----------------------------Original message----------------------------
rein BriefpapierDear List owner,
I hope this book might be of interest for you readers.
Yours sincerely,
Reinout van der Horst ( publisher)
SCREEN-BASED ART.
BALKEMA, Annette W. and Henk SLAGER (Eds.)
Amsterdam/Atlanta, GA, 2000 185 pp.
Hb: 90-420-0801-6 Hfl. 100 / US=24
Pb: 90-420-0811-3 Hfl. 37 / US=24
Series:
Lier =26 Boog 15
In the 21st century, the screen - the Internet screen, the television
screen, the video screen and all sorts of combinations thereof - will be
booming in our visual and infotechno culture. Screen-based art, already a
prominent and topical part of visual culture in the 1990s, will expand even
more. In this volume, digital art - the new media - as well as its
connectedness to cinema will be the subject of investigation. The starting
point is a two-day symposium organized by the Netherlands Media Art
Institute Montevideo/TBA, in collaboration with the L=26B (Lier en Boog)
series and the Amsterdam School of Cultural Analysis (ASCA).
Issues which emerged during the course of investigation deal with questions
such as: How could screen-based art be distinguished from other art forms?
Could screen-based art theoretically be understood in one definite model or
should one search for various possibilities and/or models? Could
screen-based art be canonized? What are the physical and theoretical forms
of representation for screen-based art? What are the idiosyncratic concepts
geared towards screen-based art? This volume includes various arguments,
positions, and statements by artists, curators, philosophers, and theorists.
The participants are Marie-Luise Angerer, Annette W. Balkema, Ren=E9 =
Beekman,
Raymond Bellour, Peter Bogers, Joost Bolten, No=EBl Carroll, Sean Cubitt,
C=E3lin Dan, Chris Dercon, Honor=E9 d'O, Anne-Marie Duquet, Ken Feingold, =
Ursula
Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters,
Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara
Visser and Siegfried Zielinski.
Contents: Annette W. BALKEMA and Henk SLAGER: Prologue
Marie-Luise ANGERER: New Technology and its Subject
Annette W. BALKEMA: Desire for the Screen
Ren=E9 BEEKMAN: Composing Images
Raymond BELLOUR: Challenging Cinema
Peter BOGERS: Limitations and Imperfections
Joost BOLTEN: The Medium in the Middle
No=EBl CARROLL: Forget the Medium=21
Sean CUBITT: The Chronoscope
C=E3lin DAN: Growing Old in New Media
Honor=E9 d'O: Theatrical Video
Anne-Marie DUQUET: Scenography of the Image
Ken FEINGOLD: Contextual Consciousness
Symposium Filmic Images
Chris DERCON: Still/A Novel
Patricia PISTERS: Molecular Processes of Becoming
Ed TAN: The Filmic Image as an Icon of Cultural Memory
Ursula FROHNE: Illusions of Experience
hARTware curators: Observations on Techno-Art
Heiner HOLTAPPELS: Topicalism and the Design of Time
Aernout MIK: Staged Situations
Nicolaus SCHAFHAUSEN: Communication Torture
Jeffrey SHAW: Media Art and Interactive Cinema
Peter SLOTERDIJK: Neolithic Intelligence
Barbara VISSER: Blurring Boundaries
Siegfried ZIELINSKI: Time Machines
Participants
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