----------------------------Original message---------------------------- rein BriefpapierDear List owner, I hope this book might be of interest for you readers. Yours sincerely, Reinout van der Horst ( publisher) SCREEN-BASED ART. BALKEMA, Annette W. and Henk SLAGER (Eds.) Amsterdam/Atlanta, GA, 2000 185 pp. Hb: 90-420-0801-6 Hfl. 100 / US=24 Pb: 90-420-0811-3 Hfl. 37 / US=24 Series: Lier =26 Boog 15 In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L=26B (Lier en Boog) series and the Amsterdam School of Cultural Analysis (ASCA). Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, Ren=E9 = Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, No=EBl Carroll, Sean Cubitt, C=E3lin Dan, Chris Dercon, Honor=E9 d'O, Anne-Marie Duquet, Ken Feingold, = Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski. Contents: Annette W. BALKEMA and Henk SLAGER: Prologue Marie-Luise ANGERER: New Technology and its Subject Annette W. BALKEMA: Desire for the Screen Ren=E9 BEEKMAN: Composing Images Raymond BELLOUR: Challenging Cinema Peter BOGERS: Limitations and Imperfections Joost BOLTEN: The Medium in the Middle No=EBl CARROLL: Forget the Medium=21 Sean CUBITT: The Chronoscope C=E3lin DAN: Growing Old in New Media Honor=E9 d'O: Theatrical Video Anne-Marie DUQUET: Scenography of the Image Ken FEINGOLD: Contextual Consciousness Symposium Filmic Images Chris DERCON: Still/A Novel Patricia PISTERS: Molecular Processes of Becoming Ed TAN: The Filmic Image as an Icon of Cultural Memory Ursula FROHNE: Illusions of Experience hARTware curators: Observations on Techno-Art Heiner HOLTAPPELS: Topicalism and the Design of Time Aernout MIK: Staged Situations Nicolaus SCHAFHAUSEN: Communication Torture Jeffrey SHAW: Media Art and Interactive Cinema Peter SLOTERDIJK: Neolithic Intelligence Barbara VISSER: Blurring Boundaries Siegfried ZIELINSKI: Time Machines Participants __________________________________________________________________ Mail submissions to [log in to unmask] Administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner at: [log in to unmask]