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I feel I have my priorities figured out now!  Thanks to all!

Ruth

Ruth S. Thomas
Archaeology, Art, Art History, Classics Bibliographer
Mugar Memorial Library
Boston University
771 Commonwealth Ave.
Boston, MA 02215
(617)353-3714

On Thu, 7 Dec 2000, Automatic digest processor wrote:

> There are 20 messages totalling 1213 lines in this issue.
>
> Topics of the day:
>
>   1. San Diego sites/sights (6)
>   2. Duplicate Periodicals #3
>   3. USE OF COLOR IN ANCIENT STATUES ???? (5)
>   4. FW: Humanities/Fine Arts Librarian
>   5. a new position
>   6. Loan fees
>   7. Duplicate Periodicals (2)
>   8. Articles on Oriental Collection in LA in June 2000 issue of Orientations!
>   9. RBS Winter/Spring 2001
>  10. Travel by Museum Staff
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> Administrative matters (file requests, subscription requests, etc)
>         to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
>        http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner at: [log in to unmask]
>
> ----------------------------------------------------------------------
>
> Date:    Wed, 6 Dec 2000 14:07:44 EST
> From:    Bobbie Xuereb <[log in to unmask]>
> Subject: Re: San Diego sites/sights
>
>          Reply to:   RE: San Diego sites/sights
> You must go to Balboa Park... where you can find the =
> San Diego Museum of Art, MOPa (the Mus. of Photo Arts)
> Natural History Museum, Timken Museum, Mingei Museum
> and is a beautiful park. Also, it serves as home to the Old Globe
> theatre which has great productions.  And, if you are hungry,
> it even has a good restaurant called the Prado.  Also, downtown
> is a good walk around place.  Feel free to ask for more info.
> I moved here 3 years ago from NYC
> Bobbie Xuereb
> Ruth Thomas wrote:
> >
> >I will be attending the Archaeological Institute of America and American
> >Philological Association meetings in San Diego in early January.  I
> >haven't visited that city in decades.  Besides the zoo and Sea World, =
> what
> >suggestions do you locals have for "must see's?"  The conference hotel is
> >the San Diego Marriott--any nearby or other neighborhood restaurant
> >recommendations?  Also, is anyone from ARLIS attending?  I would like to
> >find out more about DCB, Dyabola, etc., from librarians who are using
> >them.
> >
> >Ruth
> >
> >Ruth S. Thomas
> >Archaeology, Art, Art History, Classics Bibliographer
> >Mugar Memorial Library
> >Boston University
> >771 Commonwealth Ave.
> >Boston, MA 02215
> >(617)353-3714
> >
> >__________________________________________________________________
> >Mail submissions to [log in to unmask]
> >Administrative matters (file requests, subscription requests, etc)
> >        to [log in to unmask]
> >ARLIS-L Archives and subscription maintenance:
> >       http://lsv.uky.edu/archives/arlis-l.html
> >Questions may be addressed to list owner at: [log in to unmask]
> >
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> >Reply-To: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
> >Sender: ART LIBRARIES SOCIETY DISCUSSION LIST <[log in to unmask]>
> >From: Ruth Thomas <[log in to unmask]>
> >Subject:      San Diego sites/sights
> >To: [log in to unmask]
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> >X-UIDL: 3ff89ea8b8886729856436eed827938f
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>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:08:01 EST
> From:    Emily Connell <[log in to unmask]>
> Subject: Re: Duplicate Periodicals #3
>
> ----------------------------Original message----------------------------
> ------------------
> If you replied to the BMA's duplicate periodicals offering yesterday or
> before 3 PM today, please re-send your message.  Because of some e-mail
> problems,  I was not receiving any messages during that time.
>
> Thank you=21
>
>
> Emily Connell
> Assistant Librarian
> Baltimore Museum of Art
> 10 Art Museum Dr.
> Baltimore, MD  21218-3898
> econnell=40artbma.org
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:08:48 EST
> From:    Elisa Lanzi <[log in to unmask]>
> Subject: Re: USE OF COLOR IN ANCIENT STATUES ????
>
> Dear Cleo,
> Perhaps this new digital publication will help:
> "Greek Color Theory and the Four Elements" by J.L. Benson. Amherst, MA: =
> University of Massachusetts Amherst Libraries, 2000.=20
>
> http://www.library.umass.edu/benson/jbgc.html
>
> Elisa Lanzi
>
> Elisa Lanzi
> Director of Image Collections
> Smith College Art Dept.
> Bell Hall
> Northampton, MA 01063
> VOICE: 413.585.3106
> FAX: 413.585.3119
> [log in to unmask]
>
> >>> [log in to unmask] 12/05/00 02:48PM >>>
> Dear Colleagues,
> We are trying to find papers,research,books that discuss the use of
> color in ancient roman , greek  et al ... statues according to history
> records most statues were not white as we  see them today but painted
> .We are finding it very difficult to find any texts that discuss this
> aspect of ancient sculpture.Apparently temples were also painted.
> Can anyone help us  - we would greatly appreciate any leads to finding
> out more about tis intriguing subject.
> Many, many thanks in advance
> Cleo
> Cleo Wilkinson
> Librarian
> Sullivan Nicolaides Pathology
> Po Box 344
> Indooroopilly
> QLD 4068
> AUSTRALIA
> PH : 61 7 3377 8525
> FX : 61 7 3377 8737
> email : [log in to unmask]
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:04 EST
> From:    Constance Woo <[log in to unmask]>
> Subject: Re: San Diego sites/sights
>
> Dear Ruth,
> As a former Californian, I would recommend the Globe Theatre, a
> reconstruction of Shakespeare's Globe.  You might check the schedule and
> take in a play if that's your interest.
>
> Constance Woo
> Long Island University, Brooklyn Campus
> [log in to unmask]
>
> -----Original Message-----
> From: Ruth Thomas <[log in to unmask]>
> To: [log in to unmask] <[log in to unmask]>
> Date: Tuesday, December 05, 2000 2:50 PM
> Subject: San Diego sites/sights
>
>
> >
> >I will be attending the Archaeological Institute of America and American
> >Philological Association meetings in San Diego in early January.  I
> >haven't visited that city in decades.  Besides the zoo and Sea World, what
> >suggestions do you locals have for "must see's?"  The conference hotel is
> >the San Diego Marriott--any nearby or other neighborhood restaurant
> >recommendations?  Also, is anyone from ARLIS attending?  I would like to
> >find out more about DCB, Dyabola, etc., from librarians who are using
> >them.
> >
> >Ruth
> >
> >Ruth S. Thomas
> >Archaeology, Art, Art History, Classics Bibliographer
> >Mugar Memorial Library
> >Boston University
> >771 Commonwealth Ave.
> >Boston, MA 02215
> >(617)353-3714
> >
> >__________________________________________________________________
> >Mail submissions to [log in to unmask]
> >Administrative matters (file requests, subscription requests, etc)
> >        to [log in to unmask]
> >ARLIS-L Archives and subscription maintenance:
> >       http://lsv.uky.edu/archives/arlis-l.html
> >Questions may be addressed to list owner at: [log in to unmask]
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:09 EST
> From:    Eileen Markson <[log in to unmask]>
> Subject: Re: USE OF COLOR IN ANCIENT STATUES ????
>
> Dear Cleo Wilkinson:
>     To get you started on the question of the use of color in ancient
> sculpture and architecture, you might want to begin with Andrew Stewart's
> "Greek Sculpture: an exploration," published in 2 vols. by Yale University
> Press.  On pp.40-42 of vol.1  there is a brief discussion of the question
> under the heading "Finish."
>
>      Another brief source is on p.78,  vol.1 of Claude Rolley's "La
> Sculpture Grecque," under the heading "Polychromie I: melange de
> materiaux.," and also on p.82 of vol.1, under the heading "Polychromie II:
> la peinture."  Rolley gives additional references to the archaeological
> literature.
>
>      I'll try to dig deeper on this question and respond again.  It's a
> knotty problem with conflicting points of view.
>
>                                                 Eileen Markson
>
>
>
>
>
> >Dear Colleagues,
> >
> >We are trying to find papers,research,books that discuss the use of
> >color in ancient roman , greek  et al ... statues according to history
> >records most statues were not white as we  see them today but painted
> >.We are finding it very difficult to find any texts that discuss this
> >aspect of ancient sculpture.Apparently temples were also painted.
> >Can anyone help us  - we would greatly appreciate any leads to finding
> >out more about tis intriguing subject.
> >
> >Many, many thanks in advance
> >
> >Cleo
> >
> >--
> >Cleo Wilkinson
> >Librarian
> >Sullivan Nicolaides Pathology
> >Po Box 344
> >Indooroopilly
> >QLD 4068
> >AUSTRALIA
> >
> >PH : 61 7 3377 8525
> >FX : 61 7 3377 8737
> >
> >email : [log in to unmask]
> >
> >
> >"When people are free to do as they please ,they imitate each other "
> >ERIC HOFFER
> >
> >__________________________________________________________________
> >Mail submissions to [log in to unmask]
> >Administrative matters (file requests, subscription requests, etc)
> >        to [log in to unmask]
> >ARLIS-L Archives and subscription maintenance:
> >       http://lsv.uky.edu/archives/arlis-l.html
> >Questions may be addressed to list owner at: [log in to unmask]
>
>
> Eileen Markson
> Head, Rhys Carpenter Library
>      for Art, Archaeology, and Cities
> Bryn Mawr College
> 101 N. Merion Avenue
> Bryn Mawr, PA 19010-2899
> Phone: (610) 526-7910
> FAX:      (610) 526-7911
> [log in to unmask]
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:16 EST
> From:    "Molinaro, Mary" <[log in to unmask]>
> Subject: FW: Humanities/Fine Arts Librarian
>
>
>
> -----Original Message-----
> From: Joni Roberts [mailto:[log in to unmask]]
> Sent: Tuesday, December 05, 2000 2:52 PM
> To: Molinaro, Mary H
> Cc: Joni Roberts
> Subject: Humanities/Fine Arts Librarian
>
> Position:       Humanities and Fine Arts Librarian
> Institution:    Willamette University
> Location:       OR
>
> The Mark O. Hatfield Library is seeking an innovative, pro-active
> librarian for a newly created Humanities and Fine Arts Librarian
> position.  Librarian will develop and deliver traditional and innovative
> library services to the students and faculty of the following
> departments/areas: foreign languages, English, philosophy, religion,
> classics, music, theatre, art/art history, world views, art museum,
> writing center, and humanities center.  Services include information
> literacy, instructional design, course-related instruction, collection
> development, and reference.  In collaboration with faculty in the
> humanities and fine arts, designs and implements information literacy
> initiatives and works to integrate them into the curriculum.  Position
> reports to the AUL for Public Services and Collection Development.
>
> Required qualifications: ALA-accredited MLS; undergraduate degree and/or
> significant library experience in the humanities/fine arts (graduate
> degree preferred); fluency with information technology; commitment to and
> experience with instructional design and pedagogy; strong public services
> orientation; reading knowledge of a foreign language, preferably Western
> European; excellent written and verbal communication skills; ability to
> work successfully in a highly collaborative environment and to interact
> positively with others; ability to work flexibly and creatively in a
> rapidly changing environment; commitment to library service and the
> profession.  Salary:  $36,000+.  For more information and full position
> description see: http://www.willamette.edu/dept/hr.
>
> Willamette, the first university in the West, is a private liberal arts
> college in the heart of the Willamette Valley, adjacent to the Oregon
> State Capitol in Salem. Willamette's 2,400 students attend the College of
> Liberal Arts, the College of Law, the George H. Atkinson Graduate School
> of Management, or the School of Education.  For further information about
> Willamette, see the University's web site at
> http:/www.willamette.edu.  Salem is located in the center of the
> Willamette Valley, approximately an hour's drive from the Pacific Coast,
> the Cascade Mountains, and the cities of Portland and Eugene.
>
> Submit letter of application, resume, and contact information for three
> professional references to: Carol Black, Director of Human Resources,
> Willamette University, 900 State Street, Salem, OR 97301.  Review of
> applications begins February 1, 2001 and continues until the position is
> filled.  Starting Date: June 1, 2001.  Willamette University is an equal
> opportunity employer and embraces excellence through diversity.
>
>
> ****************************************************************************
> **
> Joni R. Roberts
> ([log in to unmask])
> Associate University Librarian                      (503)370-6741
>  for Public Services & Collection Development       (503)370-6141 (FAX)
>
>                 Mark O. Hatfield Library, Willamette University
>                         900 State Street, Salem OR 97301
> ****************************************************************************
> **
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:21 EST
> From:    Jane Zander <[log in to unmask]>
> Subject: Re: USE OF COLOR IN ANCIENT STATUES ????
>
> Dear Cleo,
>
> A book I catalogued years ago came to my mind--"Form and color in Greek
> painting" by Vincent J. Bruno.  While it is rather specifically about Greek
> painting--there is a mention of the painting of statues on p. 50.  And the
> entire book presents an interesting overall picture of Greek color theory
> and usage.  Several mentions are made of sculpture and the book has a good
> index.  It was published by W.W. Norton in 1990.  Hope this helps.
>
> Sincerely,
>
> Jane Zander
> Senior Cataloger
> Spencer Art Reference Library
> Nelson-Atkins Museum of Art
> 4525 Oak Street
> Kansas City, MO 64111
>
>
> -----Original Message-----
> From: Cleo Wilkinson [mailto:[log in to unmask]]
> Sent: Tuesday, December 05, 2000 1:48 PM
> To: [log in to unmask]
> Subject: USE OF COLOR IN ANCIENT STATUES ????
>
>
> Dear Colleagues,
>
> We are trying to find papers,research,books that discuss the use of
> color in ancient roman , greek  et al ... statues according to history
> records most statues were not white as we  see them today but painted
> .We are finding it very difficult to find any texts that discuss this
> aspect of ancient sculpture.Apparently temples were also painted.
> Can anyone help us  - we would greatly appreciate any leads to finding
> out more about tis intriguing subject.
>
> Many, many thanks in advance
>
> Cleo
>
> --
> Cleo Wilkinson
> Librarian
> Sullivan Nicolaides Pathology
> Po Box 344
> Indooroopilly
> QLD 4068
> AUSTRALIA
>
> PH : 61 7 3377 8525
> FX : 61 7 3377 8737
>
> email : [log in to unmask]
>
>
> "When people are free to do as they please ,they imitate each other "
> ERIC HOFFER
>
> __________________________________________________________________
> Mail submissions to [log in to unmask]
> Administrative matters (file requests, subscription requests, etc)
>         to [log in to unmask]
> ARLIS-L Archives and subscription maintenance:
>        http://lsv.uky.edu/archives/arlis-l.html
> Questions may be addressed to list owner at: [log in to unmask]
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:25 EST
> From:    Eileen Markson <[log in to unmask]>
> Subject: Re: USE OF COLOR IN ANCIENT STATUES ????
>
> Dear Cleo Wilkinson:
>     Here are a few more references to the use of color in ancient sculpture
> and architectural sculpture:
>
> Boardman, John.  "Greek sculpture: the archaic period," (Oxford University
> Press, 1978),
>         on p.80 discusses the use of color  very briefly.
> Ashmole, Sir Bernard.  "Architect and sculptor in Classical Greece," (New York
>                University Press, 1972) discusses the use of color at many
> points throughout
>         his book, describing how a Greek observor would have perceived
>         the sculpture in part due to the use of color.
> and for a somewhat older source, there is a 1950 Columbia University
> dissertation by
>         Penelope Dimitriou entitled "The Polychromy of Greek sculpture: to the
>                 beginnings of the Hellenistic period."  It is listed in
> "Dissertation Abstracts"
>                with an accession number of AAG0002105.
>
>      The periodical literature may well have many more resources on the
> question of color in ancient sculpture.  One key to that literature is in
> the German Archaeological Institute's "Archaologische Bibliographie," in
> its print version through 1993, and now in CD-ROM format via Dyabola
> software published by Biering und Brinkmann.
>
>                                         Eileen Markson
>
>
>
>
>
> >Dear Colleagues,
> >
> >We are trying to find papers,research,books that discuss the use of
> >color in ancient roman , greek  et al ... statues according to history
> >records most statues were not white as we  see them today but painted
> >.We are finding it very difficult to find any texts that discuss this
> >aspect of ancient sculpture.Apparently temples were also painted.
> >Can anyone help us  - we would greatly appreciate any leads to finding
> >out more about tis intriguing subject.
> >
> >Many, many thanks in advance
> >
> >Cleo
> >
> >--
> >Cleo Wilkinson
> >Librarian
> >Sullivan Nicolaides Pathology
> >Po Box 344
> >Indooroopilly
> >QLD 4068
> >AUSTRALIA
> >
> >PH : 61 7 3377 8525
> >FX : 61 7 3377 8737
> >
> >email : [log in to unmask]
> >
> >
> >"When people are free to do as they please ,they imitate each other "
> >ERIC HOFFER
> >
> >__________________________________________________________________
> >Mail submissions to [log in to unmask]
> >Administrative matters (file requests, subscription requests, etc)
> >        to [log in to unmask]
> >ARLIS-L Archives and subscription maintenance:
> >       http://lsv.uky.edu/archives/arlis-l.html
> >Questions may be addressed to list owner at: [log in to unmask]
>
>
> Eileen Markson
> Head, Rhys Carpenter Library
>      for Art, Archaeology, and Cities
> Bryn Mawr College
> 101 N. Merion Avenue
> Bryn Mawr, PA 19010-2899
> Phone: (610) 526-7910
> FAX:      (610) 526-7911
> [log in to unmask]
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:35 EST
> From:    Jean Susorney Wellington <[log in to unmask]>
> Subject: Re: San Diego sites/sights
>
> Ruth, I will be at the conference, and we do use DYABOLA, DCB, Gnomon.
> I'll be glad to try to get together with you and any other ARLIS folk
> there if you want.
>
> Jean Wellington
> Classics Library
> University of Cincinnati
>
> Ruth Thomas wrote:
> >
> > I will be attending the Archaeological Institute of America and American
> > Philological Association meetings in San Diego in early January.  I
> > haven't visited that city in decades.  Besides the zoo and Sea World, what
> > suggestions do you locals have for "must see's?"  The conference hotel is
> > the San Diego Marriott--any nearby or other neighborhood restaurant
> > recommendations?  Also, is anyone from ARLIS attending?  I would like to
> > find out more about DCB, Dyabola, etc., from librarians who are using
> > them.
> >
> > Ruth
> >
> > Ruth S. Thomas
> > Archaeology, Art, Art History, Classics Bibliographer
> > Mugar Memorial Library
> > Boston University
> > 771 Commonwealth Ave.
> > Boston, MA 02215
> > (617)353-3714
> >
> > __________________________________________________________________
> > Mail submissions to [log in to unmask]
> > Administrative matters (file requests, subscription requests, etc)
> >         to [log in to unmask]
> > ARLIS-L Archives and subscription maintenance:
> >        http://lsv.uky.edu/archives/arlis-l.html
> > Questions may be addressed to list owner at: [log in to unmask]
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:43 EST
> From:    Joan Benedetti <[log in to unmask]>
> Subject: Re: San Diego sites/sights
>
> Dear Ruth:
>
> I'm not attending those meetings, but there are some old sights that are
> definitely worth re-visiting.  One is, of course, Balboa Park.  In fact, I
> always advise people to allow a whole day for Balboa Park.  I don't know when
> you were there last, but there are at least a couple of new museums in the
> Park and those that have been there forever have been beautifully renovated.
> The other outstanding attraction, much improved from what it was 20 years
> ago, is "Old Town."  Also if you have a taste for postmodern architecture,
> Horton Plaza in downtown San Diego is fun.  Downtown San Diego also has some
> beautifully renovated turn of the century buildings.  Have fun!
>
> Joan Benedetti
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:09:58 EST
> From:    GARY DITCHBURN <[log in to unmask]>
> Subject: Re: USE OF COLOR IN ANCIENT STATUES ????
>
> Cleo Wilkinson wrote:
> >
> > Dear Colleagues,
> >
> > We are trying to find papers,research,books that discuss the use of
> > color in ancient roman , greek  et al ... statues according to history
> > records most statues were not white as we  see them today but painted
> > .We are finding it very difficult to find any texts that discuss this
> > aspect of ancient sculpture.Apparently temples were also painted.
> > Can anyone help us  - we would greatly appreciate any leads to finding
> > out more about tis intriguing subject.
> >
> > Many, many thanks in advance
> >
> > Cleo
> >
> > --
> > Cleo Wilkinson
> > Librarian
> > Sullivan Nicolaides Pathology
> > Po Box 344
> > Indooroopilly
> > QLD 4068
> > AUSTRALIA
> >
> > PH : 61 7 3377 8525
> > FX : 61 7 3377 8737
> >
> > email : [log in to unmask]
> >
> > "When people are free to do as they please ,they imitate each other "
> > ERIC HOFFER
> >
> > __________________________________________________________________
> > Mail submissions to [log in to unmask]
> > Administrative matters (file requests, subscription requests, etc)
> >         to [log in to unmask]
> > ARLIS-L Archives and subscription maintenance:
> >        http://lsv.uky.edu/archives/arlis-l.html
> > Questions may be addressed to list owner at: [log in to unmask]
>
>
> You may have tried these ideas already, nevertheless:
>
>  1. Pliny's The Natural World/Natural History (title varies with
> translation)
>  for interesting possibilities on the significance of colour in general,
> (white seems to be "good" e.g., therefore Arsenic is good, even
> healthy!);
>  and sculpture is also addressed at length.
> Can't recall if he says much about painting sculpture.
>
> 2. Contact Classics scholars/profs you know personally or have read.
> E-mail them, etc.
>
> 3. In-depth books on Greek and Etruscan Art/Architecture.
>
>
> I'd go with #2. Some scholars must have done detailed analyses of
>  paint traces on surviving works, too.
>
>
> You're quite right, though, it is an interesting topic, eh?
>
>
> G. Ditchburn.
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:10:14 EST
> From:    "J.Rietveld" <[log in to unmask]>
> Subject: a new position
>
> Dear colleagues,
>
> After having worked for almost eight years as the Head of the
> Library of the Stedelijk Museum in Amsterdam, it was time for a
> new challenge. I found that in a job with the Netherlands
> Normalization Institute, the NEN, in Delft, where I shall start a new
> career as a consultant as from January 2001 and will occupy
> myself with the standards for documentary information systems.
> My tasks at the library of the Stedelijk Museum will be taken over
> by Willem van Beek and Saskia Stokhof until further notice.
>
> Although I really look forward to my new job, I shall miss my
> contacts with all of you. Maybe that we will meet again in my new
> position, in order to promote the co-operation between (art) libraries
> and to further improve their quality by standardization.
>
> With kind regards,
>
>
>
> Jan Rietveld
> Library Stedelijk Museum Amsterdam
> [log in to unmask]
> phone +31 (0)20 - 5732 769
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:10:19 EST
> From:    Ray Anne Lockard <[log in to unmask]>
> Subject: Re: San Diego sites/sights
>
> Be sure to go to the Mingei Museum of Folk Art -- a true delight and a
> wonderful giftshop of handcrafted items by artists.  It is in Balboa Park and
> another must see is all the architecture there that is left from one of the
> old Expositions, can't recall which one.  Also "Old Town", I believe it is
> called -- location of the original San Diego.  In addition, another must see
> if Mission San Diego.  The latter two -- Old Town and Mission San Diego are
> stops on the San Diego rail system.  And oh yes, the San Diego Museum of
> Contemporary Art too!
>
> Ray Anne Lockard
>
> Ruth Thomas wrote:
>
> > I will be attending the Archaeological Institute of America and American
> > Philological Association meetings in San Diego in early January.  I
> > haven't visited that city in decades.  Besides the zoo and Sea World, what
> > suggestions do you locals have for "must see's?"  The conference hotel is
> > the San Diego Marriott--any nearby or other neighborhood restaurant
> > recommendations?  Also, is anyone from ARLIS attending?  I would like to
> > find out more about DCB, Dyabola, etc., from librarians who are using
> > them.
> >
> > Ruth
> >
> > Ruth S. Thomas
> > Archaeology, Art, Art History, Classics Bibliographer
> > Mugar Memorial Library
> > Boston University
> > 771 Commonwealth Ave.
> > Boston, MA 02215
> > (617)353-3714
> >
> > __________________________________________________________________
> > Mail submissions to [log in to unmask]
> > Administrative matters (file requests, subscription requests, etc)
> >         to [log in to unmask]
> > ARLIS-L Archives and subscription maintenance:
> >        http://lsv.uky.edu/archives/arlis-l.html
> > Questions may be addressed to list owner at: [log in to unmask]
>
> --
> Ray Anne Lockard, Head Librarian
> Frick Fine Arts Library
> University of Pittsburgh
> Pittsburgh, PA  15260
> Voice:  412-648-2411
> Fax:  412-648-7568
> E-Mail:  [log in to unmask]
>
> "A book should be a ball of light in one's hands."
> Ezra Pound
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:10:25 EST
> From:    Amber Germano <[log in to unmask]>
> Subject: Re: Loan fees
>
> Dear Ms. Haddad,
>
> Our institution's loan fees are as follows:
>
> Requests received at least 6 months in advance:
>
>         $150 for the first object
>         $75 for each additional object
>
> Requests received less than 6 months in advance:
>
>         $300 for the first object
>         $150 for each additional object
>
> If you have any problems and/or questions, please do not hesitate to =
> contact
> me.
>
> Best,
>
> Amber Woods Germano
> Assistant Registrar
> The Newark Museum
> 973-596-6668
> [log in to unmask]
>
>
> > -----Original Message-----
> > From: Rosemary Haddad [SMTP:[log in to unmask]]
> > Sent: Tuesday, December 05, 2000 2:48 PM
> > To:   [log in to unmask]
> > Subject:      Loan fees
> >=20
> > Dear colleagues: could you let me know the standard fee per object =
> that
> > your
> > institution charges for exhibition loans to other institutions? This =
> would
> > be the basic cost of processing the loan, including condition =
> reporting,
> > etc., apart from additional direct costs such as insurance and =
> shipping.
> > Regards, Rosemary.
> >=20
> > Rosemary Haddad
> > Biblioth=E9caire associ=E9e / Associate Librarian
> > Centre Canadien d'Architecture / Canadian Centre for Architecture
> > 1920, rue Baile
> > Montr=E9al, Qu=E9bec, CANADA
> > H3H 2S6
> > tel: (514) 939-7000
> > fax: (514) 939-7020
> > [log in to unmask]
> > http://cca.qc.ca
> >=20
> > __________________________________________________________________
> > Mail submissions to [log in to unmask]
> > Administrative matters (file requests, subscription requests, etc)
> >         to [log in to unmask]
> > ARLIS-L Archives and subscription maintenance:
> >        http://lsv.uky.edu/archives/arlis-l.html
> > Questions may be addressed to list owner at: [log in to unmask]
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:10:40 EST
> From:    Jeanne Brown <[log in to unmask]>
> Subject: Duplicate Periodicals
>
> ----------------------------Original message----------------------------
>
> The following issues of ACSA News, AIArchitect, and AIA Journal are
> available. Postage reimbursement appreciated. Jeanne
>
> Jeanne Brown                            Tel:702-895-4369
> Head, Architecture Studies Library      Fax:702-895-1975
> _________________
>
> ACSA News(Association of Collegiate School of Architecture):
> September 1996-Vol.26 No.1
> October 1996-Vol.26 No.2 (2)
> December 1996-Vol.26 No.4 (2)
> February 1997-Vol.26 No.6
> March 1997-Vol.26 No.7
> May 1997-vol.26 No.9 (2)
> September 1997-Vol.27 No.1 (4)
> October 1997-Vol.27 No.2 (2)
> December 1997-Vol.27 No.4
> January 1998-Vol.27 No.5
> September 1999-Vol.29 No.1
>
> AIArchitect
> May 1997
> August 1997 (2)
> September 1997
> October 1997
> November 1997 (2)
> December 1997 (2)
> January 1999
> February 1999
> March 1999
> April 1999
> June 1999
> July 1999
> August 1999
> September 1999
> October 1999
> November 1999
> December 1999
> January 2000
> February 2000
> March 2000
>
> AIA Journal
> November 1982
> April 1983
> June 1983
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:11:20 EST
> From:    Jeanne Brown <[log in to unmask]>
> Subject: Duplicate Periodicals
>
> ----------------------------Original message----------------------------
> The following issues of Al-Benaa, American Bungalow, Arca, and Architects'
> Journal are available. Postage reimbursement appreciated. Jeanne
>
> =======================================================
> Jeanne Brown                            Tel:702-895-4369
> Head, Architecture Studies Library      Fax:702-895-1975
> ____________________________________________
>
> Albenaa
> March-April 1995
> May-June 1995
> July-August 1995
> September-October 1995
> January-February 1997
> May-June 1997
> July-August 1997
> January-February 1998
> March-April 1998
> January-February 1999
>
> American Bungalow
> No.14 1997 (2)
> No.19 Fall 1998
>
> l'Arca
> July-August 1997 #117
> September 1997 #118
> October 1997 #119
> November 1997 #120
> December 1997 #121
> February 1998 #123
> March 1998 #124
> April 1998 #125
>
> The Architects' Journal
> 22 January 1992 (2)
> 5 February 1992
> 11 March 1992
> 25 March 1992
> 8 April 1992
> 22 April 1992
> 10 June 1992
> 17 June 1992
> 15 July 1992
> 12 August 1992
> 13 July 1994
> 18 January 1996
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 14:11:35 EST
> From:    Ray Anne Lockard <[log in to unmask]>
> Subject: Articles on Oriental Collection in LA in June 2000 issue of
>          Orientations!
>
> Dear Colleagues:
>
> We just received our June issue of Orientations (!) and while examing
> it, I discovered the following articles on collections in LA.  I thought
> ARLIS colleagues interested in Asian art may be interested in knowing of
> the following articles in this issue:
>
> The New Galleries for Chinese Art at LACMA by J. Keith Wilson
> Los Angeles before LACMA:  Chinese Art at the Old County Museum by Karen
> Lansky and J. Keith Wilson
> Ding Ware in the Collection of the Los Angeles County Museum of Art by
> Robert D. Mowry
> For Merit and Meditation: Selected Buddhist Textiles in the Los Angeles
> County Museum of Art by Dale Carolyn Gluckman
>
> Ray Anne Lockard
>
> --
> Ray Anne Lockard, Head Librarian
> Frick Fine Arts Library
> University of Pittsburgh
> Pittsburgh, PA  15260
> Voice:  412-648-2411
> Fax:  412-648-7568
> E-Mail:  [log in to unmask]
>
> "A book should be a ball of light in one's hands."
> Ezra Pound
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 16:35:19 EST
> From:    Book Arts Press <[log in to unmask]>
> Subject: RBS Winter/Spring 2001
>
>                 [Cross-posted. Please excuse any duplication.]
>
>         RARE BOOK SCHOOL (RBS) is pleased to announce its Winter/Spring
> Sessions
> 2001, a collection of five-day, non-credit courses on topics concerning the
> history of the book, book illustration and encoded archival description to be
> held at the University of Virginia from 8 January - 12 January, 12 March - 16
> March and 4 June - 8 June 2001.
>         THE EDUCATIONAL AND PROFESSIONAL prerequisites for RBS courses vary.
> Some courses are primarily directed toward research librarians and archivists.
> Others are intended for academics, persons working in the antiquarian book
> trade, bookbinders and conservators, professional and avocational students of
> the history of books and printing, book collectors, and others with an interes
> in the subjects being treated.
>         THE TUITION FOR EACH FIVE-DAY COURSE is $745. Reasonably priced hotel
> accommodation is readily available nearby.
>         FOR AN APPLICATION FORM and electronic copies of the complete brochure
> and the RBS Expanded Course Descriptions (ECDs), providing additional details
> about the courses offered and other information about RBS, visit our Web site
> at:
>
>                 http://www.virginia.edu/oldbooks
>
> Or write Rare Book School, 114 Alderman Library, University of Virginia,
> Charlottesville, VA 22903-2498; fax 804/924-8824; email [log in to unmask];
> or telephone 804/924-8851.
>
> Subscribers to ARLIS-L may find the following Rare Book School courses to be o
> particular interest:
>
> 21: The Printed Book in the West to 1800. The introduction and spread of
> printing in Europe; the development of book design and illustration; the rise
> of the publishing industry; freedom and the regulation of the press; the
> increase in literacy and its social consequences; the traffic in printed matte
> and the growth of personal and institutional collections; the impact of the
> Industrial Revolution. Intended for those who have a limited background  but a
> considerable interest  in the history of the book, and who expect, sooner or
> later, to take the other two courses in this RBS sequence (The Medieval Book
> and The Printed Book in the West since 1800), both scheduled to be offered in
> RBS 2001's summer session. Instructor: Martin Antonetti.
>
> 22: Printed Ephemera. Underpinning the course is the view that ephemera deserv
> serious attention from business and social historians, from design and printin
> historians, and from those with curatorial responsibilities for collections of
> paperbased materials. The course will address ephemera from several different
> directions, but principally with the needs of the curator and collector in
> mind. It will focus on c19 Englishlanguage ephemera, though the general issues
> raised relate to all periods and also to foreignlanguage material. Classes wil
> consist of a mix of illustrated talks on specific topics, discussion periods,
> and sessions spent looking at original items. Issues to be covered include the
> processes used in the production of ephemera (in particular, transfer
> lithography and chromolithography); acquisitions policies and strategies;
> describing and cataloging ephemera, and the associated issues of dating,
> terminology, and the digitization of collections. Instructor: Michael Twyman.
>
> 34: Rare Book Cataloging. Aimed at catalog librarians who find that their
> present duties include (or shortly will include) the cataloging of rare books
> or special collections materials.Attention will be given both to cataloging
> books from the handpress period and to c19 and c20 books in a special
> collections context. Topics include: comparison of rare book and general
> cataloging; application of codes and standards (especially DCRB); uses of
> special files; problems in transcription, collation and physical description;
> setting cataloging policy within an institutional context. Instructor: Deborah
> J. Leslie.
>
>
>
>
>
>
> Book Arts Press                 Phone: 804/924-8851
> 114 Alderman Library            Fax: 804/924-8824
> University of Virginia          Email: [log in to unmask]
> Charlottesville, VA  22903              http://www.virginia.edu/oldbooks
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 16:35:30 EST
> From:    Peter Trepanier <[log in to unmask]>
> Subject: Travel by Museum Staff
>
> We are searching for examples of museum staff travel policies, as well as =
> published or unpublished studies and discussions on this topic.  Purposes =
> for travel are: professional development, lecturing and other outreach =
> activities on behalf of the museum.  We are excluding travel for courrierin=
> g works of art from this study. =20
>
> I have searched art reference databases, the Internet and our reference =
> collection and have found virtually nothing.  I would appreciate receiving =
> citations to studies,  discussions on this topic and to existing travel =
> policies which we may be able to obtain for comparative purposes.  Thank =
> you.   =20
>
> Peter Trepanier
> Head, Reader Services /Responsable, Services aux lecteurs
> Library and Archives/Biblioth=E8que et Archives
> National Gallery of Canada/Mus=E9e des beaux-arts du Canada
> 380 Sussex Drive/380, promenade Sussex
> P.O. Box 427, Sta. A/C.P. 427, Succ. A
> Ottawa  ON  K1N 9N4
> T:613.990.0587
> F:613.990.9818
> [log in to unmask]@beaux-arts.ca =20
>
> ------------------------------
>
> Date:    Wed, 6 Dec 2000 16:35:45 EST
> From:    JUDITH HERSCHMAN <[log in to unmask]>
> Subject: Re: San Diego sites/sights
>
> Try the Salk Institute in Del Mar designed by Louis Kahn. Also the best
> Chinese Restaurant in the world is called Mandarin Garden and is
> located on Mira Mesa Blvd. in S.D. County, just up Rt. 163, 15 from
> downtownS.D.
>
> Judy Herschman
>
>
> On Wed, 6 Dec 2000 14:09:04 EST Constance Woo <[log in to unmask]> wrote:
>
> > Dear Ruth,
> > As a former Californian, I would recommend the Globe Theatre, a
> > reconstruction of Shakespeare's Globe.  You might check the schedule and
> > take in a play if that's your interest.
> >
> > Constance Woo
> > Long Island University, Brooklyn Campus
> > [log in to unmask]
> >
> > -----Original Message-----
> > From: Ruth Thomas <[log in to unmask]>
> > To: [log in to unmask] <[log in to unmask]>
> > Date: Tuesday, December 05, 2000 2:50 PM
> > Subject: San Diego sites/sights
> >
> >
> > >
> > >I will be attending the Archaeological Institute of America and American
> > >Philological Association meetings in San Diego in early January.  I
> > >haven't visited that city in decades.  Besides the zoo and Sea World, what
> > >suggestions do you locals have for "must see's?"  The conference hotel is
> > >the San Diego Marriott--any nearby or other neighborhood restaurant
> > >recommendations?  Also, is anyone from ARLIS attending?  I would like to
> > >find out more about DCB, Dyabola, etc., from librarians who are using
> > >them.
> > >
> > >Ruth
> > >
> > >Ruth S. Thomas
> > >Archaeology, Art, Art History, Classics Bibliographer
> > >Mugar Memorial Library
> > >Boston University
> > >771 Commonwealth Ave.
> > >Boston, MA 02215
> > >(617)353-3714
> > >
> > >__________________________________________________________________
> > >Mail submissions to [log in to unmask]
> > >Administrative matters (file requests, subscription requests, etc)
> > >        to [log in to unmask]
> > >ARLIS-L Archives and subscription maintenance:
> > >       http://lsv.uky.edu/archives/arlis-l.html
> > >Questions may be addressed to list owner at: [log in to unmask]
> >
> > __________________________________________________________________
> > Mail submissions to [log in to unmask]
> > Administrative matters (file requests, subscription requests, etc)
> >         to [log in to unmask]
> > ARLIS-L Archives and subscription maintenance:
> >        http://lsv.uky.edu/archives/arlis-l.html
> > Questions may be addressed to list owner at: [log in to unmask]
>
> Judith Herschman
> Librarian, Arts Library
> [log in to unmask]
> (310) 206-5426
>
> ------------------------------
>
> End of ARLIS-L Digest - 5 Dec 2000 to 6 Dec 2000 (#2000-229)
> ************************************************************
>

__________________________________________________________________
Mail submissions to [log in to unmask]
Administrative matters (file requests, subscription requests, etc)
        to [log in to unmask]
ARLIS-L Archives and subscription maintenance:
       http://lsv.uky.edu/archives/arlis-l.html
Questions may be addressed to list owner at: [log in to unmask]