The Washington Post Thursday, April 17, 2003 Bush Panel Members Quit Over Looting Cultural Advisers Say U.S. Military Could Have Prevented Museum Losses By Paul Richard Special to The Washington Post Citing "the wanton and preventable destruction" of Iraq's National Museum of Antiquities, the chairman of the President's Advisory Committee on Cultural Property has submitted his resignation to President Bush. Another of the committee's nine members is also resigning over the issue. "While our military forces have displayed extraordinary precision and restraint in deploying arms -- and apparently in securing the Oil Ministry and oil fields -- they have been nothing short of impotent in failing to attend to the protection of [Iraq's] cultural heritage," Martin E. Sullivan wrote in the resignation letter that he sent Monday to the White House. Sullivan, 59, is the executive director of Historic St. Mary's City Commission in Maryland. Since 1995 he also has chaired the advisory committee, which seeks to harmonize U.S. import regulations with the export restrictions of nations seeking to protect their cultural patrimony. Acknowledging that his successor would soon be named, Sullivan wrote, "From a practical perspective my resignation is simply symbolic." "The tragedy was foreseeable and preventable ... ," he wrote. "The tragedy was not prevented, due to our nation's inaction." Asked about the looting of antiquities at his press briefing Tuesday, Defense Secretary Donald H. Rumsfeld said, "Looting is an unfortunate thing. ... No one likes it. No one allows it. It happens, and it's unfortunate. ... The United States is concerned about the museum in Baghdad, and the president and the secretary of state and I have all talked about it, and we are in the process of offering rewards for people who will bring things back or to assist us in finding where those things might be." The second committee resignation came from Gary Vikan, director of the Walters Art Museum in Baltimore -- who calls his action "similarly symbolic." He said yesterday, "I had to do something." Armies have been marching through the Fertile Crescent for several millennia, and Baghdad has been sacked before. "But it hasn't been this bad," says Vikan, "for 700 years." When the Mongols attacked in 1258 they put to the sword most of the city's inhabitants. Perhaps as many as 2 million were slaughtered. The killing took 40 days. It is said that so many manuscripts from Baghdad's unequaled libraries were hurled into the Tigris that the river ran black with ink. Many provincial museums and Iraqi archaeological sites were also looted during the 1991 Gulf War. Museums in Kuwait City were looted as well. With this history in mind, Richard Moe, president of the National Trust for Historic Preservation, wrote to Secretary of State Colin L. Powell to urge the United States to "safeguard" the "collection of the National Museum of Iraq." Yesterday, on behalf of the National Trust (motto: "Protecting the Irreplaceable"), Moe wrote again, this time to Rumsfeld, to "strongly urge the Coalition Forces to take full responsibility for safeguarding Iraq's remaining museum collections and monuments." "Officials at UNESCO estimate that about 150,000 items, with a total value in the billions of dollars, [already] have been taken," Moe wrote. "Losses include 4,000-year-old Sumerian gold jewelry, 5,000-year-old tablets with some of the world's earliest known writing, and thousands of other objects." The United Nations cultural organization, UNESCO, is convening a meeting of European and American antiquities experts today in Paris to discuss the losses. UNESCO is also sending a team to Baghdad to assess the damage. Meanwhile, an anonymous British benefactor has agreed to pay for six conservators and three curators to start work restoring damaged artifacts as soon as it is safe. © 2003 The Washington Post Company ________________________________________________________________________ Los Angeles Times April 17, 2003 COMMENTARY Method to Madness in Museum Looting By Eleanor Robson Eleanor Robson is a professor at All Souls College, Oxford, England, and a council member of the British School of Archeology in Iraq. It is now almost certain that at least some of the shocking despoliation of the museums in Mosul and Baghdad was organized by Iraqi gangs taking orders from foreign collectors. The thieves knew what they were looking for. The breathtakingly beautiful, 5,000-year-old Uruk vase has vanished, while a convincing plaster-cast replica of the Black Obelisk of Shalmaneser III (king of Assyria 858-824 BC) remains unscathed in a sea of empty, shattered display cases. Card index files and computers were smashed and burned beyond repair in a seemingly deliberate move to frustrate curators' attempts to catalog the missing objects. Around this central theft of high-profile objects was a huge penumbra of opportunistic looting and violence. Storage cases were dragged out into the street and passersby helped themselves. Objects on shelves were wantonly smashed. It is to be hoped that many of the smaller, less-valuable items will be handed over to mosques and community centers as part of the general amnesty on stolen goods. Many others will change hands for a few dollars needed to buy food, water or medicine. Cylinder seals, cuneiform tablets and ancient coins will leave the country in suitcases and backpacks. The standard route out of Iraq is through Israel to Switzerland and then to London, Paris and New York. These items will appear for sale for $50 or $100 in antiques stores all over the Middle East, Europe and North America or on EBay. The unsuspecting or the unscrupulous will buy them as novelty Christmas presents or coffee-table pieces. In the years since the 1991 Gulf War, tens of thousands of small antiquities left Iraq this way. About 4,000 were stolen from Iraq's provincial museums during the uprisings in 1991, but most were excavated illicitly from a handful of ancient sites that the Iraqi archeological service was not able to protect. As for the high-profile, high-value items taken by the organized thieves, we may never see them again. They are too well known for anyone to risk taking them to a reputable dealer or auction house. They will become collateral in drug deals or remain hidden in bank vaults. Some of the thefts may have been commissioned directly by collectors and will go straight to their new "owners." Other artifacts may be deliberately damaged so that they no longer resemble their published photographs. Looters may chip off the nose of a statue, for instance, so that it is different but still valuable. Or they may use a hammer and chisel to erase the inscription from a piece, much as a more mundane criminal might remove the serial number from a gun. When these altered pieces are offered for sale on the open market, it will be almost impossible to identify them and therefore to confiscate and repatriate them. The risks are worth it to criminal gangs. Ten years ago, a legally owned Assyrian relief from 850 BC was auctioned at Christie's in London for $11 million, at that time the highest price ever paid for an antiquity at auction. We need effective import and export bans on all antiquities, and we need them now. Obviously that won't help with all the antiquities that have been looted from Iraq. But it could prevent such contract looting in the future. Countries must abide by the 1970 Paris Convention of UNESCO, the United Nations cultural organization, on prohibiting and preventing the theft and exporting of cultural property. In addition, countries should immediately pass laws providing for confiscation at any national border. Customs and excise officers should be trained in identifying and handling art objects to avoid such mistakes as when British customs agents seized some Afghan statues last year that they suspected carried drugs. There were no drugs, but the holes the agents drilled to check for them mutilated the statues. We can't completely restore Iraq's antiquities, but we can repatriate some of them and prevent future crimes against the world's artistic heritage. ______________________________________________________________________ Los Angeles Times April 17, 2003 EDITORIAL Restoring a Treasured Past The hundreds of looters who smashed ancient ceramics, stripped display cases and pocketed gold and other antiquities from the National Museum of Iraq pillaged nothing less than records of the first human society. Archeologists and art experts must strive for the best odds that some of the treasures will be recovered and preserved. An unusual meeting in Paris today is a start in that direction. The looting, which began soon after American troops took control of Baghdad, is considered one of the greatest cultural disasters in recent Middle Eastern history. Mobs ransacked the museum's 28 galleries along with vaults behind huge steel doors. Gone are 80% of the museum's 170,000 priceless objects, including 5,000-year-old tablets believed to bear some of the earliest writing, a 10,000-year-old calendar and a gold and ivory harp from Ur, the birthplace of Abraham. Reports of Iraqis stuffing gold coins and bracelets into their pockets, smashing the heads off statues and piling ivory figurines and cuneiform tablets into carts were as sickening as the loss was incalculable. Recriminations swirl through the empty, hot galleries. Before the war began, international researchers and art experts had beseeched U.S. officials to protect museums and archeological digs with the same vigilance they later directed toward Iraq's oil fields. In hindsight, the Pentagon should have taken more care, expected more trouble. But the real blame lies with the looters themselves, some of them said to be part of well-organized gangs. The museum staff locked many objects in underground vaults and bricked up the vaults. But thieves carrying rifles and axes broke through walls, smashed glass cases, popped open metal boxes and torched what they couldn't pry away. Iraqi police who were supposed to guard the building simply fled. The priority now is to determine what's missing and recover as much as possible. The British Museum is sending a team of experts to Baghdad to literally help pick up the pieces, assess the damage and possibly lend the Iraqi museum items from its large Mesopotamian collection. Perhaps the ad hoc Baghdad citizen committees that are stopping cars and checking for loot will turn up museum items. Consistent with international conventions that obligate nations to stop the theft or pillage of "cultural property," museums and auction houses have called for a moratorium on trading in Iraqi art items. Today's meeting of archeologists in Paris, sponsored by UNESCO, the United Nations' cultural arm, aims at forging consensus on steps to prevent black market profiteering. Proposals could include rewards, amnesty or both for those who return objects and tighter border and port patrols to stop objects from moving out of Iraq to millionaires' curio cases. It's too late to prevent the cultural catastrophe that happened in Baghdad. But the world can make a concerted effort to remedy at least some of the damage. ____________________________________________________________________ The Washington Times April 17, 2003 House Editorial The thief of Baghdad President Bush's war to liberate Iraq was such a success that naysayers are scrambling to find any angle of criticism they can muster. For the past week, Mr. Bush's critics among Arabs, Europeans and congressional Democrats have screamed to high heaven about looting across Iraq following the fall of Saddam. Speaking on behalf of the Blame America First crowd, one Baghdad schoolteacher indicted the United States for damage to Iraq's National Museum and National Library: "The modern Mongols, the new Mongols, did that. The Americans did that." The histrionics are nothing more than a tempest in a patcha pot. And the facts are all wrong, too. As Gen. Richard Myers, chairman of the Joint Chiefs of Staff, has pointed out, Pentagon military planners went out of their way not to target Iraq's cultural sites, which were not hit by coalition bombing raids. All the ransacking of museums, libraries and markets was at the hands of the country's own people. Trying to mitigate the losses, U.S. forces are delivering millions in food and medical aid and have offered rewards for returned art and artifacts. Thanks to widespread deployment of American troops, crime is quickly abating. A couple days of spontaneous rambunctiousness after a long tyranny should be kept in perspective -- especially when compared to the systematic plunder of Iraq's riches by Saddam's inner circle. Because of the centralization of the dictator's government, select Iraqi officials and members of Saddam's family had the ability to empty bank accounts of ordinary citizens for the leaders' benefit. Countless thousands of Iraqis were robbed of their life's savings during the last gasps of the old order. As Britain's Guardian newspaper reported yesterday, between $5 billion and $40 billion in Iraqi assets were transferred through European banks to obscure Middle Eastern accounts in the days before the regime's collapse. As hard as it may be to believe, this is a drop in the bucket compared to what the Butcher of Baghdad stole over his entire reign. In Douglas Fairbanks's 1924 silent-screen classic, "The Thief of Baghdad," magic armies descend on the city to depose a corrupt usurper and reinstall the rightful sovereign. The indiscretions of the liberator -- a petty thief made good -- are overlooked in light of the restoration of peace he brought about. While the comparison is imperfect, as mannerly coalition forces cannot be equated to Fairbanks's pickpocket, the old Hollywood screenplay does offer some lessons for today. Getting rid of a tyrant isn't easy, and it's certainly not pretty -- but the short-term problems of regime change are worth the long-term comfort and security of freedom. Recent looting is indeed regrettable, but Iraqis can rest assured that life will be better, now that the modern Thief of Baghdad is gone forever. Copyright © 2003 News World Communications, Inc. All rights reserved. ________________________________________________________________________ New York Times April 17, 2003 Missing in Action By BENJAMIN R. FOSTER and KAREN POLINGER FOSTER When looters descended upon the Iraq Museum in Baghdad last week, they despoiled one of the world's pre-eminent collection of artifacts from the Tigris and Euphrates Valleys. Founded in 1923, the museum displayed thousands of objects in a score of galleries, from prehistoric stone tools to medieval manuscripts. The most important finds from archaeological excavations in Iraq in the last 80 years were housed there, plus their records and photographs. Tools and painted pottery bore witness to the beginnings of human agriculture and settled life. Indeed, the whole range of human productive endeavor for 5,000 years was there: sculpture, metal work, glass, ceramic, ivory, textiles, furniture, jewelry, and parts of ancient buildings. Inscriptions and documents told the story of peoples, states, empires, and civilizations every school child can name: the Sumerians, Akkadians, Babylonians, Assyrians, Persians, Greeks, Parthians, Jews, Sassanians and Arabs. Only a few of the most famous objects and inscriptions in this enormous collection have been published. The rest of a collection of more than 170,000 objects awaited study and publication, including a Babylonian library whose cuneiform tablets told a creation and flood story closely related to the one found in the Bible. That library is now scattered or destroyed. And it was only a small fraction of the tens of thousands of unread documents stored in the Iraq Museum. We can only hope that Unesco and the Mesopotamian scholars meeting today in Paris can find ways to recover artifacts like the ones on this page. For now, we mourn both the loss of the treasures we knew and those we will never know, all once painstakingly preserved in this great museum for us and for future generations. Benjamin R. Foster is professor of Assyriology and Babylonian literature and curator of the Babylonian Collection at Yale. Karen Polinger Foster is a lecturer in art history and Near Eastern civilization at Yale. ________________________________________________________________________ New York Times April 17, 2003 An Army for Art By CONSTANCE LOWENTHAL and STEPHEN URICE The looting of Iraq's national museum in Baghdad could have been prevented. The American and British forces are clearly to blame for the destruction and displacement of its cultural treasures. In fact, late last year, experts and scholars started working with the State and Defense Departments to identify key Iraqi cultural and archaeological sites and to have them removed from lists of potential bombing targets. While the museum was not bombed, troops failed to protect the building and its priceless contents from the chaos that engulfed Baghdad last week. At another time, in another war, the United States and its allies realized that cultural property would be endangered by an invasion and acted to minimize that damage. In the spring of 1943, when victory over Nazi Germany was far from assured, the American military created what would become known as the monuments, fine arts and archives section. Art historians and scholars in the military worked throughout Europe to prevent damage to cultural sites and art and to protect them after hostilities ceased. Members of the section followed troops into war-torn areas to find, collect and repatriate art stolen by the Nazis. They continued their efforts until 1951. In the wake of the Baghdad disaster, the Pentagon should reconstitute the monuments section to advise on cultural property matters and assist local museum personnel and site administrators in postwar Iraq and future conflicts. As an integral part of the military, this group will help the United States rebuild its reputation for respecting cultural property in time of war. This new force should be deployed to Iraq as soon as possible. The collections at Iraq's national museum, vital to the return of tourism, present a record of the region's ancient pre-eminence and comprise an irreplaceable part of the world's cultural heritage. If recovered, they would play a central role in building a vibrant future for Iraq. Constance Lowenthal is a consultant on art-ownership disputes. Stephen Urice is visiting lecturer at the Woodrow Wilson School of Public and International Affairs at Princeton. ________________________________________________________________________ __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]