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Hi Bernie, Would this be something I could go to, or is it too tangentially related? -Keshia Keshia Whitehead Coordinator, Rights and Licensing Chicago Historical Society 1601 N. Clark St. Chicago, IL 60614 p. 312.799.2024 f.312.266.2076 visit us on the web: www.chicagohistory.org -----Original Message----- From: Marlene Gordon [mailto:[log in to unmask]] Sent: Monday, July 16, 2001 2:26 PM To: [log in to unmask] Subject: 2001 CHArt conference The following message is being posted to several list servers. Please forgive any duplicated messages that you receive. __________________________________________________ CHArt Seventeenth Annual Conference DIGITAL ART HISTORY A SUBJECT IN TRANSITION: OPPORTUNITIES AND PROBLEMS 28-29 November 2001 British Academy Like all other subjects, Art History is undergoing a process of transformation through engagement with the digital revolution. This conference presents developments that have taken place in the study of art and in its preservation. There will also be demonstration of current projects and a forum discussion about the ways in which the new technology is offering new and more flexible ways of engaging with art and history, and the merits and demerits of the situation. ------ KEYNOTE ADDRESS Professor Eric Fernie, Director, Courtauld Institute of Art, London ------ SESSION ONE: VISUALISING THE PAST USING DRAMATIC REPRESENTATIONS TO EXPLAINING HISTORICAL ARTEFACTS ON THE WEB Colin Beardon, University of Plymouth, UK USING DIGITAL TECHNOLOGIES TO 'RESTORE' THE LATE MEDIEVAL COMPLEX OF CHARTRES CATHEDRAL Dawn Mary Hayes, Iona College, New Rochelle, New York, USA A SHAPE RETRIEVAL SYSTEM FOR WATERMARK IMAGES: THE CREATION OF A WEB-BASED ARCHIVE OF INFORMATION ON WATERMARKS, PAPER HISTORY AND PAPER CONSERVATION USING CONTENT-BASED IMAGE RETRIEVAL John Eakins and colleagues, University of Northumbria at Newcastle, UK ------ SESSION TWO: CONTEMPORARY ART AND THE DIGITAL AGE TOWARDS A YET NEWER LAOCOON Michael Hammel, University of Aarhus, Denmark FRAGMENTS AND FIGMENTS OF KNOWLEDGE: THE DOCUMENTATION OF CONTEMPORARY ART Harald Kraemer, University of Cologne, Germany DIGITAL ARTS ON(THE)LINE Suzette Worden and Dew Harrison, University of the West of England, UK ------ SESSION THREE: TEACHING VISUALIZING PARIS IN THE PAST: A TEACHING AID David Austin, University of Illinois, USA THE CLASSROOM OF THE FUTURE Michael Greenhalgh, Australian National University, Canberra, Australia THE TATE MODERN AND CITY LITERARY INSTITUTE ONLINE DISTANCE LEARNING COURSE ABOUT TATE MODERN Sylvia Lahav, Tate Modern, London, UK and Mac Campeanu, City Literary Institute, London, UK BREAKING BOUNDARIES - SCHOLARSHIP AND CREATIVITY, OR SOURCES AND ARCHIVES Britta Kalkreuter, Heriot-Watt University, Edinburgh, UK ------ SESSION FOUR: SOURCES, ARCHIVES AND RESEARCH DIGITAL CONSORTIA: OPPORTUNITIES FOR COLLABORATION. A CASE STUDY FROM NORTH AMERICA - THE OhioLINK DIGITAL MEDIA CENTER Jane Carlin, University of Cincinnati, USA PICTURA PAEDAGOGICA - A GERMAN PICTURE RESOURCE ONLINE Stefanie Kollmann, Bibliothek fur Bildungsgeschichtliche Forschung, des Deutschen Instituts fur Internationale Padagogische Forschung, Berlin, Germany 15 MILLION WORDS WORTH OF DIGITAL IMAGE SOURCE MATERIALS Phillip Purdy, Visual Arts Data Service (VADS), UK THE SOUTH EAST ASIAN TRAVELS OF EXPLORER PROFESSOR DR. MORGENSTIERNE Wlodek Witek, Norwegian Library, Oslo, Norway ------ FORUM DISCUSSION - WHAT NEEDS DOING? An open session, chaired by Will Vaughan, in which people are invited to contribute to a discussion about issues raised during the conference and make suggestions about future developments. ------ DEMONSTRATIONS Projects demonstrated include: Scottish Cultural Resources Access Network (SCRAN) The Tate Gallery/City Literary Institute: Online Introduction to Tate Modern The National Maritime Museum: Online Database of Oil Paintings Birkbeck College: 18th C. Writings on Art, A Virtual Library Royal College of Art: Augmented Reality and Conservation The British Academy: The Corpus of Romanesque Sculpture in Britain and Ireland ------ Conference Fees (pounds sterling) - includes mid-morning coffee, lunch, and afternoon tea breaks CHArt member 70 pounds (2 days) 40 pounds (1 day) Non-member 100 pounds (2 days) 60 pounds (1 day) CHArt Student member 40 pounds (2 days) 20 pounds (1 day) Student non-member 50 pounds (2 days) 25 pounds (1 day) ----- BOOKING The booking form is available online at www.chart.ac.uk/chart01-form.html. Bookings made after 1 November 2001 will be subject to a 20 pound surcharge for two day bookings and 10 pounds for one day bookings. Send the booking form to: Will Vaughan, Chair, School of History of Art, Film and Visual Media, 43 Gordon Square, London, WC1H 0PD. Inquires to [log in to unmask], Tel (+44)(0)207 631 6127, Fax (+44) (0) 207 631 6107. -- Marlene E. Gordon Senior Associate Curator Visual Resources and Music Collections University of Michigan-Dearborn 3045 CASL Building Dearborn, MI 48128-1491 313-593-5463 (voice) 313-593-1902 (fax) [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] Administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] Administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]