----------------------------Original message---------------------------- Hi, everyone, It's taken me an awfully long time to sum up what people told me about AMICO, but here it is: -Several institutions had decided against it, since it is so expensive, and not as relevant to university-level teaching as it could be (AMICO has started marketing to the K-12 market lately). -The University of Toronto was a testbed site, and complained of not having enough infrastructure to support using the database in the classroom; also, they found that the images weren't specific enough to art history classes, and that art history professors were resistant to using it. -The University of Calgary is using it; Michael May is the contact there. They have an enthusiastic art history professor who is one of the main reasons for their using it. -AMICO is a database of museum holdings, but many professors aren't teaching from museum holdings anymore. -At their meeting this year in Pittsburgh, the Art and Design School Directors generally agreed that the content was not relevant enough, and that nobody had the infrastructure to really use the database to advantage. -Syracuse University tested it and found that the images weren't the ones used by most art history professors, and were often dark or not sharp and didn't have enough information accompanying them. They also found it too expensive, and better suited to studio art classes than art history classes. The librarian there recommended Grove's Dictionary of Art Online's Bridgeman images over AMICO, and mentioned the many museums that are digitizing their own collections, such as the National Gallery of Art in Washington, and the San Francisco art museums. -Herron Art Library has found their faculty to be rather resistant to using AMICO, but says the younger faculty are more interested. The greatest use of it they have found is as an electronic image reserve for students and faculty. -Western Michigan University was a testbed site, and is still using AMICO. They've found that many students outside of the visual arts, in theatre design, consumer science, and history, use the database. The librarian there finds it useful, as do the students. She's found the professors to be less enthusiastic, however. She's also found that training users is essential, and takes a lot of time, but that it's one way to get students and faculty both to use the database. The user's guide that she made for the database is at: http://www.wmich.edu/library/vrl/AMICO-guide.html At the University of Regina, we have decided to go with AMICO for a year and evaluate it after that. We had some money that needed to be used, or we might not have subscribed at all, due to the expense. However, we have an Arts Education program here for K-12 that should find it most useful, as well as other departments such as History. One of our new studio professors is very positive about it. Donna Donna Bowman Visual Arts Librarian Education/Fine Arts Library University of Regina Regina, SK S4S 0A2 Ph: (306)585-5118 Fax: (306)585-5115 [log in to unmask] __________________________________________________________________ Mail submissions to [log in to unmask] Administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner at: [log in to unmask]