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Elizabeth Gulacsy
Art Librarian and Archivist        Phone 607-871-2948
Scholes Library                           Fax     607-871-2349
NYS College of Ceramics            E-mail [log in to unmask]
Alfred, NY 14802




Wiener, Louis. Hand made jewelry, a manual of techniques. Princeton, New
Jersey: Van Nostrand, 1948.

Dr. Dake, H.C. (The art of Gem Cutting, complete. Portland, Oregon:
Mineralogist Publishing Company, 1949.

Linick, Leslie L. Jewelers' workshop practices. Chicago, Illinois: Henry
Paulson & Company, 1948.

Ridge, A.V. Pro-am gem cutting guide. United States. A.V.R. Co., Inc., 1973.

Pritchard, Phillip L. Furniture forum, contemporary design source reference.
Sarasota, Florida: Furniture Forum Inc.

Hagstoz, George S. Craft metals. Philadelphia, Pennsylvania: T.B. Hagstoz &
Son.

Liddicoat Jr, Richard T. & Copeland, Lawrence L. The jewelers' manual.
United States: Gemological Institute of America, 1964.

Pack, Greta. Chains and beads. New York, New York: Van Nostrand, 1951.

Winebrenner, D. Kenneth. Jewelry making, as an art expression. Scranton,
Pennsylvania: International Textbook Company, 1959.

Bovin, Murray. Jewelry making, for schools, tradesmen, craftsmen. Forest
Hills, L.I., New York: Murray Bovin, 1959.

Martin, Charles J. How to make modern Jewelry. New York: The Museum of
Modern Art, 1960.

Tichane, Robert. Ching-te-chen, views of a porcelain city. Painted Post, New
York: The New York State Institute for Glaze Research, 1983.

Norton, F.H. Ceramics for the artist potter. Cambridge, Massachusetts:
Addison-Wesley Publishing Company, Inc., 1956.

Lawrence, W.G. & West, R.R. Ceramic science for the potter. Radnor,
Pennsylvania: Chilton Book Company, 1982.

Craft pottery of Japan. Nagoya, Japan: Japan Pottery Design Center, 1959.

Cahill, Patricia. Ceramics of Weston Priory/Brother Thomas. Springfield,
Massachusetts: The George Walter Vincent Smith Art Museum, 1980.

Gilson. Ceramique architecturale. 1954.

Muybridge,Eadweard. The human figure in motion, a source book of sequential
action images by a master photographer. New York, New York: Bonanza Books,
1989.

Goldfinger, Eliot. Human anatomy for artists, the elements of form. New
York, New York: Oxford University Press, 1991.

Ross, Malcolm. The arts in Canada, a stock taking at mid-century. Canada:
Macmillan Company of Canada Limited, 1958.

Tuchman, Maurice. The spiritual in art: abstract painting 1890-1985. New
York: Abbeville Press, 1986.

Lee, Sherman E. The genius of Japanese design. Tokyo: Kodansha
International, 1981.

Gage, John. Color and culture, practice and meaning from antiquity to
abstraction. Boston: Little, Brown and Company, 1993.

Goldstein, Ann & Jacob, Mary Jane. A forest of signs, art in the crisis of
representation. Cambridge, Massachusetts: MIT Press, 1989.

National Film Board of Canada. Between friends/entre amis. Ottawa,Canada:
McClelland and Stewart Limited, 1976.

Innes, Jocasta. Paint magic. New York: Pantheon Books, 1981, 1987.

Briggs, Jean L. Never in anger, portrait of an Eskimo family. Cambridge,
Massachusetts: Harvard University Press, 1970.

Lucie-Smith, Edward. The Thames and Hudson dictionary of art terms. New
York, Thames and Hudson Ltd., 1984.

The Museum of Modern Art. Odilon Redon, Gustave Moreau, Rodolphe Bresdin.
Garden City, New York: Doubleday &Co., 1962.

Girard, Joel & Boyer, Guy. The grand Louvre's pyramid. France, Beaux-Arts
Magazine.

Higby,Wayne. 5x7, seven ceramic artists each acknowledge five sources of
inspiration. Alfred, New York: New York State College of Ceramics at Alfred
University, 1993.

Lippard, Lisa. Eva Hesse. New York University Press.

Ringling Buck, Patricia. The John and Mable Ringling Museum of Art. Santa
Barbara, California: Sequoia Communications, 1988.

Zuppan,Jo. Images of the mind. Cleveland: The Cleveland Museum of Art, 1987.

Locke, John. Isometric perspective designs and how to create them. New York:
Dover Publications, Inc., 1981.

Wilcox,Micheal. Color theory for oil colors or acrylics. New York:
Watson-Guptill Publications, 1981.

Preble,Duane & Preble, Sarah. Artforms. San Francisco, California: Canfield
Press, 1978.

Paine, Melanie. Fabric Magic. New York: Pantheon Books,1987.

Mette, C.Micheal. Airbrush Techniques: metallic effects, workbook 2.
Cincinnati, Ohio: North Light Books, 1986.

Who's Who in the south and southwest, 13th edition 1973-1974. Chicago,
Illinois: Marquis Who's Who, inc., 1973.

Who's who in the south and southwest, 12th edition 1971-1972. Chicago,
Illinois: Marquis Who's Who, inc., 1972.

Who's who in the west, 12th edition. Chicago, Illinois: Marquis Who's
Who,inc.,1970.

Wolf, Gotthard. Der Wissenschaftliche film in Deutschland.
Germany:Wuppertal-Elberfeld.

Stanley Smith, Cyril. From art to science, seventy-two objects illustrating
the nature of discovery. Cambridge, Massachusetts: MIT Press, 1980.

Rhyne, Charles. Abstracts and program statements, 77th annual meeting of the
College Art Association, Inc. February 16-18, 1989 San Francisco. New York:
College Art Association, 1989.

Phillips, Evelyn. History of art study guide, to accompany H.W. Janson
history of art. Englewood Cliffs, New Jersey: Prentice Hall, 1986.

Meyer, Daniel. Versailles visitor's guide. France, 1997.

Orsay. France: Beaux Arts Magazine, 1996.

Baert, Renee. Margins of memory. Windsor, Ontario: Art Gallery of Windsor,
1994.

Ksan. Hazelton, British Columbia.

de Saint Phalle, Niki. AIDS you can't catch it holding hands. San Francisco
and Santa Monica, California: The Lapis Press, 1987.

de Saint Phalle, Niki. AIDS you can't catch it holding hands. San Francisco,
California: The Lapis Press, 1987.

Hartman, James B. Philosophy of recent times, volume I: readings in
nineteenth-century philosophy. New York: McGraw-Hill Book Company, 1967.

Hartman, James B. Philosophy of recent times, volume II: readings in
twentieth-century philosophy. New York: McGraw-Hill Book Company, 1967.

Gilbert, Rita & McCarter, William. Living with art, second edition. New
York: Alfred A. Knopf,Inc., 1988.

Honour, Hugh & Fleming, John. The visual arts: a history, fourth edition.
Englewood Cliffs, New Jersey: Prentice Hall, 1995.

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