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Here's some words cribbed from a decent web site
[http://emfinstitute.emf.org/exhibits/philipspavilion.html]



                                             When, in January 1956, an
officer of Philips
                                             Corporation in the
Netherlands called Le
                                             Corbusier, one of Europe's
best-known
                                             architects, and asked him
to design a pavilion
                                             for the Brussels World's
Fair in 1958, Le
                                             Corbusier answered: "I will
make you a poème
                                             électronique ..." The
pavilion, as it turned out,
                                             was designed in large part
by Iannis Xenakis,
                                             who was interested, at that
time, in shapes such
                                             as hyperbolic paraboloids.
Xenakis was one of
                                             Le Corbusier's
architectural assistants.

                                             The program in the pavilion
during the World's
                                             Fair was a major multimedia
show of sound and
                                             image. Edgard Varèse' Poème
Electronique, a
                                             musique concrète
composition containing
                                             electronically modified
sounds based on
                                             percussion and melody
instruments, voice,
                                             machines, and other
sources, was played
                                             several times each day
through 425
                                             loudspeakers to the
accompaniment of
                                             projections and a light
show created by Le
                                             Corbusier. Iannis Xenakis'
Concrète PH, made
                                             with sounds of smoldering
charcoal, was played
                                             as an interlude between
shows.

                                             The Philips Pavilion was
also a major statement
                                             of spatialization of sound.
As Varèse later
                                             described it, the sound
followed paths through
                                             the loudspeaker arrays, and
groups of
                                             loudspeakers were used to
create effects such
                                             as reverberation. He said,
"I heard my music
                                             literally projected into
space."

Best,
Margaret English
Librarian
Fine Art Library

Michaela Zonnenshain wrote:

> Hello,Music that was written and inspired by buildings, have any
> idea?Thanks in advance,
> michaela Michaela Zonnenshain
> Architecture and Town Planning Library
> Technion I.I.T.
> Haifa 32000, Israel Tel.      972-4-8294010
> Fax       972-4-8294617
> E-mail
> [log in to unmask]
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