The following message is being sent to several list servers. Please forgive any duplicate messages that you may receive. ----------------------------------------------------- IF YOU JOIN CHART AND BOOK BEFORE OCTOBER 15 THE CONFERENCE FEE IS REDUCED!! Bookings received after 15 October will be subject to a £10 surcharge for each day of the conference CONFERENCE FEE CHArt Member £70 (two days) £40 (one day) Non-member: £100 (two days) £60 (one day) CHArt Student Member: £40 (two days) £20 (one day) Student Non-member £50 (two days) £25 (one day) The final programme for the eighteenth annual CHArt conference - Digital Art History? Exploring Practice in a Network Society is now available and included below. The booking form is available online at www.chart.ac.uk/chart02-form.html CHArt EIGHTEENTH ANNUAL CONFERENCE THE BRITISH ACADEMY, 10 CARLTON HOUSE TERRACE, LONDON, SW1Y 5AH DIGITAL ART HISTORY? Exploring Practice in a Network Society 14th and 15th November 2002 - CONFERENCE PROGRAMME - Following on from the CHArt Conference last year, this conference will look further at the transformation History of Art is undergoing through engagement with the digital revolution. While presenting developments in teaching and resource management the conference will also consider innovations in online art and new research methods. DAY ONE - THURSDAY NOVEMBER 14th 9.00 - 9.30 - registration 9.30 - 9.45 - INTRODUCTION WILL VAUGHAN 9.45 - 10.15 - KEYNOTE ADDRESS - Professor Tim Benton, The Open University. 10.15 - 10.45 - Tea SESSION ONE; TEACHING AND COMMUNICATION 10.45 - 11.20 - John Calvelli, The Art Institute of Portland, Oregon, USA. Art History, Design and the Digital Database. 11.20 - 11.55 - Andrew Hershberger, Bowling Green State University, Ohio, USA. Using OHIO LINK's Digital Images in the Classroom. 11.55 - 12.30 - Emilie Gordenker, Gallery Systems, London, UK. Digital Collaboration: Building a Kiosk for Digital Responses. 12.30 - 1.05 - Mary Pearce, Kingston University, UK. Animating Art History: Digital Ways of Studying Colour in Abstract Art. LUNCH - WITH DEMONSTRATIONS SESSION TWO; ONLINE ART 2.30 -3.05 - Lanfranco Aceti, Central St Martins School of Art, London, UK. Getting Laid on the Procrustian Bed: Art Practice in the Digital World - One Man Versus One Pixel. 3.05 - 3.40 - Melina Berkenwald, London, UK. Exploring the Use of Digital Technologies in Art Practice. 3.40 - 4.10 - tea 4.10 - 4.45 - Jonah Brucker-Cohen, Media Lab Europe, Dublin, Ireland. Physical Web Interfaces. 4.45 - 5.20 - Michael Hammel, University of Aarhus, Denmark. Welcome to the Pleasure Dome! Will There be Art in the Global Village? DAY TWO - FRIDAY NOVEMBER 15th SESSION THREE; ARCHIVES AND RESOURCES 9.30 - 10.05 - Mike Leggett, Sydney, Australia. PathScape - Audio-Visual Indexing in a Landscape 10.05 - 10.40 - Rupert Shepherd, University of Sussex, UK. Databases and Art History: The Material Renaissance Project. 10.40 - 11.10 - coffee 11.10 - 11.45 - Polly Christie, Visual Arts Data Service, Surrey Institute of Art and Design, UK. Curating Digital Collections and Curating Collections Digitally. 11.45 - 12.20 - Annette A Ward, Margaret E. Graham , K. Jonathan Riley, Institute for Image Data Research, University of Northumbria at Newcastle, UK. Nic Sheen Ibase Enhancing a Historical Digital Art Collection: Evaluation of Content-Based Image Retrieval on Collage. CHART AGM LUNCH - WITH DEMONSTRATIONS SESSION FOUR; METHODS AND PRACTICES 2.15 - 2.50 - Ida Engholm, The IT University of Copenhagen, Denmark. Digital Style History: The Development of Graphic Design on the Internet. 2.50 - 3.25 - Dunja Kukovic, University of Ljubljana, Slovenia. New Media: Its Aesthetic and Representation. 3.25 - 3.45 - tea 3.45 - 4.20 - Antonio Criminisi, Martin Kemp and Andrew Zisserman, Microsoft Corporation , USA, and University of Oxford, UK. Bringing Pictorial Space to Life: Computer Techniques for the Analysis of Paintings. 4.20 - 4.55 - Simon Rodwell, The Open University, UK. DVD and Visual Resources. DEMONSTRATIONS Kirk Martinez, University of Southampton, Augmented Reality for Museum Exhibits Sue Gollifer, University of Brighton, Designing Britain 1945-1975. The Visual Experience of Post-War Society Jean Vacher, Surrey Institute of Art and Design, The Crafts Study Centre Digitisation Project. ----------- Marlene E. Gordon CHArt Committee University of Michigan-Dearborn 313-593-5463 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org//membership.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]