><FONT face=BinnerD>RSVP: </FONT><FONT face=Arial> ASAP!! Please contact Daniel Payne (</FONT><A href="mailto:[log in to unmask]"><FONT face=Arial>[log in to unmask]</FONT></A><FONT face=Arial>) if you plan on attending</FONT></STRONG></SPAN></FONT></DIV></BLOCKQUOTE></BLOCKQUOTE> <DIV dir=ltr><SPAN class2240819-25092003><FONT face=Arial size=2>We do need to start finalizing attendance/menus for this, so we encourage all to RSVP as soon as possible. We feel the the prospect of <STRONG>seeing the A & L and receiving lunch there, the Carlu (not usually opened to the public), and a guided tour of the ROM's new exhibit</STRONG> will prove well worth the fee, and encourage people to commit to this event.</FONT></SPAN></DIV> <DIV><SPAN class2240819-25092003><FONT face=Arial size=2></FONT></SPAN> </DIV> <DIV><FONT face=Arial size=2><SPAN class2240819-25092003>We are most excited by this and hope to see many of you</SPAN></FONT><FONT face=Arial size=2><SPAN class2240819-25092003> on the 17th.</SPAN></FONT></DIV> <DIV><FONT face=Arial size=2><SPAN class2240819-25092003></SPAN></FONT> </DIV> <DIV><FONT face=Arial size=2><SPAN class2240819-25092003>for the ARLIS-Ontario Board</SPAN></FONT>,</DIV> <DIV>Hildegard Lindschinger, Chair</DIV> <DIV> </DIV> <DIV>Hildegard Lindschinger<BR>Slide Curator<BR>Wilfrid Laurier University Library, Waterloo, Ontario N2L 3C5<BR>Tel: 519-884-0710, x3444 * Email: <A href="mailto:[log in to unmask]">[log in to unmask]</A><BR></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --=__Part7C223AD3.0__=-- ========================================================================Date: Fri, 26 Sep 2003 15:07:45 -0500 Reply-To: Nathaniel Feis <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Nathaniel Feis <[log in to unmask]> Subject: The October Midwestern Art Cataloging Discussion Group meeting Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" Hello Midwest art catalogers and other interested parties, As you may be aware, the next meeting of the Midwestern Art Cataloging Discussion Group will be held in conjunction with the ARLIS/Midstates fall meeting at the Cranbrook Academy of Art in Bloomfield Hills, Michigan on Friday, October 17, 2003. You will find the registration form, the day's schedule and pertinent information about travel and accommodations below or at the ARLIS/Midstates website: http://php.indiana.edu/~edowell/midstates/meetings.html. Information about the meeting can also be found on the MACDG's webpage: http://www.sla.purdue.edu/midwestart. Those who wish to attend only the MACDG meeting portion of the day do not need to register or pay, but do please let me know you plan on coming, so that we will have an idea of how many people to expect. Those of you interested in attending more than just the MACDG meeting, should go ahead and register using the link and/or form provided. Additionally, if you have any topics you would like to see on the agenda for the MACDG meeting, please let me know. Please let me me know if you have any questions. Thank you, Nathaniel Feis ARLIS-MIDSTATES/ MIDWEST ART CATALOGING DICSUSSION GROUP FALL MEETING Friday October 17, 2003 LOCATION Cranbrook Academy of Art Library, 39221 Woodward Avenue, Bloomfield Hills, MI. HOST Judy Dyki, Library Director, Cranbrook Academy of Art Library, (248) 645-3364 or [log in to unmask] MIDSTATES CONTACT Alba Fernandez, Indianapolis Museum of Art, (317) 920-2647 or [log in to unmask] MACDG CONTACT Nathaniel Feis, The Art Institute of Chicago, (312) 443-3526 or [log in to unmask] SCHEDULE OF EVENTS 8:45 am -9:45 am - Registration & Coffee (library) 9:45 am -11:00 am - Presentation by Mark Coir, Director, Cranbrook Archives (deSalle Auditorium) 11:00 am - 11:15 am - Break 11:15 am -12:15 pm - ARLIS/Midstates meeting (library) 12:15 pm - 1:15 pm - Lunch (library) 1:30 pm - 2:30 pm - Tour of the Saarinen House or Cranbrook House 2:45 pm -4:45 pm - Midwest Catalogers Discussion Group Meeting (library) Lodging and Travel Information Hotels close to Cranbrook: Radisson Kingsley Hotel & Suites 39475 Woodward Avenue Bloomfield Hills, MI 48304 248-644-1400 (1.4 miles) Marriott at Centerpointe 3600 Centerpointe Parkway Pontiac, MI 48341 248-253-9800 (2.88 miles) Townsend Hotel 100 Townsend Birmingham, MI 48009 248-642-7900 (2.9 miles) Holiday Inn Express 34952 Woodward Avenue Birmingham, MI 48009 248-646-7300 (2.87 miles) If you are flying: Book a flight into Detroit Metropolitan airport (DTW) The airport is about 30 miles from Cranbrook (driving time approx. 40 minutes) Car rental at the airport is the preferred option since shuttle service to Bloomfield Hills is non-existent. Taxi cab or Metro Car Service are the other options to get from the airport to your hotel. For driving directions to Cranbrook, go to http://www.cranbrook.edu/community/map.html Use the parking lot for the Cranbrook Art Museum-- the library is directly across from the museum. ARLIS-Midstates/ MACDG Fall Meeting Registration Form October 17, 2003 Name _________________________________________________________________ I am: ___ARLIS/Midstates member ___MACDG member ____member of another ARLIS chapter ____non-member ____student Please check: ____Yes, I will attend the meeting $12.00 ARLIS $15.00 non-members $8.00 students ____Yes, I need a bag lunch $8.00 Total $_____ Choice of tour (please check one): ____Cranbrook House ____Saarinen House Choice for bag lunch (check one): ___ Tomato & Mozzarella Baguette (Fresh Mozzarella, Roma Tomatoes, Basil and Balsamic Vinagrette on a Baguette) ___ Roasted Chicken Baguette (Tender Herb Marinated Chicken Breast, Sun-dried Tomatoes and Mixed Greens with a Pesto Mayonnaise on a Baguette) ___ Southwest Beef Wrap (Chili marinated Roast Beef, Pepperjack Cheese, and Romaine with Jalapeno Sour Cream rolled in a Lavash) All options include fruit salad, fresh baked cookie, and chips. An assortment of beverages will be provided. Please make all checks payable to ARLIS/Midstates Chapter and send it with the registration form to Alba Fernandez, Chair ARLIS/Midstates, Stout Reference Library, 4000 Michigan Rd., Indianapolis, IN 46208. Participant s who only wish to attend the MACDG meeting but not the lecture, lunch, or tours do not need to pay a registration fee. Registration forms must be received by October 13th in order to receive bag lunch. -- Nathaniel Feis, Serials Librarian Ryerson and Burnham Libraries The Art Institute of Chicago 111 South Michigan Ave. Chicago, IL 60603-6110 e-mail: [log in to unmask] phone: 312-443-3526 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Sun, 28 Sep 2003 16:32:11 -0700 Reply-To: Stan Shiebert <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Stan Shiebert <[log in to unmask]> Subject: Ten Bulls Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Disposition: inline We have a patron looking for the famous series of Zen Buddhist drawings, known as Ten Bulls, by the Twelfth Century Chinese monk, Kakuan.I've found several later versions on the Web,but he is looking for the originals, if they still exist, or as close to them in spirit as possible. Any help in this will be appreciated. Stan Stan Shiebert Librarian Arts, Recreation & Literature Department Seattle Public Library TEL: 206-386-4613 FAX: 206-386-4616 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 29 Sep 2003 10:21:56 -0500 Reply-To: Leigh Gates <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Leigh Gates <[log in to unmask]> Subject: Invitation to VRA-Midwest Meeting Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="============_-1147273578==_ma============" --============_-1147273578==_ma===========Content-Type: text/plain; charset="us-ascii" ; format="flowed" Hello VRA-Midwest and interested ARLIS members in the Midwest, Following are the VRA-Midwest Fall meeting agenda and registration forms for our fall chapter meeting. We are really looking forward to any and all of you joining us in Chicago on Friday October 31, 2003, with optional activities on Saturday, November 1. Until then, please feel free to e-mail me, [log in to unmask], with questions, and send in those registration materials as soon as possible! Betha Whitlow VRA-Midwest Chapter Chair ****************************************************************************************** VRA Midwest Fall Meeting October 31, 2003 LOCATION The Art Institute of Chicago HOST Leigh Gates, Slide Librarian, MacLean Visual Resources Center, Ryerson Library CONTACT Leigh Gates, [log in to unmask] or Betha Whitlow, [log in to unmask] SCHEDULE OF EVENTS Friday, October 31 9:30 a.m.-10:00 a.m. Registration and Coffee, Trustees Board Room, Art Institute of Chicago (Directions TBA) 10:00 a.m.-11:00 a.m. Panel Discussion of implementation issues for digital image management systems, specifically Luna Insight and MDID Presenters: Brooke Cox, Depauw University Leigh Gates, Art Institute of Chicago Betha Whitlow, Washington University in St. Louis 11:00 a.m.-12:00 p.m. Leadership Training Exercise Facilitators: Jane Darcovich, University of Illinois, Chicago Betha Whitlow, Washington University in St. Louis 12:00 p.m.-1:00 p.m. VRA-Midwest Business Meeting 1:00 p.m.-2:15 p.m. Lunch, Art Institute of Chicago Food Court, and free time in museum 2:15 p.m.-3:00 p.m. Group travel by El train to Pilsen neighborhood 3:00 p.m-4:00 p.m. Group tour of the "Day of the Dead" exhibition, Mexican Fine Arts Center (small fee required, TBD) 4:00-on On your own; according to interest, a group happy hour or dinner to restaurants in the Pilsen neighborhood may be arranged Saturday, November 1 10:00 a.m. Complimentary entry to the "Manet and the Sea" Exhibition, Art Institute of Chicago ***************************************************************************************** Registration Form I am: ______ VRA-Midwest member _______ Non-Member ______ Member of another VRA Chapter _______ Student Meeting registration fees: $10 VRA-Midwest member $15 Non-Member $5 Student Optional Donation to the VRA Midwest Travel Award Fund $_________ Please bring money for lunch, since we are not ordering box lunched for the event. Instead, we will be eating in the recently refurbished Art Institute Food Court. Please make all checks payable to VRA Midwest and send it with the registration Betha Whitlow, Curator of Visual Resources, Department of Art History and Archaeology, Washington University, 1 Brookings Drive, Box 1189, St. Louis, MO 63130-4899. Transportation, Parking, and Lodging Information Directions to the Art Institute by car, including parking information: Please contact Leigh Gates, [log in to unmask] Directions by bus or el-train: see Chicago Transit Authority website, www.transitchicago.com/maps/visitorinfo.html Lodging We elected to let everyone take advantage of the many hotel deals in downtown Chicago, and recommend exploring discount travel websites for bargains. In addition, Leigh Gates recommends the following hotels for their proximity to the Art Institute: Palmer House 17 E Monroe St (312)726-7500 Hotel Burnham 1 W Washington St Chicago, IL 60601 Phone: (312) 782-1111 Fax: (312) 762-3554 Best Western Inn of Chicago 162 E Ohio St (312)787-3100 Hotel Allegro 171 W Randolph St (312)236-0123 Other Suggested Activities: In addition the roster of fun events on the official fall meeting agenda, Chicago is full of wonderful things to see and do. Leigh Gates, our host, recommends the following for our meeting weekend: Chicago Humanities Festival (This looks great!!) http://www.chfestival.org/index.cfm Tickets available online; necessary to purchase ahead of time. Chicago Museum of Contemporary Art http://www.mcachicago.org Kerry James Marshall: One True Thing, Meditations on Black Aesthetics Terra Museum http://terramuseum.org See it now; they are closing next year! Chicago Architectural Foundation http://www.architecture.org Last weekend for Chicago River Tours Graveyards of Chicago http://www.graveyards.com It will be Halloween, after all! -- *********************************** Leigh Gates, Slide Librarian MacLean Visual Resources Center, Ryerson Library The Art Institute of Chicago 37 S. Wabash, Chicago IL 60603 [log in to unmask] tel: 312/899-1223 fax: 312/263-0141 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147273578==_ma===========Content-Type: text/html; charset="us-ascii" <!doctype html public "-//W3C//DTD W3 HTML//EN"> <html><head><style type="text/css"><!-- blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 } --></style><title>Invitation to VRA-Midwest Meeting</title></head><body> <div>Hello VRA-Midwest and interested ARLIS members in the Midwest,</div> <div><br></div> <div>Following are the VRA-Midwest Fall meeting agenda and registration forms for our fall chapter meeting. We are really looking forward to any and all of you joining us in Chicago on Friday October 31, 2003, with optional activities on Saturday, November 1. Until then, please feel free to e-mail me, [log in to unmask], with questions, and send in those registration materials as soon as possible!</div> <div><br> Betha Whitlow<br> VRA-Midwest Chapter Chair</div> <div >********************************************************************<span ></span>**********************</div> <div><font face="Times" color="#000000"><b>VRA Midwest Fall Meeting<br> October 31, 2003</b></font><br> <font face="Times" color="#000000"><b></b></font></div> <div><font face="Times" color="#000000">LOCATION The Art Institute of Chicago<br> <br> HOST <span ></span> Leigh Gates, Slide Librarian, MacLean Visual Resources Center, Ryerson Library<br> <br> CONTACT Leigh Gates,<u> [log in to unmask]</u> or Betha Whitlow,<u> [log in to unmask]<br> <br> </u>SCHEDULE OF EVENTS<br> <br> <b>Friday, October 31</b></font></div> <div><font face="Times" color="#000000">9:30 a.m.-10:00 a.m. Registration and Coffee, Trustees Board Room, Art Institute of Chicago (Directions TBA)</font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000">10:00 a.m.-11:00 a.m. Panel Discussion of implementation issues for digital image management systems, specifically Luna Insight</font></div> <div><font face="Times" color="#000000"><x-tab> </x-tab > <span ></span> and MDID</font></div> <div><font face="Times" color="#000000"><br> Presenters: <span ></span > <span ></span> Brooke Cox, Depauw University<br> <x-tab> </x-tab > <span ></span> Leigh Gates, Art Institute of Chicago<br> <x-tab> </x-tab > <span ></span> Betha Whitlow, Washington University in St. Louis<br> <br> 11:00 a.m.-12:00 p.m. Leadership Training Exercise<br> <x-tab> </x-tab> <br> Facilitators: <span ></span > <span ></span> Jane Darcovich, University of Illinois, Chicago</font></div> <div><font face="Times" color="#000000"><x-tab> </x-tab > <span ></span> Betha Whitlow, Washington University in St. Louis</font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000">12:00 p.m.-1:00 p.m. VRA-Midwest Business Meeting</font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000">1:00 p.m.-2:15 p.m. Lunch, Art Institute of Chicago Food Court, and free time in museum</font></div> <div><font face="Times" color="#000000"><br> 2:15 p.m.-3:00 p.m. Group travel by El train to Pilsen neighborhood</font><br> <font face="Times" color="#000000"></font></div> <div><font face="Times" color="#000000">3:00 p.m-4:00 p.m. Group tour of the "Day of the Dead" exhibition, Mexican Fine Arts Center (small fee required, TBD)</font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000" >4:00-on <span ></span > <span ></span> On your own; according to interest, a group happy hour or dinner to restaurants in the Pilsen neighborhood</font></div> <div><font face="Times" color="#000000"><x-tab> </x-tab > <span ></span> may be arranged <span ></span> </font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000"><b>Saturday, November 1 </b></font></div> <div><font face="Times" color="#000000">10:00 a.m. <span ></span > Complimentary entry to the "Manet and the Sea" Exhibition, Art Institute of Chicago</font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000" >********************************************************************<span ></span>*********************<br> <b>Registration Form<br> <br> </b>I am:<br> <br> ______ VRA-Midwest member<x-tab> </x-tab><x-tab> </x-tab><x-tab> </x-tab><x-tab> </x-tab>_______ Non-Member<br> <br> ______ Member of another VRA Chapter<x-tab> </x-tab><x-tab> </x-tab><x-tab> </x-tab>_______ Student<br> <br> Meeting registration fees:<br> <br> $10 VRA-Midwest member<br> $15 Non-Member<br> $5 Student<br> <br> Optional Donation to the VRA Midwest Travel Award Fund $_________</font><br> <font face="Times" color="#000000"></font></div> <div><font face="Times" color="#000000">Please bring money for lunch, since we are not ordering box lunched for the event. Instead, we will be eating in the recently refurbished Art Institute Food Court.</font></div> <div><font face="Times" color="#000000"><br></font></div> <div><font face="Times" color="#000000"><i>Please make all checks payable</i> to VRA Midwest and send it with the registration Betha Whitlow, Curator of Visual Resources, Department of Art History and Archaeology, Washington University, 1 Brookings Drive, Box 1189, St. Louis, MO 63130-4899.</font><br> <font face="Times" color="#000000"></font></div> <div><font face="Times" color="#000000"><b>Transportation, Parking, and Lodging Information</b></font></div> <div><font face="Times" color="#000000"><b><br></b></font></div> <div><font face="Times" color="#000000">Directions to the Art Institute by car, including parking information: Please contact Leigh Gates,<u> [log in to unmask]<br> <br> </u>Directions by bus or el-train: see Chicago Transit Authority website,<u> www.transitchicago.com/maps/visitorinfo.html<br> <br> </u><b>Lodging</b></font><br> <font face="Times" color="#000000"><b></b></font></div> <div><font face="Times" color="#000000">We elected to let everyone take advantage of the many hotel deals in downtown Chicago, and recommend exploring discount travel websites for bargains. In addition, Leigh Gates recommends the following hotels for their proximity to the Art Institute:</font><br> <font face="Times" color="#000000"></font></div> <div><font face="Times" color="#000000">Palmer House<br> 17 E Monroe St<br> (312)726-7500<br> <br> Hotel Burnham<br> 1 W Washington St<br> Chicago, IL 60601<br> Phone: (312) 782-1111<br> Fax: (312) 762-3554<br> <br> Best Western Inn of Chicago<br> 162 E Ohio St<br> (312)787-3100<br> <br> Hotel Allegro<br> 171 W Randolph St<br> (312)236-0123<br> <br> <b>Other Suggested Activities:<br> </b>In addition the roster of fun events on the official fall meeting agenda, Chicago is full of wonderful things to see and do. Leigh Gates, our host, recommends the following for our meeting weekend:</font></div> <div><font face="Times" color="#000000"><br> Chicago Humanities Festival (This looks great!!)<br> <u>http://www.chfestival.org/index.cfm<br> </u>Tickets available online; necessary to purchase ahead of time.<br> <br> Chicago Museum of Contemporary Art<br> <u>http://www.mcachicago.org<br> </u>Kerry James Marshall: One True Thing, Meditations on Black Aesthetics<br> <br> Terra Museum<br> <u>http://terramuseum.org<br> </u>See it now; they are closing next year!<br> <br> Chicago Architectural Foundation<br> <u>http://www.architecture.org<br> </u>Last weekend for Chicago River Tours<br> <br> Graveyards of Chicago<br> <u>http://www.graveyards.com</u></font></div> <div><font face="Times" color="#000000">It will be Halloween, after all!</font></div> <x-sigsep><pre>-- </pre></x-sigsep> <div >*********************************** <span ></span > <span ></span > <span ></span> <br > Leigh Gates, Slide Librarian<br> MacLean Visual Resources Center, Ryerson Library<br> The Art Institute of Chicago<br> 37 S. Wabash, Chicago IL 60603<br> [log in to unmask]<br> tel: 312/899-1223 fax: 312/263-0141</div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --============_-1147273578==_ma============-- ========================================================================Date: Mon, 29 Sep 2003 11:52:25 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> Comments: RFC822 error: <W> Incorrect or incomplete address field found and ignored. From: Pam Eyerdam <[log in to unmask]> Subject: Digital collections: ? for future MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT I am interested in knowing what academic slide collections are planning for the future in regards to digitizing their local slide collections-- the question of copyright, and classroom planning for equipment on campus (especially since Kodak made their announcement about discontinuing the manufacure of slide projections products and accessories as of June 2004. My concern revolves around copyright and accessing digital images on campus in the classroom -- the lack of upgrading equipment with state of the art facilities to deliver digital images to many campus classrooms (this has to be a university concern) -- the cost of a server for digital images, and the labor involved to digitize images. Any advise, recommendations, observations would be much appreciated -- Pam Eyerdam, Cleveland State University Library __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 29 Sep 2003 13:46:39 -0400 Reply-To: Amy Schofield <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Amy Schofield <[log in to unmask]> Subject: largess Mime-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline The Adam & Sophie Gimbel Library of Parsons School of Design has the following titles available for the price of postage: Crnkovic, Vladimir. The Fantastical World of Croatian Naïve Art : February 13-May 28, 2000. St. Petersburg, Fla. : Museum of Fine Arts, 2000. Kubsthalle, Basel. Ausstellung Charles Hindenlang [und] Louis Weber. Kunsthalle Basel 22. Oktober bis 20. November 1955. Basel, 1955. Kubsthalle, Basel. Walter Bodmer, Otto Tschumi, Teruko Yokoi. Kunsthalle Basel, 14. März bis 26, April 1964. Basel, 1964. Kubsthalle, Basel. Cuno Amiet. Ausstellung zum neunzigsten Geburtstag, 29. März bis 4. Mai 1958, Kunsthalle Bern. Bern, 1958. Kubsthalle, Basel. Varlin. Kunsthalle Basel 28 Oktober bis 26. November 1967. Basel, 1967. Kubsthalle, Basel. Camille Graeser 18 Marz bis 23. April. Kunsthalle Bern, 19??. Morgenthaler, Ernst. Ernst Morgenthaler : [Ausstellung] Kunsthalle Bern, 30. März bis 5. Mai 1957. Bern, Switzerland : Kunsthalle Bern, 1957. Morgenthaler, Ernst. Ernst Morgenthaler : [Ausstellung] Kunsthalle Basel, 20. Oktober - 25. November 1962. Basel : Die Kunsthalle, 1962. Museum of Modern Art. Fifteen Polish Painters. Doubleday. New York, NY, 1961. Silva, Da Viera. Recent Oil Paintings. M. Knoedler, New York, NY, 19??. Amy Schofield Reference Librarian Adam and Sophie Gimbel Library Parsons School of Design 212-229-5587 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 29 Sep 2003 12:06:07 -0500 Reply-To: Hilary Garcia <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Hilary Garcia <[log in to unmask]> Subject: issues in art librarianship? MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: base64 SSBhbSBsb29raW5nIGZvciBzb21lIGluZm9ybWF0aW9uL2lkZWFzIGZvciBhIHBvdGVudGlhbCBz Y2hvb2wgcGFwZXIuIEkgYW0gYSBncmFkdWF0ZSBzdHVkZW50IGluIGxpYnJhcnkgc2NpZW5jZSwg YW5kIGFtIGxvb2tpbmcgdG8gd3JpdGUgYSBwYXBlciByZWdhcmRpbmcgd2hldGhlciBhcnQgY29s bGVjdGlvbnMgc2hvdWxkIGJlIGhvdXNlZC9tYWludGFpbmVkIGluIHRoZSByZWd1bGFyIGFjYWRl bWljL3B1YmxpYyBsaWJyYXJ5OyBhbmQgaWYgdGhleSBhcmUsIHdobyAoYW5kIGhvdykgc2hvdWxk IHByZXNlcnZlLCBkaXNwbGF5LCBldGMuIHRoYXQgYXJ0IGNvbGxlY3Rpb24/IEkgYW0gbG9va2lu ZyBmb3IgaWRlYXMgYWJvdXQgcG90ZW50aWFsIGlzc3VlcyByZWxhdGluZyB0byB0aGlzIHRvcGlj LCB3aGVyZSBJIG1pZ2h0IGZpbmQgYWRkaXRpb25hbCBpbmZvcm1hdGlvbiBhYm91dCB0aGlzICh3 ZWJzaXRlcywgam91cm5hbHMsIGV0Yy4pLCBhbmQvb3IgcGVyc29uYWwgZXhwZXJpZW5jZXMuIFRo YW5rIHlvdSBzbyBtdWNoIGluIGFkdmFuY2UgZm9yIGFueSBoZWxwIGFueW9uZSBjYW4gcHJvdmlk ZS4gVGhhbmsgeW91Lg0KSGlsYXJ5IEdhcmNpYQ0KMWhnYXJjaWFAbWFpbC50d3UuZWR1DQo========================================================================Date: Mon, 29 Sep 2003 12:57:55 -0400 Reply-To: "J. Trant" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "J. Trant" <[log in to unmask]> Subject: CFP: Museums and the Web 2004, Sept. 30 Deadline Comments: To: Museums and the Web 2004 <[log in to unmask]> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" Apologies for any duplication ... please forward where appropriate. Museums and the Web 2004 Washington DC / Arlington VA, USA March 31 - April 3, 2004 http://www.archimuse.com/mw2004/ ------------------------- Reminder Proposal Deadline ------------------------- The deadline for the Call for Proposals for Museums and the Web 2004 is September 30., 2003. We're accepting proposals for all aspects of the MW2004 program: papers, professional forums, mini-workshops, demonstrations (of web sites by Museum staff), on-line activities, and pre-conference workshops. Make your proposal using our on-line form at http://www.archimuse.com/mw2004/call.html ------------------- Peer Review ------------------- All proposals will be reviewed the the MW2004 Program Committee. Papers presented at MW2004 are subject to Peer Review. Edited papers will be published on the Web, and a selected group will also appear in print proceedings. ------------------- Need More Information? ------------------- Download the full Call for Participation from http://www.archimuse.com/mw2004/pdfs/mw2004.call.pdf Full details about MW2004 are on-line at http://www.archimuse.com/mw2004/ Past papers presented at the previous seven Museums and the Web meetings are available on the web, linked from http://www.archimuse.com/conferences/mw.html ------------------- Join Us! ------------------- MW2004 is the largest international gathering of cultural webmasters anywhere. If you are involved in any part of the process of making, delivering, or using culture and heritage on-line, this is the event for you. We hope to see you this spring. jennifer and David -- Museums and the Web Archives & Museum Informatics Co-Chairs: 158 Lee Avenue David Bearman and Jennifer Trant Toronto, Ontario http://www.archimuse.com/mw.html Canada phone +1 416 691 2516 / fax +1 416 352-6025 / email: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 29 Sep 2003 13:25:35 -0500 Reply-To: "Staum-Kuniej, Sonja S" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Staum-Kuniej, Sonja S" <[log in to unmask]> Subject: Re: Digital collections: ? for future Comments: To: [log in to unmask] MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi Pam, We are actively engaged in integrating digital/traditional environments at the IUPUI Herron Art Library both currently and as we plan for our new library which will open 2005. Whenever possible, we license digital images for uploading to our online image collection. Also, in close consultation with the IUPUI Copyright Management Center, we recently wrote a scanning policy for the faculty/staff. The policy will be posted at our web site in the very near future. I'll forward the link to the list as soon as it is available. I'm happy to share our experiences regarding processes and resources. Sonja Sonja Staum Director/Team Leader Herron Art Library Herron Art Library of IUPUI University Library Phone: 317.920.2432 Fax: 317.920.2430 Email: [log in to unmask] -----Original Message----- From: Pam Eyerdam [mailto:[log in to unmask]] Sent: Monday, September 29, 2003 10:52 AM To: [log in to unmask] Subject: [ARLIS-L] Digital collections: ? for future I am interested in knowing what academic slide collections are planning for the future in regards to digitizing their local slide collections-- the question of copyright, and classroom planning for equipment on campus (especially since Kodak made their announcement about discontinuing the manufacure of slide projections products and accessories as of June 2004. My concern revolves around copyright and accessing digital images on campus in the classroom -- the lack of upgrading equipment with state of the art facilities to deliver digital images to many campus classrooms (this has to be a university concern) -- the cost of a server for digital images, and the labor involved to digitize images. Any advise, recommendations, observations would be much appreciated -- Pam Eyerdam, Cleveland State University Library __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Mon, 29 Sep 2003 13:37:35 -0700 Reply-To: "Juarez, Miguel" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Juarez, Miguel" <[log in to unmask]> Subject: Love and/or Terror: A Book Arts & Symposium Exhibition Catalog up and running MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C386C9.83947940" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C386C9.83947940 Content-Type: text/plain http://loveandorterror.arizona.edu/ <http://loveandorterror.arizona.edu/> Miguel Juarez, Assistant Librarian Center for Creative Photography Library & University of Arizona Library Prototype Fine Arts Library, Office: Music, 231A P.O. Box 210103 Tucson, AZ 85721-0103 VOICE: (520) 626-9434/FAX: (520) 626-1630 E-mail: [log in to unmask] <mailto:[log in to unmask]> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C386C9.83947940 Content-Type: text/html <html> <head> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII"> <meta name=Generator content="Microsoft Word 10 (filtered)"> <style> <!-- /* Font Definitions */ @font-face {font-family:SimSun; panose-1:2 1 6 0 3 1 1 1 1 1;} @font-face {font-family:"\@SimSun"; panose-1:2 1 6 0 3 1 1 1 1 1;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} span.EmailStyle17 {font-family:Arial; color:windowtext;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in;} div.Section1 {page:Section1;} --> </style> </head> <body lang=EN-US link=blue vlink=purple> <div class=Section1> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'><a href="http://loveandorterror.arizona.edu/">http://loveandorterror.arizona.edu/</a></span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'> </span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'> </span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>Miguel Juarez, Assistant Librarian</span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>Center for Creative Photography Library &</span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>University</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> of </span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>Arizona</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> Library</span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>Prototype Fine Arts Library, Office: Music, 231A</span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>P.O. Box</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> 210103</span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>Tucson</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>, </span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>AZ</span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'> </span></font><font size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'>85721-0103</span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>VOICE: (520) 626-9434/FAX: (520) 626-1630</span></font></p> <p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt; font-family:Arial'>E-mail: <a href="mailto:[log in to unmask]">[log in to unmask]</a></span></font></p> <p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size: 12.0pt'> </span></font></p> </div> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C386C9.83947940-- ========================================================================Date: Tue, 30 Sep 2003 10:13:35 -0400 Reply-To: Ted Goodman <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Ted Goodman <[log in to unmask]> Subject: Synposium for Angela Giral MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Please excuse any cross-postings. ------------------------------------------------------ DOCUMENTING ARCHITECTURE IN THE 21ST CENTURY A SYMPOSIUM TO HONOR ANGELA GIRAL ON HER RETIREMENT AS DIRECTOR OF THE AVERY ARCHITECTURAL AND FINE ARTS LIBRARY SATURDAY NOVEMBER 22, 2003 WOOD AUDITORIUM, AVERY HALL, COLUMBIA UNIVERSITY 9:00 A.M. - 9:30 A.M. Registration 9:30 A.M. - 11:00 A.M. Architectural Monographs Will monographs continue to hold primacy in the 21st century? 11:00 A.M. - 12:30 P.M. Architectural Periodicals Will the digital format change the need to subscribe, index and store print journals? 12:30 P.M. - 2:00 P.M Lunch Break 2:00 P.M. - 3:30 P.M. Drawings and Archival Materials What kinds of documents should be collected in the 21st century? 3:30 P.M. - 5:00 P.M. Born Digital How should libraries collect, organize and preserve design if there is no paper record? 5:00 P.M. - 5:30 P.M. Concluding Remarks 5:30 P.M. - 7:00 P.M. Reception Speakers include Hilary Ballon, Kenneth Frampton, Kevin Lippert, Reinhold Martin, Mary McLeod, Robert A.M. Stern, Anthony Vidler, and Wim de Wit. Please respond by November 18th: phone 212-854-4768 or email [log in to unmask] Seating is limited. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 30 Sep 2003 09:58:35 -0400 Reply-To: "Carlin, Jane (carlinja)" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Carlin, Jane (carlinja)" <[log in to unmask]> Subject: Job Posting MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----_=_NextPart_001_01C3875A.F0DC4640" This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C3875A.F0DC4640 Content-Type: text/plain; charset="iso-8859-1" Visual Resources Librarian - Design, Architecture, Art and Planning Library University Libraries - University of Cincinnati (Tenure-track, 12 month faculty appointment) The University of Cincinnati invites applications for the position of Visual Resources Librarian for the College of Design, Architecture, Art and Planning (DAAP). This position represents an outstanding opportunity for a beginning professional with a strong commitment to quality service and innovation. The Visual Resources Librarian is responsible for the day-to-day management of the Library's slide collection, advancement of digital projects, provision of reference and instructional services related to visual resources, the development of visual collections to support both students and faculty and participates in University Library wide public service and reference work. Environment: The College of DAAP is internationally recognized as one of the world's premier design and architecture schools. The DAAP Library is located in the award winning Aronoff Center for Design and Art, designed by Peter Eisenman. The University of Cincinnati is a Carnegie Research I institution with an international reputation. It is a large, public, urban university with a diverse student population of approximately 35,000. Ranked among the top 50 of ARL, University Libraries (UL) is a leader in the nationally recognized OhioLINK library consortium. OhioLINK's Digital Media Center (DMC) provides widespread access to images, sounds, video, numeric data, and other types of media information for the community and the world. Over 80,000 art and architecture images are available through the DMC and the DAAP Library is actively involved in adding images to this expanding database. Qualifications: ALA-accredited MLS degree, undergraduate degree in art history, architecture or equivalent, demonstrated understanding of information needs of visual arts scholars and the application of information technologies to serving these populations, demonstrated knowledge of current visual resources collection practices, demonstrated understanding of online cataloging, database structures, digital imaging technologies and web page development. The candidate should demonstrate a strong commitment to innovative and responsive public service, the ability to work independently, fulfill the University's requirements for promotion and tenure and to contribute positively to a collegial team environment. In addition, the candidate should have reading knowledge of one European language and excellent written and oral communication skills. Additional information about the University and the Library can be found at <http://www.libraries.uc.edu> http://www.libraries.uc.edu. A full job description is available from the Library personnel office. Salary and Benefits: Minimum salary is $33,000. Rank and salary are dependent on experience and qualifications. Benefits include health care, retirement plan, 22 days of vacation, sick leave, and tuition remission for self and immediate family. Apply: Review of applications will begin November 20th, 2003 and continue until the position is filled. Send letter of application, resume and the names, addresses, and telephone phone numbers of 3 references to Priscilla Neill, University of Cincinnati, POB 210033, Cincinnati, OH 45221-0033; fax to (513) 556-0325 or email in Microsoft Word format to [log in to unmask] UC is an EE/AA employer. Women, minorities, disabled persons, and Vietnam-era and disabled veterans are encouraged to apply. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C3875A.F0DC4640 Content-Type: text/html; charset="iso-8859-1" <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1"> <TITLE></TITLE> <META content="MSHTML 6.00.2600.0" name=GENERATOR></HEAD> <BODY><FONT face=Arial></FONT><FONT face=Arial></FONT><FONT face=Arial></FONT><BR><BR> <P alignÎnter><FONT face=Arial><STRONG>Visual Resources Librarian - Design, Architecture, Art and Planning Library</STRONG></FONT></P> <P alignÎnter><FONT face=Arial><STRONG>University Libraries - University of Cincinnati </STRONG></FONT></P> <P alignÎnter><FONT face=Arial><STRONG>(Tenure-track, 12 month faculty appointment)</STRONG></FONT></P> <P><FONT face=Arial>The University of Cincinnati invites applications for the position of Visual Resources Librarian for the College of Design, Architecture, Art and Planning (DAAP). This position represents an outstanding opportunity for a beginning professional with a strong commitment to quality service and innovation. The Visual Resources Librarian is responsible for the day-to-day management of the Library's slide collection, advancement of digital projects, provision of reference and instructional services related to visual resources, the development of visual collections to support both students and faculty and participates in University Library wide public service and reference work.</FONT></P> <P><FONT face=Arial><STRONG>Environment</STRONG>: The College of DAAP is internationally recognized as one of the world's premier design and architecture schools. The DAAP Library is located in the award winning Aronoff Center for Design and Art, designed by Peter Eisenman. The University of Cincinnati is a Carnegie Research I institution with an international reputation. It is a large, public, urban university with a diverse student population of approximately 35,000. Ranked among the top 50 of ARL, University Libraries (UL) is a leader in the nationally recognized OhioLINK library consortium. OhioLINK's Digital Media Center (DMC) provides widespread access to images, sounds, video, numeric data, and other types of media information for the community and the world. Over 80,000 art and architecture images are available through the DMC and the DAAP Library is actively involved in adding images to this expanding database.</FONT></P> <P><FONT face=Arial><STRONG>Qualifications</STRONG>: ALA-accredited MLS degree, undergraduate degree in art history, architecture or equivalent, demonstrated understanding of information needs of visual arts scholars and the application of information technologies to serving these populations, demonstrated knowledge of current visual resources collection practices, demonstrated understanding of online cataloging, database structures, digital imaging technologies and web page development. The candidate should demonstrate a strong commitment to innovative and responsive public service, the ability to work independently, fulfill the University's requirements for promotion and tenure and to contribute positively to a collegial team environment. In addition, the candidate should have reading knowledge of one European language and excellent written and oral communication skills. Additional information about the University and the Library can be found at </FONT><A href="http://www.libraries.uc.edu" target=_blank><FONT face=Arial>http://www.libraries.uc.edu</FONT></A><FONT face=Arial>. A full job description is available from the Library personnel office.</FONT></P> <P><FONT face=Arial><STRONG>Salary and Benefits</STRONG>: Minimum salary is $33,000. Rank and salary are dependent on experience and qualifications. Benefits include health care, retirement plan, 22 days of vacation, sick leave, and tuition remission for self and immediate family.</FONT></P> <P><FONT face=Arial><STRONG>Apply</STRONG>: Review of applications will begin November 20th, 2003 and continue until the position is filled. Send letter of application, resume and the names, addresses, and telephone phone numbers of 3 references to Priscilla Neill, University of Cincinnati, POB 210033, Cincinnati, OH 45221-0033; fax to (513) 556-0325 or email in Microsoft Word format to [log in to unmask] UC is an EE/AA employer. Women, minorities, disabled persons, and Vietnam-era and disabled veterans are encouraged to apply.</FONT></P></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------_=_NextPart_001_01C3875A.F0DC4640-- ========================================================================Date: Tue, 30 Sep 2003 10:27:25 -0400 Reply-To: Poma-Swank AnnaMaria <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Poma-Swank AnnaMaria <[log in to unmask]> Subject: nycddg meeting Comments: cc: ARLIS/NY <[log in to unmask]>, James Mitchell <[log in to unmask]> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear librarians interested in the NYCDDG, I am posting the agenda for our next meeting. Please RSVP (before Monday, Ocotber 6) to me and/or James Mitchell New York Collection Development Discussion Group meeting Friday, October 10, 2003, 4:00-5:30pm. American Folk Art Museum, 45 W. 53 St., auditorium Topics: 1. Hard-to- find books William P. Kane, MLS Regional Sales Manager, Alibris Library Services, will be our guest speaker. He will present new Alibris features, and the floor will be open for general discussion and feedback. 2. Buying materials from Europe and elsewhere outside the US, and/or smaller publications from galleries/exhibitions. 3. FirstSearch: Elimination of the "Per search" option and its impact on small libraries. 4. Consortial subscriptions to expensive electronic databases. 5. Ephemera in art libraries. 6. Planning for the future in regards to digitizing local slide collections. Annamaria Poma-Swank, Ph.D. Associate Museum Librarian The Cloisters Library & Archives The Metropolitan Museum of Art Fort Tryon Park New York, NY 10040-1171 (212) 396-5367 fax: (212) 795-3640 [log in to unmask] Associate Visiting Professor, SILS, PRATT, NY, NY __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 30 Sep 2003 09:50:19 -0600 Reply-To: "Zanin-Yost, Alessia" <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: "Zanin-Yost, Alessia" <[log in to unmask]> Subject: Art images in CD MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Dear colleagues, Being new in this field I hope I can find some help. Do you know of any CDs that have a good selection and resolution of images for art history courses? Also, are you aware of web sites that have a wide selection of art images? Thank you for your help ~~~~~~~~~~~~~~~~~~ Alessia Zanin-Yost Reference Librarian The Libraries MSU-Bozeman PO Box 173320 Bozeman, MT 59717-3320, USA Email: [log in to unmask] Ph: (406)994-5305 Fax: (406)994-2851 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 30 Sep 2003 13:35:50 -0400 Reply-To: Juanita Singh <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Juanita Singh <[log in to unmask]> Subject: NEDCC Posts Survey Guide ON-LIne MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit For Immediate Release NEDCC POSTS SELF-SURVEY GUIDE ON-LINE AT www.nedcc.org The Northeast Document Conservation Center (NEDCC) announces the on-line availability of its latest publication, Assessing Preservation Needs: A Self-Survey Guide. This exciting multi-media project was funded by a Library Leadership Grant from The Institute of Museum and Library Services (IMLS). NEDCC also receives major funding for its Field Service Program from the National Endowment for the Humanities. An empowering and important new resource, the purpose of this guide is to help small to medium-sized institutions with limited preservation experience and budgets to design a program ensuring that their historical collections survive in usable condition as long as possible. In an effort to make this important information available at no cost to anyone at anytime, NEDCC has posted the text on its Web site at www.nedcc.org. Working in partnership with NEDCC, Amigos Library Services, Inc. of Dallas Texas, has also produced a 30-minute video entitled: The Preservation Survey: A First Step in Saving Your Collections which highlights the themes of this new publication. Available now through Amigos, the video vividly illustrates both the dangers to collections and offers best practices in examining an institution's policies for preserving its general and special collections materials. Information about ordering the video can be found on Amigos' Website, at www.amigos.org. To order the hardcopy edition of Assessing Preservation Needs: A Self-Survey Guide, send a check made out to NEDCC for $15.00 to, Juanita Singh, Northeast Document Conservation Center, 100 Brickstone Square, Andover, MA 01810; The cost includes UPS Ground shipping and handling within the continental U.S. Faster shipping is available at cost. All payments must be made in U.S. dollars. Include your name, mailing address, and email address, or use the order form that is now available at www.nedcc.org. To find out more about NEDCC's and Amigos' services and programs, visit their Websites at: www.nedcc.org and www.amigos.org as well as the Regional Alliance for Preservation's Website at www.rap-arcc.org. __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 30 Sep 2003 16:46:43 -0400 Reply-To: [log in to unmask] Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Anne Haas <[log in to unmask]> Organization: bowdoin Subject: New England Chapter meeting in Brunswick, Maine MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_9rgyQ47pcGmmmmadepPDBg)" --Boundary_(ID_9rgyQ47pcGmmmmadepPDBg) Content-type: text/plain; charset=us-ascii; format=flowed Content-transfer-encoding: 7BIT Hello all Just a reminder about the New England chapter meeting that will be held on Friday, Oct 17 in Brunswick, Maine. Please use the form below to register. Parking permits will be available once you have registered. > > What: ARLIS/New England Fall meeting > When: Friday , October 17, 2003, 9:30- 3:30 or so > Where: Bowdoin College, AND Pejebscot Historical Society/ Joshua > Chamberlain House, Brunswick, Maine > > 9:30 -- Welcome coffee > > 10:15 -- Tour of Pejebscot Historical Society, and the exhibition of > art and posters that depict Joshua Chamberlain,and of the separate > Joshua Chamberlain House (Chamberlain was the Civil War Hero of the > Battle of Little Round Top, the president of Bowdoin College, and the > Governor of the State of Maine) > > 12:15 -- Lunch and business meeting, Moulton Union(menu is set, there > will be choices for vegetarians) > > 2:00 -- Tour of the Bowdoin College Museum of Art, and the new > exhibition entitled "The Disembodied Spirit" which has been curated by > Alison Ferris, who will give a talk on this long-planned exhibition. > > 3:30 -- For-the-road snack and tour of the Art Library, Visual Arts > Center(next to museum) > > > Directions to Bowdoin are available on the college's webpage, as are > maps of the campus. Please go to http://www.bowdoin.edu/visitors/. > Here you will also find lists of local accomodations, and I encourage > you to enjoy coastal Maine in October--it will still be beautiful, as > our peak foliage is later than the inland areas. Parking info will > follow-we will have temp. parking permits for attendees. > > Please register ASAP..we need a head count for the coffee, the > Pejebscot, and lunch!! Hope to see you..even if you are not a New > England Chapter member, you are welcome to join us. REGISTER TODAY--- > don't put it off... > > > ************************************************************************************** > > Name__________________________________________________ > > Institution_______________________________________________ > > email____________________________________________________ > > Please enclose a check for $20 made out to ARLIS/New England and send to : > > Susan Myerson, ARLIS/NE treasurer > Harvard University Fine Arts Library > Fogg Museum > 25 Prescott St > Cambridge, MA 02138 > > email: [log in to unmask] > > if you have questions contact [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_9rgyQ47pcGmmmmadepPDBg) Content-type: text/html; charset=us-ascii Content-transfer-encoding: 7BIT <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> <html> <head> <meta http-equiv="Content-Type" content="text/html;charset=ISO-8859-1"> <title></title> </head> <body> Hello all<br> Just a reminder about the New England chapter meeting that will be held on Friday, Oct 17 in Brunswick, Maine.<br> <br> Please use the form below to register. Parking permits will be available once you have registered.<br> <br> <blockquote type="cite"> <br> What: ARLIS/New England Fall meeting<br> When: Friday , October 17, 2003, 9:30- 3:30 or so<br> Where: Bowdoin College, AND Pejebscot Historical Society/ Joshua Chamberlain House, Brunswick, Maine<br> <br> 9:30 -- Welcome coffee<br> <br> 10:15 -- Tour of Pejebscot Historical Society, and the exhibition of art and posters that depict Joshua Chamberlain,and of the separate Joshua Chamberlain House (Chamberlain was the Civil War Hero of the Battle of Little Round Top, the president of Bowdoin College, and the Governor of the State of Maine) <br> <br> 12:15 -- Lunch and business meeting, Moulton Union(menu is set, there will be choices for vegetarians)<br> <br> 2:00 -- Tour of the Bowdoin College Museum of Art, and the new exhibition entitled "The Disembodied Spirit" which has been curated by Alison Ferris, who will give a talk on this long-planned exhibition.<br> <br> 3:30 -- For-the-road snack and tour of the Art Library, Visual Arts Center(next to museum)<br> <br> <br> Directions to Bowdoin are available on the college's webpage, as are maps of the campus. Please go to <b><a class="moz-txt-link-freetext" href="http://www.bowdoin.edu/visitors/">http://www.bowdoin.edu/visitors/</a></b>. Here you will also find lists of local accomodations, and I encourage you to enjoy coastal Maine in October--it will still be beautiful, as our peak foliage is later than the inland areas. Parking info will follow-we will have temp. parking permits for attendees.<br> <br> Please register ASAP..we need a head count for the coffee, the Pejebscot, and lunch!! Hope to see you..even if you are not a New England Chapter member, you are welcome to join us. REGISTER TODAY--- don't put it off...<br> <br> <br> **************************************************************************************<br> <br> Name__________________________________________________<br> <br> Institution_______________________________________________<br> <br> email____________________________________________________<br> <br> Please enclose a check for $20 made out to ARLIS/New England and send to :<br> <br> Susan Myerson, ARLIS/NE treasurer<br> Harvard University Fine Arts Library<br> Fogg Museum<br> 25 Prescott St<br> Cambridge, MA 02138<br> <br> email: <a class="moz-txt-link-abbreviated" href="mailto:[log in to unmask]">[log in to unmask]</a><br> <br> if you have questions contact <a class="moz-txt-link-abbreviated" href="mailto:[log in to unmask]">[log in to unmask]</a><br> </blockquote> <br> </body> </html> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] --Boundary_(ID_9rgyQ47pcGmmmmadepPDBg)-- ========================================================================Date: Tue, 30 Sep 2003 16:55:53 -0500 Reply-To: Cynthia Lynch <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Cynthia Lynch <[log in to unmask]> Subject: Information Literacy programs MIME-Version: 1.0 Content-type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit Greetings all. I am working on developing an information literacy program for our 4-year art/design college and am wondering if any other art colleges or art departments in larger universities have taken formal steps in this direction. We are looking at integrating the teaching of information literacy skills into the curriculum (mostly the liberal studies curriculum) over four years. My knowledge of general InfoLit programs is pretty strong, and I am sure that general skills will be applicable to our student body. I would, however, be very interested in learning about such programs in institutions that focus on the training of artists and designers. Please respond to me off list at: [log in to unmask] Thanks very much. Cynthia D. Lynch, MLIS Director of Library Services Milwaukee Institute of Art & Design 273 E. Erie Street Milwaukee, WI 53202 Telephone (414) 847-3340 Fax (414) 291-8077 __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 30 Sep 2003 16:02:04 -0700 Reply-To: Kris Donovan <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Kris Donovan <[log in to unmask]> Subject: costume info MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit Content-Disposition: inline Hello everyone: I am looking for information (primary sources) on lower and middle class dress/costumes from the Restoration and Early Georgian periods (styles). Can you help? Thank you for your time. Kris ~~~~~~~~~~~ Kris Donovan Assistant Curator UCSB History of Art & Architecture [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ========================================================================Date: Tue, 30 Sep 2003 21:50:46 -0500 Reply-To: Lois Crane <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Lois Crane <[log in to unmask]> Subject: Suggestions for memorial gift MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0033_01C3879C.E75410C0" This is a multi-part message in MIME format. ------=_NextPart_000_0033_01C3879C.E75410C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hello colleagues, I'm looking for some suggestions for a memorial gift for the museum library honoring a career man with the Nat'l Park Service. We're thinking of perhaps something in architectural landscaping or that somehow connects with the out-of-doors. American, to fit our collecting focus. I came up with a list of books relative to Frederick Law Olmsted, especially his papers, Central Park, and a few other items, such as Harold Weston's Freedom in the Wilds; Recreation and Idleness: the Pacific Adventures of John LaFarge; etc. BUT, the director gave my list back to me. The memorial funds are in the neighborhood of $4,000.00. Yes!! So he's looking for something more spectacular. Monumental, shall we say. It could be several items. This is obviously an area that I don't usually give a second glance at--subject-wise or price-wise. Any suggestions? Please contact me directly at [log in to unmask] Lois Crane Librarian Wichita Art Museum 1400 West Museum Blvd Wichita, KS 67203-3296 316-268-4918 316-268-4980 fax [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0033_01C3879C.E75410C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 5.50.4134.600" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>Hello colleagues,</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV> <DIV><FONT face=Tahoma size=2>I'm looking for some suggestions for a memorial gift for the museum library honoring a career man with the Nat'l Park Service. We're thinking of perhaps something in architectural landscaping or that somehow connects with the out-of-doors. American, to fit our collecting focus. I came up with a list of books relative to Frederick Law Olmsted, especially his papers, Central Park, and a few other items, such as Harold Weston's Freedom in the Wilds; Recreation and Idleness: the Pacific Adventures of John LaFarge; etc. BUT, the director gave my list back to me. The memorial funds are in the neighborhood of $4,000.00. Yes!! So he's looking for something more spectacular. Monumental, shall we say. <SPAN class=358485015-24092003>It could be several items. Th</SPAN>is is obviously an area that I don't usually give a second glance at--subject-wise or price-wise. Any suggestions? Please contact me directly at <A href="mailto:[log in to unmask]">[log in to unmask]</A>.</FONT></DIV> <DIV><FONT face=Tahoma size=2></FONT> </DIV> <DIV><FONT face=Tahoma size=2>Lois Crane</FONT></DIV> <DIV><FONT face=Tahoma size=2>Librarian</FONT></DIV> <DIV><FONT face=Tahoma size=2>Wichita Art Museum</FONT></DIV> <DIV><FONT face=Tahoma size=2>1400 West Museum Blvd</FONT></DIV> <DIV><FONT face=Tahoma size=2>Wichita, KS 67203-3296</FONT></DIV> <DIV><FONT face=Tahoma size=2>316-268-4918</FONT></DIV> <DIV><FONT face=Tahoma size=2>316-268-4980 fax</FONT></DIV> <DIV><FONT face=Tahoma size=2><A href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV> <P><FONT face=Arial size=2></FONT> </P></DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_0033_01C3879C.E75410C0-- ========================================================================Date: Tue, 30 Sep 2003 21:55:53 -0500 Reply-To: Lois Crane <[log in to unmask]> Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]> From: Lois Crane <[log in to unmask]> Subject: Duplicate periodicals MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_003E_01C3879D.9EB9D560" This is a multi-part message in MIME format. ------=_NextPart_000_003E_01C3879D.9EB9D560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We have the following periodicals available to art libraries: Magazine of Art v. 42:4 April 1949 v. 42:5 May 1949 v. 42:6 Oct 1949 v. 42:7 Nov 1949 Send your requests directly to me. Lois Crane Librarian Wichita Art Museum 1400 West Museum Blvd Wichita, KS 67203-3296 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_003E_01C3879D.9EB9D560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=iso-8859-1"> <META content="MSHTML 5.50.4134.600" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT face=Arial size=2>We have the following periodicals available to art libraries:</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Magazine of Art </FONT></DIV> <DIV><FONT face=Arial size=2> v. 42:4 April 1949</FONT></DIV> <DIV><FONT face=Arial size=2> v. 42:5 May 1949</FONT></DIV> <DIV><FONT face=Arial size=2> v. 42:6 Oct 1949</FONT></DIV> <DIV><FONT face=Arial size=2> v. 42:7 Nov 1949</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Send your requests directly to me.</FONT></DIV> <DIV><FONT face=Arial size=2></FONT> </DIV> <DIV><FONT face=Arial size=2>Lois Crane</FONT></DIV> <DIV><FONT face=Arial size=2>Librarian</FONT></DIV> <DIV><FONT face=Arial size=2>Wichita Art Museum</FONT></DIV> <DIV><FONT face=Arial size=2>1400 West Museum Blvd</FONT></DIV> <DIV><FONT face=Arial size=2>Wichita, KS 67203-3296</FONT></DIV> <DIV><FONT face=Arial size=2><A href="mailto:[log in to unmask]">[log in to unmask]</A></FONT></DIV> <DIV> </DIV></BODY></HTML> __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] ------=_NextPart_000_003E_01C3879D.9EB9D560--