Hi All,
Is anyone else having a difficult time with the listserv's format? It is now in an unreadable run on structure.
Thanks,
Alison



--- On Sat 02/16, Automatic digest processor <[log in to unmask]> wrote:
> There are 25 messages totalling 1755 lines in this issue.
>
> Topics of the day:
>
> 1. ARLIS/ANZ Conference - Australia
> 2. conference confirmation letters
> 3. Guerrila Girls
> 4. Library instruction group for St. Louis
> 5. project based tutorials (3)
> 6. LEH-Letter: Copyright, New Media Law & E-Commerce News (vol. 6,
> no. 1:
> Feb. 15, 2002)
> 7. Library instruction
> 8. Public Speaking Without Fear and Trembling
> 9. Library instruction & information literacy
> 10. ARLIS/NY Silent Auction Baskets-Call for materials
> 11. images on the web...copyright decision!
> 12. Library Instruction meeting
> 13.
> 14. ARLIS/NA 2002 Travel Awards (2)
> 15. Odilon Redon question
> 16. Library instruction meeting
> 17. Information/Visual Literacy
> 18. Moderator temporarily gone
> 19. Periodical Duplicates Available
> 20. Caravaggio CD
> 21. Guerrila Girls and WomArt Roundtable
> 22. Guerrilla Girls
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> Administrative matters (file requests, subscription requests, etc)
> to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
> http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner (Kerri Scannell) at:
> [log in to unmask]
>
> ----------------------------------------------------------------------
>
> Date: Fri, 15 Feb 2002 18:18:55 +1000
> From: Jennifer Brasher <[log in to unmask]>
> Subject: ARLIS/ANZ Conference - Australia
>
> Check out this web site
>
> http://www.anu.edu.au/ITA/AusArts/ARLIS-ANZ/2002conf.html
>
> 1. Announcement and Call for Papers
>
> The ARLIS/ANZ Conference 2002 will be held in Auckland, 26-28 Ap=
> ril,
> at Auckland Art Gallery Toi o Tamaki and the
> University of Auckland. Submissions of papers are invited for th=
> is
> three-day conference which brings together art information professional=
> s
> from the South Pacific region. The conference will include tours=
> of
> local museums, art galleries and libraries that specialise in the visua=
> l
> arts.
>
> Please send your proposals for papers to the Conference Committe=
> e by
> 23 December 2001, to either:
>
> Catherine Hammond or Gail Keefe
> Research Librarian Fine Arts Library
> Auckland Art Gallery Toi o Tamaki University of Auckland
> Phone (09) 307 7714 Phone (09) 373 7599
> Fax (09) 302 1096 Fax (09) 373 7041
> Email [log in to unmask]
> Email: [log in to unmask]
>
>
> 2. Conference programme
>
>
> Proposed conference sessions include:
>
> Indigenous art information resource
> Collection access developments, with an emphasis on digitisation=
>
> projects
> Provenance research
>
> Speakers will include:
> Annamaria Poma-Swank from the Metropolitan Museum of Art, New Yo=
> rk
> on collection development in art museum libraries
> Roger Blackley from Victoria University of Wellington on art
> research using "old fashioned"
> resources:http://www.vuw.ac.nz/Art-History/roger_blackley.html
> Roger Horrocks from the University of Auckland on researching hi=
> s
> recent biography of Len Lye:
> http://www2.auckland.ac.nz/aup/books/lenlye.html
> Ngahiraka Mason, curator, Auckland Art Gallery Toi o Tamaki, and=
>
> Maureen Lander, artist, on contemporary Maori art
>
> A full conference programme will be available in January 2002 on=
> the
> ARLIS/ANZ web site.
>
>
> 3. Registration
>
> A registration form will be available in January 2002 on the
> ARLIS/ANZ website.
>
> Conference fees:
> Registration fee: Members:?????NZ$120.00
> Non-members:??..NZ$150.00
> Day registration???????????..NZ$50.00
> Conference dinner??????????..NZ$60.00
> Accompanying person for dinner???..NZ$60.00
>
> Institutional membership covers two registrations at member's ra=
> te.
>
> Prices are inclusive of GST, lunches, morning and afternoon teas=
> .
>
>
> 4. Conference accommodation
>
> The following special rates have been arranged at CityLife Auckl=
> and
> www.citylifehotels.co.nz. Please quote Booking Reference LIB2504 when
> arranging your accommodation to ensure you get the discounted
> conference rate.
>
> Standard Room NZ$120 +GST
> Deluxe Suite NZ$140 +GST
> Executive Suite NZ$160 +GST
>
> Deluxe and Executive Suites have one bedroom and an open plan li=
> ving
> area, with lounge and kitchen. There is a pull-out sofa bed in the loun=
> ge
> area so suites can be shared by two people comfortably.
>
> CityLife is located in Auckland's Central Business District at 1=
> 71
> Queen Street, a five minute walk from the Auckland Art Gallery Toi o Ta=
> maki
> and
> a ten minute walk from the University of Auckland.
>
> Reservations:
> 0800 36 88 88 (NZ )
> 1800 141 780 (AUS)
> Email: [log in to unmask]
>
>
> 5. Useful links:
>
> Auckland Art Gallery Toi o Tamaki: www.akcity.govt.nz/artgallery=
>
> Univ. of Auckland Fine Arts Library:
> www.auckland.ac.nz/lbr/art/fahome.htm
> Official Tourism New Zealand site: www.purenz.com
> Official Tourism Auckland site: www.aucklandnz.com
>
>
>
>
>
> A conference programme and registration information will be
> available in January 2002.
>
>
>
> We look forward to welcoming you in Auckland!
>
>
>
> ,.-:*'``'*:-. ,.-:*'``'*:-. ,.-:*'``'*:-.
>
>
> Keeping you informed.
>
>
> JenniferBrasher
> Chair: Qld Chapter : ARLIS/ANZ
> Art Libraries Society Australia and New Zealand
>
>
>
> =
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 09:59:03 -0500
> From: "Margaret N. Webster" <[log in to unmask]>
> Subject: Re: conference confirmation letters
>
> Janine,
>
> I agree! This is also very useful for those of us who use corporate
> procurement cards and must have an immediate receipt for our accounting
> departments. Sue, many thanks for making my life easier. Margaret
>
> At 04:34 PM 2/14/02 -0600, Janine J. Henri wrote:
> >I just wanted to publicly acknowledge how wonderful it is to get an
> >electronic conference registration conformation letter! Kudos to
> Susan
> >Rawlyk & our headquarters staff!
> >
> >Janine Henri
> >
> >__________________________________________________________________
> >Mail submissions to [log in to unmask]
> >Administrative matters (file requests, subscription requests, etc)
> > to [log in to unmask]
> >ARLIS-L Archives and subscription maintenance:
> > http://lsv.uky.edu/archives/arlis-l.html
> >Questions may be addressed to list owner (Kerri Scannell) at:
> [log in to unmask]
>
> Margaret N. Webster
> Visual Resources Facility
> College of Architecture, Art & Planning
> B-56 Sibley Hall
> Cornell University
> Ithaca, NY 14853
> (607) 255-3300
> Email: [log in to unmask]
> http://www.aapvrf.cornell.edu
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 10:52:25 -0500
> From: "Wassermann, Mary" <[log in to unmask]>
> Subject: Guerrila Girls
>
> This message is in MIME format. Since your mail reader does not
> understand
> this format, some or all of this message may not be legible.
>
> ------_=_NextPart_001_01C1B638.C3856E50
> Content-Type: text/plain;
> charset="iso-8859-1"
>
> The Guerrila Girls came to our museum this month as part of a teacher
> workshop to launch a new set of teaching posters the Education department
> developed. The teaching posters feature 5 women artists. The Guerrila
> girls then gave a presentation in the auditorium. They performed a song
> (which was the world premier of it), gave a short overview (with slides)
> of
> their history up to the recent past, and spoke about the artists and
> posters
> a bit.
>
> It was a very successful program, and attracted lots of general audience
> besides the workshop participants. The historical overview of the GG's
> was
> great and fun to see. I would have liked hearing more hard data about how
> women are faring in the visual arts now. For ARLIS/NA, it might be
> interesting to build their visit around a particular concept/program in a
> similar fashion to what they did here.
>
>
>
> Mary Wassermann
> Slide Librarian and Associate Librarian
> Philadelphia Museum of Art
>
>
>
>
> Ray Anne mentioned inviting the Guerrila Girls to an ARLIS/NA conference.
> Here's one of the reasons why we should consider this:
>
> www.guerrillagirls.com/posters/tragedy.html
>
> I'd like to see what they would say about our profession.
>
> --shannon
> ********** ********** **********
> Shannon Van Kirk
> Head, Art & Architecture Library
> 7B Wertz Art & Architecture Library
> Miami University, Oxford, OH 45056
> [log in to unmask]
> tel.: (513) 529-6650
> FAX: (513) 529-4159
>
>
>
> ------_=_NextPart_001_01C1B638.C3856E50
> Content-Type: text/html;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> > xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
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>
>
> > =
> charset=3Diso-8859-1">
>
>
>
>
>
> > href=3D"cid:[log in to unmask]">
>
>
>
>
>
>
>

>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>The Guerrila Girls came to our
> museum this =
> month as
> part of a teacher workshop to launch a new set of teaching posters the =
> Education
> department developed. > yes">  =
> The teaching
> posters feature 5 women artists. > yes"> 
> The Guerrila girls then gave a presentation in the =
> auditorium. > style=3D"mso-spacerun: yes">  They
> performed a song (which =
> was the world
> premier of it), gave a short overview (with slides) of their history up =
> to the
> recent past, and spoke about the artists and posters a =
> bit. > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>It was a very successful program,
> and =
> attracted lots
> of general audience besides the workshop participants. > style=3D"mso-spacerun: yes">  The
> historical overview of =
> the GG’s was
> great and fun to see. I would have liked hearing more hard data about =
> how women
> are faring in the visual arts now. > yes"> 
> For ARLIS/NA, it might be interesting to build their visit =
> around a
> particular concept/program in a similar fashion to what they did =
> here. > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Mary
> Wassermann > color=3Dblack
> face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";color:black;
> mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Slide Librarian and Associate =
> Librarian > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Philadelphia Museum of =
> Art > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Ray Anne mentioned inviting the
> Guerrila =
> Girls to an
> ARLIS/NA conference. > face=3D"Courier =
> New"> > style=3D'font-family:"Courier =
> New";color:black;mso-color-alt:windowtext'>

=
>
>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Here's one of the reasons why we
> should =
> consider
> this: > New"> > style=3D'font-family:
> "Courier =
> New";color:black;mso-color-alt:windowtext'>

=
>
>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier =
> New";color:black'>www.guerrillagirls.com/posters/tragedy.html > nt> > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>I'd like to see what they would
> say about =
> our
> profession. > face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";color:black;mso-color-alt:windowtext'>

=
>
>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier
> New";color:black'>--shannon > color=3Dblack
> face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";color:black;
> mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>********** ********** =
> ********** > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Shannon Van
> Kirk > color=3Dblack
> face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";color:black;
> mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Head, Art & Architecture
> =
> Library > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>7B Wertz Art &
> Architecture =
> Library > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>Miami University, Oxford, OH =
> 45056 > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier
> New";color:black'>[log in to unmask] > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>tel.: (513)
> 529-6650 > color=3Dblack
> face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";color:black;
> mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'>FAX: (513)
> 529-4159 > color=3Dblack
> face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";color:black;
> mso-color-alt:windowtext'>


>
>

> style=3D'mso-layout-grid-align:none;text-autospace:none'> > size=3D2 color=3Dblack face=3D"Courier New"> > style=3D'font-size:10.0pt;font-family:
> "Courier New";color:black'> > !supportEmptyParas]>  > color=3Dblack face=3D"Courier New"> > style=3D'font-family:"Courier =
> New";
> color:black;mso-color-alt:windowtext'>


>
>

> size=3D2 =
> color=3Dblack
> face=3DArial> > style=3D'font-size:10.0pt;font-family:Arial'> > !supportEmptyParas]> 

=
>
>
>

>
>
>
>
>
> ------_=_NextPart_001_01C1B638.C3856E50--
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 11:09:09 -0500
> From: Elizabeth Learned <[log in to unmask]>
> Subject: Library instruction group for St. Louis
>
> I have learned a lot from the ARLIS-L discussion on library instruction.
> Since there is no formal round table or discussion group in ARLIS/NA,
> would anyone be interested in meeting informally in St. Louis to discuss
> their experiences? We are launching an information literacy program at
> my
> university and I need your ideas!
>
> How about Monday morning at 9 AM? Reply to me personally and I'll see if
> we can get enough people for a discussion.
>
> Betsy
>
>
> Betsy Peck Learned
> Architecture Librarian
> School of Architecture, Art & Historic Preservation
> Roger Williams University
> Bristol, RI 02809
> [log in to unmask]
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 08:30:16 -0800
> From: Diana Cooper <[log in to unmask]>
> Subject: project based tutorials
>
> Hi all
> To add to the discussion about library tutorials and instruction, we have
> just completed a very successful library tutorial. Successful with the
> students and faculty member because it was project-based and sparked
> their
> imagination.
> The class was in "Conservation of objects" (Anthropology 452).
> We took the
> students into our rare book area and asked them to pretend they were
> hired
> by the librarian to assess the area and make recommendations.
> We gave them a quizz to help them identify what to look for. They took
> humidity, temperature and light readings. With our help, they looked at
> various bindings, book sizes, formats and age. Then we moved into the
> computer lab to research the project. Here they got introduced to
> relevant
> indexes and databases. And we worked in useful details along the way,
> such
> as the differences between keywork vs. subject searching.
>
> Not only were the students enthusiastic and attentive, but we learned
> from
> them a lot about conservation in our rare book area.
>
> I would recommend project-based tutorials as a creative approach. I took
> a
> little more effort on our part, but it was well worth it.
>
> ***************************************************************
> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> Diana E.M. Cooper 604-822-3943
> Fine Arts Reference Librarian
> Fine Arts Library
> University of British Columbia
> 1956 Main Mall [log in to unmask]
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 11:58:43 -0500
> From: Roger Lawson <[log in to unmask]>
> Subject: LEH-Letter: Copyright, New Media Law & E-Commerce News (vol.
> 6,
> no. 1: Feb. 15, 2002)
>
> >>> "Lesley Ellen Harris"
> <[log in to unmask]> 2/15/02 11:16:26 AM =
> >>>
> FROM THE OFFICES OF LESLEY ELLEN HARRIS
>
> Copyright, New Media Law & E-Commerce News
>
> __________________________________________________________________
>
> __________________________________________________________________
>
> Vol. 6, No. 1, February 15, 2002
>
> ISSN 1489-954X
>
> Contents:
>
>
> 1.. Studies, Legislation and Conventions:
> Canadian privacy legislation meets E.U. standards
>
> E.U. adopts resale rights directive
>
> E.U. imposes V.A.T. on on-line purchases.
>
> 2.. Legal Cases:
> Dutch newspapers sue clipping services
>
> Xerox sued for copyright breach
>
> Thumbnail images do not breach copyright
>
> 3.. Of Interest:
> SFU uncovers cheating students
>
> Copy-protected CDs unveiled
>
> "Creative commons" initiative announced
>
> 4.. Publications and Web sites:
> Digital Licensing: A Practical Guide for Librarians published
>
> Online digital licensing course
>
> Seminars on digital licensing and fair use
>
> The Copyright & New Media Law Newsletter
>
> __________________________________________________________________
>
> __________________________________________________________________
>
> Copyright, New Media & E-Commerce News is distributed for free by the
> =
> office of Lesley Ellen Harris. Information contained herein should not be
> =
> relied upon or considered as legal advice. Copyright 2002 Lesley Ellen =
> Harris. This newsletter may be forwarded, downloaded or reproduced in =
> whole in any print or electronic format for non-commercial purposes =
> provided that its author is acknowledged and that you cc:
> lehletter@copyrig=
> htlaws.com.
>
> This newsletter is archived with the National Library of Canada at:
>
> http://collection.nlc-bnc.ca/100/202/300/copyright-a/index.html=20
>
> __________________________________________________________________
>
> __________________________________________________________________
>
> 1.. STUDIES, LEGISLATION AND CONVENTIONS:
> CANADIAN PRIVACY LEGISLATION MEETS EU STANDARDS - The European Union
> =
> ("EU") has included Canada on a list of countries whose
> legislation meets =
> the adequacy standard set out in the EU data privacy directive. For the =
> Commission approval, see
> http://europa.eu.int/eur-lex/en/dat/2002/l_002/l_0=
> 0220020104en00130016.pdf.
>
> E.U ADOPTS RESALE RIGHTS DIRECTIVE - Under a new European Union =
> directive, creators of original works of art will receive a percentage of
> =
> a work's selling price when it is resold in EU countries. The directive =
> allows artists to receive a benefit when their work is resold at a profit
> =
> by auctioneers, galleries and other art dealers. This right does not exist
> =
> in the U.S. or Canadian copyright statutes. The full text of the directive
> =
> is at
> http://europa.eu.int/comm/internal_market/en/intprop/news/resale_en.p=
> df.
>
> EU IMPOSES VAT ON ONLINE PURCHASES - The European Union is planning to
> =
> introduce a law to impose a sales tax on purchases of software, music, and
> =
> other goods bought via the Internet. See:
> http://www.newsbytes.com/news/02/=
> 174395.html.
>
>
> _______________________________________________________________________=
> _____________________________________________________________
>
> 2.. LEGAL CASES:
> DUTCH NEWSPAPERS SUE CLIPPING SERVICES - The major Dutch newspapers =
> have initiated legal action against three electronic newspaper clipping =
> services. The suit claims that the services scan the newspapers for =
> articles, archive them in a database, and then sell access to the public.
> =
> After unsuccessful negotiations between the parties, the publishers =
> initiated the lawsuit.
>
> XEROX SUED FOR COPYRIGHT BREACH - Xerox is being sued for allegedly =
> duplicating and distributing software developed by the University of =
> Texas. See:
> http://seattletimes.nwsource.com/html/businesstechnology/134403=
> 480_bizbriefs12.html.
>
> THUMBNAIL IMAGES DO NOT BREACH COPYRIGHT - A U.S. federal appeals =
> court ruled that Web sites can reproduce and post thumbnail images of =
> copyright protected photos. In Kelly v Arriba Soft Corp., the court also
> =
> held that displaying a full-sized image violates the artist's exclusive =
> right to display his or her own work. See:
> http://www.newsbytes.com/news/02=
> /174326.html.
>
>
> _______________________________________________________________________=
> ___________________________________________________________
>
>
>
> 3.. OF INTEREST:
> SFU UNCOVERS CHEATING STUDENTS - Simon Fraser University in British =
> Columbia (Canada) revealed "unprecedented" plagiarism last
> month. A total =
> of 47 students in a business statistics course were sent letters
> recommendi=
> ng that they fail the course, after they submitted identical papers. Rob
> =
> Clift, director of the Confederation of University Faculty Associations of
> =
> BC, said that the growing problem involved "kids plagiarizing off the
> =
> Internet and buying ready-made essays."
>
> COPY-PROTECTED CDS UNVEILED - More than 10 million copy-protected CDs
> =
> have been released to North American and European markets by Midbar, an =
> Israeli security company. The experimental technology prevents the CDs =
> from being copied without their sound being altered. It is unclear how =
> many of the CDs have actually been sold.
>
> "CREATIVE COMMONS" INITIATIVE ANNOUNCED - Stanford Law
> School =
> professor, Lawrence Lessig, plans to launch a "creative commons"
> in May =
> 2002. The scheme will provide artists, writers and others with free, =
> customizable intellectual property licenses, and also act as a kind of =
> rights clearinghouse.
>
>
> _______________________________________________________________________=
> __________________________________________________________
>
> 4.. PUBLICATIONS AND WEB SITES:
> DIGITAL LICENSING: A PRACTICAL GUIDE FOR LIBRARIANS PUBLISHED - Lesley =
> Ellen Harris' new book, Digital Licensing: A Practical Guide for
> Librarians=
> has just been published by the American Library Association. The book =
> contains practical information on licensing digital content for use in the
> =
> library and on selling rights to images, databases or other information =
> owned by the library. For more information, see http://copyrightlaws.com.
>
> ONLINE DIGITAL LICENSING COURSE - Lesley Ellen Harris, in conjunction with
> =
> the American Library Association, is instructing an online course in =
> digital licensing. For more information, contact Chiffonya Brown or Carrie
> =
> Russell at A.L.A.'s Washington Office, 1-800-941-8478, or email Chiffonya
> =
> at [log in to unmask]
>
> SEMINARS ON DIGITAL LICENSING AND FAIR USE - Copyrightlaws.com is pleased
> =
> to announce seminars on digital licensing and fair use, taking place in =
> Seattle and Los Angeles in March 2002. The seminars will be taught by Fred
> =
> Silber, a Seattle-based copyright attorney. For more information, or to =
> register for the courses, see http://www.acteva.com/go/copyright.
>
> THE COPYRIGHT & NEW MEDIA LAW NEWSLETTER - The Copyright & New
> Media Law =
> Newsletter is now in its sixth year of publication, with contributors from
> =
> around the world and subscribers from more than 20 countries. The =
> newsletter helps you to keep abreast of important copyright issues and =
> news, and to ensure practical solutions in your everyday activities. 2002
> =
> subscriptions are now available at http://copyrightlaws.com.
>
> ___________________________________________________________________________=
> _________________________________________________________
>
> This newsletter is prepared by Lesley Ellen Harris, a Copyright and New =
> Media Lawyer and Consultant. Lesley is the author of the books Canadian =
> Copyright Law (McGrawHill) and Digital Property: Currency of the 21st =
> Century (McGrawHill - see http://www.mcgrawhill.ca/digitalproperty) Lesley
> =
> can be reached at [log in to unmask], and at
> http://copyrightlaws.com=
> .
>
> ___________________________________________________________________________=
> _________________________________________________________
>
>
>
> This LEH-Letter issue was prepared with the help of Beth Davies.
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 12:18:23 -0500
> From: Paul Glassman <[log in to unmask]>
> Subject: Re: Library instruction
>
> Dear colleagues:
>
> In reply to Betsy's inquiry below, I would like to mention seminar V at
> the joint conference:
>
> IS A PICTURE REALLY WORTH A THOUSAND WORDS?: INFORMATION LITERACY &
> THE
> VISUAL LEARNER
> Monday, March 25, 2002
> 3:30-5:00 p.m.
>
> This seminar will address the particular needs of the population many of
> us work with, namely, visually oriented learners, who may bring a
> different set of skills to this kind of inquiry. We will have the
> opportunity to discuss how to launch a successful program within visual
> arts curricula.
>
> Participants will be Jeanne M. Brown, University of Nevada, Las Vegas;
> Jane Carlin, University of Cincinnati; and Heather Corcoran, Washington
> University, St. Louis.
>
> --Paul Glassman
> Director of the Library, New York School of Interior Design
> 170 East 70th Street
> New York, New York 10021
> Telephone (212) 472-1500 x216
>
> --ORIGINAL MESSAGE--
> From: Elizabeth Learned <[log in to unmask]>
> Subject: [ARLIS-L] Library instruction group for St. Louis
> To: [log in to unmask]
>
> I have learned a lot from the ARLIS-L discussion on library instruction.
> Since there is no formal round table or discussion group in ARLIS/NA,
> would anyone be interested in meeting informally in St. Louis to discuss
> their experiences? We are launching an information literacy program at
> my
> university and I need your ideas!
>
> How about Monday morning at 9 AM? Reply to me personally and I'll see if
> we can get enough people for a discussion.
>
> Betsy
>
>
>
>
> ________________________________________________________________
> GET INTERNET ACCESS FROM JUNO!
> Juno offers FREE or PREMIUM Internet access for less!
> Join Juno today! For your FREE software, visit:
> http://dl.www.juno.com/get/web/.
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 12:18:05 -0500
> From: Paul Glassman <[log in to unmask]>
> Subject: Public Speaking Without Fear and Trembling
>
> Joint ARLIS/NA 30th-VRA 20th Annual Conference
>
> PUBLIC SPEAKING WITHOUT FEAR & TREMBLING
> Friday, March 22, 2002
> 1:00-5:00 p.m.
>
> Do you get that queasy feeling at the prospect of having to address a
> group? Does your heart race before meetings? Does a free-floating
> paralysis set in when you face a roomful of peers? Do you avoid
> bibliographic instruction because it requires speaking in public? Do you
> find that although you know the material, self-consciousness keeps you
> from speaking as effectively as you would like when you stand in front of
> a group?
>
> The answer to your problems lies in this workshop. Here we will show you
> how to employ your voice properly, connect more immediately with your
> audience, and speak more confidently in public. You will assess your
> speaking style and body language and develop the ability to communicate
> effectively with your listeners.
>
> No previous public speaking experience is necessary. Bring your
> anxieties and a desire to allay them.
>
> Workshop Leader: Pat Wagner, Library Management Consultant, Pattern
> Research, Denver, Colorado. Pat Wagner and her husband Leif Smith have
> run their own national research and consulting service for 27 years. A
> former actor, Pat conducts training programs for libraries throughout the
> United States on personnel, management and leadership issues. Pat
> conducts the project management regional institute for LAMA and is a
> frequent presenter at state and national conferences.
>
> Proposer: Paul Glassman, New York School of Interior Design
>
> ________________________________________________________________
> GET INTERNET ACCESS FROM JUNO!
> Juno offers FREE or PREMIUM Internet access for less!
> Join Juno today! For your FREE software, visit:
> http://dl.www.juno.com/get/web/.
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 12:04:37 -0500
> From: Paul Glassman <[log in to unmask]>
> Subject: Library instruction & information literacy
>
> With the lively discussion on library instruction and information
> literacy, and partly in reply to Betsy Peck Learned's inquiry, I would
> like to suggest the following seminar at the Joint ARLIS/NA 30th-VRA 20th
> Annual Conference:
>
> IS A PICTURE REALLY WORTH A THOUSAND WORDS?: INFORMATION LITERACY &
> THE
> VISUAL LEARNER
> Seminar V
> Monday, March 25, 2002
> 3:30-5:00 p.m.
>
> If Johnny can't read, can he find the information needed for an
> industrial design project? Educators increasingly maintain that
> "the
> future of higher education will be determined in large part by how
> individuals and institutions respond to the challenge of information
> technology and information literacy."
>
> Many libraries in educational institutions have undertaken initiatives to
> intensify and retool their bibliographic instruction programs to develop
> and nurture critical thinking skills in students about not only print
> sources, but perhaps more importantly, about electronic resources,
> especially those available on the World Wide Web. Capitalizing on the
> lure of on-line activity, there are electronic learning platforms, such
> as Blackboard, for creating on-line instructional programs. Moreover,
> successful information literacy programs have built institutional support
> and developed partnerships with faculty.
>
> Most of these curricula, however, assume text-centered learning, and few
> have addressed alternate learning styles, such the particular needs of
> visual learners, who may approach the universe of information with
> entirely different mental processes and assumptions than students of the
> more verbal aspects of the humanities.
>
> Participating in this seminar will be a fine arts professor and two
> librarians, all of whom have integrated the psychology of the creative
> eye into their teaching duties.
>
> Participants:
> Jeanne M. Brown, Art Bibliographer and Head, Architecture Studies
> Library, University of Nevada, Las Vegas
> Jane Carlin, Librarian, Design, Architecture, Art & Planning Library,
> University of Cincinnati
> Heather Corcoran, Assistant Professor, School of Art & Graphic
> Design,
> Washington University, St. Louis
>
> Proposer: Paul Glassman, New York School of Interior Design
> ________________________________________________________________
> GET INTERNET ACCESS FROM JUNO!
> Juno offers FREE or PREMIUM Internet access for less!
> Join Juno today! For your FREE software, visit:
> http://dl.www.juno.com/get/web/.
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 12:30:07 -0500
> From: Paula Beversdorf Gabbard <[log in to unmask]>
> Subject: ARLIS/NY Silent Auction Baskets-Call for materials
>
> A call to ARLIS/NY members:
>
> ARLIS/NY is once again planning to assemble baskets for the ARLIS/NA -
> VRA
> Silent Auction. One basket will be devoted to a New York City theme, but
> the other will not be limited to a single theme (unless one becomes
> apparent
> to us). We are asking our members to contribute either cash or appealing
> materials (made, purchased, manufactured, or even found) to the Silent
> Auction baskets. Cash contributions will be combined to purchase items
> that
> will make these baskets even more enticing to potential buyers. If you
> have
> an item you'd like to offer, please first contact Paula Gabbard at
> [log in to unmask] or (212) 854-6745. Or send checks directly to the
> ARLIS/NY Treasurer, but be sure to specify on your check that it is for
> this
> purpose. The treasurer's name and address:
> Caitlin Kilgallen
> School of Visual Arts
> Visual Arts Library
> 380 Second Ave. 2nd Floor
> New York, NY 10010-3994
> We must assemble these by the end of February so that we can register the
> baskets in early March.
> Please help us make these baskets represent "New York's Finest"
> by
> contributing what you can. If your employer is willing to donate
> merchandise, we are happy to receive it as well. Thank you!
>
> ---Paula Gabbard
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 11:16:44 -0500
> From: "Roberto C. Ferrari" <[log in to unmask]>
> Subject: images on the web...copyright decision!
>
> Thought this article might be of interest to people out there putting
> copyright-protected images on the web. The URL is
> http://www.newsbytes.com/news/02/174326.html.
> -- Roberto
>
> <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
> Roberto C. Ferrari
> President, ARLIS/SE
> Florida Atlantic University Library
> PHONE: 561-297-3575
> EMAIL: [log in to unmask]
> WEB: http://www.library.fau.edu/geninfo/people/rferrari.htm
>
> >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 13:55:06 -0500
> From: Elizabeth Learned <[log in to unmask]>
> Subject: Library Instruction meeting
>
> Thanks to all who have responded to my request for a
> meeting to discuss library instruction at the upcoming conference.
> I have already received lots of messages from interested members!
> I understand there will be an informal meeting room again this year
> with sign-up sheets at the registration desk. I'll sign us up for
> Monday at 9 AM. Unfortunately, this conflicts with the Leadership/
> Chapter Officers Breakfast (8-10 AM) so if anyone would prefer that
> we begin at 10:00 let me know. (Of course then we would conflict with
> poster sessions and two program sessions at 10:30.)
>
> See you there!
>
> Betsy
>
> Betsy Peck Learned
> Architecture Librarian
> School of Architecture, Art & Historic Preservation
> Roger Williams University
> Bristol, RI 02809
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 13:33:58 -0500
> From: "Mary E. Mallia" <[log in to unmask]>
> Subject:
>
> Can anyone give me the current telephone number or any contact
> information
> for Jay Lucker who has been associated with MIT and Simmons College?
> Please
> email me at [log in to unmask] Thank you.
>
> Mary E. Mallia
> Librarian
> Arthur D. Jenkins Library
> The Textile Museum
> 2320 S St., NW Washington, DC
> (202) 667-0441, ext. 31
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 14:09:20 -0500
> From: KARI HOROWICZ <[log in to unmask]>
> Subject: ARLIS/NA 2002 Travel Awards
>
> kajTJE
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 12:18:02 -0700
> From: Elaine Watson <[log in to unmask]>
> Subject: Odilon Redon question
>
> This is a MIME message. If you are reading this text, you may want to
> consider changing to a mail reader or gateway that understands how to
> properly handle MIME multipart messages.
>
> --=_9AC7C6FD.2C4D1EB8
> Content-Type: text/plain; charset=US-ASCII
> Content-Transfer-Encoding: 7bit
>
> I have a student looking for the current owner of Odilon Redon's Armure
> (a charcoal drawing in his Les Noirs series). Does someone have a
> source that gives this information.
> Thanks!
>
>
>
> Elaine Watson, Documents/Reference Librarian
> Albertsons Library, Boise State University
> 1910 University Drive, Boise, Idaho 83725-1430
> Tel.: 208-426-1737 Email: [log in to unmask]
>
>
> --=_9AC7C6FD.2C4D1EB8
> Content-Type: text/html; charset=ISO-8859-1
> Content-Transfer-Encoding: 8bit
> Content-Description: HTML
>
> > Transitional//EN">
>
>
> > name=GENERATOR>
>
>
I have a student looking for the current
> owner of Odilon
> Redon's Armure (a charcoal drawing in his Les Noirs
> series).  Does
> someone have a source that gives this
> information.

>
Thanks!

>
 

>
 

>
 

>
Elaine Watson, Documents/Reference
> Librarian
Albertsons
> Library, Boise State University
1910 University Drive, Boise,
> Idaho
> 83725-1430
Tel.: 208-426-1737  
> Email:  > href="mailto:[log in to unmask]">[log in to unmask]

>
> --=_9AC7C6FD.2C4D1EB8--
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 14:29:29 -0500
> From: Elizabeth Learned <[log in to unmask]>
> Subject: Library instruction meeting
>
> I've just been informed that I need to be at the Leadership
> Breakfast on Mon. from 8-10. Oops! To those of you who responded,
> can we change the time of the library instruction meeting to 10 AM?
> If you prefer to keep it at 9, I'll come to your discussion late.
> Please let me know.
>
> Betsy
> Betsy Peck Learned
> Architecture Librarian
> School of Architecture, Art & Historic Preservation
> Roger Williams University
> Bristol, RI 02809
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 14:30:33 -0500
> From: Kari Horowicz <[log in to unmask]>
> Subject: ARLIS/NA 2002 Travel Awards
>
> My apologies for the recent unintelligible e-mail.
>
> The ARLIS/NA Travel Award Committee announces the 2002 Travel Awards
>
> Andrew Cahan Photography Award
> James Soe Nyun
> Dubois Library, Museum of Photographic Arts, San Diego
>
> Conference Award
> Marilyn Russell-Bogle
> University of Minnesota at Duluth Library
>
> David Mirvish Books on Art Travel Award
> Kathy Zimon
>
> Howard and Beverly Joy Karno Travel Award
> Maria Concepción Alexandrina Sepúlveda
> Architectural, Art, Design and Urbanism Library
> Pontificia Universidad Catolica de Chile
>
> Puvill Libros Travel Award
> Selale Korkut
> Head, Bilkent University Art Library
> Ankara, Turkey
>
> Research Libraries Group Travel Award
> Sara Harrington
> Rutgers University
>
> Research Libraries Group Asia/Oceania Travel Award
> TBA
>
> Kari Horowicz
> Chair, 2002 ARLIS/NA Travel Award Committee
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 11:35:28 -0800
> From: Stephanie Sueppel <[log in to unmask]>
> Subject: Information/Visual Literacy
>
> Dear Colleagues,
>
> Thank you for the discussions regarding art
> information instruction and literacy.
>
> Historians/Artists
> Information/Graphic or visual information
> Undergraduate/MA/PhD
>
> *knowing where to find the information when you need
> it is always essential
>
> At the University of Iowa circa 1988, the language
> (Spanish, French) departments centered language
> instruction using the TPR method (total physical
> response). It was thought at that time that language
> could be learned faster and easier if you moved while
> speaking it.
>
> i.e. Fermez la porte
>
> An instructor would have a student speak the phrase
> and demonstrate the closing of the door at the same
> time, this would enable that student to learn the
> words in french.
>
> Diana Cooper's project based tutorials sound as though
> they are based on some of the principles of TPR.
>
> Paul Glassman's method could be called TVR (total
> visual response). I agree that some students learn
> faster and easier using graphics/images.
>
> It is a constant challenge to keep everyone educated
> and au courant to new methods in retrieveing art
> information. It is also vital to our existence that
> they understand where information comes from...
>
> Two cents worth,
>
> Stephanie Sueppel
> Art Librarian/Information Literacy Specialist II, NYPL
>
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Got something to say? Say it better with Yahoo! Video Mail
> http://mail.yahoo.com
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 14:39:14 -0500
> From: "Kerri A. Scannell" <[log in to unmask]>
> Subject: Moderator temporarily gone
>
> Hi all,
>
> Just wanted to let you know that I will be out of town all next week
> attending the Music Library Association conference in Las Vegas. (Wish
> me
> luck!) While I am away you may contact Bob Crovo for any listserv
> questions or help. He will be taking care of things while I am away. He
> can be reached at: [log in to unmask] or by phone at 859-257-0500
> x2101. I will encourage everyone to go ahead and email me with questions
> or problems that are not urgent and I will get to them when I return on
> the
> 25th. Contact Bob for things needing more immediate attention.
>
> Thank you and I hope to see some of you in Las Vegas next week.
> Kerri Scannell
>
> -------------------------------------------------------
> Kerri A. Scannell
> Fine Arts Librarian, Technical Services
> Lucille C. Little Fine Arts Library and Learning Center
> University of Kentucky
> Lexington, KY 40506-0224
> (859) 257-4630
> [log in to unmask]
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 12:37:56 -0800
> From: Claudia Schreib-Li <[log in to unmask]>
> Subject: Periodical Duplicates Available
>
> Dear ARLIS Members:
>
> The following periodicals are available from our
> library's duplicate collection. Please contact me and
> I will send them to your library.
>
> Allen Memorial Art Museum Oberlin College Bulletin
> vol.50:1 1997
>
> Architecture California: The Journal of the American
> Institute of Architects California Council
> 00.2
>
> Art and Antiques
> June 2001
>
> The Asian Art Newspaper
> March 2000
>
> Bulletin of California Palace of the Legion of Honor:
>
> vol. 15:2 June 1957
> vol. 22:7,8 November and December 1964
> vol. 23:1,2 May and June 1965
> new series vol. 1:3 November, December 1967
>
> Bulletin of the Detroit Institute of Arts
> vol. 73:1/2,3/4 1999
>
> Bulletin of the Saint Louis Art Museum
> vol. 15:3 Summer 1980
>
> Casabella
> May 2000: no.678+CD
>
> Choice: Current Reviews for Academic Libraries
> April 2001
>
> Christie's (auction catalogs)
> Monday 8 May 2000 Impressionist and Post-Impressionist
> Art
> Wednesday 15 November 2000 Post War
> Wednesday 6 December 2000 The Italian Sale
>
> Columbia-VLA Journal of Law and the Arts
> vol. 22:4
> vol. 23:3&4
>
> Controspazio
> 6/97
>
> Fenway Court: Cultural Leadership in America
> (Isabella Stewart Gardner Museum)
> vol. 27
>
> The Fitzwilliam Museum
> Annual Report 1997
>
> Gazette des Beaux-Arts
> Nov. & Dec. 1998
>
> The Hoogsteder Journal
> 1998 Dec.: no.5
> 1999 Sept.: no.6
>
> IFAR (International Foundation for Art Research)
> Journal
> vol.1:1 Spring 1998 (2 copies)
> vol.1:2 Summer 1998
>
> Interiors
> March 2001
>
> Journal of Aesthetics and Art Criticism
> vol. 57:1 Winter 1999
> vol. 59:2 Spring 2001
>
> Kao Ku (Archaeology)
> no. 10, 11, 12 2000
>
> Kunst Chronik
> Heft 9/10 Sept/Oct. 2000
>
> The Magazine Antiques
> August, September, October, November 1998
> April 2001
>
> Master Drawings
> vol.38:4 2000
>
> Memoirs of the American Academy in Rome
> vol. 43-44, 1998/99
> vol. 45, 2000
>
> The Mentor
> March 1930
>
> The Metropolitan Museum of Art Bulletin Summer 1983
>
> The National Art Collections Fund Quarterly
> Winter 1998
> Spring 1999
>
> New Scholars, New Ideas: Eye in Hand, Abstracts of
> the Art History Symposium sponsored by the Virginia
> Commonwealth University
> 1997, 1999.
>
> The Saint Louis Art Museum Winter Bulletin 1984
>
> Umbrella
> vol.21:1 March 1998
> vol.21:2 July 1998
> vol.21:3/4 December 1998
>
> Worcester Art Museum 1978-79 volume 2
>
> Sincerely,
> Claudia Schreib-Li
>
>
>
>
> =====
> Claudia Schreib-Li
> Serials Specialist
> Art & Architecture Library
> Stanford University
> (650) 723-3408
> [log in to unmask]
>
> __________________________________________________
> Do You Yahoo!?
> Got something to say? Say it better with Yahoo! Video Mail
> http://mail.yahoo.com
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 10:54:10 -1000
> From: Ellen Chapman <[log in to unmask]>
> Subject: Re: project based tutorials
>
> For several years I did a "weeding" project with a grad class.
> I
> discussed weeding policies, pitfalls, etc. and let them loose with a form
> to fill out for each book they chose. When we reconvened, the students
> explained their choices and reasons. I showed them some resources for
> further checking, put them in touch with faculty, and discussed pros and
> cons of their reconsidered decisions. Students and faculty usually
> become
> alarmed by "weeding," but once they see what goes into it and
> hear that
> we're conservative about tossing anything, they see the value in it. And
> I was able to slip in a lot about the collection, databases, etc. that
> they might not have cared to listen to in a straight BI session. Other
> bonuses - we actually weeded quite a few of the items, and the students
> were happy to have made a contribution to their subject collection.
>
> |((| Ellen Chapman
> |))| Archivist for Congressional Papers
> |((| University of Hawaii at Manoa Library
> |))| 2550 McCarthy Mall
> |((| Honolulu HI 96822 USA
> |))|
> |((| voice (808) 944-7656
> |))| fax (808) 956-5968
> |((| email [log in to unmask]
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 13:28:46 -0800
> From: Diana Cooper <[log in to unmask]>
> Subject: Re: project based tutorials
>
> Wonderful, Ellen. Thanks for sharing. Perhaps we can borrow your idea for
> a future class.
>
> ***************************************************************
> :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
> Diana E.M. Cooper 604-822-3943
> Fine Arts Reference Librarian
> Fine Arts Library
> University of British Columbia
> 1956 Main Mall [log in to unmask]
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 16:36:32 -0500
> From: Gail R Gilbert <[log in to unmask]>
> Subject: Caravaggio CD
>
> Colleagues, have any of you had trouble with the images on the CD-ROM
> accompanying John T. Spike's CARAVAGGIO, CATALOGUE OF PAINTINGS?
>
> The text will display but the images will not. I am running Windows 98
> and Adobe 4.05.
>
> If any of you have had this problem and resolved it, I'd appreciate
> knowing how you did it.
>
> Thanks.
>
> Gail Gilbert
> Margaret M. Bridwell Art Library
> Schneider Hall
> University of Louisville
> Louisville, KY 40292
> 502-852-6741
> [log in to unmask]
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 16:01:29 -0600
> From: Susan Clarke <[log in to unmask]>
> Subject: Re: Guerrila Girls and WomArt Roundtable
>
> Thanks to Ray Anne and others who followed up on this topic. And thank =
> you Mary for giving us your experience with the group. Any more thoughts
> =
> on the subject? Let's put this on our WomArt RoundTable meeting agenda in
> =
> St. Louis. Remember, Everyone's welcome! The Women and Art Round =
> Table [WOMART] is scheduled for Sunday 2:00 pm - 3:00 pm See you there.
> =
> =20
>
> Susan Clarke
> DePaul University
> [log in to unmask]
>
> >>> "Wassermann, Mary"
> <[log in to unmask]> 02/15/02 09:52AM >>>
> The Guerrila Girls came to our museum this month as part of a teacher
> workshop to launch a new set of teaching posters the Education department
> developed. The teaching posters feature 5 women artists. The Guerrila
> girls then gave a presentation in the auditorium. They performed a song
> (which was the world premier of it), gave a short overview (with slides)
> =
> of
> their history up to the recent past, and spoke about the artists and =
> posters
> a bit.
>
> It was a very successful program, and attracted lots of general audience
> besides the workshop participants. The historical overview of the GG's =
> was
> great and fun to see. I would have liked hearing more hard data about how
> women are faring in the visual arts now. For ARLIS/NA, it might be
> interesting to build their visit around a particular concept/program in a
> similar fashion to what they did here.
>
>
>
> Mary Wassermann
> Slide Librarian and Associate Librarian
> Philadelphia Museum of Art
>
>
>
>
> Ray Anne mentioned inviting the Guerrila Girls to an ARLIS/NA conference.
> Here's one of the reasons why we should consider this:
>
> www.guerrillagirls.com/posters/tragedy.html=20
>
> I'd like to see what they would say about our profession.
>
> --shannon
> ********** ********** **********
> Shannon Van Kirk
> Head, Art & Architecture Library
> 7B Wertz Art & Architecture Library
> Miami University, Oxford, OH 45056
> [log in to unmask]
> tel.: (513) 529-6650
> FAX: (513) 529-4159
>
> ------------------------------
>
> Date: Fri, 15 Feb 2002 23:11:12 +0000
> From: chris mees <[log in to unmask]>
> Subject: Guerrilla Girls
>
> Guerrilla Girls
> ____________
>
> On the subject of the Guerrilla Girls, it's worth having a look at their
> Web
> site:
>
> http://www.guerrillagirls.com
>
> and an article:
>
> "Guerrila (sic) Girls" by: Suzette Marquette (Research/Penn
> State, Vol. 18,
> no. 1 (January, 1997)
>
> which is reproduced on the Web site:
>
> http://www.rps.psu.edu/jan97/guerilla.html
>
>
> Chris Mees
> Editor - design and applied arts index
>
> ------------------------------
>
> End of ARLIS-L Digest - 14 Feb 2002 to 15 Feb 2002 (#2002-40)
> *************************************************************
>

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