Print

Print


I thought readers of the Art Libraries Society Discussion List might be interested in this book.  For more information, please visit http://mitpress.mit.edu/026262172X/  Thank you!

Best,
David

ICONOCLASH
Beyond the Image Wars in Science, Religion and Art
edited by Bruno Latour and Peter Weibel

This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture.

While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing.

The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.

Bruno Latour is a Paris-based philosopher and anthropologist. His many books on science and culture include Pandora's Box: Essays in the Reality of Science Studies, Science in Action, The Pasteurization of France, and Laboratory Life. Peter Weibel is Director of ZKM/Center for Art and Media in Karlsruhe, Germany. He is the editor of Olafur Eliasson (MIT Press, 2002) and the coeditor of CTRL [SPACE] (MIT Press, 2002) and net_condition (MIT Press, 2001).

8 x 11, 700 pp., 798 illus., 309 color, paper, ISBN 0-262-62172-X

______________________
David Weininger
Associate Publicist
The MIT Press
5 Cambridge Center, 4th Floor
Cambridge, MA  02142
617 253 2079
617 253 1709 fax
http://mitpress.mit.edu

__________________________________________________________________
Mail submissions to [log in to unmask]
For information about joining ARLIS/NA see:
        http://www.arlisna.org//membership.html
Send administrative matters (file requests, subscription requests, etc)
        to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
       http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]