Dear Colleagues,
My apologies for sending a second notice about AHNCA's journal
Nineteenth-Century Art Worldwide (www.19thc-artworldwide.org), but several of
the titles were changed at the last minute. My previous email is now
incorrect. Please see below the corrected list of titles and topics.
Negotiating Identity: Mary Ellen Best and the Status of Female Victorian
Artists
by Temma Balducci
The Thadée Natanson Panels: A Vuillard Decoration for S. Bing's Maison de
l'Art Nouveau
by Annette Leduc Beaulieu and Brooks Beaulieu
In Search of the Forme-Pensée: The Influence of Theosophy on Belgian Artists,
Between Symbolism and the Avant-Garde (1890-1910)
by Sébastien Clerbois
Nikolaos Gyzis's The Secret School and an Ongoing National Discourse
by Antonis Danos
Gustave Planche, or The Romantic Side of Classicism
by Marijke Jonker
Physiology and Photography: The Evolution of Franz von Lenbach's Portraiture
by Carola Muysers
Antoine Vollon and His Smashing Pumpkin: On Media Hype and the Meanings of
Still Life
by Carol Forman Tabler
Reviews
Art Nouveau and the Social Vision of Modern Living: Belgian Artists in a
European Context by Amy Fumiko Ogata, Reviewed by Gabriel P. Weisberg
Candace Wheeler: The Art and Enterprise of American Design, 1875-1900,
Reviewed by Karal Ann Marling
Exposed: The Victorian Nude, Reviewed by Juliet Hacking
Jules Breton: La Chanson des Blés, Reviewed by Jan Dewilde
Light! The Industrial Age 1750-1900: Art & Science, Technology & Society,
Reviewed by Marilyn Brown
Out Looking in: Early Modern Polish Art, 1890-1918 by Jan Cavanaugh, Reviewed
by Irena Kossowska
Polish Art Nouveau by Stefania Krzysztofowicz-Kozakowska, Reviewed by Jane
Kristof
The Scandinavian Pupils of the Atelier Bonnat, 1867-1894 by Siulolovao
Challons-Lipton, Reviewed by Gabriel P. Weisberg
Sincerely,
Sura Levine
Secretary, AHNCA
Promotions Manager, NCAW
Associate Professor of Art History
Hampshire College
Amherst, MA 01002
