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IF YOU JOIN CHART AND BOOK BEFORE OCTOBER 15 THE CONFERENCE FEE IS
REDUCED!!

Bookings received after 15 October will be subject to a £10 surcharge
for
each day of the conference

CONFERENCE FEE
CHArt Member £70 (two days) £40 (one day)
Non-member: £100 (two days) £60 (one day)
CHArt Student Member: £40 (two days) £20 (one day)
Student Non-member £50 (two days) £25 (one day)

The final programme for the eighteenth annual CHArt conference - Digital
Art History? Exploring Practice in a Network Society is now available
and
included below. The booking form is available online at
www.chart.ac.uk/chart02-form.html

CHArt EIGHTEENTH ANNUAL CONFERENCE
THE BRITISH ACADEMY, 10 CARLTON HOUSE TERRACE, LONDON, SW1Y 5AH
DIGITAL ART HISTORY? Exploring Practice in a Network Society
14th and 15th November 2002


- CONFERENCE PROGRAMME -

Following on from the CHArt Conference last year, this conference will
look further at the transformation History of Art is undergoing through
engagement with the digital revolution. While presenting developments in
teaching and resource management the conference will also consider
innovations in online art and new research methods.

DAY ONE - THURSDAY NOVEMBER 14th

9.00 - 9.30 - registration

9.30 - 9.45 - INTRODUCTION WILL VAUGHAN

9.45 - 10.15 - KEYNOTE ADDRESS - Professor Tim Benton, The Open
University.

10.15 - 10.45 - Tea

SESSION ONE; TEACHING AND COMMUNICATION

10.45 - 11.20 - John Calvelli, The Art Institute of Portland, Oregon,
USA. Art History, Design and the Digital Database.

11.20 - 11.55 - Andrew Hershberger, Bowling Green State University,
Ohio,
USA. Using OHIO LINK's Digital Images in the Classroom.

11.55 - 12.30 - Emilie Gordenker, Gallery Systems, London, UK. Digital
Collaboration: Building a Kiosk for Digital Responses.

12.30 - 1.05 - Mary Pearce, Kingston University, UK. Animating Art
History: Digital Ways of Studying Colour in Abstract Art.

LUNCH - WITH DEMONSTRATIONS

SESSION TWO; ONLINE ART

2.30 -3.05 - Lanfranco Aceti, Central St Martins School of Art, London,
UK. Getting Laid on the Procrustian Bed: Art Practice in the Digital
World - One Man Versus One Pixel.

3.05 - 3.40 - Melina Berkenwald, London, UK. Exploring the Use of
Digital
Technologies in Art Practice.

3.40 - 4.10 - tea

4.10 - 4.45 - Jonah Brucker-Cohen, Media Lab Europe, Dublin, Ireland.
Physical Web Interfaces.

4.45 - 5.20 - Michael Hammel, University of Aarhus, Denmark. Welcome to
the Pleasure Dome! Will There be Art in the Global Village?

DAY TWO - FRIDAY NOVEMBER 15th

SESSION THREE; ARCHIVES AND RESOURCES

9.30 - 10.05 - Mike Leggett, Sydney, Australia. PathScape - Audio-Visual
Indexing in a Landscape

10.05 - 10.40 - Rupert Shepherd, University of Sussex, UK. Databases and
Art History: The Material Renaissance Project.

10.40 - 11.10 - coffee

11.10 - 11.45 - Polly Christie, Visual Arts Data Service, Surrey
Institute of Art and Design, UK. Curating Digital Collections and
Curating Collections Digitally.

11.45 - 12.20 - Annette A Ward, Margaret E. Graham , K. Jonathan Riley,
Institute for Image Data Research, University of Northumbria at
Newcastle, UK. Nic Sheen Ibase Enhancing a Historical Digital Art
Collection: Evaluation of Content-Based Image Retrieval on Collage.

CHART AGM

LUNCH - WITH DEMONSTRATIONS

SESSION FOUR; METHODS AND PRACTICES

2.15 - 2.50 - Ida Engholm, The IT University of Copenhagen, Denmark.
Digital Style History: The Development of Graphic Design on the
Internet.

2.50 - 3.25 - Dunja Kukovic, University of Ljubljana, Slovenia. New
Media: Its Aesthetic and Representation.

3.25 - 3.45 - tea

3.45 - 4.20 - Antonio Criminisi, Martin Kemp and Andrew Zisserman,
Microsoft Corporation , USA, and University of Oxford, UK. Bringing
Pictorial Space to Life: Computer Techniques for the Analysis of
Paintings.

4.20 - 4.55 - Simon Rodwell, The Open University, UK. DVD and Visual
Resources.

DEMONSTRATIONS

Kirk Martinez, University of Southampton, Augmented Reality for Museum
Exhibits

Sue Gollifer, University of Brighton, Designing Britain 1945-1975.  The
Visual Experience of Post-War Society

Jean Vacher, Surrey Institute of Art and Design, The Crafts Study Centre
Digitisation Project.

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Marlene E. Gordon
CHArt Committee
University of Michigan-Dearborn
313-593-5463
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