Marilyn I hope this helps Terms & Conditions 1992-2000 OCLC Use the navigation buttons to see previous/next records. Click on a checkbox to mark a record to be e-mailed or printed in Marked Records. Libraries ILL E-mail Print Help ABI_INFORM ArticleFirst PerAbs results for: kw: ashmolean and kw: art and kw: theft. Record 1 of 1 Prev Next Mark: Database: PerAbs Ownership: FirstSearch indicates your institution subscribes to this publication. Libraries that Own Item: 3571 Copyright: Copyright New York Times Company Feb 3, 2000 Author(s): Lyall, Sarah Title: Stolen Works Like Oxford's Cezanne Can Vanish for Decades Source: New York Times (Feb 3, 2000): p. 1 Journal Code: NY Standard No: ISSN: 0362-4331 CODEN: NYTIAO Language: English Abstract: When he slipped out of the Ashmolean Museum here less than 10 minutes later, melting into the crowds celebrating the New Year around the city, the thief carried with him exactly what he had come for, a $4.8 million Cezanne oil on canvas, ''Auvers-sur-Oise,'' which was painted between 1879 and 1882 and marks an important transition between the artist's early and later work. He was not carrying anything else. Left behind was a room full of Renoirs, Rodins and Toulouse-Lautrecs. And so the Ashmolean Museum here became the latest victim of a crime that has plagued the art world over the years: the daring, made-to-order art theft. It is a crime deeply connected with the unsavory underworld of drug smuggling and money laundering, even as it evokes images of languid, amusing thieves wearing dinner jackets and relishing their stolen collections, cunningly concealed in fabulous mansions on remote private islands. The authorities have no idea who took ''Auvers-sur-Oise,'' and they have no idea when or if it might be recovered. ''It could be tomorrow, or it could be in 20 years,'' Mr. [Duncan] McGraw said. But experts say that there is virtually no chance of the painting coming on the legitimate market without being identified as a stolen work. Not only is the Cezanne listed on databases of stolen art, which auction houses and above-board dealers consult every time an important new item comes up for sale, but it also is readily identifiable as the Ashmolean's, said Christopher Brown, the museum's director: ''Anyone offered this painting will walk over to the shelf and look it up in a Cezanne book, and would see where it belongs.'' PAULA -- Paula Epstein, Co-ordinator of Library Outreach Columbia College, 600 S. Michigan, Chicago, Il 60605-1996 [log in to unmask] (312) 344-7353 Fax: (312) 663-1707 On Thu, 19 Oct 2000, Marilyn Berger wrote: > PLEASE POST > > A student is doing research on art thefts and needs information on > the January 1, 2000 theft of a Cezanne painting from the > Ashmolean Museum in Oxford. She has checked Art Index, BHA, > ARTBIBModern, the Ashmolean website without getting much > information. Any leads to information will be gratefully appreciated. > > Marilyn Berger > > > > Marilyn Berger > Head Librarian > Blackader-Lauterman Library > > [log in to unmask] > > Voice: (514) 398-4742 > Fax: (514) 398-6695 > > Library Home Page:http://blackader.library.mcgill.ca/ > > __________________________________________________________________ > Mail submissions to [log in to unmask] > Administrative matters (file requests, subscription requests, etc) > to [log in to unmask] > ARLIS-L Archives and subscription maintenance: > http://lsv.uky.edu/archives/arlis-l.html > Questions may be addressed to list owner at: [log in to unmask] > __________________________________________________________________ Mail submissions to [log in to unmask] Administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner at: [log in to unmask]